Showing posts sorted by date for query simpson. Sort by relevance Show all posts
Showing posts sorted by date for query simpson. Sort by relevance Show all posts

Saturday, June 8, 2019

Barihunk duo join SF Symphony for semi-staged Ravel opera

Kelly Markgraf and Michael Todd Simpson
Barihunks Michael Todd Simpson and Kelly Markgraf will join the San Francisco Symphony in a semi-staged performance of Ravel’s L’Enfant et les sortilèges (The Child and the Magic Spells) on June 27 and 29–30 at Davies Symphony Hall. They'll be joined by an all-star cast including Isabel Leonard, Anna Christy, Nikki Einfeld, Marnie Breckenridge, Ginger Costa Jackson, Jennifer Johnson-Cano and Ben Jones under the baton of Martyn Brabbins.

The semi-staged production has previously been seen at the Opéra de Lyon in 2012 and 2016, and at the Bayerische Staatsoper in Munich in 2013. Tickets for the San Francisco performances are available online.


In L’enfant et les sortilèges, Ravel captures the fanciful world of a young child. Set in a country house in Normandy, the story opens with a boy being scolded by his mother and left alone in his room. Rebellious and fractious, the boy causes mischief—ripping the wallpaper and tearing pages from his schoolbook, sweeping the teapot off the table, swinging from the pendulum of the grandfather clock, and even injuring his pet squirrel. The objects of his tantrum come to life and turn against him, admonishing him for his misdeeds. More accusations and frightful encounters follow when the boy runs out to the garden, until he finally learns his lesson—showing kindness to the injured squirrel—and the magic of the garden turns to moonlight enchantment.

Monday, March 19, 2018

Barihunk duo in AVA's French recital program

Ethan Simpson (left) and Brent Michael Smith (right)
The final recital in the Academy of Vocal Arts Recital Series will include barihunks Ethan Simpson and Brent Michael Smith in a program of French repertoire.  They'll be joined by Gabriela Flores, Hannah Ludwig, Matthew White and Timothy Renner, with AVA vocal coach Audrey Saint-Gil accompanying them on piano.

Ethan Simpson will be singing Nadia Boulanger's "J'ai frappe" and "Chanson," as well as Henri Duparc's Testament.

Brent Michael Smith will be performing Stravinsky's "Un sommeil noir" and the Act 1 bass aria from Paul Dukas' Ariane et Le Barbe Bleu.

Performances are on April 3 and April 5 and tickets are available online. 

Saturday, December 9, 2017

Three barihunks advance at Mid Atlantic Met Auditions

Ethan Simpson, Andrew Bogard and Brent Michael Smith
Bass-baritone Andrew Bogard, baritone Ethan Simpson and bass Brent Michael Smith all advanced to the next round of the Metropolitan Opera National Council Auditions. Also advancing at the Middle Atlantic Region auditions in Philhadelphia were mezzo-soprano Gillian Cotter, tenor Matthew White, tenor Joshua Blue and soprano Meryl Dominguez.

A number of barihunks have recently advanced from the Middle Atlantic Region, including bass Patrick Guetti, bass-baritone Brandon Cedel, baritone Sean Michael Plumb and baritone Elliot Madore.

The National Semi-Finals concert will be held on Thursday, April 19, 2018 and the Grand Finals Concert will take place on Sunday, April 29, 2018 in New York City at the Metropolitan Opera House. Bertrand de Billy will conduct this year's concert.

Ethan Simpson will be making his movie debut as Cesar in an upcoming film based on Anne Patchett’s New York Times best selling Bel Canto starring Julianne Moore and Ken Watanabe.

In January 2018, Andrew Bogard will star as Papageno in Mozart's The Magic Flute at CoOPERAtive in Princeton, New Jersey.

In January 2018, Brent Michael Smith will sing Fafner in Wagner's Das Rheingold at the Academy of Vocal Arts. 


ONLY 22 DAYS LEFT TO ORDER our 2018 Barihunks Calendar, which includes 20 of opera's sexiest men is now available for purchase HERE. In response to reader demand, we've also added a Barihunks Photo Book this year, which includes additional photos that don't appear in the calendar. You can purchase that HERE. The New Year is approaching faster than you think.

 

Saturday, January 14, 2017

Bari-hunky Bizet in Met's Carmen

Kyle Ketelsen and Michael Todd Simpson as Escamillo
Bizet’s Carmen opens at the Met on January 19 with mezzo Sophie Koch making her role debut as the title character. But the big news for barihunk lovers is that both Escamillos, Moralès and Dancäire are all singers who have been featured on this site.

Barihunks Kyle Ketelsen and Michael Todd Simpson will take on the role Escamillo, while John Moore will sing Moralès and Malcolm MacKenzie will perform Dancäire. John Moore just set the opera world abuzz with his stunning (and nude) performance as Jan Nyman in Missy Mazzoli and Royce Vavrek's Breaking the Waves in both Philadelphia and New York.

Performances will run on January 19, 23, 27, 31 and February 3, 7, 11, 15 and 18. Tickets are available online.

Kyle Ketelsen sings the Torreador's Song from Carmen:

Michael Todd Simpson stepped in on Christmas Eve at The Met as Jaufré Rudel for Eric Owens in Kaija Saariaho’s critically acclaimed L’Amour de Loin. He is becoming a regular with the company, performing in Rossini’s Guillaume Tell, Offenbach’s Les Contes d’Hoffmann, Lescaut in Massenet’s Manon and Demetrius in Britten’s A Midsummer Night’s Dream. From April 7-9, he'll perform the Pirate King in Gilbert & Sullivan's The Pirates of Penzance in a cast that includes Stephanie Blythe as Ruth, Andrew Stenson as Frederic and barihunk Tobias Greenhalgh as Samuel.

