Showing posts with label nicholas nelson. Show all posts
Showing posts with label nicholas nelson. Show all posts

Tuesday, June 30, 2015

Barihunk trio in Lakes Area Music Festival's La bohème

Andrew Lovato, John Taylor Ward and Nicholas Nelson
The Lakes Area Music Festival in Minnesota is featuring a barihunk trio in this summer's performances of Puccini's La bohème. The Festival features many of the most promising young musicians from America’s top conservatories who perform alongside members of the Minnesota Orchestra and St. Paul Chamber Orchestra in projects ranging from chamber music to orchestral repertoire and fully produced operas.

La bohème will feature Andrew Lovato as Schaunard, John Taylor Ward as Marcello and Nicholas Nelson as Colline. Lovato and Nelson have been featured numerous times on the site, including a recent post about Lovato making his Cincinnati Opera debut in Ricky Ian Gordon’s Morning Star as Harry Engel.

Lovato is no stranger to Minnesota audiences, having been a member of the Minnesota Opera’s Resident Artist Program and competing in the Upper Midwest Regional competition of the Metropolitan Opera National Council Auditions. He made his Minnesota Opera debut as the role of Sonora in Puccini's La Fanciulla del West and performed the role of Young Raymond in the world premier of The Manchurian Candidate by Kevin Puts as well as the role of El Dancairo in Bizet's Carmen. He will be returning to Minnesota Opera to perform the role of Harlequin in Richard Strauss' Ariadne auf Naxos as well as Sciarrone in Puccini's  Tosca.

Nicholas Nelson recently performed Sarastro in Mozart's The Magic Flute in a co-production between the Arkansas Symphony Orchestra and Opera in the Rock. Last season he also appeared as Larkens in La Fanciulla del West with Minnesota Opera. From 2010-13, Nelson was a Resident Artist at Portland Opera. Roles in Portland include the Mandarin in Turandot, Inigo Gomez in Ravel's L'heure Espagnole, Masetto in Mozart's Don Giovanni, Angelotti in Tosca and Pistola in Verdi's Falstaff. He also appeared in Portland as The Pope/ Cardinal Barberini in Philip Glass' Galileo Galilei. This production was the basis for the world premiere recording of the opera. Nelson also performs as a guitarist, thereminist, and actor in spoken theater.

John Taylor Ward performs Monteverd's: Ab aeterno ordinata sum with Voices of Music:


John Taylor Ward, who is new to this site, was born into a musical family in Boone, North Carolina that featured bluegrass and Broadway tunes. He is also the associate artistic director of the Lakes Area Music Festival.

Ward appeared as a boy soprano soloist at the National Cathedral in Washington, DC, Durham Cathedral in the United Kingdom and Claire and King’s Colleges in Cambridge. He received his Bachelor's Degree from the Eastman School of Music in and went on to pursue his graduate studies at the Yale School of Music, where he is currently a doctoral student.

Ward has recorded popular songs written in, around, and about Connecticut in the years 1880-1915. Taylor is a notable interpreter of the roles of Jesus in Bach’s Passions, having performed them across Europe and America with maestro Suzuki, Juilliard 415, and the Yale Schola Cantorum. His Carnegie Hall debut, singing Schütz’s Fili mi Absalon, was listed among Superconductor’s best concerts of 2012, and, in the realm of vocal chamber music, he has made numerous appearances with the eight-voice ensemble Roomful of Teeth, whose debut album recently topped many 2013 album-of-the-year lists, including WNYC’s Soundcheck. As a founding member of the New Haven-based Cantata Profana, Taylor recently performed Sir Peter Maxwell Davies’ 8 Songs for a Mad King.

Performances of La bohème will be on August 8 and 9 at the Tornstrom Auditorium in Brainerd, Minnesota and are free to the public.

