Barihunk duo in Rossini Festival's Le siège de Corinthe

Luca Pisaroni, Nino Machaidze and Iurii Samoilov

The barihunk duo of bass-barihunk Luca Pisaroni in Mahomet II and Iurii Samoilov as Omar in Rossini's Le siège de Corinthe. They are joined by John Irvin as Cléomène, Nino Machaidze as Pamyra, Sergey Romanovsky as Néoclès, Carlo Cigni as Hiéros, Xabier Anduaga as Adraste and Cecilia Molinari as Ismène. Performances are on August 10, 13, 16 and 19 and tickets are available online.

The opera premiered at the Salle Le Peletier of the Paris Opéra on October 9, 1826 and was a partial rewrite of the composer's 1820 Italian opera, Maometto II, with exactly the same story and characters. The original version premiered in Naples on December 3, 1820.

The opera commemorates the siege and ultimate destruction of the town of Missolonghi in 1826 by Turkish during the ongoing Greek War of Independence (1821-1829). The reference to Corinth is an example of allegory, although Sultan Mehmed II had indeed besieged the city in the 1450s. This same incident, condemned throughout Western Europe for its cruelty, also inspired a prominent painting by Eugène Delacroix (Greece Expiring on the Ruins of Missolonghi), and was mentioned in the writings of Victor Hugo. Lord Byron's 1816 poem The Siege of Corinth has little, if any, connection with the opera.

Luca Pisaroni sings "Sorgete... Duce di tanti eroi" from Maometto II:

On August 15, Pisaroni will also perform a recital of music by Schubert, Liszt and Rossini with Giulio Zappa at the piano. Tickets are available online. He returns to the US in December as Count Almaviva in Mozart's Le Nozze di Figaro at the Metropolitan Opera. He rotates the role with fellow barihunk Mariusz Kwiecien.

Iurii Samoilov returns to his home base at Oper Frankfurt in October as Ned Keene in Britten's Peter Grimes. He remains with the company this season to perform Guglielmo in Mozart's Cosí fan tutte, Marullo in Verdi's Rigoletto and Dandini in Rossini's La Cenerentola.