Luis Alejandro Orozco stars in Santa Barbara Opera's 25th Anniversary season opener

Luis Alejandro Orozco (Photos: C. Stanley & Tim Trumble)

Mexican-American barihunk Luis Alejandro Orozco will sing the role of Marcello in Puccini's La bohème, which will launch the 25th anniversary season of the Opera Santa Barbara on November 9 and 11. Tickets are available online.

He'll be joined in the cast by Vincent Grana as Colline, Eleni Calenos as Mimi, Elle Valera as Musetta, Nathan Granner as Rodolfo and Yazid Gray as Schaunard.

The rest of the Opera Santa Barbara season includes Tchaikovsky's Eugene Onegin with barihunk Lee Poulis in the title role and Robert Ward's The Crucible with bass-barihunk Colin Ramsey as Reverend John Hale. 

 Luis Alejandro sings "Where is the life that late I led" from Kiss Me, Kate:

Orozco made his Opera Santa Barbara debut in 2014 as Assan in Menotti's The Consul, and returned as Taddeo in Rossini's L’italiana in Algeri in 2015 and as Belcore in Donizetti's The Elixir of Love in 2016.

He will return to the role of Marcello in April with the Anchorage Opera. In the meantime, one can hear him as Watty Watkins in Lady Be Good at the Teatro di San Carlo and Riolobo in Florencia en el Amazonas with Pensacola Opera.

Luis Alejandro Orozco reprising El Payador at Arizona Opera

Luis Alejandro Orozco as El Payador (Photo right: C. Stanley)

Barihunk Luis Alejandro Orozco will be reprising the role of El Payador (the gaucho minstrel) in Astor Piazzolla's tango infused opera Maria de Buenos Aires at the Arizona Opera. Orozco will be joining forces with director John de los Santos, both of whom have become closely associated with this opera. Orozco has performed the lead role in Lexington, Miami, New Orleans, Fort Worth, Mill City Summer Opera and Nashville.

Performance in Phoenix will be on September 28, 29 and 30, with additional performances in Tucson on October 6 and 7. Tickets are available online.

The opera opens with Duende (the Narrator) who relates the story of Maria, a prostitute born in the slums “one day when God was drunk … with a curse in her voice.” Maria is seduced by the rhythms of the tango and soon becomes “the most sorcerous singer and lover” in Buenos Aires. However, her “fatal passion” arouses the wrath of robbers and brothel madams who shoot her to death, and bury her in an unmarked grave. In death, Maria is pulled into a dreamlike Hell where she encounters the choral circus of psychoanalysts who dissect her to the core. She makes a resurrection of sorts when the Duende summons her to return as a Shadow, give birth to a new Maria, and haunt the sordid streets of Buenos Aires which she once walked.

The opera has become popular in Germany, where is has been performed in apparently every city that starts with the letter "B": Berlin, Bonn, Braunschweig, Biel, Bremen and coming to Bremerhaven in April 2019.

A clip of Luis Alejandro Orozco as El Payador:

Unlike most who contributed to the origins and development of the tango, Piazzolla came from a different background. He was a classically trained, refined musician and composer. Piazzolla undoubtedly made tango available to a wider audience and helped extend its boundaries, both stylistically and geographically. For that, he was equally admired and criticized, but it is almost universally recognized that Piazzolla’s style lent tango worldwide cultural legitimacy, even in what is known as the realm of “classical” music.

Luis Alejandro Orozco and Catalina Cuervo (Photo: Jeff Roffman)

Besides being an extraordinarily talented composer, he was also an exceptional bandoneon player. Piazzolla drew from classical and contemporary sources as well as from the deep roots of tango, creating a powerful synthesis that propelled it from being in some regards a thing of the past to a contemporary language, reinvigorating the style. 

Luis Alejandro Orozco was born in El Paso Texas, but raised in Juarez, Mexico for most of his life. He has performed with such companies as Opera Theatre of St. Louis, Cincinnati Opera, Des Moines Metro Opera, El Paso Opera and the Seoul International Opera Festival in South Korea.

