First "Brokeback Mountain" video released; Daniel Okulitch's doppelgänger

The first preview of Charles Wuorinen's Brokeback Mountain with video has finally been released by the Teatro Real in Madrid. You read more about the opera in our last post.

While we were looking at the video, it dawned on us that barihunk Daniel Okulitch reminded us of someone else who has been in the news, Super Bowl-bound quarterback Peyton Manning of the Denver Broncos.

Peyton Manning and Daniel Okulitch

Wes Mason launches new website; Ben Affleck Doppelgänger?

Wes Mason (photo by Michael Yeshion)

People often ask us, "Where did you get that photo?" The answer is often on a singer's website, where we've learned one can find a treasure trove of sexy photos. It seems singers (or their website designers) are more inclined to post hot photos that their managers (oh, the boring headshot!).

American barihunk Wes Mason is no exception and he's launching his new website today with some male model-esque photos by New York City-based photographer and actor Michael Yeshion. In another example of the changing face of opera, Mason's new photos look like they were pulled from GQ or Vanity Fair rather than an opera program. Some of our recent posts have talked about fitness and image in opera and how it needs to catch up with other art forms in marketing and appealing to a broader audience. Mason's new website is a perfect example of the marketing aspect of that discussion.

Separated at Birth: Ben Affleck and Wes Mason

We've heard singers like Daniel Okulitch and Nathan Gunn talk eloquently about how opera needs to catch up with movies and television in order to survive. When we looked at Wes Mason's new photos it struck us that he's following that script by channeling a pretty hot Ben Affleck look with the baritone beard and seductive "stare at the camera and look serious" pose. You can visit Mason's new website at www.wesmasonstage.com.

Mason is currently at the Fort Worth Opera as Marcello in La bohème following his performances in Tchaikovsky's Eugene Onegin and Rossini's Il barbiere di Siviglia at the Academy of Vocal Arts in Philadelphia. He'll be making his mainstage debut next year as Masetto in Don Giovanni with Opera Philadelphia. Meanwhile, he's getting rave reviews again in Fort Worth, where he became a household name in opera for his stunning portrayal as Cuban dissident and poet, Reinaldo Arenas, in the world premiere of Jorge Martín’s Before Night Falls in 2010.

The esteemed critic Scott Cantrell of the Dallas Morning News dubbed Mason the "vocal standout" in a La bohème cast filled with vocal talent. Performances run through May 3 and tickets and additional cast information is available online. We highly suggest making a trip to Fort Worth if you can get away, as Michael Mayes' riveting performance in Tom Cipullo's Glory Denied will be running through May 11. We'll be there!

Previous engagements for Mason have included Masetto in Don Giovanni with Opera Naples, Moralès in Carmen with the Glimmerglass Festival, Le Dancaire in Carmen with Michigan Opera Theater, Valentine in Faust and both Schaunard and Marcello in La bohème with the Crested Butte Music Festival.

Mason was a finalist in the 2012 Opera Index Competition, Encouragement Award winner in the 2012 Loren L. Zachary Society Competition, Second Place Regional Winner of the Metropolitan Opera National Council Auditions in 2009 and a three-time nominee for the Sarah Tucker Study Grant in 2012, 2010 and 2009.

Celebrating Heinrich Heine - (December 13, 1797 – February 17, 1856)

Philippe Sly & Heinrich Heine

Christian Johann Heinrich Heine was one of the most significant German poets of the 19th century. He was also a journalist, essayist, and literary critic. He is best known outside Germany for his early lyric poetry, which was set to music in the form of Lieder by composers such as Robert Schumann and Franz Schubert. Heine's later verse and prose is distinguished by its satirical wit and irony. His radical political views led to many of his works being banned by German authorities. Heine spent the last 25 years of his life as an expatriate in Paris. [Excerpted from Wikipedia]

The first seven lieder from Robert Schumann's "Dichterliebe," set to poetry by Heinrich Heine Performed by Sanaz Sotoudeh and Philippe Sly in Pollack Hall at McGill University in 2009.



Schubert's haunting "Der Doppelgänger" from Schwanengesang sung by Dietrich Fischer-Dieskau:



Der Doppelgänger by Heinrich Heine

Still ist die Nacht, es ruhen die Gassen,
In diesem Hause wohnte mein Schatz;
Sie hat schon längst die Stadt verlassen,
Doch steht noch das Haus auf dem selben Platz.

