Alexander Birch Elliot makes unexpected Met Opera debut

Alexander Birch Elliott (Photo from artist's website)

American barihunk Alexander Birch Elliot wasn't expecting to make his Metropolitan Opera debut on Wednesday night. However, there he was on stage for Act 2 of Bizet's Les Pêcheurs de Perles after fellow barihunk Mariusz Kwiecien could not perform after the first act.

By all accounts it was a successful debut. New York Times music critic Corinna da Fonseca-Wollheim wrote, "Mr. Elliott tore into the music with heated intensity, his voice a beguiling timbre of mahogany carried by boyish ardor. When he was done, the audience cheered."

The blog Humbled and Overwhelmed, which covers the arts, wrote, "Alexander Birch Elliot was the type of cover that had everyone googling him by the time the curtain came down. What a triumph for him."

There are six remaining performance of Les Pêcheurs de Perles running through December 8th. The cast also includes Pretty Yende, Javier Camerena and Nicolas Testé. Tickets are available online.

Upcoming performances for Alexander Elliott include Belcore in Donizetti's L’elisir d’amore at Virginia Opera and Laura Kaminsky's As One at Portland Opera.

Reader submission: Bass-barihunk Christopher Besch

Christopher Besch

A reader alerted us to bass-barihunk Christopher Besch, who will be appearing as Nourabad in Bizet's Les Pêcheurs de Perles (The Pearl Fishers) with Opera in the Heights from February 3-12 in Houston, Texas.

Besch perviously performed with the company in Rossini’s La Cenerentola with Opera and he created the role of Peter Gray in John L. Cornelius II and Janine Joseph's Wings They Were: The Case of Emeline with Houston Grand Opera’s HGOco, which commissions new chamber operas and song projects about contemporary life. He also portrayed Theseus in Britten's A Midsummer Night’s Dream at Rice University.

Besch is in his second year of studies for the Doctorate of Musical Arts program at Rice University, where he is the Malcolm W. Perkins Teaching Fellow. He was a semi-finalist for the 2012 Eleanor McCollum Competition at the Houston Grand Opera, one of the Rocky Mountain and Gulf Coast Regional Finalists for the Metropolitan National Council Auditions, and placed in the Denver Lyric Opera Guild Competition, and was awarded the Harold Norblum Award through Opera Colorado.

Besch has lots of Bach on his agenda this season, including motets with the Bach Society Houston in February, the St. John Passion with the Bach Society Houston in April, Herr Gott, dich loben wir (BWV 16) and Der Geist hilft (BWV 226) in June with the same ensemble and an appearance at the 2017 Leipzig Bach Festival in Germany in June.

Christopher Besch sings Hahn's A Chloris:

The Pearl Fishers will be directed by John De Los Santos, who staged the Fort Worth Opera's stunning production in 2014. The cast also features the real-life husband and wife team of Eric Bowden and Lindsay Russell as the romantic leads Nadir and Leïla, as well as Octavio Moreno as Zurga.

Tickets are on sale online. Opera in the Heights presents affordable, staged performances for emerging artists in the Greater Houston Area.

Mariusz Kwiecien and Barihunks in Wall Street Journal

Mariusz Kwiecien in The Met's Pearl Fishers

Barihunks made it into the Wall Street Journal's review of the Metropolitan Opera's Les Pêcheurs de Perles (The Pearl Fishers) starring Mariusz Kwiecien as Zurga, Diana Damrau as Leïla, Nicolas Testé as Nourabad and Matthew Polenzani as Nadir. They wrote:

The Pearl Fishers” contains plenty of spectacle. There are roiling waves and ominous, inky skies, and, briefly, the bared torso of Mr. Kwiecien, a dashing baritone who has been dubbed an “über-barihunk” by the opera blog Barihunks.

You know, when I was 25, nobody asked me take my shirt off,” the singer said, adding that he was relieved to be done with the stress of opening night. “Now I am almost 45, and people ask me to do it.