Barihunk Luis Alejandro Orozco makes his Nashville debut

Luis Alejandro Orozco

Barihunk Luis Alejandro Orozco, who has made El Payador in Piazzolla's Maria de Buenos Aires his signature role, will return to the role for what he estimates to be the fifteenth time. The Mexican-American barihunk will make his company debut with the role at the Nashville Opera from November 10-12.

Despite its reputation as the Capital of Country Music, it appears that this night of Argentinian opera and dance is the hottest ticket in town, as all three performances are sold out. However, there is a wait list that you can get on.

The production will be directed by John Hoomes and will feature Argentine dancers Mariela Barufaldi and Jeremías Massera (founders of Miami's Tango Axis Argentine Tango School) along with bandoneón player Rodolfo Zanetti and soprano Cassandra Zoe Velasco as Maria.

The opera has become popular in Germany, where is has been performed in apparently every city that starts with the letter "B": Berlin, Bonn, Braunschweig, Biel and Bremen. The opera can next be seen at the San Diego Opera with barihunk Paul La Rosa as El Payador from January 26-28 and then at the Fort Worth Opera Festival on April 27 and May 5 (performers have not been announced, but we've learned that it will be Luis Alejandro Orozco). Both productions are directed by John de los Santos.

Malte Roesner, 2018 Barihunks Calendar/Photo Book

Our 2018 Barihunks Calendar, which includes 20 of opera's sexiest men is now available for purchase HERE. In response to reader demand, we've also added a Barihunks Photo Book this year, which includes additional photos that don't appear in the calendar. You can purchase that HERE. The New Year is approaching faster than you think!

Luis Alejandro Orozco in Maria de Buenos Aires in New Orleans, Fort Worth

Luis Alejandro Orozco

Barihunk Luis Alejandro Orozco, who just performed his signature role of  Payador Piazzolla's Maria de Buenos Aires with Mill City Summer Opera, will reprise the role with the New Orleans Opera's chamber series on September 9 and 10. The special performances will also include dinner and a post-performance tango dance party. 

The production will also feature soprano Catalina Cuervo, Milton Laayza in the role of Duende-Elf and Robert Lyall conducting musicians from the Louisiana Philharmonic Orchestra. The piece, which is set in a theater-in-the-round, will be directed by Tomer Zvulun, the artistic Director of the Atlanta Opera.

Orozco will perform the piece again next Spring with the Fort Worth Opera with John de los Santos directing his unforgettable conception. Barihunk Paul La Rosa will be performing Payador with the director at San Diego Opera in January.

Luis Alejandro Orozco makes Florentine Opera debut as Barber

Luis Alejandro Orozco

Barihunk Luis Alejandro Orozco will make his Florentine Opera debut in Milwaukee as the title character in Rossini's The Barber of Seville on May 5th and 7th. He'll be joined in the cast by Taylor Stayton as Almaviva, Katrina Thurman as Berta, Peter Volpe as Basilio, Andrew Wilkowske as Bartolo and Spanish mezzo-soprano Carol Garcia making her U.S. debut as Rosina. The production will be conducted by Joseph Rescigno, who is now the longest-serving principal conductor in opera.

Tickets are available online. 

Orozco has racked up a number of other company debuts over the last two year, including with the Arizona Opera, Anchorage Opera, Opera Grand Rapids, Michigan Opera Theater, Lyric Opera Baltimore, and Urban Arias. He previously sang the The Barber of Seville with Syracuse Opera.

He returns to his signature role of El Payador in Astor Piazzolla's Maria de Buenos Aires at the Mill City Summer Opera from July 14-20. Tickets go on sale on May 8th.

Barihunk trio in Michigan Opera's Carmen, including calendar model Brent Michael Smith

Harry Greenleaf and Luis Alejandro Orozco

The Michigan Opera has assembled a stunning barihunk trio for their upcoming Carmen, that includes Luis Alejandro Orozco making his role debut as Escamillo, Barihunks calendar model Brent Michael Smith as Zuniga and Harry Greenleaf as Morales. The cast also includes Ginger Costa-Jackson and Sandrea Eddy as Carmen, Marcelo Puente and Alok Kumar as Don Josè and Cecilia Violetta Lopez as Micaela.