This Fall, Ketelsen will return to the role of Escamillo at the Teatro Real in Madrid. In between New York and Madrid, he'll sing Golaud in Debussy's Pelléas et Mélisande at the Théâtre des Champs-Élysées in Paris and Nick Shadow in Stravinsky's The Rake's Progress in Aix-en-Provence, France

Monday, December 26, 2016

Michael Todd Simpson replaces Eric Owens in ‘L’Amour de Loin’ at Met

Michael Todd Simpson
Barihunk Michael Todd Simpson stepped in as Jaufré Rudel for Eric Owens on Christmas Eve in Kaija Saariaho’s critically acclaimed L’Amour de Loin at The Met. Eric Owens returns to sing the final performance on December 29.

This season, Simpson has performed at the Metropolitan Opera in Rossini’s Guillaume Tell and returns as Escamillo in Bizet’s Carmen on February 15 opposite Clémentine Margaine. The other Escamillo is barihunk Kyle Ketelsen.

Simpson made his Met Opera debut in 2009 in Offenbach’s Les Contes d’Hoffmann in a cast that included Joseph Calleja, Kate Lindsey and Anna Netrebko. He followed those performances with appearances as Lescaut in Massenet’s Manon and Demetrius in Britten’s A Midsummer Night’s Dream.

From April 7-9, he'll perform the Pirate King in Gilbert & Sullivan's The Pirates of Penzance in a cast that includes Stephanie Blythe as Ruth, Andrew Stenson as Frederic and barihunk Tobias Greenhalgh as Samuel.

ALERT: FINAL DAYS TO ORDER YOUR 2017 BARIHUNKS IN BED CALENDAR BEFORE NEW YEAR'S DAY!!! 

Support independent publishing: Buy this calendar on Lulu. 






Tuesday, December 6, 2016

Feast of barihunks in AVA's The Demon

Nathan Milholin, André Courville and Daniel Noyola
 The Academy of Vocal Arts in Philadelphia will present Anton Rubinstein's The Demon on December 10, 13 & 15 at the Helen Corning Warden Theater. 

The opera is a veritable feast for lovers of the low male voice, featuring a baritone as The Demon, a bass-baritone as Prince Gudal and a bass-baritone as the Old Servant. 

Dmitri Hvorostovsky and Alexander Tsymbalyuk in The Demon (complete):

The Russian Opera Workshop will present rotating casts, with Ethan Simpson, Timothy Renner and Christopher Kenney sharing title role duties, Nathan Milholin and Daniel Noyola performing the Prince and André Courville taking on the Old Servant all three nights.
Even the smaller roles of the bandits include barihunks Jared Bybee and Anthony Whitson-Martini. Bybee also appears in our 2017 Barihunks in Bed calendar (check out the bottom of the post)!

Christopher Kenney, Timothy Renner and Ethan Simpson
 
Jared Bybee and Anthony Whitson-Martini rehearse as the bandits

The story is about a fallen angel, the Demon, who is banished from heaven and is condemned to spend eternity alone. The angel appears and warns the Demon not to destroy God’s creation and try to reconcile with heaven. the rebellious Demon rejects the idea. Enamored with Tamara, the Demon woos her. "Tamara, love me! ... you will be the queen of the universe, my eternal companion," he whispers into her soul. Feeling fear and powerful temptation, Tamara succumbs to his seduction. The Demon's kiss kills her and in the moment of conquest, he is defeated by the Angel who saves Tamara's soul. Alone again, Demon curses the universe. 

Tickets are available online.  


Enjoy Jared Bybee and a host of barihunks from across the globe in our 
2017 Barihunks in Bed calendar. 
ON SALE NOW AT LULU.

Support independent publishing: Buy this calendar on Lulu.

Michael Hewitt, Gianluca Margheri and Jared Bybee

Monday, March 7, 2016

Interview with Tristan Hambleton

Tristan Hambleton from the Barihunks Calendar
Barihunks Tristan Hambleton and Kevin Greenlaw will both be performing in the University College Opera's production of Donizetti's La Favorite from March 14-19 at the Theatre Royal Stratford East. It will the first French language performance in the UK this century. You visit their website for additional information.

On March 20th, you can also hear Tristan in Bach's St Matthew Passion at Hampstead Garden Suburb Free Church with the UK-Japan Music Society. You can listen to Tristan Hambleton sing Tchaikovsky's None But the Lonely Heart HERE. 

Hambleton is featured this month in our 2016 Barihunks Charity Calendar, so we figured it was a good time to ask him a few questions about his career.

1. What drew you to a career in opera?

I come from a musical family stretching back to Victorian London, with family among the founding members of the LSO and the Philharmonia, I grew up to tales of the great musicians of the past. My dad played on many of the RCA and Decca recordings with the likes of Pavarotti, Sutherland and Milnes and when it came to child care, it meant me sitting in on rehearsals at ENO where my dad was principle clarinet for many years. There was little escape. When I was a boy, I started singing as a treble and was invited to sing with amazing singers like David Daniels and Bryn Terfel. I remember at 11, being in a singer’s apartment in Paris while working with Les Art Florissant and thinking “WOW, this is the life!” It was then that I got bitten by the bug.

2. How did you first find out that you were on Barihunks and what was the response to you being in the calendar?

I think someone tagged me on facebook. Oh and my website went into overdrive. As for the calendar, my mum loves it, particularly as it’s now March.

3. What are your thoughts about singers taking care of their bodies as well as their voices? Do you have a routine to stay in shape?

It is so crucial. Your body is your instrument. I don’t have a routine as such, but I’m always on the go.
Tristan Hambleton as Leporello in 2014 (left) and rehearsing Ariodante
 
4.  Any limits on what you'd do at a stage directors request?

Ha ha – none that I know of. Should I be worried? Or maybe they should be.

5. Are there any roles in particular that you really hope to get to perform someday?

Absolutely. Too many to mention, but pretty much all the Mozart roles. And I think every bass-baritone has a dream of one day being a Hans Sachs. I hope this doesn’t mean I’ve jinxed it!

6. Tell us about your character in La Favorite and the production. This is the first time it's being done in the original French in the U.K.

