Showing posts with label Martin Achrainer. Show all posts
Showing posts with label Martin Achrainer. Show all posts

Sunday, January 6, 2019

Martin Achrainer performs semi-staged Winterreise

Martin Achrainer (photos from artist website)
Austrian barihunk Martin Achrainer will perform Schubert's Winterreise in a staged adaptation by Hermann Schneider in the Black Box space at the Theater am Volksgarten in Linz from January 20-Februarty 24. He'll be joined by Tommaso Lepore on piano.

When Schubert's Winterreise premiered in 1827, the public was perplexed by the piece, finding it too raw, too dark, too hard to digest. Only the famous song Der Lindenbaum found favor. But Schubert was completely sure that he had created a work of importance; no composition seems to have been as important to him as the musical realization of these 24 poems by Wilhelm Müller.  

Martin Achrainer as Don Giovanni:


Of course, today one can't have a serious discussion about great lieder without mentioning Winterreise. The piece's influence on other composers can not be overstated and few baritones having included all or portions of the cycle in their repertoire. 

Tickets are available online

Saturday, August 22, 2015

Martin Achrainer featured on Austrian national TV

Martin Achrainer
Austrian barihunk Martin Achrainer was recently featured on Österreichischer Rundfunk (ORF), Austria's national public television station. He discusses his career and time at the Linz Landestheatre, where he has become a house favorite.

Watch the ORF feature on Martin Achrainer:

He returns to action at the Linz Landestheatre on September 19th, when he alternates the role of Baron Douphol in Verdi's La traviata with Till von Orlowsky. On September 20, he'll be singing very different music, as he will be the soloist in Hans Werner Henze's El Cimarrón – Der Weg ins Freie at the International Bruckner Festival in Linz. On October 10, he'll be one of the soloists in Bruckner's Missa solemnis with the Bruckner Orchestra of Linz.

Friday, January 30, 2015

Happy Birthday, Philip Glass!!!

Martin Acrainer in Orphée (left) and Spuren der Verirrten (right)
Nary a year goes by where we don't celebrate the birthday of American composer Philip Glass who turns 77 today.

Many of his 20+ operas have become staples of the standard repertory including Hydrogen Jukebox, Einstein on the Beach, Satyagraha, Akhnaten, and The Voyage. We've featured many of the more obscure operas on this site, including Kepler, Les Enfants Terribles, The Perfect American, Orphée and Galileo Galilei, which have become popular vehicles for barihunks like Martin Achrainer, Philip Cutlip, Matthew Worth, Nicholas Nelson and Timothy McDevitt.

Glass was born in Baltimore and studied at the University of Chicago, the Juilliard School and in Aspen with Darius Milhaud. Finding himself dissatisfied with much of what then passed for modern music, he moved to Europe, where he studied with the legendary pedagogue Nadia Boulanger and worked closely with the sitar virtuoso and composer Ravi Shankar. He returned to New York in 1967 and formed the Philip Glass Ensemble.

Guillaume Andrieux in Philip Glass' Les Enfants Terribles
Glass likes speak of himself as a composer of “music with repetitive structures.” Much of his early work was based on the extended reiteration of brief, elegant melodic fragments that wove in and out of an aural tapestry. Or, to put it another way, it immersed a listener in a sort of sonic weather that twists, turns, surrounds, develops.

Upcoming performances of Glass operas include The Trial, which will run at the Theater Magdeburg from April 1-May 8 with barihunk Johnny Herford as Josef K. In the U.S., Hydrogen Jukebox will play at the Long Beach Opera from May 30-June 7. Perhaps the most popular Glass opera this season is Akhnaten, which will play in Antwerp in February, Gent in March, Heidelberg in March and Maastricht in June.

Friday, July 4, 2014

Celebrating Independence Day with American Opera


American composers Marc Blitzstein and Jake Heggie
American opera didn't happen until more than 140 years after the first opera, Jacobo Peri's Daphne. William Henry Fry is considered the first American opera composer. He wrote the unperformed Aurelia the Vestal in 1841 followed by Leonora in 1845. Most early American composers are forgotten today. Perhaps the first who are remembered today are Walter Damrosch, Scott Joplin, Louis Gruenberg, Roger Sessions and Victor Herbert.