Da steht auch ein Mensch und starrt in die Höhe,
Und ringt die Hände, vor Schmerzensgewalt;
Mir graust es, wenn ich sein Antlitz sehe -
Der Mond zeigt mir meine eigne Gestalt.

Du Doppelgänger! du bleicher Geselle!
Was äffst du nach mein Liebesleid,
Das mich gequält auf dieser Stelle,
So manche Nacht, in alter Zeit?

English Translation

The night is quiet, the streets are calm,
In this house my beloved once lived:
She has long since left the town,
But the house still stands, here in the same place.

A man stands there also and looks to the sky,
And wrings his hands overwhelmed by pain:
Upon seeing his face, I am terrified--
The moon shows me my own form!

O you Doppelgänger! you pale comrade!
Why do you ape the pain of my love
Which tormented me upon this spot
So many a night, so long ago?

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Only two weeks left to purchase our 2012 Barihunks Charity Calendar. Get in the holiday spirit and buy your copy today. All proceeds go to young artist programs. We named our first recipient yesterday, which is the Portland Opera Studio. Scroll down and read about this amazing program.

Doppelgängers? Bo Skovhus & Andrew Finden

The German newspaper Badische Neueste Nachrichten wrote in a review that they thought Australian baritone Andrew Finden looked like barihunk Bo Skovhus, although they reserved artistic comparisons at such and early stage of Finden's career.

What do you think? Do you have any examples of barihunks who you think look like someone else? If so, send them to Barihunks@gmail.com. [Somewhat kiddingly we request no emails from angry exes!]

Here's what they wrote:

Zwar kann bei den Interpreten der mittleren Partien eine endgültige Beurteilung ihrer Leistungsfähigkeit erst nach weiteren – größeren – Auftritten erfolgen, doch lässt sich schon jetzt festhalten…, dass Andrew Finden als Bo-Skovhus-Doppelgänger dem Marquis d’Obigny einen grossen, noch etwas ungeschlacht eingesetzten Baritone lieh.

Finden is a graduate of the opera course at the Guildhall School of Music and Drama where he was awarded the Harold Rosenthal Prize. Finden recently joined the ensemble of the Badisches Staatstheater Karlsruhe.

Andrew Finden

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David Krohn Performs Schubert's "Schwanengesang"

The layout of this blog cuts off part of the video. You can see the complete picture at Trinity Wall Street's website.



The songs of Schwanengesang, in the composer's original order, are:

* By Ludwig Rellstab:
o Liebesbotschaft ("Message of love"; the singer invites a stream to convey a message to his beloved)
o Kriegers Ahnung ("Warrior's foreboding"; a soldier encamped with his comrades sings of how he misses his beloved)
o Frühlingssehnsucht ("Longing in spring": the singer is surrounded by natural beauty but feels melancholy and unsatisfied until his beloved can "free the spring in my breast")
o Ständchen (Serenade)
o Aufenthalt ("Dwelling place": the singer is consumed by anguish for reasons we aren't told, and likens his feelings to the river, forest and mountain around him)
o In der Ferne ("In the distance": the singer has fled his home, broken-hearted, and complains of having no friends and no home; he asks the breezes and sunbeams to convey his greetings to the one who broke his heart)
o Abschied ("Farewell": the singer bids a cheery but determined farewell to a town where he has been happy but which he must now leave)
* By Heinrich Heine:
o Der Atlas ("Atlas": the singer, having wished for eternal happiness or eternal wretchedness, has the latter, and blames himself for the weight of sorrow, as heavy as the world, that he now bears)
o Ihr Bild ("Her image": the singer tells his beloved of how he dreamed (daydreamed?) that a portrait of her favoured him with a smile and a tear; but alas, he has lost her)
o Das Fischermädchen ("The fisher-maiden": the singer tries to sweet-talk a fishing girl into a romantic encounter, drawing parallels between his heart and the sea)
o Die Stadt ("The city": the singer is in a boat rowing towards the city where he lost the one he loved; it comes foggily into view)
o Am Meer ("By the sea": the singer tells of how he and his beloved met in silence beside the sea, and she wept; since then he has been consumed with longing — she has poisoned him with her tears)
o Der Doppelgänger ("The double": the singer looks at the house where his beloved once lived, and is horrified to see someone standing outside it in torment — it is, or appears to be, none other than himself, aping his misery of long ago)
* The last song based on a poem written by Johann Gabriel Seidl (1804 - 1875).
o Taubenpost ("Pigeon post"; the song that is often considered as a last lied that Schubert ever wrote. The song is included into a cycle by the first editor and is almost always included in modern performances)

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