 Mariusz Kwiecien & Matthew Polenzani sing"Au fond du temple saint":

Before the 2015–16 season, Les Pêcheurs de Perles had only received four performances at the Met. Three of them, in 1916, starred Enrico Caruso and Giuseppe De Luca. The opera will be broadcast to theaters across the country on January 16th and performances run through February 4th. Tickets are available online.

Keith Phares' sexy Zurga in Seattle

Keith Phares in Seattle Opera’s Pearl Fishers (Photos © Elise Bakketun)

Barihunk Keith Phares is alternating the role of Zurga with Brett Polegato in the Seattle Opera's current production of Bizet's The Pearl Fishers. Phares, who turns 41 on October 26, appears to be in the best shape of his career, as witnessed in these photos from the opera. Phares has one performance left on October 30, which is opposite the stunning Léïla of Elizabeth Zharoff and the Nadir of Anthony Kalil, who joins him in the famous duet "Au fond du temple saint.”

There are additional performance with Polegato, Maureen McKay and John Tessieron October 21, 24, 28 and 31.  Tickets and additional production information is available online.

Upcoming performances for Phares include the Alzheimer's Stories with the Montclair State University Chorale on December 6th and a return to his acclaimed performance of Charlie in Jake Heggie's Three Decembers with the Florentine Opera from March 11-20.

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Craig Irvin's shirtless Zurga at Utah Opera

Craig Irvin and soprano Andrea Carroll

Pictures have finally shown up of barihunk Craig Irvin, who has been singing shirtless in the Utah Opera production of Bizet's The Pearl Fishers, which has its final performance today. Now we hope that some audio shows up, so that we can hear his thrilling voice sing Zurga's "L'orage s'est calmé." 

If you missed him Utah, you can catch him from February 21-March 1 with the Lyric Opera Kansas City where he reprises his portrayal of Lieutenant Hortsmayer in Kevin Puts' Pulitzer Prize-winning opera Silent Night. Irvin practically own the role, having sung it at the Cincinnati Opera, Fort Worth Opera Festival and at the world premiere with the Minnesota Opera. In Kansas City, he'll be reunited with fellow barihunk Liam Bonner, who reprises his performance of Lieutenant Audebert from the initial production.

Craig Irvin and soprano Andrea Carroll

On March 14, Utah Opera will stage their next complete opera with another barihunk, when David Adam Moore takes on Guglielmo on Mozart's Così fan tutte. Performances will run from March 14-22.

In March, Craig Irvin moves into lighter fare, as he sings the Pirate King in the Pensacola Opera production of Gilbert & Sullivan's The Pirates of Penzance. Tickets are available online.

Zachary Gordin: Killer Body in Killer Role

The Dayton Opera has announced that über-barihunk Zachary Gordin is replacing John Arnold in their production of Jake Heggie's Dead Man Walking. The role of the accused killer Joseph de Rocher should be a natural fit for the gym toned singer, who is required to sing an aria while doing pushups. This is Gordin's role debut and first appearance with the Dayton Opera. Singing the critical role of Sister Helen Prejean will be mezzo-soprano Catherine Martin.  

Performances are on February 27 and March 1st. Their season continues with another barihunk, Matthew Worth, in the oft-shirtless role of Zurga in Bizet's Pearl Fishers. There will be two performances on April 17 and 19. Additional information and tickets for both operas are available online.

Dead Man Walking at the Mälmo Opera with Samuel Jarrick (left) and Rasmus Mononen (far right)

Dead Man Walking, has quickly entered the standard repertory since its San Francisco premiere in 2000. Amazingly, this was Heggie's first opera and it has become a star vehicle for baritones and especially barihunks. The role of Joseph De Rocher has been sung by numerous barihunks, including Michael Mayes, Philip Cutlip, Etienne Dupuis, Jordan Shanahan, Samuel Jarrick, Daniel Okulitch, Mel Ulrich. Thomas Gunther, John Arnold, David Adam Moore, Marcus DeLoach.

