Peter Brathwaite and poster for "Degenerate Music" |
Auschwitz-Birkenau
marks
the liberation of Auschwitz-Birkenau, the largest Nazi death camp. -
See more at:
http://hmd.org.uk/page/about-hmd-and-hmdt#sthash.FnJa42Tm.dpuf
marks
the liberation of Auschwitz-Birkenau, the largest Nazi death camp. -
See more at:
http://hmd.org.uk/page/about-hmd-and-hmdt#sthash.FnJa42Tm.dpuf
marks
the liberation of Auschwitz-Birkenau, the largest Nazi death camp. -
See more at:
http://hmd.org.uk/page/about-hmd-and-hmdt#sthash.FnJa42Tm.dpuf
marks
the liberation of Auschwitz-Birkenau, the largest Nazi death camp. -
See more at:
http://hmd.org.uk/page/about-hmd-and-hmdt#sthash.FnJa42Tm.dpuf
marks
the liberation of Auschwitz-Birkenau, the largest Nazi death camp. -
See more at:
http://hmd.org.uk/page/about-hmd-and-hmdt#sthash.FnJa42Tm.dpuf
The program, which was devised by Brathwaite, is a reconstruction of the infamous Entartete Musik (Degenerate Music) exhibition of 1938, intended by the Nazi government to alert the German public to “inferior and ultimately dangerous” forms of music, particularly jazz and Jewish music.
A recording of Hanns Eisler's music:
The program includes songs by Kurt Weill, a selection of Hanns Eisler’s Protest Songs, and works by Friedrich Hollander and Ernst Krenek, including excerpts from his opera Jonny Spielt Auf. This program was written to create a moving testimony to the power of music to overcome adversity, and reminds us that the atrocities of war and oppression are not confined to the battlefield. The songs are interspersed with spoken excerpts from the Entartete Musik exhibition pamphlet and include video projections created by James Symonds showing scenes of everyday life during the days of the Weimar Republic.
You can read more in this article from Mancunian Matters.
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