I play the role of Balthazar, a Catholic Superior who is head of the Monastery at Santiago de Compostela. The story is essentially a love triangle set against a power struggle between church and state. There’s a definite flavour of the Grand Inquisitor from Don Carlos (one of my favourite operas) in Balthazar, except I am a lot more mobile and unlike Hytner’s production I can fully see everything that’s going on. This production is set in the 1930’s using the Edward VIII/Wallis Simpson affair as a sounding board. For over 60 years UCO have put on rarely performed works in the capital using young singers. Previous productions have used some really great singers including heroes of mine Felicity Lott and Robert Lloyd.

Tristan Hambleton in Ariodante (right)
 7. Do you prefer singing standard operatic repertory or newer pieces?

What matters for me is the standard of the music, the story and the character. My last project was a World Premier for Glyndebourne by David Bruce. The opera, called ‘Nothing’, had all three elements in spades, as a result it ranks as one of the highlights of my career thus far. For the same reason, I would happily sing Figaro for the rest of my life.

8. What other passions do you have aside from music?

My Bachelors degree was actually in Art History and I love introducing people to Italy. Something I’ve had the great fortune to do as a Tutor for Art History Abroad.

9. What do you listen to other than opera?

All sorts. According to Spotify my recent plays are: Nick Hakim, Totally Enormous Extinct Dinosaurs, Bach, Major Lazer, Schubert, SBTRKT, Gluck. I believe in the Louis Armstrong philosophy of music.

10. The best advice anyone has ever given you?

Don’t be anyone, but yourself.

11. Tell us something about yourself that has nothing to do with opera.

When I’m at home I wear clogs – like right now.

Sunday, November 8, 2015

Bevy of barihunk in AVA's Don Giovanni

André Courville, Anthony Whitson-Martini and Jared Bybee
Not to be outdone by the barihunk sextet rotating in casts in Don Giovanni at the Hampstead Garden Opera in the U.K, we were notified that the Academy of Vocal Arts in Philadelphia is also showcasing a bevy of barihunks in their production of the same opera.

André Courville will be singing Leporello (and rotating it with Nathan Milholin), Anthony Whitson-Martini will be singing Masetto (and rotating it with Jorge Espino) and Jared Bybee will be singing the title role (and sharing it with Daniel  Noyola and Ethan Simpson). To top things off Anthony Schneider will be singing the Commendatore. November 7, 10 and 12 in Philadelphia, November 14 in Bethlehem (PA), November 17 & 19 in Haverford and November 21 in Doylestown.

Nathan Milholin, Ethan Simpson and Anthony Schneider
AVA first presented Don Giovanni in 1986-87 with additional performances in 2000, 2005 and 2011, which featured many alumni who went on to international careers, including Nicholas Masters, Burak Bilgili, Latonia Moore, Michael Fabiano, Bryan Hymel, Ellie Dehn, Taylor Stayton and Othalie Graham.

Tickets and additional cast information is available online.

Enjoy 18 more barihunks in our new Charity Calendar, which is on sale now. 
ORDER HERE:
 Support independent publishing: Buy this calendar on Lulu.

Thursday, October 1, 2015

Barihunks Calendar Model Profile: Iosu Yeregui


Barihunks calendar model Iosu Yeregui
We never formally introduced Spanish bass-barihunk Iosu Yeregui before he was featured in our calendar. He is featured in the calendar in September along with Aussie Duncan Rock.

Yeregui was born in San Sebastian, where he studied contemporary dance, flute and humanities for business. He began his vocal studies at the Koninklijk Konservatorium in The Hague, completing them at the Schola Cantorum Basiliensis, Switzerland, with Evelyn Tubb and Andreas Scholl and specializing in Historical Interpretation.

As a soloist in concerts and chamber works, he has sung in the Victoria Eugenia Theatre, Kursaal, the Auditorium of Zaragoza, Auditorum of Cuenca, Auditorium of León, Gran Teatre del Liceu, Teatro Real, Basel Theatre, Freunde für Alte Musik, Ópera Vichy, Reims, Ambronay, Circolo Lirico di Bologna, Wallonie Festival, Bozar Bruxelles, Berliner Philarmoniker and others.  He was also invited to take part in the 67th “Quincena Musical” in San Sebastian, with a recital built around Mozart.

Duncan Rock (left) and Iosu Yeregui in the 2016 Barihunks Calendar
His repertoire includes Mozart's Requiem, Missa Brevis and Coronation Mass, Fauré's Requiem, Bach's Magnificat, St.Matthew Passion and various cantatas, Buxtehude's Membra Jesu Nostri, Haydn’s Die Schöpfung and Handel's Jephta and Messiah.

On stage, he's performed Sarastro in Mozart's Die Zauberflöte, Masetto in Mozart's Don Giovanni, Colas in Mozart's Bastien und Bastienne, Caronte and Plutone in Monteverdi's Orfeo, Somnus in Handel's Semele, Il Re in Handel's Ariodante, Zoroastro in Handel's Orlando, Ferrando in Verdi's Il Trovatore,  Dottore Grenvil and Marchese d'Obigny in Verdi's La Traviata, Simpson in Sorozábal's La Taberna del Puerto and, most recently, Lodovico in Verdi's Otello with Opera de la ABAO in Bilbao, Spain.

The 2016 Barihunks Charity Calendar is now on sale and available online. For the past four years, the calendar has raised money for young artist programs and young artist projects. Proceeds from this year's calendar will fund the creation of the Foundation for the Advancement of Baritones (FAB), which will fund baritone and bass cash prizes at song competitions, commission music for baritones and basses, and be used to fund other projects featuring low male voices.

ORDER YOUR CALENDAR TODAY BY CLICKING BELOW
Support independent publishing: Buy this calendar on Lulu.
Born in San Sebastian, where he studied Contemporary Dance, Flute and Humanities for Business, he began his vocal studies at the Koninklijk Konservatorium in The Hague, completing them at the Schola Cantorum Basiliensis, Switzerland, with Evelyn Tubb and Andreas Scholl and specializing in Historical Interpretation. He continued his vocal formation under the direction of Ana Luisa Chova.

