Showing posts with label joseph lattanzi. Show all posts
Showing posts with label joseph lattanzi. Show all posts

Thursday, October 31, 2019

Barihunk Trio in New England premiere of Fellow Travelers; Coming to Arizona and Madison

Jesse Darden as Timothy Laughlin and Jesse Blumberg as Hawkins Fuller (Photo by Liza Voll)
The Boston Lyric Opera is presenting the New England premiere of Gregory Spears' Fellow Travelers from November 13-17. The cast will included the barihunk trio of Jesse Blumberg as Hawkins Fuller, David McFerrin as Senator Joe McCarthy and Simon Dyer in multiple roles. 

The remainder of the cast includes Jesse Darden as Timothy McLaughlin, Chelsea Basler as Mary Johnson, James Maddalena as Senator Charles Potter, Vincent Turregano as Tommy McIntyre, Brianna Robinson as Lucy and Michelle Trainor as Miss Lightfoot. Tickets are available online

Simon Dyer and David McFerrin
Fellow Travelers, which is set in Washington D.C. against the backdrop of the McCarthy-era "lavender scare," tells the story of Timothy “Skippy” Laughlin, an aspiring young journalist, and Hawkins “Hawk” Fuller, a handsome, profligate State Department official. A chance encounter with Hawk leads to Tim's first job in DC, and his first love affair. As his involvement deepens, Tim struggles to reconcile his political convictions, his religious beliefs, and his love for Fuller – an entanglement that will end in a stunning act of betrayal. The libretto is based on the novel by American novelist, essayist and critic Thomas Mallon.

Joseph Lattanzi as Hawkins Fuller and Jonas Hacker as "Skippy" McLaughlin
The opera is also being performed on the other side of the continent at the Arizona Opera with Joseph Lattanzi reprising the role of Hawkins Fuller, which he created at the Cincinnati Opera in 2016. The cast includes Marcus DeLoach as Senator Joe McCarthy, Thomas Cannon as Senator Charles Potter, Jonas Hacker as Timothy McLaughlin, Katherine Beck as Mary Johnson, Cadie Jordan as Lucy and Kaitlyn Johnson as Miss Lightfoot. Tickets are available online

The opera will also be performed next year at the Madison Opera with Ben Edquist as Hawkins Fuller, Sid Outlaw as Tommy McIntyre and Andy Acosta as Hawkins Fuller. 
 

Saturday, June 1, 2019

Joseph Lattanzi in free concert and world premiere

Joseph Lattanzi (Photos from artist website)
Barihunk Joseph Lattanzi will be one of the featured stars of Cincinnati Opera's free Opera in the Park concert on June 9th. He'll be joined at Washington Park by his fellow cast members from Mozart's The Marriage of Figaro, which is being performed on June 13 and 15. They include sopranos Janai Brugger and Susanna Phillips, mezzo-soprano Rihab Chaieb and tenor Martin Bakari. Also performing will be Piotr Buszewski, Liv Redpath, Thomas Dreeze and hunkentenor Aaron Blake.

No tickets are required for the event, but guests are encouraged to bring blankets and lawn chairs, Concessions and food trucks will be on site.

In addition to The Marriage of Figaro, Lattanzi will join the company from July 22-27 for the world premiere of Scott Davenport Richards and David Cote's opera Blind Injustice, which explores the true stories of these six people who were tried, convicted, imprisoned, then ultimately freed by the Ohio Innocence Project. Joining him in the cast are fellow barihunks Miles Wilson-Toliver and Morgan Smith.

Casts and additional information on the Cincinnati Opera season can be found online

Later this season, Lattanzi will reprise the role of Hawkins Fuller in Gregory Spears' Fellow Travelers at the Arizona Opera and then perform Dandini in Rossini's L Cenerentola at the Virginia Opera.


Saturday, January 6, 2018

What if Papageno used Tinder?; Joseph Lattanzi reprises Fellow Travelers

Nathan Gunn (left) and Aaron Blake/Joseph Lattanzi (right)
One of the board members of the PROTOTYPE Festival in New York put together this video of Nathan Gunn, who was singing Papageno at the Met. It shows what might of happened had he used the dating app Tinder to find his Papagena. 

Nathan Gunn has a number of recitals on his 2018 calendar, including his cabaret show with his wife Julie Gunn. You can catch performances on January 18th in Thomasville, Georgia; at the McCallum Theatre in Palm Desert, CA on January 22nd; and, at the Wallis Annenberg Center in Beverly Hills on March 15th. The concert includes works by Irving Berlin, Cole Porter, Lerner and Loewe, Billy Joel and Leonard Bernstein.


On January 12, 13 and 14, PROTOTYPE will present Gregory Spear's opera Fellow Travelers at the Lynch Theater at John Jay College, with barihunk Joseph Lattanzi and hunkentenor Aaron Blake in the lead roles. Tickets are available online

Fellow Travelers, which was written in collaboration with librettist Greg Pierce and director Kevin Newbury, was developed in a 2013 Opera Fusion workshop. Lattanzi sang both the workshops for the opera, as well as the world premiere at the Cincinnati Opera and at the Lyric Opera of Chicago.

Tuesday, August 1, 2017

Joseph Lattanzi to reprise lead role in Fellow Travelers

Joseph Lattanzi and Aaron Blake in Fellow Travelers
The Lyric Opera of Chicago has announced that barihunk Joseph Lattanzi will reprise the role of Hawkins Fuller in Gregory Spears' opera Fellow Travelers.