One composer who is largely forgotten today is Harry Lawrence Freeman, an early African-American composer who supported himself and his own opera company during his lifetime and performed to largely black audiences. In 1893, his opera Epthelia was the first opera performed in the U.S., which was written by an African-American composer.

Before the advent of World War II, a number of prominent American composers emerged whose music endures today, including Marc Blitzstein, Virgil Thomson, George Gershwin, Douglas Moore, Aaron Copland and Gian Carlo Menotti. Perhaps the most enduring works from this period are Thomson's Four Saints in Three Acts and Gershwin's Porgy & Bess.

William Sharp sings Marc Blitzstein's song "Monday Morning Blues":

Marc Blitzstein is best remembered for his opera Regina, his musical The Cradle Will Rock and his adaptations of Kurt Weill/Bertolt Brecht musicals, even though he was notoriously critical of Weill for trying to appeal to mass audiences.  Regina is an adaptation of the Lillian Hellman play The Little Foxes. It was completed in 1948 and premiered the next year. The musical style has been described as new American verismo, abounding in the use of spirituals, Victorian parlour music, dance forms, ragtime, aria and large, symphonic score

William Warfield and Leontyne Price sing "

Porgy & Bess features a number of baritone and bass-baritone roles, including Porgy, Jake and Crown. Porgy gets to sing the classic "I got plenty o' nuttin'" and "Bess, o where's my Bess?, "as well as an amazing duet. Jake gets to sing A woman is a sometime thing, while Crown sings "A red-headed woman."

Virgil Thomson composed four operas and the two most popular were collaborations with author Gertrude Stein. He was influential in the creation of what is known as “American Sound” and was awarded Yale University’s Sanford Medal and the National Medal of Arts.

Douglas Moore is unusual,  in that he was most famous for his operas, not his popular music. Although he composed ten operas, his most well-known is The Ballad of Baby Doe. He was a significant figure in both the advancement of American music and music education.  Horace Tabor, who has the best music for a male character, was written for a baritone. His main pieces include "Warm as the autumn light" and "Turn tail and run then."

Michael Hewitt sings "Warm as the autumn night":


The second half of the 20th Century saw the emergence of some of America's greatest composers ever, including Hugo Weisgall, Dominick Argento, Carlisle Floyd, Samuel Barber, Thomas Pasatieri, Philip Glass, John Adams and Stewart Wallace. In 1955, Carlisle Floyd wrote what many consider America's greatest opera, Susannah, which remains in the standard repertory today.

Long before the composing couple of Mark Adamo and John Corigliano emerged, America was blessed with lifelong companions Samuel Barber and Gian Carlo Menotti, who wrote some of the greatest operatic works in history. Barber penned Antony & Cleopatra and Vanessa, the latter with a libretto by Menotti. Antony and Cleopatra was commissioned to open the new Metropolitan Opera House at Lincoln Center in 1966 with Leontyne Price and Justino Diaz. 

Eric Halfarson sings the Death of Enobarbus from "Antony & Cleopatra":

Gian Carlo Menotti wrote the most performed American opera ever written, Amahl and the Night Visitors. His impressive list of operas include The Consul, The Saint of Bleeker StreetAmelia Goes to the Ball, The Old Maid and the Thief, The Telephone and The Last Savage. In 1958, Menotti founded the Festival of Two Worlds in Spoleto, Italy and then founded its companion festival in Charleston, South Carolina in 1977.

The 21st century has seen an explosion of interest in living American composers, including Tobias Picker, John Adams, Philip Glass, Jake Heggie, Mark Adamo, Ricky Ian Gordon, Anthony Davis, Steve Mackey, John Corligliano, Daron Hagen and John Harbison. Philip Glass has been successfully writing operas for 35 years, with such major successes as Hydrogen Jukebox, Einstein on the Beach, Kepler, Satyagraha and Appomattox. He has composed over twenty operas.