Wednesday, September 24, 2014

Barihunk quartet in Minnesota Opera's Girl of the Golden West

Christian Zaremba as Ashby and Andrew Lovato as Sonora (Photo: Michal Daniel)
Apparently, Don Giovanni isn't the only opera that deliver barihunks in bunches. We recently posted about a barihunk duo in Puccini's La fanciulla del West (Girl of the Golden West), only to find out that the Minnesota Opera has doubled the eye candy and presented a barihunk quartet in their current production.

Led my the amazing and ageless Greer Grimsley in the critical role of Jack Rance, the opera also features Andrew Lovato as Sonora, Rodolfo Nieto as Castro and Christian Zaremba as Ashby. We recently featured Lovato when he was part of the Santa Fe Apprentice Artist Program. Zaremba and Nieto are new to this site and have both somehow managed to sneak below our radar.

Greer Grimsley as Jack Rance (Photo: Michal Daniel)
Zaremba made his debut this summer at the Glimmerglass Festival as the bass soloist in David Lang’s Little Match Girl Passion and appeared as Pistola in Verdi's Falstaff with the Martina Arroyo Foundation. Other credits include Il Commendatore in Mozart's Don Giovanni, Zuniga in Bizet's Carmen and Angelotti in Puccini's Tosca, as well as Don Basilio in Rossini's Il barbiere di Siviglia with Long Island Opera and Capitol Heights Opera. This past season, he was the bass soloist in Handel's Messiah with the Annapolis Chorale and Mozart's Requiem with the St. Cloud Orchestra.

He made his debut with Minnesota Opera last season as Sarastro in Mozart's The Magic Flute, Lamoral in Richard Strauss' Arabella and the Innkeeper in Puccini's Manon Lescaut). He returns to the Minnesota Opera next season as Zuniga in Bizet's Carmen.

Rodolfo Nieto
Rodolfo Nieto has appeared with the Minnesota Opera in various roles including Horatio in Thomas' Hamlet, Johann in Massenet's Werther, Scottish Soldier #1 in the world premier of Puts' Silent Night, Joseph in Wuthering Heights, and Colline in Puccini's La bohème. Other roles include Alidoro in Rossini's La cenerentola with Lakes Area Music Festival, Guglielmo in Mozart's Così fan tutte with Green Mountain Opera Festival, and Don Alfonso in Mozart's Così fan tutte with Cedar Rapids Opera Theater. 

There are additional performances of La fanciulla del West on September 25, 27 and 28. Tickets and additional cast information are available online.

Nicholas Nelson
UPDATE: We've just learned that it's actually a quintet of barihunks, but the Minnesota Opera didn't list the complete cast, so we missed Nicholas Nelson as Jim Larkens. (SHAME ON THEM!!!)

Friday, January 25, 2013

Nicholas Nelson performs and explains Tosca

Nicholas Nelson
Barihunk Nicholas Nelson explains the plot of Tosca in one minute with one beer.  He'll be performing in the opera as Angelotti from February 1-9 at the Portland Opera with Kara Shay Thomson as Tosca, Roger Honeywell as Cavaradossi and Mark Schnaible as Scarpia. Tickets are available online.


Nelson is a returning Resident Artist with the Portland Opera. He previously performed roles with the Portland Opera in Bernstein's Candide, Philip Glass' Galileo Galilei, Puccini's Madame Butterfly, Ravel's L’Heure Espagnole and L’Enfant et les Sortilèges, and Puccini's Turandot. Nelson made his debut with Tacoma Opera last season as Selim in Turk In Italy.

Originally from Winthrop, Minnesota, Nelson attended the University of Minnesota. In 2007, Nelson won First Prize at the Metropolitan Opera National Council Auditions in the Minnesota District.

Thursday, November 1, 2012

American Lyric Theater Announces Three New Opera Commissions; Sexy Don Giovanni in Portland

Daniel Okulitch as Willie Wonka

American Lyric Theater (ALT) has announced three newly commissioned operas and the release of the company's first recording with barihunk Daniel Okulitch.

