Showing posts with label frankfurt opera. Show all posts
Showing posts with label frankfurt opera. Show all posts

Sunday, December 17, 2017

Iurii Samoilov to be honored by Frankfurt Opera

Iurii Samoilov
Barihunk Iurii Samoilov will receive the Ottomar Päsel Prize after today's performance of Mozart's Cosi fan tutte in which he's singing Guglielmo.

He is the first member of the Ensemble at Oper Frankfurt to have received the award. The ceremony will take place tonight in the Holzfoyer of Oper Frankfurt after the performance.

After today's performance, he has remaining shows on December 17, 20, 22 and January 1st. In between performances, he heads back to his native Ukraine for a holiday concert at the Lviv Opera House on December 24th, which includes works by Ukrainian composers, as well as Puccini, Bizet, Mozart and Saint-Saëns.  

Jason Duika from 2018 Barihunks Calendar/Photo Book

ONLY 14 DAYS LEFT TO ORDER our 2018 Barihunks Calendar, which includes 20 of opera's sexiest men is now available for purchase HERE. In response to reader demand, we've also added a Barihunks Photo Book this year, which includes additional photos that don't appear in the calendar. You can purchase that HERE. The New Year is approaching faster than you think.

Wednesday, November 15, 2017

Björn Bürger stars in world premiere of Herrmann's Der Mieter

Björn Bürger as Georg in Der Mieter
Composer Arnulf Herrmann’s Der Mieter, premiered on November 12th at the Frankfurt Opera with a riveting performance by barihunk Björn Bürger as the suicidal main character Georg.

Arnulf Herrmann's opera is based on Roland Topor's Kafka-esque novel Le locataire chimérique which was made into The Tenant, a psychodrama/thriller movie by Roman Polanski. Unlike the book and film the opera concentrates on being forced to conform to norms by society. The opera's libretto, written by Händl Klaus, delves into the darkest regions of the human psyche probing issues of guilt, paranoia, and sexual obsession. 

Herrmann created a haunting soundscape with shattering glass in slow motion, creaking doors, sinking trees, crawling cockroaches and other sounds emanating from forty loud speakers. Bürger's vocal part calls for a wide dramatic range spanning a cappella murmurs to screams of despair.

The opera also features barihunk Sebastian Geyer in two small roles. Additional performances run from November 16-December 7th.

Derek Chester and Marco Vassalli
Our 2018 Barihunks Calendar, which includes 20 of opera's sexiest men is now available for purchase HERE. In response to reader demand, we've also added a Barihunks Photo Book this year, which includes additional photos that don't appear in the calendar. You can purchase that HERE. The New Year is approaching faster than you think!

Monday, August 31, 2015

Björn Bürger's really, really sexy Don Giovanni

Björn Bürger as Don Giovanni at Den Norske Opera (photos: Jörg Wiesner)
Björn Bürger, who has previously sung Masetto, is now making his debut in the title role of Mozart's Don Giovanni. His performance, with open shirt and sporting white boxers, has been turning a few heads with his macho and sexual portrayal of the lascivious seducer. The cast includes Marcell Bakonyi as Leporello, Ann-Helen Moen as Donna Anna, Magnus Staveland as Don Ottavio and Marita Sølberg as Donna Elvira. Performances run through September 16 and tickets are available online.

Björn Bürger as Don Giovanni and Marita Sølberg as Donna Elvira. (Foto: Jörg Wiesner)
Bürger, who is making his debut with Den Norske Opera, is a member of the Frankfurt Opera where he has sung Bengtson in Reimann's Die Gespenstersonate, Astolfo in Vivaldi's Orlando Furioso, Papageno in Mozart's Die Zauberflöte and Marcello in Puccini's La boheme. He returns to Frankfurt this season to sing Frank and Fritz in Korngold's Die tote Stadt, Don Bucefalo in Valentino Fioravanti's La cantatrici villane and Curio in Handel's Giulio Cesare

Fans in the U.K. will be interested to know that he will make debut as Figaro in Rossini’s Il barbiere di Siviglia at the Glyndebourne Festival in 2016.