Green Sneakers "Dream Team" reuniting in San Antonio

Cellist Kathryn Bates and Jesse Blumberg in Green Sneakers

One of our favorite collaborations in all of opera is coming to Opera Piccola of San Antonio. Barihunk Jesse Blumberg will be rejoining the acclaimed young director John de los Santos and the riveting Del Sol Quartet for a repeat of their powerful performance of Ricky Ian Gordon's Green Sneakers, which played for one night in San Francisco last year. We were at that performance and there wasn't a dry eye in the theater when the opera ended.

Opera Piccola will present two performances on May 10 and 12 in a double-bill with Gordon's Orpheus and Euridice. Tickets are available online.

Green Sneakers, which is broken into nineteen songs and runs about 80 minutes was written with Jesse Blumberg in mind. The piece is scored for baritone, string quartet, and empty chair, with a libretto by the composer. It premiered on July 15, 2008 in Vail, Colorado and has had a number of subsequent performances since, mostly with Blumberg.

Ricky Ian Gordon today wrote the mini-opera as a way of dealing with the loss of his lover Jeffrey Grossi to AIDS in 1996. In an interview with the Advocate Gordon said, "The world is so different now than it was when Jeffery died in 1996. Young people today missed seeing what it was really like at the height of the AIDS crisis so for them they think it’s OK because you just get to take a few pills all the time. Today, HIV is romanticized in a way because you get to be like that character in Rent, but young people need to know that there’s nothing romantic about it."

You can read the entire interview HERE. 

Director John de los Santos and composer Ricky Ian Gordon

Jesse Blumberg just wrapped up a successful run as Papageno in the famous Barrie Kosky/1927 production of Mozart's Magic Flute at the Minnesota Opera. Blumberg can next be heard performing Schubert's Winterreise at the Kerrytown Concert House on May 17th and Aeneas in Purcell's Dido & Aeneas at the Connecticut Early Music Festival on June 7 and 8.

De los Santos has just brought Bizet's Pearl Fishers to life at the Fort Worth Opera Festival, which has a final performance tonight. From July 16-19, the wunderkind director will work his magic with Rossini's L’Italiana in Algeri at the Seagle Music Colony.

Ricky Ian Gordon has been one of the busiest composers in the world, with premieres of his new operas A Coffin in Egypt and "27." A Coffin in Egypt can next be seen at Opera Philadelphia from June 6-15 and "27" will premiere on June 14 at the Opera Theatre of St. Louis.

Barihunk Feast in Fort Worth: Pearl Fishers and Silent Night

Photos by Rachel Parker

The Fort Worth Opera Festival, one of our favorite stops on the opera circuit, kicked off the season with a stunning production of Bizet's Pearl Fishers featuring barihunks Lee Poulis as Zurga and Justin Hopkins as Nourabad. We should also mention that hunkentenor Sean Panikkar, of Forte fame, adds to the beefcake fest AND sings Nadir's beautiful aria "Je crois entendre encore."

Any opera directed by John de los Santos promises to be entertaining and an oft-static work like Pearl Fishers needs the touch of someone who can direct AND choreograph. De los Santos' non-stop action in the Mikado at the Festival in 2011 had audiences rolling in the aisles. We've heard that his dance scenes are magnificent. Throw in a shirtless Lee Poulis with his pants hanging low on his torso and you have an operatic feast for the eyes and the ears.

Justin Hopkins and the dancers from Fort Worth Opera's Pearl Fishers

The opera is the story of two men who fight over the same woman, make up and then fight over her again when she reappears. In between there is one of the most famous duets in all of opera and a beautiful aria for the girl Leïla. One of the men gives up his life to save Leïla and his friend. This was reality TV before reality TV.

There are additional performances on April 27 and May 2 and tickets are available online.

Dan Kempson, Lt. Gordon in Fort Worth's Silent Night

If two barihunks isn't enough for you, then you'll enjoy the next opera at the Fort Worth Opera Festival, which has four bariunks.  Kevin Puts' Silent Night will be performed on May 4 and 10 with barihunks Dan Kempson as Lt. Gordon, Aaron Sørensen as the French General, Craig Irvin as Lt. Horstmayer and Morgan Smith as Lt. Audebert.

Aaron Sørensen, the French General in Silent Night: "Il est mignon!"

