|Clockwise top left: Dmytro Kalmuchyn, Cody Quattlebaum, Denis Milo and Hubert Zapiór|
The Glyndebourne Opera Cup focuses on a different single composer or strand of the repertoire. In 2018 the featured composer is Mozart and the Orchestra of the Age of Enlightenment will accompany the singers at the final.
The field includes some popular barihunks led by Cody Quattlebaum (US), Hubert Zapiór (Poland), Dmytro Kalmuchyn (Ukraine), Denis Milo (Germany), as well as Jorge Espino (Mexico), Jake Muffett (UK), Carl Rumstadt (Germany), Charles Sy (Canada), Jack Swanson (US), Jacquelyn Stucker (US), Anita Rosati (Austria), Emily Pogorelc (US), Eléonore Pancrazi (France), Alexandra Nowakowski (US/Poland), Gemma Ní Bhriain (Ireland), Diana Newman (US), Mirjam Mesak (Estonia), Aurora Marthens (Finland), Elbenita Kajtazi (Kosovo), Samantha Hankey (US), Adriana Gonzalez (Guatemala), Francesca Chiejina (US) and Adèle Charvet (France).
Hubert Zapiór sings the Count's aria from the Marriage of Figaro:
The winner will receive £15,000 and the guarantee of a role within five years at one of the top opera houses represented on the competition jury.
The international jury for The Glyndebourne Opera Cup includes representatives from top international opera houses. Among them are Barrie Kosky, Artistic Director of Komische Oper Berlin, Sophie de Lint, Artistic Director of Zurich Opera and Director Designate of Dutch National Opera, David Devan, who runs Opera Philadelphia, Fortunato Ortombina, Sovrintendente of Teatro La Fenice in Venice, and Joan Matabosch, Artistic Director of Teatro Real in Madrid.
Acting as the competition’s honorary president is Dame Janet Baker, whose own early career was fostered by Glyndebourne. As well as presenting the prizes, she will adjudicate at the live final.