During this time, he has also attended singing classes with Paride Venturi, Carlos Chausson, Carlos Mena, Jessica Cash, Marta Almajano, Richard Levitt, Sonia Prina, Víctor Torres and Buonaldo Giaiotti.

As a soloist in concerts and chamber works, he has sung in the Victoria Eugenia Theatre, Kursaal, the Auditorium of Zaragoza, Auditorum of Cuenca, Auditorium of León, Gran Teatre del Liceu, Teatro Real, Basel Theatre, Freunde für Alte Musik, Ópera Vichy, Reims, Ambronay, Circolo Lirico di Bologna, Wallonie Festival, Bozar Bruxelles, Berliner Philarmoniker and others.  He was also invited to take part in the 67th “Quincena Musical” in San Sebastian, with a recital built around Mozart.

He has worked with conductors such as Joshua Rifkin, Ton Koopman, Anthony Rooley, Leonardo García Alarcón, Juan Luis Martínez, José Antonio Montaño, Bruce Dickie and Charles Toet, and with many ensembles such as Capilla Mediterranea, Los Musicos de su Alteza, Capilla Peñaflorida, Ensemble der Schola Cantorum Basiliensis and A Sei Voci.

His repertoire includes Mozart's Requiem, Missa Brevis and Coronation Mass, Fauré's Requiem, Bach's Magnificat, St.Matthew Passion and various cantatas, Buxtehude's Membra Jesu Nostri, Haydn’s Die Schöpfung and Handel's Jephta and Messiah.

Roles in staged works include: Sarastro (Die Zauberflöte), Masetto (Don Giovanni), Colas (Bastien und Bastienne) Caronte and Plutone (Orfeo), Somnus (Semele), Il Re (Ariodante), Zoroastro (Orlando), Ferrando (Il Trovatore),  Dottore Grenvil and Marchese d'Obigny (La Traviata) and Simpson (La Taberna del Puerto). - See more at: http://www.adlibitumartis.com/en/artistas/iosu-yeregui#sthash.JAzlyEuf.dpuf
Born in San Sebastian, where he studied Contemporary Dance, Flute and Humanities for Business, he began his vocal studies at the Koninklijk Konservatorium in The Hague, completing them at the Schola Cantorum Basiliensis, Switzerland, with Evelyn Tubb and Andreas Scholl and specializing in Historical Interpretation. He continued his vocal formation under the direction of Ana Luisa Chova.

During this time, he has also attended singing classes with Paride Venturi, Carlos Chausson, Carlos Mena, Jessica Cash, Marta Almajano, Richard Levitt, Sonia Prina, Víctor Torres and Buonaldo Giaiotti.

As a soloist in concerts and chamber works, he has sung in the Victoria Eugenia Theatre, Kursaal, the Auditorium of Zaragoza, Auditorum of Cuenca, Auditorium of León, Gran Teatre del Liceu, Teatro Real, Basel Theatre, Freunde für Alte Musik, Ópera Vichy, Reims, Ambronay, Circolo Lirico di Bologna, Wallonie Festival, Bozar Bruxelles, Berliner Philarmoniker and others.  He was also invited to take part in the 67th “Quincena Musical” in San Sebastian, with a recital built around Mozart.

He has worked with conductors such as Joshua Rifkin, Ton Koopman, Anthony Rooley, Leonardo García Alarcón, Juan Luis Martínez, José Antonio Montaño, Bruce Dickie and Charles Toet, and with many ensembles such as Capilla Mediterranea, Los Musicos de su Alteza, Capilla Peñaflorida, Ensemble der Schola Cantorum Basiliensis and A Sei Voci.

His repertoire includes Mozart's Requiem, Missa Brevis and Coronation Mass, Fauré's Requiem, Bach's Magnificat, St.Matthew Passion and various cantatas, Buxtehude's Membra Jesu Nostri, Haydn’s Die Schöpfung and Handel's Jephta and Messiah.

Roles in staged works include: Sarastro (Die Zauberflöte), Masetto (Don Giovanni), Colas (Bastien und Bastienne) Caronte and Plutone (Orfeo), Somnus (Semele), Il Re (Ariodante), Zoroastro (Orlando), Ferrando (Il Trovatore),  Dottore Grenvil and Marchese d'Obigny (La Traviata) and Simpson (La Taberna del Puerto). - See more at: http://www.adlibitumartis.com/en/artistas/iosu-yeregui#sthash.JAzlyEuf.dpuf
Born in San Sebastian, where he studied Contemporary Dance, Flute and Humanities for Business, he began his vocal studies at the Koninklijk Konservatorium in The Hague, completing them at the Schola Cantorum Basiliensis, Switzerland, with Evelyn Tubb and Andreas Scholl and specializing in Historical Interpretation. He continued his vocal formation under the direction of Ana Luisa Chova.

During this time, he has also attended singing classes with Paride Venturi, Carlos Chausson, Carlos Mena, Jessica Cash, Marta Almajano, Richard Levitt, Sonia Prina, Víctor Torres and Buonaldo Giaiotti.

As a soloist in concerts and chamber works, he has sung in the Victoria Eugenia Theatre, Kursaal, the Auditorium of Zaragoza, Auditorum of Cuenca, Auditorium of León, Gran Teatre del Liceu, Teatro Real, Basel Theatre, Freunde für Alte Musik, Ópera Vichy, Reims, Ambronay, Circolo Lirico di Bologna, Wallonie Festival, Bozar Bruxelles, Berliner Philarmoniker and others.  He was also invited to take part in the 67th “Quincena Musical” in San Sebastian, with a recital built around Mozart.

He has worked with conductors such as Joshua Rifkin, Ton Koopman, Anthony Rooley, Leonardo García Alarcón, Juan Luis Martínez, José Antonio Montaño, Bruce Dickie and Charles Toet, and with many ensembles such as Capilla Mediterranea, Los Musicos de su Alteza, Capilla Peñaflorida, Ensemble der Schola Cantorum Basiliensis and A Sei Voci.