Three new opera commissions are being developed under the auspices of ALT's Composer Librettist Development Program - with themes ranging from the war on drugs in Mexico, to the national disavowal of a scientific genius because of his sexuality, to the true story of the effects of war and homecoming on an American soldier who served as an officer in an Explosive Ordinance Disposal Unit.

Lawrence Edelson, ALT's Producing Artistic Director, said of the new commissions, "I am very proud to announce these three new operas. Many opera companies commission new works from established composers. Here at ALT, we are deeply committed to identifying gifted emerging operatic writers and providing them with both mentorship and financial support as they develop new works. The three operas being commissioned by ALT this season are also part of our initiative to develop works that expand the traditional audience base for opera while confronting critical contemporary issues."

The casts have not been announced, but we've been assured that at least one role is for a barihunk. Check out the video previews below and see if you can figure out which one. 

LA REINA
Composer: Jorge Sosa; Librettist: Laura Sosa Pedroza


La Reina draws its narrative from the drug trade in Mexico and the United States. The story of revenge and corruption on both sides of the border is inspired by some of the most vivid real life players in this increasingly violent war from the past and present, including Sandra Ávila Beltrán, El Guero Palma, El Pozolero, DEA agent Enrique Camarena, Mexican President Felipe Calderón, and US Marine Corps Lieutenant Colonel Oliver North. The opera is being written for classically trained singers and a chamber orchestra of acoustic and electronic forces. The libretto for La Reina is being written in both Spanish and English, reflecting the symbiotic relationship between Mexico and the United States, and the shared responsibility of the current drug conflicts.

THE LONG WALK
Based on the book, The Long Walk: A Story of War and the Life that Follows, by Brian Castner
Composer: Jeremy Howard Beck; Librettist: Stephanie Fleischmann



A solider comes home from war and must adapt to a world that is forever changed. This is a timeless story, though the context continues to change. Based on the critically acclaimed 2012 memoir by Brian Castner, The Long Walk dives deep into the mind of a American soldier who has returned from Iraq after serving as an officer in an Explosive Ordinance Disposal Unit. Castner's battle with Post Traumatic Stress Disorder, which he calls "the Crazy with a capital C," is at the center of this moving personal story of a man struggling to reintegrate himself back into his family life upon his return from the war.

THE TURING PROJECT (title to be announced)
Composer: Justine F. Chen; Librettist: David Simpatico




Commissioned in honor of the Turing Centennial, The Turing Project is a historical fantasia based on the life of the English scientist Alan Turing. The opera explores Turing's extraordinary contributions to mankind, his county's disavowal of him because he was gay, and the mysterious circumstances surrounding his death. The opera imagines the man inside the legend, the unique perspective he had on the universe, the public and unashamed view he had of his own homosexuality, and the impact he had upon the future of civilization.

Jason Hardy (left) and Daniel Okulitch in NYCO's Don Giovanni
ALT has also announced the release of its first CD on Albany Records "The Golden Ticket." The comic opera by Peter Ash and Donald Sturrock is based on Roald Dahl's Charlie and the Chocolate Factory and was commissioned by the American Lyric Theater and Felicity Dahl in 2006.

The Golden Ticket received its world premiere in partnership with Opera Theatre of Saint Louis in June 2010, and its European debut in partnership with the Wexford Festival in October 2010. A live recording, conducted by composer Peter Ash, was produced by ALT in partnership with The Atlanta Opera during performances in Atlanta in March 2012. The cast is lead by barihunk Daniel Okulitch and also includes fellow barihunk Jason Hardy as Grandpa George and Mr. Beauregard.

The CD will be available after December 1st on AlbanyRecords.com, Amazon.com, Arkivmusic.com, hbdirect.com, and at other classical music retailers. Digital downloads will be available from iTunes and other similar services shortly thereafter.

Daniel Okulitch's "New American Art Songs" is currently available at GPR Records

Nicholas Nelson
If you're on the West Coast, you'll be thrilled to know that the aforementioned Jason Hardy and Daniel Okulitch will be reprising their successful portrayals of Leporello and Don Giovanni from New York City Opera at the Portland Opera. They will be joined by another barihunk, Nicholas Nelson as Masetto. Performances will run from November 2-10. Tickets and additional performance information are available online.

