Showing posts with label Vicente Martín y Soler. Show all posts
Showing posts with label Vicente Martín y Soler. Show all posts

Sunday, June 25, 2017

Malte Roesner to perform lost Soler and Süßmayr songs

Dashe Cellars in Oakland and German bass Malte Roesner
Malte Roesner, who is making his U.S. stage debut with West Edge Opera in Vicente Martín y Soler's The Chastity Tree (see our post), will also be making his U.S. concert debut at Dashe Cellars on July 22 performing lost Soler songs along with his wife soprano Aurora Perry, hunkentenor Sam Levine and accompanist Bob Mollicone on fortepiano.

The concert tickets also include wine from Oakland's Dashe Cellars, a premiere California winery that uses traditional and natural winemaking techniques, including small-lot fermentation, the use of indigenous yeasts, and little-to-no fining or filtration. Their wines frequently score 90+ points in leading wine magazines. Click HERE to purchase tickets.

The concert will feature music by Soler and his Viennese contemporaries Mozart, Antonio Salieri, Franz Xaver Süßmayr and the blind, female composer Maria Theresia von Paradis. The concert will explore the musical landscape of 18th century Vienna, where all of the composers on the program either knew each other or inspired each other. Another common thread will be texts by the famed librettist Lorenzo Da Ponte.

Malte Roesner
Roesner is performing two sets of music that have not been heard since the 18th century: Soler's "Songs and Duets for the Princess of Wales," which he found in an archive in London, and a set of songs by Süßmayr that he unearthed from the Austrian National Library. Perry will be singing Soler's "Songs for Miss Miller" and selections from Mozart, while Levine will sing Paradis' "Songs for the Duchess of Saxony" and songs by Salieri.

Despite being born in New York City, Roesner was raised in Germany and has focused his career in Europe. During his decade as a fest singer at the Staatstheater Braunschweig he portrayed more than fifty roles in the baritone repertory. He took some time off to retrain as a basso cantante and auditioned in the United States last year, eventually landing one of the few principle roles for a bass, Doristo in The Chastity Tree at West Edge Opera. Tickets are on sale HERE.

Roesner, who also trained as a musicologist, was hugely responsible for unearthing many of the lost manuscripts for this program.

Saturday, April 1, 2017

Malte Roesner to make North American debut in Vicente Martín y Soler's The Chastity Tree

Malte Roesner photographed in Montreuil-Bellay, France
Barihunk Malte Roesner will make his North American debut in Soler's The Chastity Tree with West Edge Opera from August 6-19.

Despite being born in New York City, Roesner was raised in Germany and has focused his career in Europe. During his decade as a fest singer at the Staatstheater Braunschweig he portrayed more than fifty roles in the baritone repertory. He took some time off to retrain as a basso cantante and auditioned in the United States last year, eventually landing one of the few principle roles for a bass, Doristo in The Chastity Tree. (We've been told that two other U.S. announcements are forthcoming).

The two-time winner of the Richard-Wagner-Foundation scholarship will be joined by an all-star cast led by sopranos Christine Brandes as Cupid and Nikki Einfeld as Diana. The gifted accompanist Robert Mollicone will conduct.


This is Spanish composer Vicente Martín y Soler's most famous work and is also known by its original title L'arbore di Diana. In the last decade, the opera has been performed in Valencia, Barcelona, Madrid, Montpelier (France) and Minneapolis. Barihunks Marco Vinco and Giorgio Caoduro have both sung the role of Doristo.

The piece is of the three operas that he composed during Soler's sojourn at the court in Vienna, with the libretto by Italian Lorenzo Da Ponte, who was also author of three librettos for the Austrian composer Mozart. Da Ponte created a story from a legend that tells the tale of how Diana, the Greek god of chastity, falls in love with the shepherd Endymion. The plot —halfway between pastoral literature and erotic comedy also praises the political openness of the Archduke Joseph II of Austria.

The work was enthusiastically received with 70 performances in the three years after its premiere.

West Edge Opera's summer festival will also include Thomas' Hamlet with barihunk Eddie Nelson and Libby Larsen's Frankenstein with barihunk Josh Quinn. Tickets and additional cast information is available online.