His repertoire includes Mozart's Requiem, Missa Brevis and Coronation Mass, Fauré's Requiem, Bach's Magnificat, St.Matthew Passion and various cantatas, Buxtehude's Membra Jesu Nostri, Haydn’s Die Schöpfung and Handel's Jephta and Messiah.

Roles in staged works include: Sarastro (Die Zauberflöte), Masetto (Don Giovanni), Colas (Bastien und Bastienne) Caronte and Plutone (Orfeo), Somnus (Semele), Il Re (Ariodante), Zoroastro (Orlando), Ferrando (Il Trovatore),  Dottore Grenvil and Marchese d'Obigny (La Traviata) and Simpson (La Taberna del Puerto). - See more at: http://www.adlibitumartis.com/en/artistas/iosu-yeregui#sthash.JAzlyEuf.dpuf
Born in San Sebastian, where he studied Contemporary Dance, Flute and Humanities for Business, he began his vocal studies at the Koninklijk Konservatorium in The Hague, completing them at the Schola Cantorum Basiliensis, Switzerland, with Evelyn Tubb and Andreas Scholl and specializing in Historical Interpretation. He continued his vocal formation under the direction of Ana Luisa Chova.

During this time, he has also attended singing classes with Paride Venturi, Carlos Chausson, Carlos Mena, Jessica Cash, Marta Almajano, Richard Levitt, Sonia Prina, Víctor Torres and Buonaldo Giaiotti.

As a soloist in concerts and chamber works, he has sung in the Victoria Eugenia Theatre, Kursaal, the Auditorium of Zaragoza, Auditorum of Cuenca, Auditorium of León, Gran Teatre del Liceu, Teatro Real, Basel Theatre, Freunde für Alte Musik, Ópera Vichy, Reims, Ambronay, Circolo Lirico di Bologna, Wallonie Festival, Bozar Bruxelles, Berliner Philarmoniker and others.  He was also invited to take part in the 67th “Quincena Musical” in San Sebastian, with a recital built around Mozart.

He has worked with conductors such as Joshua Rifkin, Ton Koopman, Anthony Rooley, Leonardo García Alarcón, Juan Luis Martínez, José Antonio Montaño, Bruce Dickie and Charles Toet, and with many ensembles such as Capilla Mediterranea, Los Musicos de su Alteza, Capilla Peñaflorida, Ensemble der Schola Cantorum Basiliensis and A Sei Voci.

His repertoire includes Mozart's Requiem, Missa Brevis and Coronation Mass, Fauré's Requiem, Bach's Magnificat, St.Matthew Passion and various cantatas, Buxtehude's Membra Jesu Nostri, Haydn’s Die Schöpfung and Handel's Jephta and Messiah.

Roles in staged works include: Sarastro (Die Zauberflöte), Masetto (Don Giovanni), Colas (Bastien und Bastienne) Caronte and Plutone (Orfeo), Somnus (Semele), Il Re (Ariodante), Zoroastro (Orlando), Ferrando (Il Trovatore),  Dottore Grenvil and Marchese d'Obigny (La Traviata) and Simpson (La Taberna del Puerto). - See more at: http://www.adlibitumartis.com/en/artistas/iosu-yeregui#sthash.JAzlyEuf.dpuf

Friday, September 18, 2015

Michael Todd Simpson to open Washington Opera season

Michael Todd Simpson in WNO's Carmen (Photo Credit: Scott Suchman)
 The Washington National Opera will open its 2015-2016 season on September 19th with a new staging Bizet's Carmen featuring barihunk Michael Todd Simpson as Escamillo.
Simpson is returning to the company after successful performances as Alvaro in Florencia in the Amazon and Gaylord Ravenal in Show Boat. Simpson has sung Escamillo at The Met, Seattle Opera and the Glimmerglass Festival.

He'll be joined by thrilling heroic tenor Bryan Hymel as Don José. Clémentine Margaine as Carmen and Janai Brugger as Micaela. They will alternate with a cast that includes Aleksey Bogdanov as Escamillo, Rafael Davila as Don José, Géraldine Chauvet as Carmen and Jacqueline Echols as Micaela. Also in the cast is fellow barihunk Kenneth Kellogg who will sing Zuniga.

After his run as Escamillo, Simpson returns to his current home of Seattle to sing Cecil in Donizetti's Maria Stuarda. He then heads off to Dallas to sing Gaylord Ravenal in Show Boat with the Dallas Opera. 

Sunday, August 23, 2015

Barihunk "Group Claw" at Seagle Music Colony

Top::  Kyle White, Ryan Stoll, Michael Miller, Eric McConnell
Middle:  Blake Jennings, Mason Jarboe, Thomas West, Nate Mattingly
Bottom Row:  Patrick Jones, Johnny Salvesen, Ryan Hill, Andrew Simpson
The low voices at this year's Seagle Music took a group photo in their new Barihunk t-shirts and giving the camera their best baritone claws.

This year's season included Verdi's Falstaff, Rossini's The Barber of Seville, Sondheim's Into the Woods, Schönberg & Boubill's Les Misérables, Andrew Duncan's The Ugly Duckling and a special guest appearance.

Seagle Music Colony, which was founded in 1915, is the oldest summer singer training program in the country.

Friday, January 2, 2015

Seattle Opera keeps barihunk tradition alive in new era

German bass-barihunk Andreas Bauer
The Speight Jenkins era at the Seattle Opera is officially over, as incoming General Director Aidan Lang has announced his first full season, which will be presented in 2015-16. The good news is that the company's long-standing commitment to barihunks is in tact with some of the world's sexiest baritones and basses in all of their casts!

The six season opera will include a new production, a world premiere, and two of the repertory's greatest operas that have never been seen before in Seattle, Verdi's Nabucco and Donizetti's Maria Stuarda. Lang is also maintaining Seattle Opera's great Wagnerian tradition by presenting The Flying Dutchman with barihunk Greer Grimsley. He'll be alternating the role with Alfred Walker.