Martin Achrainer in Philip Glass' "Kepler":

Although he is far less prolific than Glass, many people consider John Adams an equal to Glass as the greatest living American composer. His masterpiece is considered Nixon in China, which is currently being performed in theaters around the world.  His other somewhat less successful opera is The Death of Klinghoffer However, it has received worldwide press attention over the Met canceling the Live in HD broadcast of the opera over concerns from Jewish groups.

Perhaps the modern day wunderkind of American opera is Jake Heggie, who has strung together a remarkable number of operas which are entering the standard repertory. His 2000 opera Dead Man Walking is becoming an audience favorite far beyond the U.S. shores. Of course, we love it, because it has become a major vehicles for barihunks who are portraying the convicted killer Joseph De Rocher. His other successes include The End of the Affair, Three Decembers and the recent hit Moby-Dick 

Randal Turner sings Tom Joad's aria from The Grapes of Wrath:

But the busiest composer in 2014 has to be Ricky Ian Gordon with his singable melodies. His most recent opera "27" with a libretto by Royce Vavrek is about about the singular world of Gertrude Stein and Alice B. Toklas. It opened on June 14th at the Opera Theatre of St. Louis. Three months earlier, he opened A Coffin in Egypt at the Houston Grand Opera, which was written for superstar diva Federica von Stade. It's already had subsequent performances in Los Angeles and Philadelphia.  

Have a happy and safe 4th of July and celebrate some American music! 

Saturday, June 14, 2014

Martin Achrainer awarded first "Richard Tauber Medal"


Martin Achrainer receiving the first Richard Tauber Award
The Friends of the Linz State Theatre has awarded the first "Richard Tauber Medal" to barihunk Martin Achrainer. Achrainer has been a regular member of the theater since the 2006/2007 season and has been a favorite of both audiences and management for his beautiful singing and incredible acting skills.

Regular readers of this site know that we are unabashed and enthusiastic fans of the Tyrolian singer who premiered Philip Glass's Kepler at the theatre and then reprised it in New York. He has also performed Glass' Orphée and Spuren der Verirrten.

In addition to Glass, he has been a passionate exponent of new music, including Henze, Ligeti, Kelterborn and Schwertsik. In addition to contemporary music, he has excelled in musical theater, baroque music, church music, as well as the Weill, Bernstein, Puccini, Wagner, Donizetti and especially Mozart.

Achrainer, who studied at the Max Reinhardt Seminar was heavily influenced by two of the greatest singers of the recent past, Brigitte Fassbaender and Robert Holl.

Martin Achrainer
He can currently be seen in Linz performing the roles of Escamillo in Bizet's Carmen and Papageno in Mozart's Die Zauberflöte. In July, he'll don Papageno's feathers again at Opern Klosterneuburg.

The award in named after the popular Linz-born tenor Richard Tauber (1891-1948), who many regard as one of the greatest exponents of operetta and opera in the 20th century. Tauber often wore a monocle and black top hat and came to epitomize Viennese charm.

Tuesday, September 10, 2013

Martin Achrainer (shirtless) in another Philip Glass premiere

Martin Achrainer in Spuren der Verirrten
Tyrolian barihunk Martin Achrainer is making quite a name for himself as an exponent of new works by American minimalist composer Philip Glass. An alert reader spotted these pictures from Glass' new German language opera Spuren der Verirrten (“Footprints of the Lost”)," which is based on the play by Peter Handke. We've previously seen Achrainer in Glass' Orphée and in the world premiere of Kepler.


Much of this is attributable to the fact that Achrainer is in the ensemble at the Landestheater Linz, where the music director and principal conductor is long-time Philip Glass collaborator and champion Dennis Russell Davies.  Glass wrote “Spuren der Verirrten” for the opening of the new Musiktheater am Volksgarten, a state-of-the-art opera house that Davies was instrumental in getting built.

