Showing posts with label Oscar Wilde. Show all posts
Showing posts with label Oscar Wilde. Show all posts

Monday, November 14, 2016

Barihunk duo in The Picture of Dorian Gray

Thomas Meglioranza and Jeremy Ayres Fisher
Odyssey Opera and the Boston Modern Orchestra Project will present Lowell Liebermann's The Picture of Dorian Gray in a semi-staged version. The opera will feature Thomas Meglioranza in the role of Lord Henry Wotton and Jeremy Ayres Fisher in the small role of the Gamekeeper. Lord Wotton is a witty and urbane nobleman, who critcizes the moralism and hypocrisy of Victorian socitey. His philosophy of New Hedonism plays a big part in Dorian Gray's development.

The opera is one of two by Liebermann and is based on Oscar Wilde's novel The Picture of Dorian Gray. It had its premiere at the Monte Carlo Opera in 1996 in a co-production with Opera Pacific, but the American premiere was canceled due to company's financial problems. The subsequent American premiere took place on February 5, 1999 at the Florentine Opera in Milwaukee, Wisconsin.

Trailer for Dorian Gray at Odyssey Opera:

The story revolves around the wealthy and attractive Dorian Gray, who has gained immortality by having his soul trapped within a painting. He is well known for his extravagance and debauchery. The picture of Dorian Gray not only took on the ravages of Dorian’s age, but also became the physical manifestation of his evil deeds - a heinous portrait of his true self.

The performance is on Friday, November 18, 2016 at Jordan Hall at New England Conservatory and will include a pre-concert talk with Lowell Liebermann one hour prior to concert. Tickets are available online.

Sunday, May 10, 2015

Matt Treviño's ghostly German debut in Leipzig

Matt Treviño as the Canterville Ghost
American bass-barihunk Matt Treviño is making his German debut at Opera Leipzig as the ghost in Gordon Getty’s opera The Canterville Ghost, based on Oscar Wilde’s story of the same name.

Wilde’s anti-ghost story, which was first published in the newspaper "The Court and Society Review" in 1887, tells the tale of a ghost who fears those he’s supposed to be haunting. Both Bram Stoker, who penned Dracula ten years later, and Wilde tackled changing belief systems in a rational and enlightened era. In The Canterville Ghost,  Wilde satirizes his generation’s meaningless preoccupation with the occult and paranormal phenomena.


The opera opened on May 9 and additional performances are scheduled for May14 and June 14 and 24. The Canterville Ghost is being paired with Leoncavallo's Pagliacci.