Fellow Travelers, which was written in collaboration with librettist Greg Pierce and director Kevin Newbury, was developed in a 2013 Opera Fusion workshop. Lattanzi sang both the workshops for the opera, as well as the world premiere at the Cincinnati Opera last year. Newbury will also direct the Chicago performances.

Joseph Lattanzi sings "Our very own home" from Fellow Travelers:

The cast will include tenor Jonas Hacker as Timothy Laughlin, who falls in love with Hawkins Fuller during the height of the McCarthy era in 1950s Washington D.C. Devon Guthrie will sing the role of Mary Johnson, Hawkins’s assistant and Timothy’s confidante.

This chamber work will be presented in four performances at the Athenaeum Theatre between March 17-25, 2018

You can catch Lattanzi as Sonora in Puccini's La Fanciulla del West at Virginia Opera from November 10-December 3. Performances will be in Norfolk, Richmond and Fairfax. 

Sunday, September 25, 2016

Joseph Lattanzi in live stream of The Copper Queen

Joseph Lattanzi
The Arizona Opera will be live streaming today's sold out performance of composer Clint Borzoni's The Copper Queen, which won the company's Arizona Sparks competition for new works in a runaway. The piece was also featured on the front page of the Arizona Republic's arts section last weekend.

The opera's libretto, written by director John de los Santos and based on a true story, revolves around the ghost of a prostitute haunting a historic hotel in Bisbee, Arizona.

The performance will feature barihunk Joseph Lattanzi as Peter Ackerman, who is fresh of a heralded performance as Hawkins Fuller in Gregory Spears’ gay themed opera Fellow Travelers at Cincinnati Opera. This season at Arizona Opera, Lattanzi will also perform the Gamekeeper in Dvořák's Rusalka, Yamadori in Puccini's Madama Butterfly and Dandini in Rossini's La Cenerentola.

Clint Borzoni's "Stufen" with barihunk Marco Vassalli:

The opera also features Lacy Sauter as the prostitute Julia Lowell, Alyssa Martin as Addison Moore, barihunk turned hunkentenor Chris Carr as Teddy Billings, Loren Battieste as Sugar Dog and Zachary Owen as Mr Floyd and Daddy Lowell.  You can hear Alyssa Martin sing "Waiting for a Whisper" from the opera on Soundcloud, as well as Sarah Tucker sing "Still Pretty."

The live stream will begin at 3 PM PST/6 PM EST at the company's Facebook page

Sunday, February 7, 2016

Preview of Gregory Spears' new opera with Joseph Lattanzi

Jospeh Lattanzi in his Barihunk t-shirt at the Seattle Opera (left) and at a Merola Opera performance (right)
Gregory Spears' new opera, Fellow Travelers, will receive a piano-vocal showcase at National Sawdust in Brooklyn on March 20th at 4 PM. This is the composer's first full-length opera, which follows Paul's Case and O Columbia. Paul's Case was a huge success at the 2014 Prototype Festival and subsequently at the Pittsburgh Opera. The opera was originally developed by American Opera Projects. O Columbia was presented last year by the Houston Grand Opera and featured barihunk Ben Edquist.

Fellow Travelers, which was written in collaboration with librettist Greg Pierce and director Kevin Newbury, was developed in a 2013 Opera Fusion workshop. It will feature former Barihunks calendar model Joseph Lattanzi, who will sing both the showcase and the world premiere.

Performances of Fellow Travelers will run at the Cincinnati Opera from June 17-July 10 at the Jarson-Kaplan Theater. In addition to Lattanzi, it will feature hunkentenor Aaron Blake, Mary Johnson, Alexandra Schoeny and Talya Lieberman. Tickets and additional information is available online

 Joseph Lattanzi performs "Our Very Own Home" from Fellow Travelers: 

Fellow Travelers, set in Washington against the backdrop of the McCarthy-era "lavender scare," tells the story of Timothy “Skippy” Laughlin, an aspiring young journalist, and Hawkins “Hawk” Fuller, a handsome, profligate State Department official. A chance encounter with Hawk leads to Tim's first job in DC, and his first love affair. As his involvement deepens, Tim struggles to reconcile his political convictions, his religious beliefs, and his love for Fuller – an entanglement that will end in a stunning act of betrayal. The libretto is based on the novel by American novelist, essayist and critic Thomas Mallon.

On February 27th, Lattanzi will sing the title role in Mozart's Don Giovanni at the Arizona Opera with fellow barihunk Ryan Kuster as Masetto and the talented Matthew Burns as his sidekick Leporello. Barihunk Morgan Smith will sing the other performances of Don Giovanni. Additional cast and ticket information is available online.

Tuesday, June 10, 2014

Silent Night to make European debut at Wexford; Canadian debut in Montreal; Continues in U.S. in Cincinnati


Ian Beadle (right)
Kevin Puts' Pulitzer Prize-winning opera Silent Night is getting its long-awaited European debut at the Wexford Opera Festival from October 24-November 2. The cast is a mix of Europeans and Americans, with two singers who have been featured on this site, Matthew Worth as Lieutenant Audebart and Quirijn de Lang as the lovable Poncel. There are also a few singers in the cast new to this site. 

Ian Beadle, a graduate from the Guildhall School of Music and Drama, performs William Dale on the Scottish side of the war. He recently finished a year in the English National Opera’s Opera Works program and performed as part of The Big Barber Bash at the London Coliseum.