The opera is based on the screenplay Joyeux Noël by Christian Carion and recounts a miraculous moment of peace during one of the bloodiest wars in human history. On WWI’s western front, Scottish, French and German officers defy their superiors and negotiate a Christmas Eve truce. Enemies become brothers as they share Christmas and bury their dead.
 
You can listen to the entire opera online at composer Kevin Puts' website. 

Justin Hopkins makes role debut as Leporello

Justin Hopkins in Leporello and Opera in the Height's Don Giovanni artwork

Barihunks calendar model and rising star in the bass-baritone repertory Justin Hopkins just made his role debut as Leporello with Houston's Opera in the Heights. Although the role was originally double-cast, Hopkins is slated to sing all seven performances. The production has been moved to the mid-20th century with artwork from surreal artist René Magritte covering the sets. 

This is certainly not Hopkins first foray into Mozart, as he's performed Bartolo and Antonio in Le Nozze di Figaro at the Verbier Festival, Sarastro in Die Zauberflöte with the Santa Fe Concert Association and Don Alfonso in Così fan tutte with Pensacola Opera.

Music critic D.L. Groover in the Houston Post called his Leporello the "standout performance."

Remaining performances are on February 7, 8 and 9 and tickets are available online.

Lee Poulis, John de los Santos and Sean Pannikar

Hopkins is returning to the Fort Worth Opera Festival to perform Nourabad in Bizet's The Pearl Fishers in a production directed by the amazing young director John de los Santos. Barihunk Lee Poulis will sing Zurga and hunkentenor Sean Panikkar takes on Nadir, so this production promises lots of eye candy. Performances are on April 19, 27 and May 2 and tickets are available online. 

If you haven't experienced the amazing opera that happening in Fort Worth, you should make travel plans now. They are also featuring Kevin Puts' Silent Night, Mozart's Così fan tutte and Daniel Crozier and Peter M. Krask's With Blood, With Ink.

Kasey Yeargain: Another inspirational BariChunk to BariHunk story

Kasey Yeargain

We've featured some amazing stories about singers getting in shape, something that we've dubbed "BariChunk to BariHunk" for the lower voiced men in opera. Perhaps none was as dramatic as Michael Mayes' losing 50 pounds to perform Jake Heggie's Dead Man Walking, which we featured almost two years ago. That story generated an unbelievable amount of traffic to the site and continues to get frequent hits to this day. It also generated a basket full of emails from singers who were inspired by Mayes' story, including one from an Eastern Europe soprano who claims that it saved her life and gave her new found hope.

Chris Carr toned up. He looks and sounds better than ever!

Michael Mayes became a much ballyhooed operatic sex symbol after his weight loss

Now we've come across the story of another emerging young singer, whose story touched us and we felt needed to be shared with the world. Meet Oklahoma native Kasey Yeargain, who was an apprentice artist at the Des Moines Metro Opera where he performed scenes from Moby Dick, Silent Night, Cosi fan Tutte, and Billy Budd and performed in the mainstage performances of Peter Grimes, Elektra, and Romeo and Juilette. Des Moines Metro Opera seems to be where a lot of singers get in shape. It's no coincidence that Michael Mayes regularly performs there and drags unwitting singers to the gym willingly or by force!  

On May 2nd, Yeargain will make his professional debut as Zuniga in Carmen with Tulsa Opera.

Here's his story of personal transformation in his own words:

"So, in March of 2013 I had just broken up with my girlfriend, I had an absolutely horrible audition season, and the reality of the struggles of being a professional opera singer were really hitting me hard. At this point in my life I was anywhere between 270 to 300lbs, very overweight, depressed, and so insecure about every aspect of my life that it was starting to effect my personal relationships. So, one day, I woke up and said "I'm tired of being a schmuck." That's when I began the change. I did as much bro-science/Youtube research that I could and decided to start cutting my calories and begin Intermittent Fasting. I combined this with weight lifting and hour long walks. The weight practically fell off. I was losing between 3-5lbs a week. At this point I would fill my calories with whatever, but trying to stay clean.