Nabucco will feature the Seattle debuts of barihunks Andreas Bauer and Christian Van Horn alternating the role of the High Priest Zaccaria, in a cast that also includes Gordon Hawkins in the title role and Mary Elizabeth Williams in the fiendishly difficult role of his daughter Abigaille.

Morgan Smith (left) and John Moore (right)
The company is also presenting the world premiere of Jack Perla's An American Dream, which resulted from the company's story telling initiative, the Belonging(s) Project. The World War II based libretto tells the story of strangers bound together after a Japanese American family is forcibly removed from where they live on an island in Puget Sound, and the new residents slowly piece together the history of their home. Barihunk Morgan Smith will sing the role of Jim, an American soldier married to Eva, a German Jew who has fled the Nazis and moved to the Pacific Northwest.

Morgan Smith will also alternate the role of Count Almaviva in a new production of Mozart's The Marriage of Figaro with fellow barihunk John Moore. The cast also includes barihunk Aubrey Allicock as Figaro, a role he will rotate with Shenyang.

Sarah Larsen with  Michael Todd Simpson, Steven LaBrie, Joseph Lattanzi, and Colin Ramsey in the Seattle Opera's The Consul modeling Barihunk tee shirts (Photo by Elise Bakketun)
Other barihunks appearing with the company are Michael Todd Simpson as Cecil in Maria Stuarda and Keith Phares and  Brett Polegato rotating the role of Zurga in Bizet's The Pearl Fishers. The production will also include the Seattle Opera debut of Jonathan Lemalu as Nourabad. The female leads in the Donizetti will be Christine Rice and Joyce El-Khoury as the doomed queen, while Mary Elizabeth Williams and Keri Alkema sing Queen Elizabeth I, her hated rival.

Tickets and additional cast information are available online. 

Wednesday, December 24, 2014

Barihunks "Best of 2014"

It's time for our annual year-end wrap up with our "Best of 2014" feature where we highlight our favorite posts. Many of these were actually chosen by our readers, as we closely followed how much traffic each of our posts were receiving.
(L-R top row) Björn Bürger, Malte Roesner, Michael Mofidian (L-R, bottom row) Ivan Oreščanin, Mattia Olivieri and Davide Luciano
BEST NEWCOMERS: There were six singers who we introduced to readers this year that generated amazing traffic to our site. In fact, they were so popular that we decided to lead off our annual tribute with them. German Björn Bürger, German-American Malte Roesner, Scotsman Michael Mofidian, Serbian Ivan Oreščanin, and Italians Mattia Olivieri and Davide Luciano. You can click on their names to read the original posts. This is what the future of opera looks like and sounds like, which seems encouraging.

Previously unpublished photos of Italian barihunk Ernesto Petti
Jens Søndergaard and Saïd Pressley
BEST READER SUBMISSION: Our best posts continue to come from our readers and this year was no exception. Few singers generated more interest than Ernesto Petti on both our blog and in our calendar, where he appears as part of our August feature. Since we couldn't run all of his photos in our calendar, we've added some new photos above.

Honorable mention has to go to Jens Søndergaard and Saïd Pressley, both of whom proved immensely popular with our readers.

Bottom Row - Austin Siebert, George Arvidson, Clay Thompson, Nate Mattingly, Mason Jarboe, Michael Miller
Top Row - Keith Browning, Trevor Martin, Michael Hewitt, Damian Faul
 
(L-R) Sarah Larsen, Michael Todd Simpson, Steven LaBrie, Joseph Lattanzi & Colin Ramsey

BEST GROUP PHOTOS: We love it when we see our tee shirts being modeled by the hottest barihunks in opera, so imagine our glee when we were sent a photo featuring TEN stunning men all gathered together at the Seagle Music Colony in upstate New York. Michael Hewitt ended up being featured in our Viva, Italia! Barihunks Calendar, as well. It turns out that the family names on his mother's side are DiPane and Mazzola.

On the other side of the continent at the Seattle Opera, our tee shirts ended up on four of the cast members in their production of Menotti's The Consul. The opera starred four barihunks, including Michael Todd Simpson as John Sorel, Steven LaBrie as the Police Agent, Joseph Lattanzi as Assan and Colin Ramsey as Mr. Kofner. The four singers showed off their Barihunk tee shirts on the set with soprano Sarah Larsen, who played the secretary. Joseph Lattanzi also appeared in our 2012 calendar.

Bevan Bühler
BEST TWITTER DISCOVERY: Canadian barihunk Bevan Bühler posted the following on Twitter: "My life goal is to be listed on barihunks." Of course, we obliged and he instantly became one of our most viewed posts of the year. The former model and emerging singer clearly caught the eye of many of our readers.


HOTTEST PHOTO: As one might imagine, we get sent a lot of photos and press materials from opera companies and publicists. Most of them are pretty useless and clearly were not sent with our mission in mind. So when an email arrived from the Los Angeles Opera touting their upcoming production of Andrè Previn's Streetcar Named Desire, we were pretty sure that it would be filled with glossy pictures of soprano Renee Fleming. Much to our delight, it included these AMAZING photos of Ryan McKinny, whose voice and body just get more amazing with each passing year. He has become the quintessential barihunk in our view.

Agrippina cast (L-R) Hadleigh Adams, Peabody Southwell, Nathan Medley, Jamie-Rose Guarrine, Jennifer Rivera, Zachary Wilder and Douglas Williams
HOTTEST OPERA CAST: Who would've thought that the sexiest cast in opera this year would be found at Opera Omaha for their production of Handel's Agrippina. The opera featured former model and rising superstar Hadleigh Adams as the emperor Claudio. In the role of Pallante, one of two men that Agrippina pledges to marry, was Doug Williams a rising superstar in the baroque music world, who could easily grace the cover of GQ.