His operatic roles have includes Belcore in Donizetti's Elisir d’amore at the Wexford Festival Opera, the Imperial Commissioner in Puccini's Madama Butterfly at Opera Holland Park, Crébillon in Puccini's La Rondine at Go Opera, Leporello in Mozart's Don Giovanni with Sinfonia D’amici, Guccio in Puccini's Gianni Schicchi at Opera Holland Park and Morales in Bizet's Carmen with Co-Opera Co.

Jamie Rock
Irish baritone Jamie Rock sings the role of Gueusselin on the French side of the war. He has performed the roles of Figaro in Mozart's Le Nozze di Figaro, Sid in Britten's Albert Herring, Papageno in Mozart's The Magic Flute, Schaunard in Puccini's La Boheme, Dancaire in Bizet's Carmen, Tarquinius in Britten's Rape of Lucretia and General Belliard in the world premiere of the original version of Prokofiev's epic masterpiece War and Peace. He has performed with the Wexford Festival Opera, Opera Theatre Company, Opera Ireland, Opera North, Grange Park Opera, Opera de Bauge and British Youth Opera.

He is also a member of the vocal ensemble Quartet. The group, under the patronage of Malcolm Martineau, is made up of graduates from the Alexander Gibson Opera School who draw on years of conservatoire training to explore a range of music and look for new ways of presenting the vocal repertoire.

Jamie began his studies at the Royal Irish Academy of Music and continued his studies at the Royal Academy of Music and the Royal Scottish Academy of Music and Drama . He is an alumnus of the OTC Young Artist Programme (Dublin), Wexford Festival Opera Young Artist Programme, Leeds Lieder+ Young Artists, Oxford Lieder Young Artists and Josephine Baker Trust. 

Tickets are available online.

Daniel Okulitch (left) and Joseph Lattanzi (right)
Silent Night, which has been performed to great acclaim in Minneapolis, Philadelphia and Fort Worth, now heads to the Cincinnati Opera and north of the border for its Canadian debut.

The Cincinnati cast includes many singers familiar to the piece, including the powerful voice of Craig Irvin as Lt. Horstmayer, Gabriel Preisser as Lt. Gordon and Andrew Wilkowske as Ponchel. New to the cast are Joseph Lattanzi as Gueusselin and Phillip Addis as Lt. Audebert. There are only two performances of the opera on July 10 and July 12. Tickets are available online.

Addis also will be performing Lt. Audebert in the Canadian premiere from May 16-23 at the Opéra de Montréal. The cast includes a barihunk favorite in the Lieutenant Horstmayer of Canadian Daniel Okulitch. Tickets go on sale in August 2014, so mark your calendars.
Gueusselin
Gueusselin and Phil

Friday, February 21, 2014

Seattle Opera's "Four Barihunks" Model Tee Shirts

Sarah Larsen with  Michael Todd Simpson, Steven LaBrie, Joseph Lattanzi, and Colin Ramsey (Photo by Elise Bakketun) 
We recently posted about the barihunk foursome performing in Menotti's The Consul at the Seattle Opera. The opera stars Michael Todd Simpson as John Sorel, Steven LaBrie as the Police Agent, Joseph Lattanzi as Assan and Colin Ramsey as Mr. Kofner. The four singers agreed to don their Barihunk tee shirts and take some shots on the set with soprano Sarah Larsen, who plays the secretary.
Sarah Larsen with  Michael Todd Simpson, Steven LaBrie, Joseph Lattanzi, and Colin Ramsey (Photo by Elise Bakketun)
The Consul was a huge hit during its initial Broadway run, earning both the New York Drama Critics’ Circle Award for Best Musical and the 1950 Pulitzer Prize for Music. The original production featured the legendary performances of Patricia Neway as Magda Sorel and Marie Powers as the mother. The great Verdi baritone Cornell MacNeil sang the role of John Sorel.

The story is about a devoted wife and mother who clashes with the bureaucracy of a nameless police state while trying to obtain an exit visa for her family.

Sarah Larsen with  Michael Todd Simpson, Steven LaBrie, Joseph Lattanzi, and Colin Ramsey (Photo by Elise Bakketun)
The opera runs from February 22nd to March 7 and tickets are available online.

Saturday, February 15, 2014

Barihunk foursome in Seattle Opera's The Consul


Michael Todd Simpson & Colin Ramsey
Joseph Lattanzi & Steven LaBrie
Michael Todd Simpson will be joining three of the hottest barihunks on the scene in Gian Carlo Menotti's The Consul at the Seattle Opera, which runs from February 22nd to March 7. Michael Todd Simpson takes on the major role of John Sorel, Steven LaBrie makes his company debut as the Police Agent, Joseph Lattanzi performs Assan and Colin Ramsey also makes his company debut as Mr. Kofner. We can't remember many instances when there's been this much pulchritude on the stage at one time.

Michael Todd Simpson is also the featured singer on the Seattle Opera blog where you can read an extensive interview with the Seattle based performer. 

Colin Ramsey will reprise the role of Mr. Kofner in a different production of The Consul with Opera Santa Barbara on March 25 and 27.  That production will feature barihunk Joshua Jeremiah as John Sorel.

Sunday, January 12, 2014

Bass-Barihunk Colin Ramsey to make Seattle Opera debut

Colin Ramsey in L'incoronazione de Poppea at Opera NEO
We introduced bass-barihunk Colin Ramsey last summer as one of the guys on the Operaticus fitness site on Facebook. He just finished a run yesterday as Collatinus in Britten's The Rape of Lucretia with Vespertine Opera in Seattle. We didn't have any pictures from the production, which is a shame, as it's one of our favorite operas to showcase barihunk talent. If some emerge, we promise to post them.

