Vittorio Prato just teamed up with one of our favorite sopranos, Anna Caterina Antonacci, in performances of Ermanno Wolf-Ferrari's Il Segreto de Susanna at the Grand Theatre de Luxembourg and the Opéra Comique in Paris. From all accounts it was a critical and artistic success.
When we first started following Prato, he was singing a lot of early music, including the title role in Monteverdi's Orfeo at the Opéra de Lyon, Handel's Giulio Cesare in Genua, Rameau's Les Indes Galantes in Toulouse and numerous performances as Massimo in Handel's Ezio.
Vittorio Prato sings "Va dal furor portata" from Ezio (Begins at 1:20):
We were thrilled to learn that Prato is returning to early music in his debut with the Academy of Early Music under Christopher Hogwood. Prato will be singing the title role in Handel's Imeneo in an all-star cast that includes Lucy Crowe as Clomiri, David Daniels as Tirinto and Stephan Loges as Argenio. The opera will be performed at the Théâtre des Champs Elysées in Paris on May 22, at the Auditorio Nacional de Música in Madrid on May 26 and at London's Barbican Hall on May 29.
We just had to share emerging barihunk Xavier Edgardo, who is simply adorable. The 22-year-old singer has been studying at the University of Puerto Rico, where he also sang in the choir. He honed his solo skills for two seasons at the International Vocal Arts Institute run by the esteemed Joan Dorneman, assistant conductor at the Metropolitan Opera.
Edgardo has participated in and won a number of vocal competitions, include many in Europe. In 2009, he was asked to participate in the prestigious Pablo Casals Festival. He has participated in masterclasses with a number of great singers, including fellow Puerto Rican Justino Diaz, Denis Sedov, Sherril Milnes, Mignon Dunn and Elaine Ortiz Arandes. He is currently a member of the Opera of Puerto Rico chorus. We plan of following the solo career of this young talent in future seasons.
Gerard Souzay: A Barihunks favorite
If you haven't heard Tom Huizenga's analysis and breakdown of the baritone voice, we recommend that you click HERE and listen to it. The article includes sound clips, including one of Gerard Souzay's beautiful rendition of Faure's "Clair de lune."
John Relyea reprising Attila in Seattle
We want to remind readers that Canadian barihunk John Relyea is returning to the Seattle Opera in the role of Attila on January 14th. This should be a huge hit and is a "must see" opera for any Verdi fan. Visit the Seattle Opera website for additional cast information and performance dates. Attila also contains two great baritone parts, including a baritone duet! We covered Relyea when he recently sang the role in a concert format this fall in Washington, D.C. Click HERE to see our previous post.
John Relyea sings Publio's "Tardi S'Avvede" from Mozart's La Clemenza di Tito:
Relyea’s previous Seattle Opera credits include the title roles in Don Quichotte and Bluebeard’s Castle, and Giorgio in I puritani. He won the 2005 Seattle Opera Artist of the Year award for his Four Villains in Les contes d’Hoffmann.
You can watch Attila in its entirety on YouTube by clicking HERE. The cast includes barihunk Samuel Ramey, Giorgio Zancanaro and soprano Cheryl Studer.
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Samuel Ramey as Attila and a young Sherrill Milnes
We're going to continue exploring Verdi this week with a look at the Verdi kings. We'll start with Verdi's first major success, Nabucco. This is the story of the Babylonian king Nabucodonosor, who assaults, conquers and drives the Jewish people from their homeland. Despite the story, it contains some of the most dramatically exciting and hair raising music in all of Verdi. The famous chorus "Va pensiero" is universally known and has become the unofficial national anthem of Italy. In a country filled with music, nothing stirs the heart of an Italian like this piece of music.
Not many barihunks have sung the title role of Nabucco, but we found this version of Ettore Bastianini from the San Francisco Opera in 1961.
Just for fun, here is the famous chorus sung by some of the greatest singers who were around in 1985, including Montserrat Caballe, Agnes Baltsa, Gwyneth Jones, Jose Carreras, Giuseppe di Stefano and baritones Christian Boesch, Renato Bruson (a great Nabucco), Sherrill Milnes, Giorgio Zancanaro and Juan Pons.
We now move to Amonasro, the king of the Ethiopians and father of the title character Aida. He plays a key role in the plot line and has been played by some of the greatest baritones in history. Here is the Act 3 duet between Aida and Amonasro "Ciel, mio padre...Rivedrai le foreste imbalsamate" with performances by seven of the greatest baritones and sopranos to ever sing the opera. We have a definitive favorite in this bunch, but we'd love to hear your thoughts in the comments section.
Verdi based his ninth opera on the Solera play "Attila, King of the Huns." Besides the title role, there is a another wonderful role for a more lyric baritone, that of Ezio, who sings the aria "E gettata la mia sorte." You can watch Sherrill Milnes perform the aria below. We've always wondered why more young singers don't audition with this show stopper. It's a sure winner if you can nail the ending.
No one has owned the role of Attila in recent years more than the great Samuel Ramey, who always sang it with barihunk swagger and his chest bared. Here he is singing the great baritone duet with the Ezio of Giorgio Zancanaro, followed by the thrilling aria "Or son libere i miei sensi."
The stunningly beautiful Vittorio Prato can also sing beautifully. Here he is performing Massimo's aria from Handel's "Ezio" with the Festival Radio France.
Here are three of our favorite barihunks, two Americans and an Italian.
The top photo is Tom Forde, who will be singing Mozart's title character in Figaro at the Tacoma Opera in February. He's a gifted young singer with a wonderful stage presence and we predict great things for him.
The center photo is Italian barihunk Vittorio Prato who will be singing Massimo in Handel's Ezio next month at the Théâtre des Champs-Élysées in Paris. We think he's one of the hottest singers in Europe right now and really wish that someone in the U.S. would engage him.
Finally, there's Randal Turner who is a favorite on this site and the winner of our "Hottest Don Giovanni" competition in a landslide. He's singing Konrad Nachtigall in Die Meistersinger von Nürnberg at the Staatstheater Darmstadt. Turner is another barihunk who we'd like to see singing more in the United States.