Martin Achrainer in Spuren der Verirrten
Although the world premiere of Spuren der Verirrten was in April of this year, the opera is being perfromed again beginning on November 9 and running into January 2014. Tickets are available online

Achrainer's character is called "F' and the rest of the cast includes A, B, C, D...you get the picture. Although the opera has many of the typical characteristics of the composer's works, including repetitiveness and minimalism, he has added alphorns and zithers to give it an Austrian flavor. The text is typical Glass, as well, with singers often repeating the question “Where are we?”

The joke at the opera house has been that this work is “Two Notes, One Opera.”

Thursday, October 4, 2012

Photos from Martin Achrainer's "Le Grand Macabre"

Martin Achrainer in "Le Grand Macabre" in Vienna
Back in August we mentioned that Austrian barihunk Martin Achrainer was going to appear in Györgi Ligeti's masterpiece "Le Grand Macabre" at the Neue Oper Wien.  The opera has opened to rave reviews and, lo and behold, we once again find Achrainer showing off his amazing physique.

Le Grand Macabre is György Ligeti’s only opera and is based on the theater piece La Balade du Grand Macabre by Belgian author Michel de Ghelderode. Ligeti wrote the libretto with Michael Meschke setting the work in the near-apocalyptic Breughelland (a reference to Dutch painter Pieter Breughel). Although the opera has become popular in Europe, it took 26 years before it had its successful premiere in the United States at the San Francisco Opera.  That 2004 performance starred Willard White as Nekrozar and barihunk Joshua Bloom as the Black Politician. The New York Philharmonic performed the piece with Eric Owens as Nekrozarin 2010.

More shirtless shots of Martin Achrainer from "Le Grand Macabre"
There are performances remaining on October 6 and 7. Visit the Neue Oper Wien website for additional information or tickets. After he wraps up in Vienna, Achrainer will perform a concert entitled "Mir bleiben alle treu" ("I remain faithful to all") at the Casino Kitzbühel in Austria on October 14.

Sunday, August 12, 2012

Martin Achrainer to star in "Le Grand Macabre"

Martin Achrainer
One of our favorite singers, Martin Achrainer, will be portraying Nekrozar in György Ligeti's Le Grand Macabre at the Neue Opera Wien. The opera will have four performances between October 2-7.

Le Grand Macabre is György Ligeti’s only opera and is based on the theater piece La Balade du Grand Macabre by Belgian author Michel de Ghelderode. Ligeti wrote the libretto with Michael Meschke setting the work in the near-apocalyptic Breughelland (a reference to Dutch painter Pieter Breughel). Although the opera has become popular in Europe, it took 26 years before it had its successful premiere in the United States at the San Francisco Opera.  That 2004 performance starred Willard White as Nekrozar and barihunk Joshua Bloom as the Black Politician. The New York Philharmonic performed the piece with Eric Owens as Nekrozarin 2010.

Martin Achrainer in Marriage of Figaro



Ligeti said of the work: “It’s an imagining of the end of the world, but very colorful, very bizarre, populated with medieval imps... It’s a Rabelaisian world, a world full of obscenities, sexual and scatological. People are constantly eating and drinking and leading a very chaotic life. It all happens in a sort of broken-down dictatorship where two opposing parties, both completely corrupt, pursue in reality the same crooked policies... It’s tragic and light-hearted at the same time…It’s not my intention to be provocative, though naturally I enjoy shocking people a bit.”

The music is a collage of sonorities with references to Beethoven’s “Eroica,” ragtime, industrial noises, jazz, and Viennese waltzes.

The next production of the opera will be at the Komische Oper in April 2013. 

CONTACT US AT Barihunks@gmail.com. Also, entries for the 2013 Barihunks Charity Calendar are due by August 31.

Tuesday, January 31, 2012

Happy Birthday, Philip Glass; Matthew Worth Excels in Glass' Orphee at Virginia Opera

Philip Glass, Martina Arroyo, Joyce DiDonato and Gerald Finley at 2009 Opera News awards. [Photo by Dario Acost]

Was there any doubt that we'd be celebrating the 75th birthday today of the great American composer Philip Glass? We regularly feature his work on this site, including the recent production of "Les Enfants Terribles" with barihunk Timothy McDevitt and soprano Jessica Cates showing off their bodies after training at the gym for the ballet/opera; Barihunks Matthew Worth and Christopher Temporelli in Orphée at the Virginia Opera (more on that below); Lots of coverage of Hydrogen Jukebox at the Ft. Worth Opera including some great shirtless pictures of barihunks Dan Kempson and Justin Hopkins; Lots of video of his operas, including the ability to watch Kepler in its entirety with Austrian barihunk Martin Achrainer.