However, we did find a few amazing pictures of Colin Ramsey as Seneca in L’incoronazione di Poppea with Opera NEO, the summer opera festival and young artist workshop in San Diego, California.

Colin Ramsey & Alyssa Packard in L’incoronazione di Poppea:

If you missed this emerging barihunk, you'll have another shot when Ramsey makes his debut with the Seattle Opera as Mr. Kofner in Gian Carlo Menotti's The Consul. The opera runs from February 22-March 7. If you attend operas based on the Barihunk Quotient, then The Consul is a "must see" production, as it features barihunks Michael Todd Simpson as John Sorel, Steven LaBrie as the Secret Police Agent and Joseph Lattanzi as Assan.

Ramsey will reprise the role of Mr. Kofner in a different production of The Consul with Opera Santa Barbara on March 25 and 27.  That production will feature barihunk Joshua Jeremiah as John Sorel. In May, he moves back a few centuries to portray Somnus and Cadmus in the Pacific Musicworks's production of Handel's Semele in cooperation with the University of Washington.

Colin Ramsey in The Marriage Tango (L) and
L'incoronazione de Poppea (R)
Ramsey graduated from the Manhattan School of Music in 2011, where he received the Hugh Ross Award, awarded to singers with "unusual promise." An award winner with the Pasadena Opera Guild, he went on to become a studio artist at Opera Santa Barbara and the Seattle Opera Young Artist Program.

He made his debut with Opera Santa Barbara singing the Doganiere in La Boheme. At Wolf Trap Opera he was featured as Hermann in Offenbach's Tales of Hoffmann, Jonas Fogg in Sondheim's Sweeney Todd and as Figaro and Alidoro in a program of scenes.

Tuesday, April 2, 2013

Joseph Lattanzi featured in hometown paper


Joseph Lattanzi
It looks like San Francisco might be the place to be if you want to check out some of the most talented barihunks in the industry. Yesterday we featured Hadleigh Adams, who will be joined by Joseph Lattanzi as an Adler Fellow, an affiliate artists program under the guidance of San Francisco Opera General Director David Gockley and Opera Center Director Sheri Greenawald. Lattanzi was recently featured in his hometown paper, the Marietta Daily Journal. Here is the entire article with some additional photos.

Joseph Lattanzi’s baritone voice has taken him far and wide since his days at Pebblebrook High’s performing arts program.

The 25-year-old opera star is wrapping up his master’s degree in music at the University of Cincinnati and rehearsing for his role as Papageno in “The Magic Flute,” at the Cincinnati Conservatory of Music.
Joseph Lattanzi as Papageno
“The Magic Flute,” a comedic opera by Wolfgang Amadeus Mozart, plays Thursday through Sunday in Cincinnati, Ohio.

“The character I play (in ‘Magic Flute’) is the comic relief of the show. He’s always lost or thinking he’s going to die. … I love singing Mozart operas,” said Lattanzi, who graduated Pebblebrook in 2006. “It’s very ensemble-driven.”

Among his accomplishments are a bachelor’s degree in voice from Oberlin College Conservatory of Music in Ohio, internships with the Atlanta Opera and Metropolitan Opera, completion of the Georgia Governors’ Honors Program and completion of a summer study program with Oberlin in Italy. His most recent credits include the baritone lead in Merola Opera Program’s “Postcard From Morocco,” and Dottore Malatesta in Seattle Opera’s “Don Pasquale.”

Publications such as The San Francisco Chronicle have especially taken notice of Lattanzi’s talents as they did in last year’s “Postcard From Morocco” performance.
Joseph Lattanzi with Donovan Singletary a the Seattle Young Artist Program
“Baritone Joseph Lattanzi, as a shoe salesman, combined robust vocalism, deft soft-shoe skills and plenty of charisma (in ‘Postcard’),” said Joshua Kosman, writer for the Chronicle.

Lattanzi is the son of Joe and Micki Lattanzi and grandson of Donald and Jean Murphy and Joe and Peggy Lattanzi.

When the Mableton native graduates in May, he will continue traveling the U.S. and singing in performances such as The Merola Opera Program’s “Le Nozze di Figaro” on Aug. 1 and 3 and Seattle Opera’s “The Consul” from Feb. 22 to March 7, 2014.


Lattanzi often lends his voice to area performances when he has time off from school. Retired minister Neal Ponder enlisted him to sing as guest soloist in December at Peachtree Christian Church in Atlanta.

“He has an easy-to-listen-to baritone voice. The fact that he combines singing, acting and good looks are an advantage,” Ponder said.

Joseph Lattanzi in performance
The retired minister has known Lattanzi since the up-and-coming singer’s Pebblebrook days and says his talents are numerous.

“I think he has a very good understanding of who he is,” said Ponder, who knew Joseph’s grandfather, Joe Lattanzi. “He has been very particularly successful in playing comedy roles. … He’s not just a singer.”

Frank Timmerman, director of Cobb County Center for Excellence in Performing Arts at Pebblebrook High, says Lattanzi is among his favorite artists who have graced the school halls.

“I’ve seen several of his post-Pebblebrook performances and am filled with pride as I follow his career,” Timmerman said. “Joseph is good to be willing to come back to Pebblebrook to offer guidance and teach master classes for our students when he’s home. By popular demand, he joins us each December for performances of ‘Home for the Holidays’ at the Cobb Civic Center’s Anderson Theatre. Each year, he brings the house down with his performance of ‘O Holy Night.’”