Thursday, May 14, 2015

Iurii Samoilov making role debut as Don Giovanni


Iurii Samoilov as Don Giovanni (left), The Frankfurt Opera production (right) Photo © Monika Rittershaus
Iurii Samoilov will be making his role debut at the Frankfurt Opera as Don Giovanni on May 30th in the company's heralded production by Christof Loy. He was originally alternating the role of Masetto with fellow barihunk Bjorn Bürger. He'll also be appearing as the Don on June 5, 13, 26 and 28, before turning the role over to Daniel Schmutzhard in July. Somoilov will be joined by Simon Bailey as Leporello and Kihwan Sim as Masetto.

Until May 23, he's performing Dandini in Rossini's La Cenerentola. Earlier this season, he appeared with the company in Wagner's Parsifal, Monteverdi's L'Incoronazione di Poppea and Puccini's La bohème
Iurii Samoilov in Theatre Basel's Cosi by Calixto Bieito (Photo ©Ismael Lorenzo)
Samoilov joined the ensemble at the Frankfurt Opera this season after having been part of their Opera Studio since 2012. His debut with the company was as the Embittered Gambler in Prokofiev's The Gambler. Samoilov graduated from the National Music Academy of Ukraine in 2011 and in 2009 he was the youngest singer to ever reach the finals at the Neue Stimmen Competition in Germany.

Saturday, April 4, 2015

Iurii Samoilov's busy Spring with the Frankfurt Opera


Iurii Samoilov showing off his barihunk credentials
Iurii Samoilov post the picture on the left after the closing of his run as Marcello in Puccini's La bohème at the Frankfurt Opera. He takes the stage again in two days as one of the Knights of the Holy Grail in the final night of Wagner's Parsifal with the company.

On May 10th, he takes over the role of Dandini from fellow barihunk Bjorn Bürger in Rossini's La Cenerentola. The production runs until May 23. After singing Tracolin in Adams' Le Torreador in Palermo and Guglielmo in Mozart's Cosi fan tutte, he returns to the company on June 5th. He'll be alternating the role of Masetto in Don Giovanni with Bjorn Bürger in Christof Loy's production.

Iurii Samoilov sings Verdi's "Nell'orror di notte oscura"

Samoilov joined the ensemble at the Frankfurt Opera this season after having been part of their Opera Studio since 2012. His debut with the company was as the Embittered Gambler in Prokofiev's The Gambler.

Samoilov graduated from the National Music Academy of Ukraine in 2011 and in 2009 he was the youngest singer to ever reach the finals at the Neue Stimmen Competition in Germany.


Sunday, January 25, 2015

Introducing Frankfurt Opera's Iurii Samoilov

Iurii Samoilov as Masetto at Oper Frankfurt
We've been following Björn Bürger ever since we first posted him, as he was instantly a hit with our readers. When we were scouring his upcoming performances, we ran across Ukrainian Iurii Samoilov often sharing the same roles or operas with Bürger at the Frankfurt Opera.

Samoilov joined the ensemble at the Frankfurt Opera this season after having been part of their Opera Studio since 2012. This season, he performs sings Marcello in Puccini's La Bohème, the 2nd Knight of the Holy Grail in Wagne's Parsifal, Dandini in Rossini's La Cenerentola and Masetto in Mozart's Don Giovanni. His debut with the company was as the Embittered Gambler in Prokofiev's The Gambler.

 Iurii Samoilov sings Rachmaninov's Do not sing, my beauty:

Samoilov graduated from the National Music Academy of Ukraine in 2011 and in 2009 he was the youngest singer to ever reach the finals at theNeue Stimmen Competition in Germany.