Saturday, December 31, 2011

BARIHUNKS BEST OF 2011

HOTTEST BARIHUNK PHOTO OF 2011 - CHRISTOPHER JOHNSTONE
Christopher Johnstone: Model singer
We couldn't believe it when we saw Christopher Johnstone's new website this year. The Cincinnati College-Conservatory of Music graduate defines himself as a "Singer, Actor, Model" and it's tough to argue with it. The lyric baritone has sung with the Glimmerglass Opera, Lyric Opera San Diego, Opera Pacific, Cincinnati Pops, Boston Pops and performing Poulenc’s Le bal masqué for Baritone and Chamber Orchestra with Maestro James Levine of the Metropolitan Opera.

HOTTEST BARIHUNK PHOTO OF 2011 (RUNNER UP) - NICHOLAS NELSON
Nicholas Nelson: Singer or Abercombie & Fitch model?
When we first saw these pictures, we thought they were from an Abercombie & Fitch catalogue. If there is any question left in anyone's mind that singers are taking better care of their bodies these days, these pictures should dispel those thoughts. Nelson is currently with the Portland Opera Studio, one of the beneficiaries of funds from our 2012 Barihunks charity calendar.

BEST STUDIO RECORDING - HENK NEVEN
Henk Neven: Best baritone studio CD of the year
Henk Neven was nominated for a presitigious Gramophone Award in the category of "Solo Vocal." Neven was nomintated for his recording of Carl Loewe's "Ballades" and Robert Schumann's Liederkreis with Hans Eijsackers on piano. It's an amazing recording that should belong in everyone's playlist.

BEST TREND - LIVING AMERICAN COMPOSERS
Daniel Okulitch, Randal Turner & David Adam Moore
The music of living American Composers was all the rage this year. Barihunks Randal Turner and Daniel Okulitch both released brilliant CDs based on the theme. The Five Burroughs Music Festival run by barihunk Jesse Blumberg featured music by living American composers, including performances from fellow barihunk David Adam Moore. The New York Festival of Song, under one of our favorites, Steven Blier, also continued to deliver some of the best new American music on the scene.



BEST NEWCOMERS - PHILIPPE SLY and DOMINIK KöNINGER
PHILIPPE SLY and DOMINIK KöNINGER
We had a great post this year which asked the question: Can barihunks sing? If there was any question about it, two newcomers to the site Philippe Sly and Dominik Köninger quickly dispelled the myth. Sly blew away audiences during his brief tenure at the Merola Opera Program and went on to win the Metropolitan Opera Auditions.  He was identified early on as a favorite to win the competition and his version of Schubert's haunting Der Erlkönig drew comparisons to Dietrich Fischer-Dieskau and other great baritones.


In a year where baritones won almost every vocal competition, German barihunk Dominik Köninger took the top prize at the 2011 Wigmore Hall/Kohn Foundation International Song Competition. His seamless phrasing and beauty of tone instantly became the talk of European impresarios and critics.

BEST NUDE SCENE - CHRISTOPHER MALTMAN IN "JUAN"
Christopher Maltman in Juan

Ever since we posted that Christopher Maltman appeared nude in Kasper Holten's abbreviated and updated film version of Mozart's "Don Giovanni," our inbox was filled with queries asking us where they could see the film. Unfortunately, the film had VERY limited release in the U.S. and wasn't made available on DVD to North Americans. Fortunately, a fan of our site directed us to this LINK where the film can be viewed online for free. We suspect that they're getting a sudden uptick in traffic.