Timmerman said he knew immediately that Lattanzi had great talent.

“When Joseph was a fifth-grader at Mableton Elementary School, we invited his choir to be a part of our Annual Holiday Concert at Pebblebrook,” Timmerman said. “That’s when I first met Joseph and heard him sing. (He was a soprano then.) Joseph sang a solo, ‘O Holy Night,’ on the concert. I knew immediately that he had to come to Pebblebrook and that he was destined for a career in the arts.”

Getting accepted into Pebblebrook’s arts program is no easy task. Prospective students’ academic record, attendance record, discipline record, and talent potential are evaluated during the selection. About 300 students from all 24 Cobb County School District middle schools and from home schools and private schools audition for the performing arts magnet program every year, Timmerman said. About 100 students are accepted each year, or one-third of those who audition.

Joseph Lattanzi
In the arts program, Lattanzi studied under Bradley Howard. The teacher helped Lattanzi hone his voice and grow his appreciation for classical music. As Lattanzi sees it, his time in Pebblebrook’s arts program was the key to his current success.

“(Timmerman) immediately took me under his wing as well,” Lattanzi said. “So I had a really great support system. They encouraged me. … The teachers were willing to spend extra time to work with me and help. Pebblebrook is really an amazing place.”

The young artist says his goal is to travel the world and perform in as many opera houses as possible. He hopes to one day become based with an opera company in the U.S.

Looking back, Lattanzi credits his family, peers and Pebblebrook’s arts program with giving him both the professional tools and the freedom to perform.

“I couldn’t ask for a more supportive family,” Lattanzi said. “My mom and dad make it to everything. I’m just incredibly lucky to have such supportive family. I feel invigorated just talking about it. It’s just a really great feeling.”

Monday, January 28, 2013

Seattle Opera announces new season with barihunk-laden Consul, Rigoletto

Donovan Singletary and Steven LaBrie
The Seattle Opera announced its 2013-14 season which includes two operas not generally thought of as barihunk operas, Menotti's The Consul and Verdi's Rigoletto.

The Consul includes three of the hottest singers on the scene, led by Seattle resident Michael Todd Simpson in the major role of John Sorel. Also in the cast are Steven LaBrie as the Police Agent and Joseph Lattanzi as Assan. LaBrie is making his Seattle Opera debut. Performances run from February 22nd to March 7, 2014. The Consul won the Pulitzer Prize in 1950.

Marco Vratogna
This year is the big 200th anniversary of Verdi's birth, so we're getting an ample supply of the Italian's operas. Usually it's Attila that features two barihunks and rarely is it Rigoletto. Seattle has cast the amazing Marco Vratogna as the hunchbacked jester and this is a portrayal that is not to be missed. We caught him at the San Francisco Opera and it was one nothing short of a masterful performance both vocally and dramatically. In the smaller, but important role of the Count Monterone is fitness guru Donovan Singletary. Gilda and the Duke will be performed by Davinia Rodríguez and Francesco Demuro respectively. The opera is being transported to 1930s Italy and performances run from January 11-25, 2014.

Michael Todd Simpson and Joseph Lattanzi
Speaking of anniversary seasons, the Seattle Opera seems to be marking a bunch of them this season, including their 50th anniversary, their 10th year at McCaw Hall and general director Speight Jenkins'  30th year leading the company.

Other operas for the upcoming season include Donizetti's Daughter of the Regiment from October 19-November 2, 2013 with tenor Lawrence Brownlee and Offenbach's The Tales of Hoffman from May 3-17, 2014 with tenor William Burden and the brilliant mezzo-soprano Kate Lindsey. Visit the Seattle Opera website for additional information and don't miss their upcoming Ring Cycle featuring Greer Grimsley as Wotan.

Thursday, June 14, 2012

Quartet of Barihunks arrives at Merola


Hadleigh Adams

It's not often that we post about events in the same city two days in a row, but there has been quite a bit of chatter about some of the barihunks in the Merola Opera Program in San Francisco. It started with and email that read, "Have you seen Hadleigh Adams? Whoa!" It's been a steady stream of "tips" about this model turned opera singers since he arrived in San Francisco. 

Of course, we were tipped off about the New Zealand native years ago by our eagle eye down under in Australia. Adams will be performing in Merola's Schwabacher Summer Concerts on July 5th and 7th, where he'll be performing Ralph's aria "Quand la flamme de l'amour" from Bizet's rarely heard La jolie fille de Perth. The concert on July 5th is at the Herbst Theater and the July 7th concert is free to the public at Yerba Buena Gardens. 

Seth Mease Carico as he appears in the Barihunks calendar
Also at Merola is Seth Mease Carico, who is one of our 2012 Charity Calendar models and a regular on this site. Carico, recently scored another critical success in his young career as Leonidas in the Fort Worth Opera's production of Mark Adamo's Lysistrata. Don't miss the pictures we posted of Carico and fellow barihunk Michael Mayes in drag at a mock "Battle of the Sexes" event promoting Lysistrata. Admittedly, he won't be a contestant on RuPaul's Drag Race, but it ranks as one of our favorite posts of all time. 

Carico will also be performing in Merola's Schwabacher Summer Concerts and singing Nick Shadow's music from Stravinsky's The Rake's Progress. We've had the good fortune of having seen this American singer a few times and he's an artist well ahead of years and not to be missed. 

Joseph Lattanzi: Opera singer or Brooks Brothers model?
We've been following the budding career of Joseph Lattanzi with great interest. Like Adams and Carico, he is perfectly suited to where opera is heading with HD broadcasts. All three singers are perfectly suited for the stage, but also have the looks to start hearts fluttering on the big screen. He's also one of our 2012 Barihunks Charity Calendar models.

