Introducing Photogenic Italian Bass-Barihunk Andrea Mastroni

Andrea Mastroni (photo: Nicodemo Luca Lucà)

We have a particular soft spot for basses in our pantheon of barihunks. When we saw pictures of Italian basso Andrea Mastroni by the great Milanese photographer Nicodemo Luca Lucà on Twitter we drawn to how seductive and sensuous he came across through the lens. 

Andrea Mastroni was born in Milan and originally studied the clarinet.  He then began studying voice with the great Italian soprano Lello Cuberli and Rita Antoniazzi. He graduated with honors from the Istituto Claudio Monteverdi in Cremona, while also obtaining a degree in Aesthetic Philosophy. In 2005, he won the Mario Basiola Prize and in 2007 took home both the Giuseppe Di Stefano Competition and the Bibiena Prize.

Andrea Mastroni

Andrea Mastroni

He is currently singing Colline in Puccini's La bohème at the Teatro La Fenice through May 30th. In July, he heads to Verona to tackle more Puccini when he sings Timur in Turandot at the famous arena. He then switches to Verdi, alternating the roles of the King and Rafis in Aida at the Arena di Verona. Last season, Mastroni's sinister and dark Sparafucile in Verdi's Rigoletto was a big hit singing opposite Leo Nucci and Aleksandra Kurzak.

Andrea Mastroni sings Pergolesi's "Quoniam tu solus sanctus": 

Mastroni has also focused on 19th century chamber music and lieder, performing such standards as Schubert's Die Schöne Müllerin and Winterreise, as well as Schumann's Dichterliebe. He can be heard on a number of recording and DVD's, including as Il Conte Vaudemont in Verdi's I Vespri Siciliani opposite Leo Nucci and Daniela Dessi, Oroe in Rossini's Semiramide and Frere Laurent in Gounod's Roméo et Juliette opposite Andrea Bocceli and Maite Alberola.