BEST AND WORST OPERAS OF THE YEAR
BEST - HYDROGEN JUKEBOX IN FT. WORTH
WORST - GRISELDA IN SANTA FE

Dan Kempson & Justin Hopkins

The Ft. Worth Opera Festival continues to establish itself as a mandatory summer stop for any serious opera fan. This year's production of Phillip Glass' "Hydrogen Jukebox" was the surprise hit of the year. Directed by the Lawrence Edelson and featuring barihunks Dan Kempson and Justin Hopkins (who often appeared only in boxers), the production made an excellent case for this opera entering the standard repertory.

Gronk working on the Griselda sets
If you were looking for a short night at the opera, then you should have been at the Santa Fe Opera's production of Vivaldi's "Griselda." Director Peter Sellars and artist Gronk created an incoherent updating of a baroque masterpiece that had people scrambling for the exits. After Act 1 Santa Fe was filled with opera goers at local bars asking, "What the hell was that?"

BEST AND WORST DIRECTORS
BEST: JOHN DE LOS SANTOS
WORST: MICHAEL GRANDAGE

John de los Santos and Michael Grandage
We return to Ft. Worth for our best young director, John de los Santos, who brought such vibrancy to Gilbert & Sullivan's "The Mikado" that it seemed like a brand new hit show. We've been featuring a video of his work in our sidebar, as we think that his work should be more widely known to opera fans. He will be working on his first Wagner opera this year, when he joins the creative team at the Dallas Opera for their "Tristan und Isolde."

We've always had great respect for Michael Grandage as an actor and for much of his theatrical work. However, he needs to stay away from the opera house. He is the antithesis of everything that this site stands for, which is making opera accessible and interesting to modern audiences, as well as making it sexy when appropriate. He took all of the sexual tension out of Britten's "Billy Budd" at Glyndebourne and then mounted what the Guardian called a "disastrously dull" Don Giovanni at the Met. Two operas that thrive on sexual tension were basically emasculated by Grandage.

BEST BARIHUNK FEAST - MINNESOTA OPERA'S "SILENT NIGHT"
Mike Nyby
Kevin Puts' opera "Silent Night" contains more sexy men than a World Cup soccer championship. There were four barihunks in the premiere at the Minnesota Opera who had appeared on this site before, including Mike Nyby, Gabriel Preisser, Ben Wager and Liam Bonner, as well as Andrew Wilkowske. The opera is based on the screenplay for Joyeux Noël by Christian Carion and recounts a miraculous moment of peace during one of the bloodiest wars in human history.

BEST BARIHUNK WEDDING - ZACH ALTMAN & DAN KEMPSON
Zach Altman & Dan Kempson
This isn't you're grandmother's world of opera anymore. Baritones aren't the villains anymore, they're getting married to each other. Two of the most popular barihunks on this site tied the knot this year, Zach Altman and Dan Kempson. We wish them well!

YOU'RE NEVER TOO OLD AWARD - NATHAN GUNN
Nathan Gunn as Tarquinius in Vienna
We're going to leave you with Nathan Gunn, whose popularity with Barihunks fans is off the charts. The 41-year-old singer still looks hotter than guys twenty years his junior. He returned to the role of Tarquinius in Vienna this year and still looked as sexy as when he sung the role in Philadelphia years ago. He's also about to return to the role of Billy Budd, which is often performed by guys 10-20 years younger. Gunn also promotes his fitness routine, which we think is good for opera and good for the singers.

HAVE A GREAT 2012!!!

Monday, December 12, 2011

Announcing our First Beneficiary for our Barihunks Charity Calendar: The Portland Opera Studio

Portland Opera homepage

We’re pleased to announce that the Portland Opera Studio is our first recipient of a donation from our 2012 Barihunks charity calendar. We’ll announce the second recipient later this week. The final donation will depend on how many calendars we sell, which you can purchase HERE.

When we looked at the requests that we received, we were most moved by the requests from some of the smaller artist training programs. They work on shoestring budgets and still manage to develop some of the best young artists around today. Often they have to work more on commitment than cash, yet still deliver great results. The Portland Opera Studio has helped develop four singers who have appeared on this site: Jonathan Lasch, Jonathan Kimple, Jose Rubio and Nicholas Nelson. Portland Studio Artists also participated in a vocal masterclass with Daniel Mobbs, who performed the role of Figaro in Mozart’s “Le Nozze di Figaro” with the Portland Opera in November.