We've posted about Lattanzi's recent work with the Seattle Young Artists Program and added him to our growing list of singing competition winners (Palm Beach Opera Junior Division Winner). 

Lattanzi will be performing in Merola's Postcard from Morocco by Dominick Argento on July 19th and 21st at San Francisco's Cowell Theater. 

Gordon Bintner
A new singer to us is bass Gordon Bintner, who joins the growing list of Canadian barihunks on the site. The Saskatchewan native attended McGill University and studied with the great baritone Sanford Sylvan. (As an aside, recent Merola sensation and Metropolitan Opera National Council winner Philippe Sly also studied at McGill.) Bintner also has been wowing judges at competitions, having won the Orchestre symphonique de Montréal Standard Life competition in 2011. 

Bintner wil be performing Mozart’s La finta giardiniera with Merola on August 2nd and 4th at San Francisco's Cowell Theater. 

You can see all of the wonderful Merola singers at their Grand Finale on August 18th. Tickets and memberships can be purchased online

CONTACT US AT Barihunks@gmail.com

Monday, April 9, 2012

Upcoming FREE Barihunk Concerts of Interest

Southern Heat: Tennessee native John Brandon
Barihunk John Brandon will be part of a free afternoon of opera at the University of Tennessee in Chattanooga on Sunday, April 15, at 3 p.m. in the Roland Hayes Hall.

An Afternoon of Opera sponsored by the Connor Society will be held on , UTC Fine Arts Center, located at the intersection of Vine and Palmetto Streets.  He will be joined by soprano Cherry Brendel, tenor Ron Brendel and mezzo Rosella Ewing in selections from Carmen, Rigoletto, La traviata, Lakme, The Pearl Fishers, Samson & Delilah, The Elixir of Love, and The Magic Flute.
 
For more information, call 425-4627 or email verbie-prevost@utc.edu.

Apple of our eye: Christopher Dylan Herbert
Christopher Dylan Herbert is breaking away from his role as the baritone/bass member of New York Polyphony to perform a free concert on Monday, April 16 at 1pm at St. Paul's Chapel near Ground Zero. Herbert will be performing Johann Sebastian Bach's Cantata 56, "Ich will den Kreuzstab gerne tragen," one of only two solo cantatas for baritone written by the German baroque master.

Also on the program is mezzo Luthen Brackett performing Bach's Cantata 54, and organist Renée Louprette performing Bach's Fugue in Eb Major (BWV 551b). Click HERE for additional information. The concert will be broadcast live on WWFM.

Seattle's Best: Joseph Lattanzi & David Krohn
Puccini's "Madama Butterfly" is generally not a barihunk opera, but the Seattle Opera is featuring two of its hottest young artists in a free simulcast on Saturday, May 5th. David Krohn will sing Prince Yamadori and Joseph Lattanzi will sing the Registrar in the opening night performance that includes the Cio-Cio-San of Patricia Racette.

The live HD simulcast from McCaw Hall will be broadcast onto a 50' x 80' screen at KeyArena. Tickets are free, but are expected to go fast, so reserve your tickets by clicking HERE.  Door will open at 6:00 PM and the broadcast will begin at 7:30 PM.

CONTACT US AT Barihunks@gmail.com


Saturday, March 31, 2012

Joseph Lattanzi Interview

Joseph Lattanzi

Last week we featured an interview with David Krohn, who is playing Dr. Malatesta in the Seattle Opera Young Artist Program's production of Donizetti's "Don Pasquale." Krohn is alternating the role with fellow barihunk Joseph Lattanzi, who sings Dr. Malatesta in the April 1 and April 7 performances at the University of Washington's Meany Hall. Here is an interview with the rising young talent, who is headed off to San Francisco's prestigious Merola Opera Program this summer. 

The interview was featured on the Seattle Opera blog. You can subscribe to the blog and get regular updates about all of the amazing opera in Seattle.
  
At Seattle Opera’s recent gala, you sang the Pearl Fishers duet with William Burden. What was that like? It was great! It was the first that I had ever done that Pearl Fishers duet, and it’s such a great piece of music. So I was really happy to get to sing it, and really happy to sing it with Bill, who has done that role all over the world. It was really daunting for me because I knew I had to try and get to his level really fast, but it was great experience and he’s such a nice guy and a really great mentor for a young singer. He’s really got everything it takes. He’s a great actor, a great singer, and a great person.

Young Artists Christopher Lade and Joseph Lattanzi with tenor William Burden at Seattle Opera's 2012 Gala, "A Perfect Pairing." Photo by Alan Alabastro 

This opera is basically a cautionary tale warning against marriage (“Marriage is nothing but a heap of trouble,” everyone sings at the end). What do you think? Well, I think this opera is really about the wrong kind of marriage, in particular, and cautioning against marrying for the wrong reasons. Pasquale says at the beginning that he really just wants to marry someone to spite Ernesto, because Ernesto wants to marry Norina and he doesn’t approve. My character, Malatesta, shows Don Pasquale what a rash decision that was, and that he’s misguided. So I don’t know if it’s a cautionary tale against all marriage.