The opera will be performed on October 15, 19, 22 and 23. Tickets are available online.

Other engagements for baritone Luis Alejandro Orozco this season include the title role in Mozart's Don Giovanni at Bar Harbor Music Festival, Figaro in Rossini's Il barbiere di Siviglia in his house début with Florentine Opera in May 2017, and a reprisal of his signature role, El Payador, in María de Buenos Aires with the Atlanta Opera.

Brent Michael Smith, Jérôme Varnier & Brad Baron

Bass-barihunk Brent Smith is featured in the month of April in our "2017 Barihunks in Bed" calendar which is on sale now. As a Young Artist at the Michigan Opera, he has sung Colline in Puccini's La bohème, the Second S.S. Officer in Weinberg's The Passenger, the Doctor in Verdi's Macbeth and The Speaker in Mozart's The Magic Flute.

Last year he was an Apprentice Artist with Des Moines Metro Opera, where his performance as Billy Jackrabbit in Puccini's La fanciulla del West received critical acclaim by Opera News as a “standout.”

Baritone Harry Greenleaf was a Studio Aritist with the Wolf Trap Opera Company in 2012 and 2013, where he sang the role of Baron Douphol in Verdi's La traviata and Monsieur Barbu in Poulenc's Les mamelles de Tirésias. He made his debut with Michigan Opera Theatre in 2016, singing the role of Top in Copland's The Tender Land, as well as Jake Wallace in La fanciulla del West, and Le Bret in Dr. David DiChiera’s Cyrano.

 

Luis Alejandro Orozco to play transgender character

Luis Alejandro Orozco as "Hannah Before" (photos by C. Stanley Photography)

Luis Alejandro Orozco is the latest barihunk to take on the role of Hannah, the transgender protagonist of Laura Kaminsky's groundbreaking opera As/One. Orozco will play "Hannah after" and Ashley Cutright will portray "Hannah Before" in this new production at UrbanArias by director Octavio Cardenas. This will be the first performance in Washington D.C. 

Performances will be on October 3, 4, 9 and 10 and tickets are available online.

Kaminsky was inspired to write As One after reading an article in the New York Times in 2008 about a New Jersey marriage in which one of the parties transitioned from male to female, transforming the couple from straight to gay. The opera is based on the life experience of noted filmmaker Kimberly Reed.

As One provides insights into both the personal and philosophical questions at the core of how personhood is defined, as well as into the compromised civil and humans rights of transgender individuals in the broader societal framework.

ORDER YOUR 2016 BARIHUNKS CALENDAR TODAY!!! Click on the Lulu button below.  
 

Luis Alejandro Orozco takes on Figaro in Syracuse

Luis Alejandro Orozco (photo on left by EMMA)

Barihunk Luis Alejandro Orozco returns to the Syracuse Opera to sing the title role Rossini's The Barber of Seville, which closes their 40th anniversary season. He sang the role of El Payador in their 2014 production of Astor Piazzolla's Maria de Buenos Aires, a signature role that he was highly acclaimed for in Lexington, Naples, Florida and Miami.

He'll be joined in Syracuse by the amazing Almaviva of Javier Abreu, Lindsay Russell as Rosina, Marc Webster as Don Basilio, Steven Condy as Dr. Bartolo, Kathleen Roland-Silverstein as Berta and Angky Budiardjono as Fiorello.

Performances are on Friday, April 17 and Sunday, April 19 at the Crouse Hinds Theater at the John H. Mulroy Civic Center. Next season, he'll perform Riolobo in Daniel Catan's Florencia en el Amazonas with the Arizona Opera. 

An overview of barihunks advancing in the Met Competition

We thought that we'd take a look at some of the baritones and basses who advanced in the Metropolitan Opera Regional Audtions. These singers will compete in the next round. This is list is not all-inclusive, but they are the singers who we've been following.