Stéphane Degout and Franco Pomponi
HOTTEST NUDE SCENE: For a dramatically sensible use of nudity, nothing could surpass Stéphane Degout and Franco Pomponi alternating the role of Hamlet in director Olivier Py's production of the Ambroise Thomas opera at La Monnaie in Brussels. Degout also performed the role at Theater an der Wien.

Paul Robeson as photographed by Nickolas Murray
HOTTEST HISTORICAL NUDE: We received a lot of appreciative email from readers who didn't know about the legendary Paul Robeson's nude modeling past. Robeson did some nude modeling for photographer Nickolas Murray, who later went to photograph President Eisenhower, painter Freda Kahlo, actresses Colleen Moore and Greta Garbo, and the Lucky Strike girls. Robeson also posed nude for Italian-American sculptor Antonio Salemme. Born in Princeton, New Jersey in 1898, Robeson made his singing recital and his film debut in 1925. His resonant bass was a major highlight in the London production of "Show Boat" particularly with his powerful rendition of "Ol' Man River." Paul Robeson may have been the original barihunk!

(L-R) Doug Carpenter, Michael Scarcelle & (Jacques) L'Oiseleur Longchamps
BEST CALENDAR MODELS: Perhaps the smartest thing that we did this year was to give our Barihunks Charity Calendar money directly to singers who participated, rather than to organizations. The level of appreciation was enormous and we heard about how the funds paid for lessons, coachings, music, rent and travel to competitions.  

Doug Carpenter walked away with our top prize of $500 for submitting the picture that best exemplified this year's theme "Sexy and Italian." One of our judges was so conflicted about having to choose a winner that she offered up an additional $500 to be split between the runner-ups,  Michael Scarcelle & (Jacques) L'Oiseleur Longchamps. Everyone was a winner.


Dan Kempson
BEST GRAMMY AWARD NOMINEE: Barihunk Dan Kempson received a well-deserved GRAMMY Award nomination for his portrayal of the critical role of Orestes on Darius Milhaud's trilogy L'Orestie d'Eschyle on the Naxos label. The performance, which is up for Best Opera Recording, also features Sidney Outlaw as Apollo, as well as the University of Michigan Choirs and Symphony Orchestra, which amounted to some 350 musicians.


Philippe Sly
BEST NEW CD:  The ridiculously talented Philippe Sly released "In Love’s Minstrels" with accompanist Michael McMahon. They perform English music from the late 19th and early 20th century by Healey Willan, John Ireland, Roger Quilter, Ralph Vaughan Williams and Gustav Holst. The CD is available at Amazon, as well as on Spotify.

Pietro di Biano and Matija Meić
BEST COMPETITION WINNERS: 2014 was yet another year where barihunks dominated international singing competitions (so, to all of you naysayers, YES, THEY CAN SING, TOO!). Few performances were more exciting than Barihunks Calendar model Pietro di Bianco winning the prestigious Paris Opera Competition or Matija Meić taking two prizes at the Mirjam Helin Competition, with both becoming overnight sensations.

Cyril Rovery
BEST MEN'S FITNESS MODEL: The European edition of the August 2014 edition of Men's Health magazine featured French barihunk Cyril Rovery in a feature called "Baryton Man." Rovery studied at the Marseilles Conservatoire graduating in 2000. In 1999, he won 1st Prize at the Symphonies d’Automne International Competition in Mâcon and in 2002 he won the Siena International Competition for Singers. He's been a regular at Marseille singing Scarpia in Puccini's Tosca, the Duke of Verona in Roméo et Juliette and Monterone in Verdi's Rigoletto.

Edwin Crossley-Mercer poses for Karl Lagerfeld
BEST PROFESSIONAL MODEL SHOOT: When fashion legend Karl Lagerfeld attended a performance of Robert Carsen's production of Rameau’s Platée at the Opéra Comique, he must have been as impressed as us with barihunk Edwin Crossley-Mercer. Crossley-Mercer's Jupiter was styled as a Karl Lagerfeld lookalike with white ponytail and dark glasses and the designer greeted the singer backstage and offered to do a photo shoot of the barihunk, shooting him in a variety of couture.


BEST PHOTO IN DRAG: Barihunk Daniel Okulitch, who has appeared in various states of dress and undress in his career, finally appeared in a dress when he donned this stunning getup as Jove in Francesco Cavalli's La Calisto at the Cincinnati Opera. Okulitch's drag wasn't some German regie concept that was imported to Cincinnati, but an actual part of the plot. Jove, the ruler of the gods, hatches a plan to wend his way into the heart and bedroom of Calisto by donning a Diana-like disguise. But when Jove’s wife Juno, sung by Alexandra Deshorties, catches wind of the scheme, her fury knows no bounds. As many singers know, Cincinnati has one of the best make-up artists on their staff, so Okulitch was in good hands.


BEST MAGAZINE FEATURE: Baritones became the new cover boys this year, as Aubrey Allicock appeared in OUT Magazine, Simon Keenlyside on the cover of Opera News, Ildar Abdrazakov in VANITY FAIR, Morgan Smith in Opera News, and Christiaan Smith-Kotlarek in Bleep magazine. But our favorite feature was the Opera News' Sound Bites article on John Brancy.  The New Jersey native had an exciting year, with major debuts at Oper Frankfurt in Puccini's La Fanciulla del West and the Kennedy Center for a recital dedicated to the 100th anniversary of WWI. This enormously talented and innovative artist is clearly destined for stardom and it was nice to see Opera News take notice.

Emmanuel Franco
BEST SINGER/DANCER: Mexican-American barihunk Emmanuel Franco caught our attention as one of the three baritones competing in the finals of the 50th International Vocal Competition in 's-Hertogenbosch, Holland. The 30-year-old singer has performed throughout Mexico, the United States and Europe, but he also has a true passion for dancing. While a student at the San Francisco Conservatory of Music, he founded a zumba class in a nearby gym. After  graduation, he was certified as zumba instructor before moving to The Netherlands, where he has become a popular instructor (who even sings occasionally during class).

