Much of this pales to the reaction that greeted Hans Werner Henze's oratorio Das Floß der Medusa (The Raft of the Medusa) in Hamburg, Germany in 1968. The piece, which was written as a requiem for Che Guevera, had advertisements torn down, protests, chanting and the chorus actually walkng off the stage chanting that they wouldn't sing under the "red flag," a reference to the communist flag that had been hoisted by students. Scuffles ensued in the audience, the police had to be called and the performance was cancelled.
The piece has subsequently had a few performances without incident and is scheduled for two performances beginning tonight with baritone Roman Terkel and the Concertgebouw Orchestra in Amsterdam.
|The Raft of the Medusa by Théodore Géricault|
The piece is written for soprano, baritone, speaker, choir, children’s choir and orchestra. The choir, as a collective mass, plays an important role and expresses its visions of death in floating, nearly impossible sounds. At the apotheosis, which features the Vietnam war, Henze based his rhythmic patterns on the chants in honor of Ho Chi Minh. As Henze's oratorio builds to its climax, the "dead" move from the choir of the living to that of the dead, which is full of both adults and children, creating an imbalance on the stage.
Tickets and additional information are available online.
|2015 Barihunk Calendar|