Edward Hanlon

Edward Hanlon, who we've featured before, was the winner of the Chicago District Metropolitan Opera National Council Audition held on October 12th at Northwestern University. He ended up taking 3rd place in the Metropolitan Opera Central Region. He's racked up a number of top prizes at other vocal competitions, as well. You can catch him as Frank in Strauss' Die Fledermaus with the Edmonton Opera from January 31- February 6.

Luis Alejandro Orozco

Mexican-American barihunk Luis Alejandro Orozco has appeared on this site before. He was a winner of the District Council's competition in Indiana. Orozco is as graduate of the Cincinnati Conservatory of Music and he has performed with the Lake George Opera, Des Moines Metro Opera,  El Paso Opera, Cincinnati Opera, Lexington Philharmonic, Florida Grand Opera and Opera Theater of St Louis. You can catch him reprise his sexy performance as El Payador in Piazzolla's Maria de Buenos Aires with the Syracuse Opera, from January 31-February 9.

Robert Balonek

Robert Balonek was one of the winners of the Eastern District Metropolitan Opera National Council Auditions. He attended SUNY Purchase College and the Mannes School of Music where he performed with the Mannes Baroque Ensemble. In March, you can catch Balonek in a semi-staged performance of Handel's Alceste with the American Classical Orchestra at Alice Tully Hall.

Other low voice coming out of the Eastern District Auditions were Takaoki Onishi, Kyle Oliver, Scott Russell and Brian Vu.

Iain MacNeil

 Iain MacNeil sings Debussy's "Ballade des femmes de Paris:

Iain MacNeil was one of the winners at the Great Lakes Region auditions. He was born and raised in Brockville, Ontario and was introduced to opera during his first year at Dalhousie University. MacNeil is currently at the University of Toronto, where he is currently completing an opera diploma. In 2013, he participated in the Young Singers Project at the Salzburg Festival.

Andrew Bogard

We introduced Mid-Atlantic Region winner a little over a year ago. Bogard received his undergraduate degree in vocal performance from the Julliard School, where he performed the roles of Peter Quince in Britten’s Midsummer Night’s Dream, Cousin Brandon in Hindemith’s Long Christmas Dinner. Bogard won first place in the 2014 Mario Lanza Scholarship Competition.  Upcoming performances include the Maestro in Golijov''s Ainadamar at Opera Philadelphia and Alidoro in La Cenerentola at Curtis Institute of Music.

Jarrett Ott

Also advancing from the Mid-Atlantic Region is Jarrett Ott. He is finishing up his Master’s degree at the Curtis Institute of Music where he has performed  Argante in Handel’s Rinaldo, Aeneas in Purcell’s Dido and Aeneas, Gregor Mittenhoffer in Henze’s Elegy for Young Lovers, Valentin in Gounod’s Faust, Harašta in Janáček’s The Cunning Little Vixen, and Le Mari in Poulenc’s Les Mamelles de Tiresias. This season he will also perform Ned Rorem’s Evidence of Things Not Seen with Mikael Eliasen at various venues, as well as perform Ralph Vaughan Williams’ A Sea Symphony with the Riverside Symphonia. At Curtis he will sing roles in Poulenc's Dialogues des carmélites and Rossini's La Cenerentola. You can listen to some sound clip HERE.

Samuel James Dewese

Samuel James Dewese advanced in the Midwest Region. Dewese is a graduate of the University of Illinois at Urbana-Champaign, where he performed Mercurio in Cavalli's La Calisto, Anselmo in Man of La Mancha, and Mr. Gedge in Benjamin Britten's Albert Herring. In July of 2011,  Dewese originated the role of Jackson the Slave in 1787: We the People with Creative Dramatics Workshop. He was named the Joann Damman Memorial Scholarship winner by the Bel Canto Foundation of Chicago in April 2010 and April 2011, as well as the recipient of the Golden Lyre Foundation Award from the University of Illinois School of Music in May 2011.