Last season, he also appeared in Rossini's Il viaggio a Reims at the 2014 Rossini Opera Festival. From April 18-26, he'll be at the Teatro Massimo in Palermo to perform in Adolphe Adam's Le Toréador opposite fellow barihunk Andrea Concetti.

Björn Bürger
You can catch him as Marcello in Puccini's La Bohème at the Frankfurt Opera on March 19th, as well as alternating the roles of Masetto in Mozart's Don Giovanni and Dandini in Rossini's La Cenerentola with Björn Bürger later this season. 

Saturday, December 20, 2014

Björn Bürger to sing title role in Owen Wingrave

Björn Bürger
German barihunk Björn Bürger, who we introduced to readers in August when he was competing in the Mirjam Helin Competition, will be singing the title role in Britten's Owen Wingrave at the Frankfurt Opera from January 10-30. The role was previously sung at the opera by fellow barihunk Michael Nagy. He's currently wrapping up two more performances as Harlequin in Strauss' Ariadne auf Naxos with the company.

Bürger has been a member of the Frankfurt Opera Ensemble since 2013, where he's also sung Bengtson in Reimann's Die Gespenstersonate, Astolfo in Vivaldi's Orlando Furioso, Papageno in Mozart's Die Zauberflöte and Masetto in Mozart's Don Giovanni. He'll be adding Marcello in Puccini's La boheme to the list in February. In 2015, he will debut as Don Giovanni at the Norwegian Opera in Oslo.

Michael Nagy as Owen Wingrave in Frankfurt
In 2012, Bürger took First Prize at the Bundeswettbewerb Gesang 2012 (National Singing Competition) in Berlin and a year later the top prizes at the 'Emmerich-Smola Competition' and the Anneliese-Rothenberger Competition.

Owen Wingrave, which premiered in 1970, tells the story of a committed pacifist born into a renowned military family.  Despite strong disapproval over his beliefs and desperate to maintain the love of his would-be bride, Owen Wingrave is determined to prove his inner strength – even if it leads to his own demise.

Britten was a deeply committed pacifist, which traces back to his early life, particularly during his years at Gresham’s, his public school in Holt, Norfolk. He was know as a sensitive young boy who abhorred violence and bullying. World War I had cast a huge shadow over Britten’s generation and it was felt nowhere more keenly than at Gresham’s.  Britten was born a year before the onset of WWI  where the U.K. and its colonies saw 887,711 killed in action between 1914 and 1918. 100 boys from Gresham’s alone lost their lives.  His school formed one of the first branches of the League of Nations Union, which was designed to foster peace and prevent future conflict. The school also banned corporal punishment.

Britten's most famous pacifist composition is his War Requiem.


There is still time to order your 2015 Barihunks Charity Calendar before the New Year. Just click on the LULU button below.
Support independent publishing: Buy this calendar on Lulu.

Monday, May 26, 2014

Sebastian Geyer in rare version of Orpheus myth

Sebastian Geyer in The Elixir of Love
German barihunk Sebastian Geyer, who we first introduced to readers back in 2010, is starring in Telemann’s rarely performed opera "Orpheus oder Die Wunderbare Bestängigkeit Der Liebe" (Orpheus or The Wonderful Constancy of Love). The production opened last night at the Oper Frankfurt and runs through June 8th. Tickets and additional information are available online

The opera tells of the destructive power of love from Eurydice's point of view. The myth of Orpheus is one of the best loved stories in literary and operatic history, at its center the power of music and love between Orpheus and Eurydice. In Telemann's version,  Orasia the Queen of Trace, who is in love with Orpheus plays a larger role than in versions by other composers. There also is no happy ending, as the composer/librettist ban all three main characters to the underworld.

Telemann’s Orpheus has often been dismissed as a pastiche because it included some well known passages from Handel and Lully operas. But the opera was a brave experiment that broke musical and dramaturgical boundaries. Telemann combined his own, strongly protestant, cantata forms with the sensuality of Italian opera and the courtly glamor of France. 

