Opera Omaha delivers "endless pleasure" in new Semele with Aubrey Allicock

Dancers surround Somnus (Aubrey Allicock), god of sleep

Regular readers will remember that our "Barihunks Best of 2014" featured Opera Omaha for the "Hottest Cast in Opera" for their production of Handel's Agrippina. The cast was led by two of the sexiest barihunks in the business, Hadleigh Adams as the emperor Claudio and Doug Williams as Pallante.

Opera Omaha is bringing back the director of Agrippina, James Darrah and his creative team Chromatic, to take on another Handel opera, Semele. Barihunk Aubrey Allicock will sing the role of Somnus, the god of sleep. He'll be joined by countertenor Ray Chenez as Athamas, soprano Mary Feminear as Semele, mezzo Peabody Southwell as Juno, tenor William Ferguson as Jupiter and soprano Liz Lang as Iris. Early music specialist Stephen Stubbs will also return to conduct Semele.

Samuel Ramey sings "More Sweet is That Name" from Semele:

Performances at the Orpheum Theater will be on April 8 and 10 and tickets are available online. There will be a pre-performance talk 40 minutes before each performance in the Grand Lobby, where James Darrah will share insights into this new production.

Handel’s Semele is a darkly comic mythological story of a mortal woman’s tryst with a dangerous god. It's the tale of two worlds, the immortal and the mortal. Swept off to a celestial love nest by the besotted Jupiter, the still-discontented princess is easily manipulated by the jealous Juno into demanding more, and is destroyed. The opera includes some of Handel's most popular arias, including Semele's "Endless pleasure, endless love." Jupiter's "Where'er you walk" and the most egotistical aria in all of opera, Semele's "Myself I shall adore."

Countertenor Ray Chenez & Barihunk Aubrey Allicock

Opera Omaha, which began in 1958 as the Omaha Civic Opera Society, is the only professional opera company in Nebraska, It became a fully professional opera company by 1970 and is known for highlighting gifted young singers from the area as well as nationwide. The company is known for both its innovation and educational outreach programs. They had produced eight world premieres and four American premieres.

Sexy, sexy pictures of Damian Pass and the Men of Agrippina

Damian Pass and the Men of Agrippina

Last week, we posted about the sexy production of Handel’s Agrippina from the Theater an der Wien featuring barihunk Damian Pass as Pallante and hunken-countertenor Jake Arditti as Nerone.

The production was live streamed on Sonostream, but is now available on YouTube or right here on Barihunks.

The new production from director Robert Carsen casts a satirical eye on Ancient Rome, with political and sexual machination as Agrippina schemes to place her son, Nerone (Nero), on the throne and the seductive Poppea juggles with three lovers.  Handel, who many musicologists presume was gay, would undoubtedly have LOVED this production.

Damian Pass strips down in Agrippina

In addition to enough supernumerary beefcake to fill an issue of Men's Fitness, the cast also includes the stunning Danielle de Niese as Poppea, Patricia Bardon in the title role, Fillippo Mineccia as Ottone, Mika Kares as Claudio, Tom Verney as Narciso and Christoph Seidl as Lesbo.

We figured that it was worthwhile to share some of the pictures from the production. 

Damian Pass, Patricia Bardon and the Men of Agrippina

In 1707-1708, Agrippina gave the young Handel his big chance to establish his reputation as an opera composer in Italy. The commission came from the famous Teatro San Giovanni Crisostomo in Venice, which was funded by the influential Grimani family. The Venetians were extremely demanding when it came to music, but Handel succeeded in creating a wise, gripping and entertaining opera on the basis of the humorous libretto about lust for power and sexual desires in Ancient Rome. The success was overwhelming.

Barihunk trio in successful Pop-Up Opera in San Francisco nightclub

Hadleigh Adams at SF Opera's Lab Pop-Up Opera in San Francisco

For years, opera companies have been trying innovative ways to attract younger audiences to the artform. The San Francisco Opera may have figured out the formula, as their Pop-Up concert at The Chapel, an old mortuary converted into a 1914 nightclub, drew a packed audience of 500 rowdy attendees to the heart of San Francisco's hip Mission District.