Profile (born Jan. 31, 1937, Baltimore, Md., U.S.) American composer of innovative instrumental, vocal, and operatic music.  Glass studied flute as a boy and enrolled at age 15 at the University of Chicago, where he studied mathematics and philosophy and graduated in 1956. 

Philip Glass is a prolific and widely-respected American composer of innovative,  vocal and operatic music. He work consistently uses repetitive structures and is often minimalistic. Glass studied math and philosophy before pursuing music at the Julliard School. His opera Satyagraha (1980) tells the story of Mahatma Gandhi's life. The Metropolitan Opera commissioned The Voyage in 1992.

Barihunk Philip Cutlip recorded Orphee

His interest in atonal music drew him on to study composition at the Juilliard School of Music (M.S., 1962) in New York City and then to Paris to study under Nadia Boulanger. His acquaintance there with the Indian sitarist Ravi Shankar decisively affected Glass's compositional style, and he temporarily jettisoned such traditional formal qualities as harmony, tempo, and melody in his music. Instead he began creating ensemble pieces in a monotonous and repetitive style; these works consisted of a series of syncopated rhythms ingeniously contracted or extended within a stable diatonic structure. Such minimalist music, played by a small ensemble using electronically amplified keyboard and wind instruments, earned Glass a small but enthusiastic following in New York City by the late 1960s.

Glass's opera Einstein on the Beach (1976), composed in collaboration with Robert Wilson, earned him broader acclaim; this work showed a renewed interest in classical Western harmonic elements, though his interest in startling rhythmic and melodic changes remained the work's most dramatic feature. Glass's opera Satyagraha (1980) was a more authentically “operatic” portrayal of incidents from the early life of Mohandas K. Gandhi. In this work, the dronelike repetition of symmetrical sequences of chords attained a haunting and hypnotic power well attuned to the religio-spiritual themes of the libretto, adapted from the Hindu scripture the Bhagavadgt. The opera The Voyage (1992) had mixed reviews, but the fact that it had been commissioned by the New York Metropolitan Opera (to commemorate the 500th anniversary of Christopher Columbus' arrival in the Americas) confirmed Glass's growing acceptance by the classical-music establishment.

[Excerpted from  © Encyclopædia Britannica]

Matthew Worth (L) as Orphée at Virginia Opera; Jeffrey Lentz (R) as Heurtebise (Preston Gannaway,The Virginian-Pilot)
One of the best Glass productions that is currently running is Orphée at the Virginia Opera with American barihunks Matthew Worth and Christopher Temporelli (and the very adorable tenor Jonathan Blalock, who also appeared in the aforementioned Hydrogen Jukebox). Here is what the Virginian-Pilot had to say:

The large cast had no weaknesses. First among equals was Matthew Worth as Orphée, using a powerful and rich baritone to great effect as the tormented poet who struggles to find meaning in his life and art. His performance conveyed both the strengths and weaknesses of the character, and did so in a sympathetic manner that carried the audience along on Orphée’s journey.

Remaining Norfolk performances are 7:30 p.m. Wednesday, 8 p.m. Friday and 2:30 p.m. Sunday. 623-1223 or 866-673-7282; www.vaopera.org

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Monday, January 31, 2011

Happy Birthday, Philip Glass: Watch the complete opera Kepler here



OK, we have a birthday theme going on this week. An email message quickly showed up in our email box after we posted the birthday tribute to Franz Schubert reminding us that it is also Philip Glass' birthday. We're big fans of Philip Glass, so we're going to try something new to Barihunks and post the entire performance of his opera Kepler with the Austrian barihunk Martin Achrainer. This performance is from the 2009 production at the Landestheater Linz.

