Saturday, July 13, 2013

Sam Dundas and José Carbó nominated for Helpmann Awards in supporting roles

Sam Dundas in La boheme
A little over a week ago, we posted about barihunks Bryan Watson and Giorgio Caoduro being nominated for Helpmann Awards for their performances in a leading role in opera. Also nominated in the category of "Best Male Performer in a Supporting Role in an Opera" were barihunks Sam Dundas for his portrayal of Marcello in La bohème at Opera Australia and José Carbó as Fritz in Die Tote Stadt at Opera Australia. Also nominated were, Wolf Matthias Friedrich for L'Orfeo at the Brisbane Festival and Douglas McNicol for Fidelio at the State Opera of South Australia. 
 
The Helpmann Awards are the Australian equivalent of Broadway's Tony Awards and London's Laurence Olivier Awards. They recognize distinguished artistic achievement and excellence in live performances in Australia, including musical theatre, contemporary music, comedy, cabaret, opera, classical music, theatre, dance and physical theatre. 
 
 José Carbó discusses and sings his aria 'Tanzlied des Pierrots' from Die tote Stadt:

Dundas was a member of the Moffatt Oxenbould Young Artist program at Opera Australia. In 2009, he made his role debut as Don Giovanni in Victorian Opera’s production of the Mozart classic. He is currently performing as the Jailer in Puccini's Tosca at Opera Australia. which runs through August 31st. He then is featured in a number of consecutive performances at Opera Australia. He opens next week as Dr. Malatesta in Donizetti's Don Pasquale, which will run from July 18-August 15. The day after that run wraps up, he opens as Sid in Benjamin Britten's Albert Herring.
 
Dundas is also featured on a new recording of Brahms' German Requiem with the ChorusOz® Choir & the Sydney Philharmonia Orchestra. Click HERE to order your copy.  
 
José Carbó can be seen as Giorgio Germont in Verdi's La traviata at Opera Australia, which runs from July 30-August 31.
 
The Helpmann Awards will be on July 29 at the Sydney Opera House. 

No comments:

Post a Comment