Mezzo Mary Beth Nelson and Kasey Yeargain looking good!

My greatest obstacle: One of the only good things that came from my auditions last year was earning a position as an apprentice artist at Des Moines Metro Opera. But, I knew that summer programs tend to do two things: increase your daily drinking and make you gain weight. I was determined to drink very little and LOSE weight. I was tempted by scotch and snacks EVERY night. That combined with after show parties, group dinners, and the never ending treats, I was constantly tested! My secret: Epic cheat days. Every Saturday I ate anything and everything I wanted. My fellow apprentice artists called it Faturday. It satiated my taste for junk food and gave me something to look forward to. I ran and lifted weights every day, and I was constantly looking for pick up games of basketball to play with the other apprentice artists. (I kept them in shape!!!!)

My weight loss continued throughout the program and after I left. However, I was an idiot and let my calories get cut down to 1600. That combined with the amount of exercise I was doing, I was in full blown starvation mode. My weight loss stalled completely. I did some more research and began reverse dieting "Slowly adding in calories," still indulging in my cheat days. My weight loss picked up again. I got down to 203lbs and began focusing hard on increasing the weight on my big lifts. Bench, dead lift, squat, pull ups and dips. I also began to track my macros, making sure I got efficient amounts of protein. I bulked back up to 211lbs and began a small cut to get the lean, scrappy look I wanted for Frank Maurrant in Street Scene. I stopped looking at the scale and focused on the mirror. I got lean enough where I even had a (brief) shirtless scene.

After completing Street Scene and my recital, I finally weighed myself again. I weighed 196lbs. I had lost anything between 80-100lbs. I went from a 40inch waist to a 34. AND, I got stronger. But, more than anything, I now have a sense of confidence that I've never had before. I know that I can accomplish anything I put my mind to. If anybody has any questions, please feel free to hit me up."

Nashville Opera's self-proclaimed HUNKFEST

Craig Verm in Nashville Opera's The Pearl Fishers

We couldn't agree more with Nashville Opera's artistic director John Hoomes that Craig Verm and Ben Wager are "aural candy as much as they are eye candy." He should know, as he's cast the two singers in Bizet's The Pearl Fishers that still has performances tonight and Saturday.

Although both singers are well known as two of the sexiest men in opera, they have some serious vocal credentials, as well. Verm received his Master of Music from the University of Cincinnati-College Conservatory of Music and graduated cum laude from Rice University’s Shepherd School of Music. He was also a 2006 national semifinalist in the Metropolitan Opera National Council Auditions and is also a former member of the young artist programs of Santa Fe Opera and Cincinnati Opera.

Wager was a 2008 as a member of the prestigious Merola Opera Program at San Francisco Opera and a 2009 graduate of the Academy of Vocal Arts in Philadelphia. In 2009, he became a member of the ensemble of the Deutsche Oper Berlin, where he has sung Panthus in Les Troyens, Doctor Grenvil in La traviata, Angelotti in Tosca, and Escamillo in Carmen.

They both are rapidly emerging as major talents on the international stage, who we'll want to keep our eyes and ears on in the coming years.

Craig Verm, who may have the most perfect chest in opera, just wrapped up another role where he is cast shirtless - Britten's Billy Budd in Chile. So being cast in Nashville in a role that takes place on the beach makes perfect sense.

We love that the Nashville Scene picked up on the sexy production with the headline, "Buff baritones spice up Nashville Opera's production of Bizet's The Pearl Fishers: Raiders of the Lost Hunks." They go on to state that The Pearl Fishers might be the first "ladies night out" not unlike a trip to see the Chippendales. We've always maintained the belief at Barihunks that a sexy body will get them in the door, but great singing will bring them back.

We think that the Nashville Opera has it right on both accounts.

Craig Verm is also featured in the month of August in our new charity calendar. He appears along with Michael Mayes, Aaron Sorensen and Timothy McDevitt. You purchase your copy today by clicking HERE. Buy one for a friend, too, and join us in helping out the next generation of great singers.