We can't think of a better way to celebrate his modern master's birthday.





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Sunday, November 7, 2010

Martin Achrainer Sings Frank Martin

Tyrolian Barihunk Martin Achrainer





Here is a riveting performance of Frank Martin's "O ewiger Gott! O göttliches Gesicht!" sung by the Austrian baritone Martin Achrainer. This is a selection from the "Six Monologues from Hugo von Hofmannsthals 'Jedermann.'"

Achrainer's next performances will be during November with the Landestheater in Linz as Konrad in Die Meistersinger von Nürnberg and Cornelius in "Hello, Dolly!"

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Thursday, October 21, 2010

Martin Achrainer: Germany's Nathan Gunn

German Barihunk Martin Achrainer

Martin Achrainer is one of the most creative and compelling baritones on stage today. He's part of the ensemble at the Landestheater Linz, where he caught the eye of Philip Glass who cast him in Kepler, which we covered on this site. He is capable of mastering everything from song and dance numbers in Broadway musicals, to Mozart to contemporary music. Not surprisingly, he has become a fan favorite in Linz. Achrainer has become a younger, European version of Nathan Gunn, as he frequently performs in roles that shows of his physique.

Achrainer is once again tackling a wide array of roles this season, portraying Konrad in Meistersinger, Cornelius in Hello, Dolly!, Dandini in La Cenerentola and Sharpless in Madama Butterfly.

There are two wonderful videos below. The first is a short piece on his portrayal of Orphee in the Philip Glass opera. The latter is a wonderful biographical piece on the singer (in German). Even if you don't speak German, you can't miss the incredible charm that emanates from this 32-year-old singer.



Monday, November 16, 2009

Martin Achrainer to Premier new Philip Glass Opera


Composer Philip Glass' latest opera is the story of Johannes Kepler (1571—1630), a founding father of modern science who discovered the laws of planetary motion.

His new score is described as "spacious, elemental, and imbued with wonder" on Glass' website. The hypnotic score becomes the sound of the cosmos as we witness Kepler struggling to reconcile scientific discovery with the divine.

Celebrated conductor Dennis Russell Davies and the Bruckner Orchestra Linz support a stellar cast and 42-member chorus drawn from the Upper Austrian State Theatre, Linz. This means that our main character is being performed by barihunk Martin Achrainer, a regular on this site. The opera will premier on November 20th at the Brooklyn Academy of Music and then move on to Linz Landestheater on November 27th. Click on the BAM link to the left to hear Philip Glass discuss the opera.

Here is a profile of Martin Achrainer (in German) talking about the role, as well as a preview of the opera:





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Saturday, March 7, 2009

Sexiest Don Giovanni Contest











I've received some email asking me what the Don Giovanni candidates in our poll look like. One can always search in the box on the upper right hand corner of the site for whomever you're looking for. It has already been pointed out to me that I left off Erwin Schrott, which was completely inadvertent. I'll make up for it by posting some great photos in the near future.

Make sure to vote. Here are out contestants from top to bottom:

1. Christopher Maltman as Don Giovanni
2. Mariusz Kwiecien as Don Giovanni
3. Randal Turner in Cosi
4. Simon Keenlyside as Don Giovanni
5. Cesare Siepi as Don Giovanni
6. Ildebrando d'Arcangelo in Le Nozze di Figaro
7. Daniel Okulitch as Don Giovanni
8. Martin Achrainer as Don Giovanni
9. Mark Stone as Don Giovanni

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Thursday, January 8, 2009

Martin Achrainer Looks Good In Anything



[La Calisto photo by Norbert Artner]

If you can wear a gold lamme jacket and a frilly shirt and still look good, then you know that you're a certifiable barihunk. Martin Achrainer seems to be checking out his threads, but this is actually from a December 2008 production of La Calisto in Linz.

The Tyrolian barihunk's career continues to receive great acclaim and he's next scheduled to sing Mozart's Count Almaviva in Linz next month.

Although, we preferred him stripped to his birthday suit in Don Giovanni last year, we think he looks hot in anything.

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