Steven Eddy

Indiana University graduate Steven Eddy advanced in Northwest Region Metropolitan Opera Council Auditions. Eddy attended one of our Barihunks lunches while performing in Strauss' Ariadne auf Naxos at the Fort Worth Opera Festival (which is where he got that great shirt!). He returns to the Festival this year singing the role of Ponchel in Kevin Puts’ Pulitzer-Prize winning opera Silent Night.

Andrew Craig Brown

Andrew Craig Brown advanced in the Western Regionals in Los Angeles. He graduated from the Yale School of Music where he performed in productions of Mozart's Don Giovanni, Stravinsky's Le Rossignol, Mozart's Le Nozze di Figaro and Cosi fan Tutte. He has recorded the role of Il Duca Ramiro in Donizetti's Maria Padilla with the Polish Radio Symphony Orchestra.

Patrick Murray

Patrick Murray also advanced at the Western Regionals in Los Angeles. Murray graduated from the University of Southern California before being a granted a Fulbright Scholarship, which allowed him to study in Vienna, Austria. He recently spent the winter as a Studio Artist with the Sarasota Opera and is being mentored by fellow barihunk Luca Pisaroni. You can listen to him sing HERE.

Jeff Williams

Pennsylvania native Jeffrey Williams, was one of our reader submissions last year, and he just advanced in the Nashville Auditions. Following a summer at the Russian Opera Workshop at the Academy of Vocal Arts in Philadelphia he sworked with fellow barihunk Tom Krause at the Mozarteum in Salzburg, Austria and in Sachrang, Germany. Williams has portrayed Lord Ruthven in Marschner’s Der Vampyr, Nick Shadow in The Rake’s Progress, Prince Yeletsky in Pique Dame, the title role in Rachmaninoff’s Aleko, the title role in Mozart's Le nozze di Figaro, Rabonnier (La rondine), Le Commissaire (Orphée), Jack Point (Yeomen of the Guard), Superintendent Budd (Albert Herring), Strephon (Iolanthe) and Marchese d’Obigny (La Traviata), as well as opera chorus work with the Washington National Opera, the Baltimore Opera, and Florida Grand Opera.

Orozco Hailed in Piazolla's "Maria de Buenos Aires"

Luis Alejandro Orozco

One more reason that we love our Reader Submissions is that we end up following careers as they breakthrough with major successes. The latest example is the hunky Luis Alejandro Orozco who thrived in a production of Astor Piazolla's "Maria de Buenos Aires" by the gifted young director John De Los Santos.

The Lexington Herald-Leader wrote:

In the part of the Payador, Maria’s lover and would-be savior, Luis Alejandro Orozco wields his strong, plangent baritone voice with tender artistry and also cuts a figure of rare physical beauty. His interaction with the utility players, effectively undertaken by Andrew McKinnon, Alexis Slocum and Josh Stone, fairly bristle with dramatic truth.

Read more here: http://www.kentucky.com/2013/02/02/2500437/review-with-maria-lexington-philharmonic.html#storylink=cpy#storylink=cpy

You can read the entire review online. 

There are performance remaining today and tomorrow and tickets are available online. Orozco will next perform the role at the Florida Grand Opera on Thursday March 21th, 22nd, 23rd and 24th. He can next be seen as Le Podestat in Bizet's rarely performed opérette Le Docteur Miracle at the Cincinnati Conservatory of Music on February 15th - 17th. He will also cover the role of Young Emile in the new Terence Blanchard opera featuring fellowing barihunk Aubrey Allicock, which we've posted previously.

You can hear audio samples of Luis Alejandro Orozco on his website.  

Director John De Los Santos will be joining forces with yet another barihunk when he directs the West Coast premiere of Ricky Ian Gordon's "Green Sneakers." If you're anywhere near the San Francisco Bay Area, you want want to miss this "one night only" performance featuring Jesse Blumberg in Gordon's masterful mini-opera. Tickets are available online at the Fort Mason box office.