Have you sung any of the music in Don Pasquale prior to this production? Yes, I’ve sung the aria “Bella siccome,” which is one of the arias that people often give to young baritones because it’s really conducive to learning line and style and you can work on your Italian language through it. It’s one of those things that people hear a lot, so it’s hard to turn it into something really special and professional and get away from the amateur side of things. When you’re young and you work on an aria, things get ingrained. So after singing this for several years, I had a lot of habits I had to change and I had to modify the way that I was thinking about the role to fit in to how we’re doing it here in this production. I’ve also performed the duet with Norina and trio with Norina and Pasquale, both at the Chautauqua Institute a couple years ago.

Trailer for Seattle Opera YAP's Don Pasquale with barihunk David Krohn:

Like Albert in Werther, who you sang for us last fall, Malatesta is a bit of a two-faced character. Do you prefer these more dramatically complicated roles to a character who is simply good or bad? Yes, I think I do prefer them more. These types of roles have a lot of emotions to play and different ways to act around different people and things like that. But I have not met an opera role that has not been challenging yet. [Laughs] Even if they’re not two-faced or dramatically as interesting, nothing is really easy to play on stage, and there are always so many factors.

Have you played much comedy? How do the skills differ from those it takes to perform something like Carmen, which you sang on the mainstage last fall? I went to a performing arts high school outside of Atlanta where I grew up and we did a lot of musical theater and musical comedy there. And then in undergrad, I performed in Così fan tutte, and I also did Papageno, so those were comedic. Those roles do differ from the more dramatic roles—but my character in Carmen wasn’t so dramatic. Moralès gets to have fun, and that was a fun role for me. But, yes, the skill set for comedy is a little different. You have to have your wits about you and know what you’re going for but at the same time everything has to look very easy and spontaneous. When the performance looks planned, it’s not so funny for the audience anymore. You have to keep everything fresh while still hitting all your marks.

Lindsay Russell as "Sofronia" and Joseph Lattanzi as Dr. Malatesta in Don Pasquale Photo by Elise Bakketun
Are there any roles in particular that you really hope to get to perform someday? Oh, gosh, there are a lot of roles I really want to do. I’ve done a lot of Mozart (in school) and I was really lucky to have sung Don Giovanni. I’d really love to go back and do that again, because that a role that keeps evolving as you bring more experience to the table. I would also love to do Figaro in The Barber of Seville. That would be really fun down the line, maybe in a couple years.

What has been your favorite role you’ve sung so far in your career? I think I would say probably Don Giovanni. But this one, Dr. Malatesta, is shaping up to be one of my favorites because it’s really fun to sing. There are a lot of opportunities for showing off and it has legato singing, ensemble singing, and solo singing, so it’s really got everything. Don Giovanni was really fun, and so was Guglielmo in Così fan tutte, which I did at Oberlin when I was a student there. Don Giovanni was also through Oberlin, but as part of the Oberlin in Italy program.

How fun! Was that your first time in Italy? Yes, and I loved it. I have family lineage in Italy, so it was great to be there and also it was a really cool place to spend the summer. I went two summers ago and was there for maybe six or seven weeks for the Oberlin in Italy program, which was in Arezzo. Afterward I went to Paris for 10 days, as a vacation, because I’d always wanted to visit.
 What’s next for you, once you leave Seattle? I’m going to be at the Merola Opera Program this summer with San Francisco Opera and I’m doing a role in Postcard from Morocco called The Man with the Shoe Sample Kit. It’s the baritone role in that opera, and it’s an ensemble piece for sure. Everyone has a lot to do and it has challenging music, by Dominick Argento. So I’m trying to learn that right now. It’s going to take a lot of time. Some of the more modern pieces take a little longer to get in your brain, but it’s in English, so that’s nice, and it’s just a cool piece. I think it’ll be exciting!

CONTACT US AT Barihunks@gmail.com

Saturday, March 24, 2012

Interview with David Krohn; Star of Seattle Opera YAP's Don Pasquale

David Krohn in Seattle Opera's YAP "Don Giovanni" Photo by Rozarii Lynch

We've featured David Krohn as the star in Don Giovanni at the Seattle Opera's Young Artist, as well as in our Barihunks Charity Calendar. The gifted young singer is wrapping up his second season performing Dr. Malatesta in Donizetti's Don Pasquale on March 31 and April 6. He'll be alternating the role with fellow barihunk and calendar model Joseph Lattanzi (interview forthcoming). Visit the Seattle Opera website for more information. 

After the young artist program, Krohn will join the Seattle Opera roster and perform Prince Yamadori on the mainstage in Puccini's Madama Butterfly.

Here is an interview with David Krohn from the Seattle Opera blog:

Previously on the Blog, you shared with us stories from your summer spent living in Italy. Do you think your time there has helped you with Italian roles like Dr. Malatesta in Don Pasquale?
I think any time you get the opportunity to spend time in a foreign country learning another language, and learning from another culture, you get insight into any role that comes from that country. You also get insight into the language, and why a character would chase to say something a certain way. I could deliver a line and say, “Hi, how are you?” or I could say, “What’s going on today?” or “How you been?” There are a thousand different ways I could phrase something, depending on the language, which then informs a little something about my character. You can read behind the text, the more comfortable you are with the language.

Earlier this season, you sang Dancaïre in Seattle Opera’s mainstage production of Carmen and Albert in the YAP’s Werther. Now you’re prepping for Dr. Malatesta in Don Pasquale, and you’ll help close Seattle Opera’s season in May as Prince Yamadori in the mainstage Madama Butterfly. Which of these characters are you most like?
Well, that’s a difficult question! Dancaïre is a smuggler in the mountains of Spain who tells his girlfriend to go and have sex with customs agents in order to pass contraband. So I hope I’m not like Dancaïre. Albert is a jealous husband who essentially gives his best friend pistols so that he can kill himself, so I’m not Albert. Yamadori is an Asian prince who tries to marry an already married woman, so I’m probably not Yamadori. Malatesta is the only one left, so I guess I’d have to say I’m the most like him, out of default, but I don’t really think I’m anything like Malatesta.