Sebastian Geyer in Orpheus at the Frankfurt Oper
Sebastian Geyer has become a leading baritone at the Oper Frankfurt, where he has sung Aeneas in Purcell's Dido and Aeneas, Conte Almaviva in Mozart's Le nozze di Figaro, Guglielmo in Mozart's Così fan tutte, Papageno in Mozart's Die Zauberflöte, Dr. Falke in Strauß' Die Fledermaus and the title role in Handel's Giulio Cesare. He also has appeared on the company's recording of Richard Wagner's Die Feen.

On September 5th, he'll switch to Puccini as he sings Schaunard with the company in La bohème. He then travels to Wuppertal to sing the title role in Mozart's Don Giovanni in a cast that includes fellow barihunk Damien Pass as Masetto. 

Tuesday, April 22, 2014

Introducing British Barihunk Toby Girling

Toby Girling in Zatopek! (left) and Winterreise (right)
Some singers just seem to inspire directors to get them into various states of undress and British barihunk seems to be one of them. We originally saw the picture of him from Zatopek! (above left) when we were posting about his castmate Peter Brathwaite and then the picture of him on the right from a Bluebeard's Castle/Winterreise double bill showed up in our messages. Girling is the sole vocal performer in Schubert's Winterreise with the Vlaamse Opera, which will run in Antwerp through May 10th. Tickets are available online.

Toby Girling is a graduate of the Guildhall School of Music and Drama. He was a member of the Glyndebourne Opera Festival Chorus in the Michael Grandage production of Britten's Billy Budd, in which he also sang the role of Arthur Jones and covered the role of Donald. Regular readers may recall that Glyndebourne's Billy Budd also featured barihunks Jacques Imbrailo and Duncan Rock. 

Toby Girling sings Der Lindenbaum from Schubert's 'Die Winterreise:


He has sung at a number of major festivals other than Glyndebourne. These include a 2011 performance of Ben in Bernstein's Trouble in Tahiti at the Wexford Festival, Guglielmo in Mozart's Così fan tutte and the Sorceress in Purcell's Dido and Aeneas at the Verbier Festival, and Ceprano in Verdi's Rigoletto at the Iford Festival. He also performed in both Guglielmo in Così fan tutte and Fiorello in Rossini's the Barber of Seville to great acclaim with the English Touring Company.

He is currenlty a Studio Artist at Oper Frankfurt, where he performed as the Flemish Deputy in a revival of Verdi's Don Carlo.  Other appearances with the company include Ein Steuermann in Wagner's Tristan und Isolde, Manuel in de Falla's La Vida Breve and Mann in Sallinen's Kullervo.

Thursday, December 9, 2010

Sebastian Geyer in Dido

Sebastian Geyer in Dido & Aeneas

The leads for new barihunks keep coming in from Germany and we're grateful for it, as it has introduced us to some amazing new talent. The latest is Sebastian Geyer who just created a sensation as Aeneas in Purcell's "Dido and Aeneas" at the Frankfurt Opera, which was being shown on a double bill with Bartok's "Bluebeard's Castle." The German press hailed Geyer's performance as a "perfect portrayal." You can read a review in the Frankfurt Allgemeiner.

Sebastian Geyer as Papageno

Geyer has been regularly cast in Mozart's "Big 3" as Count Almaviva in Le Nozze di Figaro, Papageno in Die Zauberflote, as well as roles in Don Giovanni.  In addition to his performances in Frankfurt, his career has centered around the German cities of Heidelberg, Mannheim and Stuttgart. He has also established himself as a concert performer and sings lieder ranging from Schubert to Wolfgang Rihm.

Geyer is next scheduled to appear in Wagner's rarely performed opera Die Feen in May 2011 at the Oper Frankfurt. 

Our best posts come from our readers, so send us your comments, suggestions and Messiah listings to Barihunks@gmail.com