Portland Opera Studio participant Nicholas Nelson

Graduates of the Studio Artist program have performed worldwide, including roles with the New York City Opera and with young artist programs at Houston Grand Opera and Glimmerglass Opera. Nicholas Nelson will be appearing as the Commissioner in Puccini's "Madama Butterfly" opening on February 3rd and a number of small roles in Philip Glass' "Galileo Galilei" opening on March 30th.

In 2005, the Portland Opera established the Portland Opera Studio program, designed to train the next generation of opera singers by providing a "bridge" from the conservatory world to the professional stage.

Selected at auditions around the country, young singers fresh from some of the nation's finest vocal conservatories and music academies join the company for a rigorous nine-month training program during which they are featured in their own production. Their training also includes voice, language and movement lessons and supporting roles in Company mainstage productions. Studio Artists also give an intimate recital of Art Song at the Portland Art Museum, exploring the close relationship between composer, singer and accompianist.

Jose Rubio, Jonathan Kimple & Jonathan Lasch

The Studio Artists yearly production has become a highly-anticipated event in Portland, delighting audiences with rarely heard works and beautiful young voices. Previous productions include Britten's The Rape of Lucretia (2005), Monteverdi's The Return of Ulysses (2006), Britten's Albert Herring (2008), Cavalli's La Calisto (2009), Bernstein's Trouble in Tahiti and Monteverdi's Il Ballo delle ingrate and Il Combattimento di Tancredi e Clorinda (2010) and a Ravel double-bill of L'heure Espagnole and L'enfant et les Sortilèges (2011).

No matter where you live, we encourage you to buy a calendar to support this program, as you are likely to encounter one of their graduates at an opera house near you soon. You can also give an additional holiday donation directly to the Portland Opera Studio by contacting Hannah Gildea their Individual Giving Manager, at (503) 417-0601 or email her at hgildea@portlandopera.org.

Contact us at Barihunks@gmail.com



Click HERE to buy your calendar.

Wednesday, March 16, 2011

NIcholas Nelson for "Abercombie & Fitch"?

Nicholas Nelson

Seven months ago we introduced readers to Minnesota native Nicholas Nelson and his sexy abs. He was performing at the Central City Opera at the time and we've been waiting for an excuse for a follow up post.

When we first saw these pictures, we thought they were from an Abercombie & Fitch catalogue. If there is any question left in anyone's mind that singers are taking better care of their bodies these days, these pictures should dispel those thoughts.

Fans of the young singer Nelson can see him at the Portland Opera in the double bill of Ravel's L'heure Espagnole and L'enfant et les sortilèges. He will be performing as the Armchair and the Tree. Performances will run from April 1-9. He also just finished singing the Mandarin in Turandot with the company.

From August 12-20 he will be performing Alidoro in Opera North's Cenerentola.


Contact us at Barihunks@gmail.com




Monday, August 2, 2010

Nick Nelson: The Singing Bong

Check out the abs on Nicholas Nelson, who is singing the Bonze in Madame Butterfly at the Central City Opera.

Central City Opera has a long reputation for showcasing young talent long before they become superstars (i.e. - Denyce Graves, Mary Dunleavy and Lucas Meachem). However, the local press apparently isn't quite as skilled in their knowledge of opera. The Weekly Register-Call/ Gilpin County News referred to him portraying "the Bong," rather than the Bonze. Perhaps it's the local culture where people like Hunter S. Thompson and a few other drug loving celebrities lived.

The 28-year-old Minnesota native is also a part of the Portland Opera Studio where he'll be performing a recital with them on November 14, 2010. Next season he'll be covering Tonio in Pagliacci and Peter in Hansel and Gretel, as well as singing several roles in L'heure Espagnole and L'enfant et les Sortilèges.

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