Giorgio Caoduro
BEST ROLE DEBUT: Giorgio Caoduro's role debut as Rigoletto couldn't have come at a better time for Opera Australia. They had just weathered a rough couple of weeks dealing with the Tamar Iveri scandal, a soprano who had referred to gay people as "fecal matter" on her Facebook site. Caoduro's performance at the Joan Sutherland Theatre was a major revelation that allowed people to put the scandal on the back burner. Caoduro had previously performed in the opera as Marullo opposite Placido Domingo's Rigoletto in the movie version. The Opera Australia cast also included two other barihunks, Sam Dundas as Ceprano and Luke Gabbedy as Marullo.

A protester at The Death of Klinghoffer (left) and Aubrey Allicock
BIGGEST SCANDAL: The most talked about action in opera this year happened off the main stage, as John Adams' The Death of Klinghoffer at the Met turned out protesters who claimed the opera was anti-Semitic and glorified terrorism. Making his Met debut in that production was upcoming barihunk Aubrey Allicock as the terrorist Mahmoud. He shares critical moments in the opera with fellow barihunk Paulo Szot, who sang the role of the Captain. Regardless of how you felt about the piece, it was great to see a worldwide discussion about an opera. 

Had it not been for The Death of Klinghoffer, we would have listed the BARITONE BLACKOUT at the OPERALIA competition in Los Angeles as our biggest scandal. Despite 11 of the 40 competitors being baritones in the competition, not a single baritone made it to the final round. Many felt that a top prize winner should have come from the talented field of low voices that included Igor Bakan, Aleksey Bogdanov, Alexandre Duhamel, Dan Kempson, Alexey Lavrov, Alex Lawrence, Shea Owens, Damien Pass, Pavel Shmulevich, Anatoli Sivko and Ivan Thirion.

(L-R) Philippe Sly, Elliot Madore & Gordon Bintner
BEST TENOR BLACKOUT: We couldn't feel too bad about the Barihunk Blackout at Operalia because 1,360 miles north of Los Angeles in Edmonton, Alberta, their Symphony was presenting a "No Tenors Allowed" concert. The program featured Canadian barihunks Gordon Bintner, Elliot Madore, and Philippe Sly, who joined forces with conductor Bill Eddins for a program of from music from Bizet's Carmen, Verdi's Macbeth, Rossini's Barber of Seville, and Wagner's Tannhäuser.

Charles Castronovo (left) and Erwin Schrott (right)
BEST BARIHUNK/HUNKENTENOR BATTLE: We all know that there is tremendous competition between baritones and tenors, but it reached new heights when barihunk Erwin Schrott went after hunkentenor Charles Castronovo's soul. The social media regular wrote on Twitter, "Dear Faust @CharlieTenor, meet me @ Laeiszhalle, Hamburg tonite 7:00 PM. Don't forget: bring soul! Tschüs! Méphy x"

Castronovo was singing Faust opposite Schrott's Méphistophélès in Gounod's opera in Baden-Baden, and the duo were joined by fellow barihunk Jacque Imbrailo, who was Valentin.


BEST PERSONAL STORY: Speaking of souls, it's rare for an artist to bare his or her soul in an interview, but that's just what Hadleigh Adams did in an interview with San Francisco's leading LGBT paper, the Bay Area Reporter. He minced no words in talking about what it was like to be effeminate, not to fit in with the other boys, having a friend commit suicide and facing challenges with family. We also had the privilege of hearing him turn this very personal story into an evening of song, which we think would be a hit on the recital circuit. Adams just wrapped up his second year at the prestigious San Francisco Opera Center Adler Fellows‎ and is surely destined for a great career in opera. It's one thing to grow as an artist, but Hadleigh Adams has shown us how amazing it is to watch someone grow as a human being.

Duncan Rock
BEST ANNOUNCEMENT: In our opera travels, we frequently get asked why certain European singers haven't appeared in the U.S. Topping that list is Duncan Rock (now that Edwin Crossley-Mercer has sung in America). So imagine the excitement surrounding the highly-anticipated U.S. stage debut of British Barihunk sensation Duncan Rock, which will occur not far from another rock, Plymouth Rock. The Boston Lyric Opera has snagged the charismatic fan favorite to portray the title role in Mozart's Don Giovanni next season. Performances will run from May 1-10, 2015. His gender bending performance in Don Giovanni: The Opera at London's famous nightclub Heaven was a huge sensation.

Kelly Markgraf and Sasha Cooke

Dan Kempson
BEST NEW OPERA: The world premiere of Laura Kaminsky's opera "As One," which explores the revelatory and redemptive journey of a transgender individual, opened on September 4th at the Brooklyn Academy of Music with the real-life married couple of mezzo-soprano Sasha Cooke and barihunk Kelly Markgraf. The opera was a critical success and will be reprised at Caine College of the Arts at Utah State University in April 2015 with Markgraf and again at West Edge Opera in July/August 2015 with Dan Kempson. who will be joined by the Friction String Quartet at the Oakland Metro Opera House.

Kaminsky was inspired to write the opera after reading an article in the New York Times in 2008 about a New Jersey marriage in which one of the parties transitioned from male to female, transforming the couple from heterosexual to homosexual.


Finally, we have to close with our favorite email of the year, which came from a reader in Michigan back in May. "Dear Barihunks, I was pleasantly surprised when I came upon your website. It is surprisingly intelligent and well-written. I have learned about singers that were heretofore unknown to me and you have exposed me to much new music. I've also learned about opera competitions and smaller companies that I would not have read about elsewhere. For this I am eternally grateful, but frankly, I'd much prefer more pictures and less text."


Lastly, if you enjoyed Barihunks this year and if you like supporting young artists, please order your Charity Calendar today, so that we can keep up our tradition if assisting the hottest young talent in opera. Our calendar features 19 of the most amazing singers, who also happen to be easy on the eyes. Order NOW by clicking below. Thank you for your support.
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