Showing posts with label Erwin Scrott. Show all posts
Showing posts with label Erwin Scrott. Show all posts

Friday, November 27, 2009

Hot Schrott to Perform WIth Hot Trio of Barihunks

[Photos from www.erwin-schrott.com]




We haven't featured über-barihunk Erwin Schrott in awhile, so we thought we would check to see what's on his schedule. It looks like Milan's La Scala has him engaged through February 2010.

He'll be singing Carmen with hunkentenor Jonas Kaufmann and fellow barihunk, Austrian Mathias Hausmann as Morales.

[Mathias Hausmann]


A month later, he'll be joining two other barihunks, Mirco Palazzi and Alex Esposito, in Don Giovanni, where he will sing the role of the title character. Alex Esposito has been featured on this site before and is known for his compelling stage performance. He'll be singing Leporello and Palazzi will perform Masetto.

Mathias Hausmann studied singing with Karl Ernst Hoffmann in Graz as well as with Ryland Davies at the Benjamin Britten International Opera School of the Royal College of Music in London.

Hausmann has been a member of the ensemble at the Volksoper in Vienna where he has become a fan favorite. His barihunk roles include Papageno and A Midsummer Night's Dream.




Thirty-one year old Mirco Palazzi studied singing in Pesaro with Robleto Merolla. He has performed in Naples, Parma, Ravenna, Stuttgart, Japan, Naples and at La Scala.

He can be heard on the Opera Rara recordings of Rossini’s Zelmira and Adelaide di Borgogna (live from the Edinburgh International Festival), Donizetti’s Pia de’ Tolomei and Il diluvio universale and highlights of Meyerbeer’s L’esule di Granata.

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Saturday, July 19, 2008

Two Sites See Erwin Schrott Doppelgängers


[Top photo from La Cieca's www.parterre.com. Bottom photo from Opera Chic at http://operachic.typepad.com/opera_chic/2008/02/danza-me-to-the.html]

Two of the most entertaining opera sites for opera fanatics have dueling ideas about who Erwin Schrott's doppelgänger might be. The always fun La Cieca nominates Jonathan Rhys-Meyers, while Opera Chic leans toward Tony Danza. To avoid confusion, Opera Chic helpfully points out that in this rare instance Schrott is the guy with his shirt ON.

My question is, why didn't I remember Tony Danza being this hot?