|Étienne Dupuis (Photo on left by Yan Bleney)|
The project brings together Québecois barihunk, Étienne Dupuis, who will play Pink, the fallen rock star; and three exceptional artists: Julien Bilodeau, composer of the new opera vision of the work; Dominic Champagne, director of this monumental 80s music endeavour; and Alain Trudel, conductor of the Orchestre Métropolitain. Waters will serve as librettist for the production. The work is written for 10 soloists, 48 singers and 70 musicians.
The story is about the Pink's alienation and isolation in addition to the difficulties facing his entire generation regarding disillusionment. Following the death of Pink's father during World War II, and continuous abuse from his mother and teachers, Pink isolates himself from the rest of the world. The disintegration of his marriage represents the last brick in the metaphorical wall he has been building for himself. If his survival depends on it, will Pink be capable of demolishing his inner wall?
According to Rolling Stone magazine, "The story behind The Wall was partly borne out of an incident that occurred in Montreal's Olympic Stadium in 1977, when a Pink Floyd concert ended with Waters spitting in the face of a fan who attempted to storm the stage. When asked whether The Wall's opera being staged in Montreal brings the album full circle, Waters said, "The Wall is about the journey from the enmity of spitting in someone's face to the position where love becomes more important than that enmity."
Étienne Dupuis talks about his upcoming opera Les Feluettes:
Dupuis is next scheduled to sing Claudio in Berlioz's Beatrice & Bénédict at La Monnaie Bruxelles, which runs from March 24-April 6. He then heads home to perform Jeune Simon in the premiere of Kevin March's Les Feluettes (Lilies) at Opéra de Montréal from May 21-28.