Showing posts with label Rossini La Cenerentola. Show all posts
Showing posts with label Rossini La Cenerentola. Show all posts

Sunday, November 13, 2016

Introducing Basque Barihunk Vincent Simonet

Vincent Simonet (Photos: JF l'Oiseleur des Longchamps)

Hunkentenor turned barihunk Vincent Simonet is a native of Bayonne in the Basque region of France. He is a decendent of the famous 19th century baritone Paul Barroilhet (aka Paolo Barroilhet), whose bust still graces the Opera Garnier in Paris. Barroilhet created a number of Donizetti roles, including Eustachio de Saint-Pierre in L'assedio di Calais, Lord Duke of Nottingham in Roberto Devereux, Alfonso XI of Castile in La favorite and Camoëns in Dom Sebastien. 

This summer at the Centre Européen de Musique, Simonet performed Dandini in Rossini's La Cenerentola coached by the great Spanish mezzo-soprano Teresa Berganza. He has also been heard in Joseph Haydn's Isola Disabitata in Saint-Denis, as Fritz in Jacques Offenbach's La Grande Duchesse de Gerolstein at the OPERACADEMY in Paris and in Rekviem 3, which staged Verdi's Requiem in an adaptation of Josef Bor's novel The Terezín Requiem at the Opera de Paris Bastille Amphitheater. 

Vincent Simonet (Photos: Bruno Melegari)
Simonet was asked by French composer Philippe Mazé to sing at the 100-year anniversary of the Cathedral of Monaco (Saint Nicholas Cathedral). The cathedral is home to the Roman Catholic Archdiocese of Monaco where many of the Grimaldis are buried, including Prince Rainier III and his wife Grace Kelly.

Simonet is also one of the initiators of the charity recital "Ensemble pour les Enfants Malades" (Recital for the Sick Children) which was a benefit for the Pediatric Immuno-Hematology Department at the Hôpital Necker de Paris.

You can enjoy hot men all year long in our new 2017 Barihunks in Bed calendar, which is now on sale at LULU. 

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Wednesday, October 12, 2016

Jarrett Ott takes on Dandini in Syracuse before making European debut in Edward II

Jarrett Ott giving us some puppy eyes
Barihunk Jarrett Ott will be singing Dandini in Syracuse Opera's upcoming production of Rossini's La Cenerentola (Cinderella) on October 28 and 30. He first performed the role with the Curtis Opera Theatre while a student. He'll be joined in the cast by hunkentenor Jonathan Blalock as Don Ramiro, Corrie Stallings as Angelina, Peter Strummer as Don Magnifico and Adelaide Boedecker as Clorinda. Tickets are available online.

Last October, Opera News named him one of the 25 rising stars of opera, calling his voice "polished and immaculately produced."

On November 7, Ott will perform excerpts from Jake Heggie's new opera It's a Wonderful Life at the Solomon R. Guggenheim Museum  in New York City.

In 2017, he will make his major European opera debut at the Deutsche Oper Berlin singing the role of the Angel in the world premiere of Andrea Scartazzini's Edward II, directed by Christoph Loy. The title role will be sung by fellow barihunk Michael Nagy and will also feature hunkentenor Ladislav Elgr singing the role of his alleged lover Piers de Gaveston.

The libretto by Thomas Jonigk focuses entirely on the role of the outsider Edward II and looks at society’s attitude towards homosexuals both then and now. Whether the close bond between Edward and Gaveston in the early 14th century was sexual in nature remains a contested issue, but among art circles Edward II has long been an icon of the gay movement. Gaveston was decapitated for being gay and King Edward II was executed in 1327 by having a red hot roasting spit shoved into his anus.

The subject matter inspired Christopher Marlowe’s bloody 1593 play about the self-assertive strivings of the hapless English king, the 1923 version by Bertolt Brecht of the same name and Derek Jarman’s 1992 famous film adaptation “Edward II.” 
 
Performances run from February 19-March 9 and tickets are available online.


Friday, April 15, 2016

Gianluca Margheri to sing Alidoro in Palermo

Gianluca Margheri as Don Giovanni & Apollo (photo right ©Giancarlo Malandra)
Gianluca Margheri will be singing Alidoro in Rossini's "La Cenerentola" (Cinderella) at the Teatro Massimo in Palermo on April 19, 22 and 24. He'll be joined by the amazing tenor René Barbera as Don Ramiro, Chiara Amarù as Angelina, Paolo Bordogna as Don Magnificio, Riccardo Novaro as Dandini, Marina Bucciarelli as Clorinda,  and Annunziata Vestri as Tisbe. The role of Alidoro replaces the Fairy Godmother from the original story of Cinderella. Tickets are available online.

In Act 1, Alidoro sings "Là del ciel nell'arcano profondo" in disguise as one of the King's officials. He is with Cenerentola who cannot attend the Prince's ball at her father's insistence. Alidoro realizes the goodness in Cenerentola and tells her that he will bring her to the ball himself. She believes that he is making fun of her. To show her that he means what he says, he throws off his cloak to reveal his noble clothes beneath and sings to her that God himself has looked down upon her and shows favor upon her and thus, she should not be afraid of going to the ball. He then goes on to say that his carriage is coming and, although she must be confused and upset, she will soon be in happier days.

Ildebrando D'Arcangelo sings "Là del ciel nell'arcano profondo":
 

Rossini composed La Cenerentola when he was 25 years old, following the success of The Barber of Seville the year before. Throughout most of the 19th century, its popularity rivaled that of the Barber of Seville, but as the coloratura contralto, for which the title role was originally written, became rare it fell slowly out of the repertoire.

The opera contains some of his finest writing for solo voice and ensembles. Perhaps the most popular aria from the piece today is Cenerentola's "Nacqui all'affanno ... Non piu mesta," which is often used be singers to end recital programs or as an encore. Other popular pieces include Don Magnifico's "Miei rampolli femminini, Dandini's "Come un'ape ne' giorni d'aprile" (a popular audition piece for young baritones), Prince Ramiro's "Si, ritrovarla io giuro" and the ensemble "Questo è un nodo avviluppato."

After Rossini's La Cenerentola, Margheri will head to the Hungarian State Opera from June 17-23 to perform Purcell's The Fairy Queen and then he's off to St. Gallen to sing the title role in Mozart's Le nozze di Figaro running from September 17 through November 25.