Celebrating the 150th Anniversary of The Pearl Fishers

Philip Cutlip as Zurga at Minnesota Opera

On this date 150 years ago, Georges Bizet' s Les pêcheurs de perles  (The Pearl Fishers) premiered at the Théâtre Lyrique in Paris. Along with Carmen, it's one of his nine operas that has managed to maintain a place in the standard repertoire of opera companies around the world. Occasional performance of La jolie fille de Perth and Ivan IV can still be seen, but they are relatively rare.

The Pearl Fishers tells the story of how two men's vow of eternal friendship is threatened by their love for the same woman, whose own dilemma is the conflict between secular love and her sacred oath as a priestess.

Despite a good reception by the public, press reactions to The Pearl Fishers were generally hostile and dismissive, although other composers, notably Hector Berlioz, found considerable merit in the music. The opera was not revived in Bizet's lifetime, but from 1886 onwards it was performed with some regularity in Europe and America.

William Burden and (the original barihunk) Nathan Gunn in Pearl Fishers:

After its opening run, The Pearl Fishers was not performed again until eleven years after Bizet's death when it was presented in Italian at La Scala on March 20, 1886. After this it received regular stagings in European cities, often with the Italian version of the libretto. These revivals, which possibly reflected the growing success of Carmen, were followed by the publication of several versions of the music that incorporated significant differences from Bizet's original.

The opera is also somewhat responsible for the term "barihunks," as opera lore has it that director Francesca Zambella coined the phrase to describe a shirtless Nathan Gunn, who was singing the role of Zurga in her Philadelphia production in 2004.

The role of Zurga has certainly kept us busy at Barihunks, as it is often staged either shirtless or with a liberal amount of skin exposed. Barihunks on the site as Zurga include Lee Poulis, Philip Cutlip, Nmon Ford, Troy Cook, Craig Verm, Liam Bonner, David Adam Moore and, of course, Nathan Gunn.

Upcoming performances of the opera, include performances the Fort Worth Opera Festival from April 19 to May 2, 2014 starring Lee Poulis as Zurga and Sean Panikkar (of Forte fame) as Nadir. As an added bonus, barihunk Justin Hopkins has been cast as Nourabad. The production will be directed by the exciting and talented John de los Santos. 

A concert performance in Nantes, France will feature two barihunks familiar to readers of the site, Etienne Dupuis as Zurga and Nicolas Courjal as Nourabad.

Justin Hopkins part of "30 Days of Opera" at Opera Memphis

We have always maintained that some of the best opera happens away from the major houses at the second tier houses. One of the most innnovative opera companies is Opera Memphis, run by director Ned Canty, who won us over in Santa Fe with his brilliant work on Gian Carlo Menotti's “Last Savage.”

He is one of the leaders in bringing opera to the masses and attracting new audiences to the art form. His latest project is "30 Days of Opera," a month-long event of free opera performances performed at various public venues around the Memphis area. The 30 days will end in time for the company’s season-opening production of Verdi's Rigoletto on Oct. 3th and 5th.

During the first four days they performed at two parks, two libraries, Aldo's Pizza, City Hall, the Little Tea Shop and at the corner of South Main and Monroe.

 

As part of their promotion, Ned Canty appeared on WNEG Channel 3 with soprano Caitlin McKechney and barihunk calendar model Justin Hopkins, who walked onto the television set singing Escamillo's music from Bizet's Carmen. The Philadelphia native will be making his debut with the company as Ceprano in Rigoletto. Also in the cast is fellow barihunk Matthew Treviño as Monterone/Sparfucile, Michael Corvino as Rigoletto, Anya Matanovič as Gilda, Jason Slayden  as the Duke and Caitlin McKechney as Madellena. Tickets are available online.

Hopkins will be singing Nourabad in Bizet's Les Pecheurs de perles at the Fort Worth Opera Festival next spring with our favorite young director, John de los Santos.

Interview with Lee Poulis

Lee Poulis as Zurga in Sarasota Opera's 2013 production of Bizet's The Pearl Fishers

Lee Poulis is performing Zurga in Bizet's Pearl Fishers at the Sarasota Opera through March 22nd. Below is an interview that appeared on the Sarasota Opera blog. The link to the entire interview is at the end of this post. Tickets are available online. 


