|Brett Carter in Rape of Lucretia (left) and L'heure espagnole (right)|
He studied Classical Guitar and Voice at the Western Australian Academy of Performing Arts. He then became a member of the Australian Opera Studio where his roles included Mozart’s Conte Almaviva, Don Giovanni and Britten’s Tarquinius in Rape of Lucretia. After receiving a Scholarship to participate in the Cincinnati Music Festival in Lucca, Italy, he then went on to become a Young Artist with Opera Queensland. During this time he received first prize in the German Australian Opera Grant and since 2007 is a member of the Hessischen Staatstheater in Wiesbaden.
Brett Carter sings L'heure espagnole:
His roles with the company include Papageno, Guglielmo, Masetto, Rossini’s Figaro, Malatesta, Puccini’s Schaunard and Ping, Falke, Harlekin, Kurt Weill’s Bill (The Rise and Fall of the City Mahagonny), Monteverdi’s Ulisse (Il ritorno d’Ulisse in patria) and Ravel’s Ramiro (L’Heure Espagnole). In 2008 he made his debut with Staatsoper Stuttgart as Allazim in Mozart’s Zaïde and in 2010 in a new production of Pizzetti’s Murder in the Cathedral with Oper Frankfurt.
In Summer 2012 Brett made his debut with Victorian Opera in a new production of Le nozze di Figaro as Conte Almaviva. Further highlights for the 2013/14 season include Ford in Verdi's Falstaff, Leander in Prokofiev's The Love for Three Oranges, and Mercurio in the aforementioned Calisto at the Staatstheater in Wiesbaden. There are additional performances of Calisto on March 17 and 30 and April 4. Tickets are available online.