Showing posts with label BBC Music. Show all posts
Showing posts with label BBC Music. Show all posts

Sunday, January 15, 2012

Coverboy: Dmitri Hvorostovsky

Dmitri Hvorostovsky: Feb 2012 Opera News & June 2011 BBC Music

We're really loving the trend of putting barihunks on the cover of leading music magazines. We've recently seen Luca Pisaroni, Mariusz Kwiecien, Nathan Gunn, Simon Keenlyside, Greer Grimsley and Christopher Maltman all grace the covers of major periodicals. Opera News has certainly been leading the way and not just with baritones, as hunky tenors Jonas Kaufmann and Roberto Alagna, as well as San Francisco Opera conductor Nicola Luisotti.


We particularly enjoyed the recent article on Dmitri Hvorostovsky by Ousamma Zahr. Unlike many puff pieces in music magazines, Zahr covered the "Siberian Hunky's" successes, as well as his challenges, including a recent vocal crisis. Both Zahr and the singer also deftly handled the issue of Hvorostovsky's good looks. In an age of press agents, media hypes and fan sites, it always seems disingenuous when singers deny any awareness about their sex appeal. It's refreshing when a singer like Hvorostovsky completely owns it. Here's are some excerpts from the article:

With his great looks and magnetic presence, Hvorostovsky seems tailor-made for the Live in HD craze...Long before Nathan Gunn, Erwin Schrott and Mariusz Kwiecien were baring their chests for their art and their audiences, Hvorostovsky was named one of People magazine's "50 Most Beautiful People," back in 1991.

Hvorostovsky flexing his muscles on Facebook
Hvorostovsky...is pragmatic on the subject of sex appeal. "In a way, it's part of my package - the way I look, that's the way I sound, actually. You can draw the parallel," he says. "I was working against it in the beginning, I was opposing the media approach of me as a sex symbol - red-hot, Siberian express and blahdy-blahdy-blah. I said, "Look and listen at what I'm performing! What am I singing about? And it really was a little distracting to begin with, because I was young and ambitious. Then soon I realized that you just have to get along."

It's worth noting that the one time Hvorostovsky went shirtless on the Met stage in 2007, it wasn't in Don Giovanni or some other predictable barihunk vehicle but in that jewel of a crown of a Russian opera, Eugene Onegin. [Read the remainder of the article at Opera News].

Verdi figures prominently in Hvorostovsky's 2012 schedule. He begins the year singing Don Carlo in Ernani at the Met, the title role of Simon Boccanegra at the Vienna State Opera and then Germont père in La traviata at the Met.

Hvorostovsky sings "Gran' Dio!... Oh, de'verd'anni miei" from Verdi's Ernani:


Hvorostovsky's performance of Ernani will be broadcast on the radio as well as part of a Live in HD broadcast on Saturday, February 25 at 1 PM EST/10 AM PST.

Tuesday, January 3, 2012

Jacques Jansen's "Pelleas" Named Among "50 Greatest Recordings of All Time"

The great Jacques Jensen on CD
The January 2012 issue of BBC Music magazine features their list of the 50 greatest recordings of all time. At #30 is the classic recording of Claude Debussy's "Pelléas and Mélisande" with barihunk Jacques Jansen and soprano Irène Joachim. BBC Music magazine wrote:
 
This 1941 recording captures the elusive nuances and mystery of Debussy's symbolist masterpiece like no other. The trio of singers in lead roles - Irène Joachim as Mélisande, Jacques Jansen as Pelléas and Henri Etcheverry as Golaud - had all performed the opera many times together under the direction of Roger Désormière. 
 Jacques Jansen and Irène Joachim sing "Mes longs cheveux" from "Pelléas and Mélisande":



The #1 recording of all time is Georg Solti's recording of "Der Ring des Nibelungen" with Kirsten Flagstad, Regine Crespin, Hans Hotter, Birgit Nillson and Dietrich Fischer-Dieskau. The top non-operatic recording was Carlos Kleiber's recording of Beethoven's 5th and 7th symphonies with the Vienna Philharmonic Orchestra.

Jacques Jansen was born in Paris in 1913 and died there in 2002. He became associated with the role of Pelléas like no other singer in history, as his light, high-baritone was perfectly suited for the role. He spent thirty years performing the role around the world and critics marveled at his crystal clear enunciation of the text.

Jacques Jansen sings "Ballades Médiévales":



He also made quite a mark in operetta, singing Eisenstein in “Die Fledermaus,” Duparquet in Reynaldo Hahn's “Ciboulette,” and Count Danilo in Léhar's “The Merry Widow,” which he performed nearly 1,500 times. His original dream was to be an actor, and during World War II, he was featured in a number of movies, including  Sacha Guitry's “La Malibran.” He  dubbed the singing voice of Alain Cuny in Marcel Carné's “Les Visiteurs du soir” and Jean Marais in “Le Lit à colonnes.”

After World War II, he performed outside of France, including roles in Vienna, Dublin, Amsterdam, London’s Covent Garden, the Metropolitan Opera in New York, and Milan’s La Scala. After his retirement, Jansen taught voice until his retirement in 1982.
 
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Monday, October 12, 2009

Simon Keenlyside as Cover Boy



Fans of Simon Keenlyside should rush out to buy the latest copy of BBC Music, which features Simon Keenlyside. Inside the magazine is a wonderful feature on the popular barihunk. There is also an interesting article on what they deem the ten greatest baritone roles.

YOU CAN CONTACT THIS SITE AT barihunks@gmail.com

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