Showing posts with label austrian barihunk. Show all posts
Showing posts with label austrian barihunk. Show all posts

Sunday, January 6, 2019

Martin Achrainer performs semi-staged Winterreise

Martin Achrainer (photos from artist website)
Austrian barihunk Martin Achrainer will perform Schubert's Winterreise in a staged adaptation by Hermann Schneider in the Black Box space at the Theater am Volksgarten in Linz from January 20-Februarty 24. He'll be joined by Tommaso Lepore on piano.

When Schubert's Winterreise premiered in 1827, the public was perplexed by the piece, finding it too raw, too dark, too hard to digest. Only the famous song Der Lindenbaum found favor. But Schubert was completely sure that he had created a work of importance; no composition seems to have been as important to him as the musical realization of these 24 poems by Wilhelm Müller.  

Martin Achrainer as Don Giovanni:


Of course, today one can't have a serious discussion about great lieder without mentioning Winterreise. The piece's influence on other composers can not be overstated and few baritones having included all or portions of the cycle in their repertoire. 

Tickets are available online

Friday, January 30, 2015

Thomas Tatzl to star in new opera based on Lorca play

Thomas Tatzl
Austrian barihunk Thomas Tatzl will star in composer Mauricio Sotelo's new opera El Público, commissioned  by the last Gerard Mortier for the Teatro Real in Madrid. The work was adapted by Andrés Ibáñez from a 1930 piece by Federico García Lorca, which he wrote in Cuba after the transcendent trip he made to New York, in the midst of a profound emotional crisis and creative spirit.

The play, which Lorca gave to his friend Martínez Nadal on the condition that he destroy it upon his death, was premiered in Milan in 1968. Librettist Andrés Ibáñez wrote this about keeping the two essential themes of the work:
“...homosexuality and contemporary theatre. They both come united in a central theme that relates to the appearance or the mask. A mask of “love that cannot be named”, and in the end a mask that reveals itself as the essence of the human being. (...) Obscenity, cruelty, and irreverence are basic elements of Lorca’s poetic language. They have not been emphasised nor avoided. The text explores sexual desire with an honesty and complexity that defies the more or less moralist well-meaning simplifications.”
Thomas Tatzl, who we briefly featured back in 2012, studied voice at the University of Music and Performing Arts in Graz and the University of Music and Performing Arts in Vienna. He was a member of the ensemble at the Zurich Opera House, and has also performed at the Salzburger Festspiele, Maggio Musicale Firenze, Schleswig Holstein Music Festival, the Menuhin Festival in Gstaat, the Music Society Steiermark and the “Amici della Musica” in Padua.

The opera runs from February 24-March 13 and it will be recorded on DVD with international distribution, as well as broadcast on television and on the web.

Tuesday, October 14, 2014

Introducing Florian Spiess in Almira's return to Hamburg

Florian Spiess
Almira was George Frideric Handel's first opera, composed when he was just 19 years old. The opera was first performed in Hamburg in January 1705 where is returns to the Staatsoper on October 21st. Handel arrived in Hamburg in the summer of 1703 and played as a violinist in the theatre at the Gänsemarkt, as well as playing the harpsichord with the orchestra. Much of the music is in the French orchestral style with a mix of Italian and German style arias. The story deals with the universal operatic themes of love, power and jealousy.

Singing the role of Raymondo, King of Mauretania, is the imposing Austrian bass Florian Spiess, who is new to this site.  He began singing as a member of the Wiltener Sängerknaben (Wilten Boys' Chorus), before becoming the boy soprano soloist with the Vienna Boys' Choir from 1990-1994.

Florian Spiess
His formal vocal training began at the Tyrolean Conservatory where he performed in Guys and Dolls, Into the Woods and as Leporello in Mozart's Don Giovanni. He continued his studies at the Vienna Music University including one year on a German-Austrian Richard Wagner Foundation scholarship.

In 2009, he became a  member of the Landestheater Linz where he sang Silvano in Cavallis La Calisto, Figaro in Mozart's Le Nozze di Figaro, three roles in Offenbach's Les Contes d'Hoffmann and Jupiter in Rameau's Platée.  From 2010-2013, he was a member of the Volksoper Wien where he sang in Mozart's Die Zauberflöte, Puccini's Tosca and Turandot, and Verdi's Rigoletto.