Hadleigh Adams sings "Come un'ape ne'giorni d'aprile" from La Cenerentola:

Barihunk Hadleigh Adams was the perfect emcee, eliciting shouts from men and women to take off his shirt (which he didn't do!). He was joined by fellow barihunks Anthony Reed and Brad Walker, tenor Pene Pati, mezzo Laura Krumm and soprano Amina Edris. All are alums of the prestigious Merola Opera Program, who went on to become Adler Fellows with the San Francisco Opera. They were joined by Ronny Michael Greenberg at the piano, who recently accompanied barihunk Marco Vassalli for his U.S. debut recital.

The SF Opera Lab explores innovative programming that celebrates the power of the human voice theatrically in intimate spaces beyond the War Memorial Opera House. They are also intended to be informal and drinks are allowed at the performance.

Hadleigh Adams & Laura Krumm sing "Dunque io son" from The Barber of Seville:

 The next SF Opera Lab production opens tonight with seven performances running through APril 10th. Michael Cavanagh will direct Ana Sokolović's Svadba-Wedding and audience members will be part of the action with actual champagne served at the wedding. Additional information is available online.

Hadleigh Adams will be performing Falke in Die Fledermaus with the Cincinnati Opera in June. Anthony Reed can be seen this season at the San Francisco Opera in Jenufa, Andrea Chenier, Aida and Madama Butterfly. Brad Walker will be appearing with the San Francisco Opera this season in Carmen, Andrea Chenier and The Makropulos Case.

Sexy pictures of Mike Nyby from Isis and Osiris

Mike Nyby in Togni's Isis and Osiris (Michael Barrett, left; Lucia Nesrallah, right)

Earlier in the week we posted about Canadian barihunk Mike Nyby singing Seth in the world premiere of award-winning composer Peter-Anthony Togni's "Isis and Osiris." The new Canadian opera, concludes the 2016 season of Toronto's Opera in Concert program with performances on April 1st and 3rd.

We now have a couple of photos from the rehearsals, so we wanted to share them with our readers. His character isn't exactly the nicest guy in the world. In the photo on the left he's about to dismember Osiris's body and in the photo on the right he's raping Isis.

Isis and Osiris, Gods of Egypt is based on the major myth of ancient Egypt, telling their love story in a larger-than-life tale of sibling jealousy, lust for power, fratricide and the quest for immortality. Togni collaborated with Toronto poet Sharon Singer on the piece.

The remainder of the cast includes Lucia Cesaroni as Isis, Michael Barrett as Osiris, Julie Nesrallah as Nepthys, Stuart Graham as Grand Vizier Khamet, Leigh-Ann Allen as Sennefer and Christopher Wattam as Imhotep.

Upcoming performances for Nyby include Escamillo in Bizet's Carmen with the Huronia Symphony and Gounod's St. Cecilia's Mass with the Toronto Korean-Canadian Chorale. 

Florian Spiess' sexy selfie for Rameau's Les Indes galantes

Master of the selfie: Florian Spiess as Bellone (left) and in Fanciulla (right)

We introduced Austrian bass-barihunk Florian Spiess back in 2014 when he was performing in Handel's rarity Almira in Hamburg. He's returning to the 18th century again on Sunday, April 3rd as Bellone in Jean-Philippe Rameau's Les Indes galantes at the Staatstheater Nürnberg. We had to share his backstage selfie that he posted on Facebook and encourage readers to LIKE his fan page, where he frequently shares sexy selfies.

The ballet/opera is having a bit of revival in recent years and this premiere is a co-production with 
the Théâtre du Capitole Toulouse and the Opera National de Bordeaux. Regular readers will remember our post about a rather risque production at the Théâtre du Capitole in Toulouse that involved a bit of nudity and a shirtless Vittorio Prato. The Munich Opera Festival will present the opera this summer with barihunk Tareq Nazmi as Osman and Goran Juric as Bellone.

The piece will be directed and choreographed by Laura Scozzi who returns to Nürnberg After successful production of Mozart's The Magic Flute and  Rossini's Il viaggio a Reims. The opera will be conducted by French baroque specialist Paul Agnew. Tickets are available online.

Florian Spiess sings Colline's aria Vecchia zimarra from La Bohème:

Spiess' vocal training began at the Tyrolean Conservatory where he performed in Guys and Dolls, Into the Woods and as Leporello in Mozart's Don Giovanni. He continued his studies at the Vienna Music University including one year on a German-Austrian Richard Wagner Foundation scholarship.