Q.  What drew you to become a singer?  Was there a specific “Aha!” moment of clarity?

A.  I actually began in music as a trumpet player in the 4th grade.  Pretty soon I realized I enjoyed hearing the trumpet being played in an orchestra rather than in the band, which was where I played.  I began listening to the classical station and heard some opera in the mix.  I was immediately drawn to it and wanted to hear and know more about it.  I began renting opera videos from Blockbuster at the age of 12 and saw my first opera at the Metropolitan Opera in that same year.  As years passed and I buried myself in recordings and videos from the public library, I could sing along with many of the operas while reading the libretto.  I also did my first Pavarotti impression pretty early on, handkerchief and all.  When I was 15 after some long-term nudging from my parents, who knew nothing about opera but apparently had an ear, I sang for my high school chorus teacher.  The rest is history.

Q.  What are you looking forward to most about performing this particular role?

A.  I like that I’m playing the leader of everyone else in the opera.  Sounds like a lot of power.  So far it’s one fishing village, but I hope to expand my sphere of influence as soon and as widely as possible and take over all of Sri Lanka, where this opera takes place.

Q.  Is there something unique about your process when preparing a role for performance?

A.  I don’t know if it’s unique, but it’s how I do it!  It’s a process of singing through, translating, feeling, putting myself in the character’s shoes, singing it through with a pianist, working on it with my voice teacher, and raising the stakes dramatically and vocally wherever it’s called for in the story and the music.  Almost all of these facets of preparation are occurring all the time and in no particular order from day one of my role preparation until the last performance is over and sometimes beyond that too!

Read the entire interview at the Sarasota Opera blog. 

Detroit Awaits Hot New Ford

Noah Stewart & Nmon Ford

Detroit has fallen on some hard times in recent years. It was once one of the great American industrial cities with a thriving musical scene. In recent years, neighborhoods have emptied out and Detrioit is no longer one of the 10 largest cities in America. But things appear on the rebound as President Obama's auto bailout has brought new hope to the region. The Michigan Opera Theatre survived the economic downtown and the Detroit Symphony is back after a brief hiatus. Cars and music defined the city for years, so it only makes sense that the Michigan Opera Theatre is presenting the hottest new Ford in years.

It's not a Mustang or a Crown Victoria, but barihunk Nmon Ford. The singer will be performing Zurga in fashion designer Zandra Rhodes' visually stunning production of Bizet's The Pearl Fishers at the Detroit Opera House. Singing opposite Ford will be the hot, young tenor Noah Stewart, a recent graduate of San Francisco's Merola Opera program who has become a fan favorite in Detroit. We have a feeling that when these two guys appear on stage together, Detroit will have its hottest Spring ever.

Motown is back!

Ford and Stewart will alternate with tenor Jesus Garcia and baritone Edward Parks. Performances run from April 14-22 at the Detroit Opera House. Ford and Stewart perform together on April 14, 18 and 21. Visit the Michigan Opera Theatre website for more information.

You can watch Nmon Ford in a complete performance of Verdi's Attila in 

sixteen YouTube videos starting with this one:

CONTACT US AT Barihunks@gmail.com

Rumor Mill: Kwiecien & Florez to Perfom "Pearl Fishers"

Juan Diego Florez & Mariusz Kwiecien sharing the stage?

The hottest rumor floating around the internet is that two of the hottest singers in opera are pairing up for opera's classic shirtless duet. If rumors are true, barihunk Mariusz Kwiecien will be teaming up with heartthrob tenor Juan Diego Florez for a run of Bizet's "Les pecheurs de perles" (The Pearl Fishers" at the Las Palmas de Gran Canaria off the coast of Africa. The run is rumored to start on June 18, 2012 and appears on Florez's calendar as well as soprano Patrizia Ciofi's website, but with very few details.

We will be following this story with great interest.