[Read the entire interview at the Seattle Opera blog]

CONTACT US AT Barihunks@gmail.com

Thursday, September 29, 2011

Barihunk-laden Carmen in Seattle

Donovan Singletary as Zuniga and Joseph Lattanzi as Moralès (Alan Alabastro, photo)

The Seattle Opera is going to be putting on one hot Carmen, which will be running from October 15 to October 29. Although most opera goers think of the sultry, seductive protagonist Carmen when they think of the opera, we've always thought that the toreador Escamillo was the sexiest character.

Michael Todd Simpson rehearses as Escamillo while Donovan Singletary observes (Bill Mohn, photo)
Not only has the Seattle Opera given us a sexy Escamillo in barihunk Michael Todd Simpson, but they've cast the other baritone roles with certified barihunks. Joseph Lattanzi will sing Moralès, David Krohn will sing Dancaïre and Donovan Singletary, who looks as good as anyone in a BARIHUNK tee shirt, will sing Zuniga. Simpson should have the role firmly under his belt, as he just wrapped up a run as Escamillo on the opposite coast at the Glimmerglass Festival, which is thriving under Francesca Zambello (who many credit with coining the term "barihunk"). One of the Carmen's will be Daniel Barenbom discovery Anita Rachvelishvili, who in 2009 took La Scala by storm in the role and generated an international press sensation. 

David Krohn as Dancaïre works with Director Bernard Uzan and tenor Andrew Stenson as Remendado (Alan Alabastro, photo)
You can watch a number of preview videos about Seattle's "Carmen" at the opera company's wonderful YouTube channel. Here is General Director Speight Jenkins talking about his Carmen, Don Jose and director for the production. 


Tickets and additional performance information are available at the Seattle Opera website. If you haven't visited the Seattle Opera, which has to be considered among the top tier companies in America, we highly recommend heading to the Pacific Northwest for this production, which promised to be sexy, well-sung and entertaining.

Contact us at Barihunks@gmail.com




Saturday, April 9, 2011

Baritones Continue Vocal Competition Dominance: Lattanzi, Cedel & O'Hanlon


Joseph Lattanzi sporting some Brooks Brothers clothing

We ran a post last month called "The Golden Age of Baritones is Now," in which we pointed out that baritones are dominating vocal competitions, stages and marketing campaigns like at no other time in history. The trend seems to be continuing in competitions much smaller than the Met Auditions, as well. Half of the finalists in the Palm Beach Opera’s vocal competition junior division (ages 18 to 23) were baritones. 
Brandon Cedel & Emmett O'Hanlon
The three baritones include Joseph Lattanzi, who we've previously featured on this site, Emmett O’Hanlon, and Brandon Cedel, who happens to be the other half of a barihunk couple. His partner is Jonathan Beyer, who we've been praising for his seemingly effortless ability to win vocal competitions. Apparently, it's rubbing off on Cedel. 
Other winners included soprano Danielle Adams, tenor Marco Stafani and soprano Betsy Diaz. The six finalists will be ranked and awarded $47,000 in prizes during an orchestral concert at 3 p.m. Sunday at the Kravis Center. For information, call 833-7888 or visit pbopera.org.
Lattanzi has put together a new website and was recently accepted into the Seattle Opera Young Artists Program, one of our favorite in the country. Lattanzi will be joining two of our favorite young barihunks in Seattle, Erik Anstine and David Krohn, who are respectively playing Leporello and Don Giovanni in the current YAP production of the Mozart opera. 
Amanda Opuszysnki and Erik Anstine (©Rozarii Lynch photo)
When we posted about Joseph Lattanzi a year ago, we predicted that he might have a future on this site and apparently we were right. We would like to wish all of the finalists in the PBO junior division vocal competition the best of luck with their careers. 
Contact us at Barihunks@gmail.com


Saturday, April 24, 2010

The Men of Florida: Carmen at Palm Beach Opera

[Bradley Smoak as Zuniga; Photo courtesy of Palm Beach Opera]


[Nmon Ford and Bradley Smoak; Photo courtesy of Palm Beach Opera]

We know that Carmen likes to flirt with the men and Palm Beach Opera gave her plenty of hot men to tempt in their recent production. Grammy award winning singer Nmon Ford, who is a regular on this site, portrayed the swaggering Escamillo. From the looks of this picture, it's no wonder that poor Don Jose doesn't have a chance. We can't imagine that Carmen didn't also cast a few glances at the bass Bradley Smoak, who was portraying Zuniga.

Smoak is new to our site and a welcome addition. He's fairly new to the scene having recently made his international debut at the Wexford Festival in Ireland as Don Alfonso in Donizetti’s "Maria Padilla" and Pasha in Corigliano’s "Ghosts of Versailles." He has also performed with the Boston Lyric Opera, Opera Theater of St. Louis and Opera North. Smoak will be appearing with the Opera Theater of St. Louis in Le Nozze di Figaro, Eugene Onegin, and the world premiere of The Golden Ticket.



People in the Palm Beach area can see a possible emerging barihunk at their upcoming vocal competition on Sunday, April 25th. Joseph Lattanzi is in their Junior Division finals and from this photo we think that he may have a future on this site.

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