He was a member of the ensembles at the Landestheater Linz and Volkstheater Rostock, but joined the Hamburg State Opera during the 2013-14 season. In Hamburg, he has performed Colline in Puccini's La Bohème, Biterolf in Wagner's Tannhäuser, Radames in Verdi's Aida, Zuniga in Bizet's Carmen and Raymondo in Handel‘s Almira.

Nathan Gunn and Anna Netrebko to debut in Ring Cycle

Nathan Gunn to take on shirtless Wotan

Metropolitan Opera diva and reigning empress of the singing world, Anna Netrebko, announced yesterday that she will debut as the iconic Valkyrie, Brünnhilde, closing the latter half of the Met’s 2018-19 season. Other cast members will include James Valenti as Siegfried and Kristine Opolais as Sieglinde. Nathan Gunn, will make his role debut as operas most famous patriarch, portraying a very chiseled Wotan. 


While the general design for Die Walküre has not yet been released, sources close to Peter Gelb have leaked that Nathan Gunn will be shirtless for the majority of the production, regardless if his character is on stage. Die Walküre will be directed by Rolando Villazon.

Her debut as Brünnhilde will come just three years after her maiden voyage into the Wagnerian repertoire, as Elsa in Lohengrin (coming this May in Dresden), Netrebko says that she will be ready to tackle this mogul of the rep. "Elsa is much lighter, but it is still Wagner. She and Brünnhilde are sisters in a way...you just have to know how to use your voice and feel comfortable with the production."

Anna Netrebko to debut as Brünnhilde

Walküre co-star Nathan Gunn has attested to Netrebko's Germanic prowess, having been viewing rehearsals over Skype. He reportedly wants to give himself enough time to become familiar with Netrebko's approach to Wagner so that he may scale down his execution to match. Dresden has teased that it will stage Lohengrin to the backdrop of Disney's Frozen in order to attract younger audiences.
 With role debuts of Norma and Aida on the way, sources close to the soprano say that after her acclaimed, if not successful Lady Macbeth, she feels confident that audiences will love her in almost anything. Of course, accompanying the buzz that followed yesterday’s announcement came speculation as to what could possibly follow such a mammoth undertaking in her catapulting career. 

YouTube comments under various repostings of her Act I aria from Macbeth mused at everything from a return to ingénue roles, to rumors of her role debut as Isolde opening the 2019-20 season at the Royal Opera.  Covent Garden has declined to comment, but friends of the soprano have, for now, attempted to dispel the rumor, hinting that after her 11 performance run as Brunnhilde, the soprano plans to step away from the Wagnerian rep for at least 7 months to preserve her voice.


[HAPPY APRIL FOOLS' DAY...and kudos to barihunk Zachary Luchetti for the text]

Simon Keenlyside to "cross over" to sing Fagin

Simon Keenlyside as Fagin

The ageless barihunk Simon Keenlyside is crossing over from opera to musical theater this summer as he takes on the master thief Fagin in Lionel Bart's Oliver!.

Performances will run from June 2-July 2 at the Grange Park Festival. Other than his 2014 CD Something’s Gotta Give, Keenlyside has rarely waded into musical theater. The CD includes "Reviewing the Situation" from Oliver! The musical premiered in 1960 and became and instant hit, almost eclipsing Charles Dickens' original story of the workhouse orphan who falls into bad company.

The Festival will also present Verdi's Don Carlo with Clive Bayley, Stefano Secco, Virginia Tola, David Stout, Ruxandra Donose, Alastair Miles and Jihoon Kim; Puccini's La Fanciulla del West with Claire Rutter, Lorenzo Decaro, Stephen Gadd, Alberto Sousa and Michael de Souza; and, Wagner's Tristan & Isolde with Bryan Register, Anja Kampe, Clive Bayley, Sara Fulgoni and Stephen Gadd.

On June 10th, they'll present a recital with the amazing tenor Javier Camarena. Tickets and additional information is available online.

After his run in Oliver!, Keenlyside heads to the Munich Opera Festival to perform Giorgio Germont in Verdi's La traviata and Renato in the composer's Un Ballo in Maschera. 

You can also catch him in theaters in the MET Live in HD simulcasts on October 22nd when he sings the title role in Mozart’s “Don Giovanni. He'll be joined by Rolando Villazon as Don Ottavio, Adam Plachetka as Leporello, Malin Byström as Donna Elvira, Serena Malfi as Zerlina and Kwangchul Youn as The Commendatore.