UPDATE: The Pearl Fishers' cast at Las Palmas in June 2012 will be: Patricia Ciofi (Leila), Juan Diego Florez (Nadir), Vasily Ladyuk (Zurga)


The Pearl Fishers' cast at Teatro Real Madrid (concert version) in March 2013 will be : Patricia Ciofi (Leila), Juan Diego Florez (Nadir), Mariusz Kwiecien (Zurga)

Matthew Polenzani & Mariusz Kwiecien sing "Au fond du temple saint" 

from The Pearl Fishers: 

Since we've featured a tenor today, we have to admit that tenor Michael Fabiano looks pretty barihunk-ish as a sex-crazed Duke of Mantua at the Florida Grand Opera.

Nadine Sierra & Michael Fabiano

CONTACT US AT Barihunks@gmail.com

Barihunk Craig Verm's Rock Hard Pecs Coming to Steel City

Craig Verm (left), Hotter than the ad model?

American barihunk Craig Verm is returning to the Pittsburgh Opera as Zurga in Bizet's "The Pearl Fishers." The role of Zurga made Nathan Gunn's pecs famous and helped launch the term "barihunk" into general usage. We have a feeling that Verm's Zurga is going to make him a household name. How often is the singer in a role as hot or hotter than the model used by the marketing department?

Internationally-renowned fashion designer Zandra Rhodes who wowed audiences in San Francisco with her Aida has been brought on to design the costumes for one of opera's most exotic spectacles.

Verm returns to the Pittsburgh Opera after a successful run in Ricky Ian Gordon's "The Grapes of Wrath" in 2008. Verm will be joined by tenor sensation Sean Panikkar in the famous duet “Au fond du temple saint.”

Craig Verm

Performances run from November 12-20 and tickets are available on the Pittsburgh Opera website. 

Here is the now legendary performance of the duet from The Pearl Fishers with Nathan Gunn and William Burden:



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Liam Bonner Steals the Show in New Orleans

Liam Bonner in Pearl Fishers

We recently reported on Liam Bonner taking on the role of Zurga in The Pearl Fishers at the New Orleans Opera. We've followed this young singer from success to success, so it was no surprise to us when we read that he stole the show in the exotic Bizet opera.

We did love a comment on our last post that Bonner was clad in "winter clothing" in a role that usually tantalizes with a little skin. I guess folks in the Big Easy will need to head over to Mardi Gras to see some skin.

Here is what the New Orleans Times-Picayune had to say:

The most impressive voice of the night belonged to Zurga, the leader of the tribe, played with flair and majesty by baritone Liam Bonner. This was a classic performance filled with power and lyrical beauty.

You can read the entire review HERE and view more pictures.

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Liam Bonner

Liam Bonner (photo courtesy of Opera News)

The New Orleans Opera production of The Pearl Fishers opens tonight at 8 PM with an additional performance on Sunday, January 30th at 2:30 PM. Barihunk Liam Bonner will sing the role of Zurga opposite hunkentenor William Burden. Visit their website for additional performance information.


Burden's portrayal of Nadir opposite barihunk Nathan Gunn was one of the early success stories on this site. The YouTube video below has over 55,000 hits, which is extraordinary for an opera clip. Our post still generates lots of traffic three years later. 

William Burden & Nathan Gunn

We're not sure if the New Orleans production will have the same amount of skin as the famed Philadelphia performance, but we'll be keeping an eye out for photos. 

Matt Trevino Coast-to-Coast

Barihunk Matt Trevino

Barihunk Matthew Trevino singing "Ich Grolle Nicht" in Michael Nyman's opera "The Man Who Mistook His Wife for a Hat."

Matt Trevino

Trevino will next appear in "The Pirates of Penzance" with the Fresno Grand Opera on January 28 & 30. In what has become our pet peeve, the opera company does not list the cast on their website. We find this incredibly disrespectful to artists, as well as poor marketing and customer service.

He next appears on the opposite coast with the Pensacola Opera where he will portray Timur in Puccini's "Turandot" on March 11 & 13. He then heads north to the Syracuse Opera where he will perform Nourabad in the Pearl Fishers. Both opera companies list complete cast and production information.

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