After a season on the roster of the opera at the Volkstheater Rostock, he joined the ensemble of  the Hamburg State Opera. His roles have included Zuniga in Bizet's Carmen, the Priest/Badger in Janacek's The Cunning Little Vixen and the Speaker of the Temple/Second Armoured Man inMozart's Die Zauberflöte.

Future performances include Biterolf in Wagner's Tannhäuser and Colline in Puccini's La Bohème.
Tickets and additional cast information for Almira is available online.

Thursday, June 16, 2011

Is that a Magic Flute in your pocket?

The La Scala cast of Magic Flute; Alex Esposito
We recently featured a post about all of the Mozart on Alex Esposito's schedule. We've posted often about his definitive Leporello, but we've never featured a video of his Papageno. Fortunately, it was recorded by RAI 5 from La Scala during its recent run in April 2011.  Esposito's Papagena is Ailish Tynan.



Günther Groissböck
The cast also included barihunk Günther Groissböck as Sarastro. Here he is singing "In diesen heil'gen Hallen." You won't want to miss hearing his beautiful rolling bass. The Austrian bass is currently singing the role at the Vienna State Opera with the Papageno of fellow barihunk Markus Werba.



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Sunday, May 23, 2010

The Don Giovanni That Almost Wasn't



When we got word that the Don Giovanni in Venice with Markus Werba was being canceled because of the Italian labor strike we were devastated. However, in typical Italian fashion, the performances finally were continued and one of the world's sexiest Don's took the stage.

Here is some rehearsal video:



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Monday, May 10, 2010

Markus Werba's Sexy Don Giovanni in Lyon



We're adding Markus Werba to our list of the world's sexiest Don Giovanni's, which includes Randal Turner, Mariusz Kwiecien, Simon Keenlyside, Martin Achrainer, Teddy Tahu Rhodes, Lucas Meachem, Matthew Worth, Nmon Ford and others. Werba is finally emerging as a major star in opera in Europe, America and Japan, where he is wildly popular.



The Austrian singer has also scored huge successes with two other Mozart roles, Papageno in Magic Flute and Guglielmo in Così fan tutte. He'll be returning to the role of Papageno next year in Vienna, where he joins fellow barihunk Günther Groissböck, who is singing Sarastro. On May 18th, he opens in Don Giovanni opposite barihunk Alex Esposito's Leporello at the stunning Teatro la Fenice. He returns to Lyon in March 2011 to reprise his success in Don Giovanni.



Make sure to watch the highlight trailer below from Lyon.

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Sunday, January 31, 2010

Alexander Puhrer Flexes His Guns



Mucular Alexander Puhrer is a new addition to Barihunks who arrived in our inbox from one of our followers.

Puhrer was born and raised in Vienna and studied in the United States. He performed at both Tanglewood and the Aspen Music Festival. Across the pond he has been a resident soloist at the Graz Opera, singing roles like Papageno, Almaviva, Harlequin in Ariadne and Ned Keene in Peter Grimes. The production photos here are from a performance of Handel's "Rinaldo" with Capella Incognita in Vienna.



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Wednesday, December 30, 2009

Happy New Year with Paul Armin Edelmann

Johann Strauss' "Die Fledemaus" is traditionally performed on New Years Eve, so we leave 2009 with this delightful performance by Paul Armin Edelmann of "Bruderlein und Schwesterlein."




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Monday, October 12, 2009

Our Latest Baby Barihunk was Paul Armin Edelmann





No one managed to guess that our latest baby picture was of Austrian barihunk Paul Armin Edelmann. The popular guesses seemed to be Rod Gilfry and Teddy Tahu Rhodes.

Edelmann may be the only singer that we know of who has made Dr. Falke in Die Fledermaus sexy. After this video, perhaps we should add it to our list of barihunk roles. He also manages to sing this aria as beautifully as we've heard since Herman Prey three decades ago.



Fans of this site will be pleased to know that Edelmann has an actual barihunk role on his agenda. He's scheduled to sing Papageno in both Beijing and at the St. Margarethen Opera Music Festival.

EDELMANN AS PAPAGENO


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