Luis Alejandro Orozco in Piazzolla's "Maria de Buenos Aires" in Lexington and Miami

Luis Alejandro Orozco

Barihunk Luis Alejandro Orozco will be performing Astor Piazzolla's tango opera Maria de Buenos Aires in both Lexington and Miami. We introduced him to readers last summer after a reader tip.

His first performances will be February 1-3 at the Black Box Theater in Lexington, Kentucky. The performance features the Lexington Philharmonic with mezzo-soprano Solange Merdinian and narrator Enrique Andrade. We're particularly excited because John De Los Santos, our "Best Director" from our "Best of Barihunks 2011" list will be directing. De Los Santos will also be directing the West Coast premiere of Ricky Ian Gordon's "Green Sneakers," which we recently posted about.

Luis Alejandro Orozco sings "Deh, vieni alla finestra" from Don Giovanni:

Piazzolla’s style, now known as nuevo tango, was initially rebuffed, but later caused a resurgence of popularity in Argentinean tango and Piazzolla’s music. Using two singers and a narrator, the audience is lead through the story, as characters shift and Maria dies and her spirit confronts her life in the streets of Buenos Aires. It is an allegorical tale of Maria and her life, which is the spirit of tango, death and resurrection.

Tickets can be purchased by calling the Lexington Philharmonic box office at 859-233-4226 or visiting their website.

Hot directorial talents: John De Los Santos and José Maria Condemi

Orozco will reprise his performance from March 21-24 at the Florida Grand Opera. Maria will be performed by Catalina Cuervo and the piece will be directed by José Maria Condemi, another director whose work has been impressing us. He's currently directing Catan's Florencia en el Amazonas at the Utah Opera with barihunk Nmon Ford.

Tickets for Maria de Buenos Aires are available online.

Luis Alejandro Orozco was born in El Paso Texas, but raised in Juarez, Mexico for most of his life. Orozco is currently an artist diploma candidate at the Cincinnati Conservatory of Music at the University of Cincinnati. He has performed with such companies as Lake George Opera (Saratoga Opera), Des Moines Metro Opera, El Paso Opera and Cincinnati Opera.

Teatro di Capua's trailer of Maria de Buenos Aires:

Reader Submission: Luis Alejandro Orozco

Luis Alejandro Orozco

Our latest reader submission is Mexican-American baritone Luis Alejandro Orozco. The emerging barihunk was born in El Paso Texas, and raised in Chihuahua, Mexico. Orozco is currently an artist diploma candidate at the Cincinnati Conservatory of Music at the University of Cincinnati. He will be performing in Astor Piazzolla's "María de Buenos Aires" at the Cincinnati Opera on July 25 and 27 under Jose Maria Condemi’s direction. Visit their website for tickets and additional performance information. He will reprise the performance with the Lexington Philharmonic in February 2013.

Orozco appeared as the baritone soloist in Orff’s Carmina Burana at the Cincinnati Conservatory of Music. Also at the Conservatory Orozco has done the roles of Don Giovanni, Count Almaviva in Le nozze di Figaro, and Collatinus in The Rape of Lucretia.  He has performed with such companies as Lake George Opera (Saratoga Opera), Des Moines Metro Opera, and El Paso Opera and Cincinnati Opera. He has performed the roles of Marcello in La boheme, Yamadori in Madama Butterfly, and le Dancaïre in Carmen.

 Luis Alejandro Orozco sings Mozart's "Deh, vieni alla finestra" at CCM:

Orozco has performed the role of Papageno in Mozart’s Magic Flute, in The Seoul International Opera Festival in South Korea. Also overseas he has performed with CCM Spoleto’s summer festival in the roles of Tarquinius in The Rape of Lucretia, and the title role in Rossini’s Il Signor Bruschino.

In 2010 he was the winner of the Metropolitan Opera Tri State district, and obtained an encouragement award in 2011 in the Metropolitan Opera Four City District. He obtained a Bachelor of Music degree at The University of Texas at El Paso, and Master of Music degree from Cincinnati Conservatory of music, where he studies under the vocal instruction of William McGraw.

CONTACT US AT Barihunks@gmail.com