Congratulations to Zachary Gordin, who won Operagasm's "Hottest Male Singer" award. We ran a post about the contest on Monday.
He can next be seen on January 18th in a "Seasons of Love" concert with the Old First Church concert series in San Francisco. He'll be joined by mezzo Cathleen Candia and accompanist Charles Worth.
Gordin is also the coverboy on our 2013 Barihunks Charity Calendar, which you can purchase by clicking on the Lulu button.
Zachary Gordin as he appears on the Barihunks Calendar cover
Operagasm is hosting an online poll to see who the sexiest singers are in the world, as well as best afro, hottest red head, best "ma" in Una voce poco fa, best baritone claw and top bitch.
Three baritones are up for hottest male singer, including our 2013 Barihunks Charity Calendar oversize edition coverboy Zachary Gordin, Keith Miller and Erwin Schrott. They are pitted against tenor Noah Stewart and James Valenti (both of whom we've snuck onto Barihunks, because they are barihunk hot!).
The best baritone claw competition, has claw extraordinaire Michael Todd Simpson pitted against the less formidable claws of Luca Grassi, Gunther Groissboeck, Mariusz Kwiecien and Stephanie Blythe.
At Barihunks, we find baritones to be sexy and seductive, like Douglas Williams. Could a face like this be a villain?
The beautiful, funny and gifted mezzo-soprano Kate Jackman penned a list of the "Top 10 Worst Opera Villains" for the wonderful blog Operagasm. Of course any list about villains will invariably include some baritones, as many composers consider it the perfect voice for devils, killers, rapists and evil husbands. In fact, six of her ten villains are baritones or basses. (For the record, we think the baritone voice is sexy, sultry, seductive and virile).
Falk Struckmann as Kaspar in Vienna
Her baritone and bass villains include Kaspar from Der Freischutz, of whom she writes:
I get it. You don’t want to go to hell. Understandable.
But tricking some poor, love-sick sap into shooting his beloved Agathe, just so you can get three more miserable years on Earth seems excessive. And how did that plan work out for you? She’s alive, everyone else is happy, and you are burning in a fiery pit for all eternity. Good game.
Barihunk Kyle Ketelsen as Nick Shadow in London
Nick Shadow from The Rake's Progress:
The Shadow Master. The Puppeteer. You pull the strings of poor, feckless Tom. You give him money, loose women, a bearded wife (that’s right, BEARDED), and a magic bread maker, and in doing so make him penniless, loveless, hopeless, and eventually lifeless (as in DEAD). You evoke ruin, disaster, and shame from the second you appear until the instant you sink back into the depths of Hades. You, sir, are a scoundrel.
Barihunk Marco Vratogna as Iago with Carlo Ventre as Otello in Frankfurt
Iago from Otello:
Much like the same-named, cartoon parrot in Disney’s Aladdin, you perch on Otello’s shoulder and spew deceit.
I get that you hate Otello and want him to suffer, but was it really worth going through this whole elaborate plan? Couldn’t you just off the guy and be done with it? And, honestly, what did Desdemona ever do to you? Why does she have to be collateral damage? You had to know that you were not going to walk away from this without facing the consequences.
But you didn’t care, did you? You are just a hateful little worm, aren’t you?
Stephen Costello as Faust) with barihunk Greer Grimsley asMéphistophélès in San Diego
Mephistopheles from Faust:
ATTENTION TENORS: OMG DO NOT ENTER INTO A CONTRACT WITH THE DEVIL!
Really, just don’t even talk to him. It’s not worth it and you will regret it in the long haul.
Take the story of Faust as a cautionary tale: He’s old; he has a lot of regrets. Suddenly, Mephistopheles appears and promises to make him young and virile in exchange for his soul. Stupid Faust agrees, and four acts later he is being dragged down into perdition.
Mephistopheles is just about as bad and scary as they come. Watch the Church Scene in the middle of the night and you’ll know what I’m talking about.
Lado Ataneli as Barnaba and Violeta Urmana as Gioconda in the stunning Pizzi production
Barnaba from La Gioconda:
Gentlemen, take note. When a lady tells you she is not interested in your advances, you should: a) Move on. Fish in the sea blah blah blah
OR
b) Attempt to woo her with the standard flattery, flowers, dinner, etc. She may eventually develop romantic feelings for you.
When a lady tells you she is not interested, you should NOT:
a) Denounce her blind, elderly mother as a witch in front of the entire town.
b) Drown said elderly mother in the Venetian canals.
Your lady will not love you for it and may just stab herself in the gut to get away from you.
And her #1 evil villain is, of course, Scarpia (who we have actually found to be quite sexy in some productions, which adds a whole different element to the seduction scene):
María José Siri as Tosca and Claudio Sgura as Scarpia at the Savonlinna Festival
Scarpia from Tosca Congratulations, Scarpia. You are the nastiest of the nasty characters in Opera.
Nobody likes you. Everyone was happy to see you die.
Why?
Well, let’s recap: You arrested a painter and had him tortured where his lover, a singer, could hear his screams. You then attempted to seduce the singer, like she’d be in any kind of mood for nookie when her lover is being tortured in the next room… and she could hear
his screams. You made her promise to give herself to you in exchange for his life, and then had him executed anyway.
Seriously, dude. If anyone deserved to get stabbed in the chest by a vengeful soprano, it’s you.
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Barihunk Bryce Smith wrote a piece for Operagasm about the issues around being single with an opera career. Here's a snippet:
If I can’t find the one person that’s supposed to love me no matter what, I’ll find those that will love me for what I create. Maybe that is why I stay as busy as I do – so I never have to face the truth that, at the end of the day, I am in fact alone. Therefore, I continue to throw myself into the one thing that matters most, the one thing that my passion is completely unbridled and running wild to be a part of, my first and only love – performing.
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