HAPPY BIRTHDAY TO THOMAS HAMPSON

Birthday boy, Thomas Hampson

Today we're honoring one of the most heralded singers in all of opera. He also happens to be one of the most popular and enduring barihunks in the world. He has kept both his voice and his matinee idol good looks in tact at the age of 57. In fact, he's survived long enough to perform with his fellow barihunk and son-in-law Luca Pisaroni.

Hampson has performed a broad range of music, from Handel and Gluck to contemporary operas. In between, he's managed to sing all of the major leading Mozart roles, while also establishing himself as a Verdi and Wagner singer of the highest order. Last season, he created the role of Rick Rescorla in the world premiere of Christopher Theofanidis’s Heart of a Soldier at the San Francisco Opera. He's currently performing Hindemith's "Mathis der Maler" at the Zurich Opera.

Beyond maintaining his status as one of the most sought after singers in the world, he is equally in demand as a lieder singer. His commitment to the artform prompted him to create Hampsong in 2003, which is dedicated to the worldwide understanding of the art of song. Last year he hosted and co-produced "Song of America," a 13-part radio series that explores the history of American culture through song. Below you can listen to Hampson talk about the art of song on WNYC.

We asked fellow barihunk and vlogger Jonathan Estabrooks to submit a video tribute to Hampson, since the young Canadian embodies much of what Hampson has brought to opera and lieder.

We also received a message from Krassen Karagiozov, who said:

"I wish you a continuos success on the operatic and concert stages worldwide for many  more years to come. I wish you a lot of health and a lot of happiness in your personal life.  I'm big admirer of your talent and career and I hope I have the privilege to meet you one day in person."  

Have a fantastic celebration among family and friends!  

Krassen Karagiozov

"I would like to wish you a happy birthday in Bulgarian since I'm Bulgarian: 

Chestit Rojden Den i za mnogo godini! Nazdrave!!!  

The entire Barihunks family would like to wish Thomas Hampson a HAPPY BIRTHDAY and thank him for bringing us decades of great music (and looking great doing it!).

Fans in the United States can next see him as Scarpia in Tosca at the Santa Fe Opera.

Listen to the "Three Barihunks" from Montreal; Barihunks Sly and Brancy take 1st & 3rd

Sidney Outlaw, Philippe Sly and John Brancy

As a follow up to our post on Sunday about the Concours vocal competition in Montreal, we'd like to let readers know that the performances by the three barihunks who advanced to the finals are now available online. In fact, Sidney Outlaw, Philippe Sly and John Brancy perform one after another, providing an amazing opportunity to compare these three amazing artists.

We admit to being biased towards lower voices, but these three men are truly some of the best opera singers emerging on the scene today. The depth of their artistry and the quality of their voices is remarkable, especially considering that the youngest, Phillippe Sly and John Brancy, are just 23!

The winners will be officially revealed on Friday, but we've heard that Sly took away the top prize, shortly after having won the Metropolitan Opera National Council Auditions. The three top singers will appear in the Winners’ Gala Concert this Friday, June 8 at 7:30 p.m. at the Maison symphonique de Montréal. Under the direction of Alain Trudel, the Orchestre symphonique de Montréal will accompany the winners. Tickets are available at 514 842-2112. The winners are:

FIRST PRIZE – $30,000

PHILIPPE SLY, BASS-BARITONE, CANADA

Added to the First Prize is the Career development programme, valued at $20,000.

SECOND PRIZE – $15,000

OLGA KINDLER, SOPRANO, SWITZERLAND

THIRD PRIZE – $10,000

JOHN BRANCY, BARITONE, UNITED STATES

For the finals, John Brancy kicked it off with Wagner's "O su mein holder Abendstern" from Tannhäuser,  Tchaikovsky's "Postoite na odno mgnovenye!" from Pique Dame, Mendelssohn's "Es ist genug" from Elijah and Rossini's "Largo al factotum" from the Barber of Seville. Phillipe Sly then follows with Stravinsky's "Come, master" from the Rake's Progress, Handel's "Invida sorte avara" from Ariodante, Mozart's "Hai già vinta la causa!" from Marriage of Figaro and Bach's "Mache dich, mein Herze, rein" fo from the St. Matthew Passion. Sidney Outlaw finishes up this amazing run of baritone music with Mendelssohn's "Draw near ye people....Lord God of Abraham" from Eljah, Handel's "Sibilar gli angui d'Aletto" from Rinaldo, Korngold's Tanzlied from Die tote stadt and Verdi's "Death of Rodrigo" from Don Carlo.  

Click here to listen to the performance. The barihunk run starts at about the 27 minute mark and is worth the listen.

Contact us at Barihunks@gmail.com

Celebrating Charles Gounod's Faust, which premiered on this date in 1859

Erwin Schrott as Méphistophélès

Today we celebrate Charles Gounod's Faust, which premiered on March 19, 1859. We love the opera because it is one of a select group of operas that can feature three barihunks in a single evening. The roles of Méphistophélès, Valentin and Wagner are all cast with baritones. Méphistophélès is often cast with devilishly sexy baritones like John Relyea, Rene Pape or James Morris.

The opera got off to a rough start, initially being rejected by the Paris Opera and then not quite catching on with the public. It was revived in 1862 with a ballet added for the Parisians and became an instant hit. It has gone on to become one of the most popular operas in the standard repertory, opened the original Metropolitan Opera in 1883 and has been translated into 25 languages. It is currently the 35th most performed opera in the world.

Rene Pape sings Méphistophélès' aria "Le Veau d'Or":

The opera is loosely inspired by Goethe’s legendary story and timeless tale of the devil (Méphistophélès) who appears to the old scholar Faust, promising him the elixir of youth in exchange for his soul. Faust is transformed into a young, handsome man and sets out with his devious companion to experience the pleasures of the world. Faust seduces the beautiful and innocent Marguerite, only to abandon her before she gives birth to his child. Her reputation destroyed, but not beyond redemption, Marguerite calls upon the angels for salvation. Faust receives no such escape and is condemned to his devilish fate in this spiritual conflict between heaven and hell.

Gino Quilico sings Valentin's aria "Avant de quiter ces lieux":

Some of the greatest singers ever have taken on the role of Méphistophélès, including George London, Rene Pape, Sam Ramey, Nicolai Ghiaurov, Jerome Hines, John Relyea, Bryn Terfel, Boris Christoff, Jose Van Dam and Feodor Chaliapin.

Other famous operas based on the same story include Boito's "Mefistofele," Berlioz's "La Damnation de Faust," and Busoni's "Doktor Faust." Boito's opera is probably closest to Goethe's original story.

There was some concern when the opera first premiered, as French censors were worried that church officials would be highly offended by the appearance of the devil in a church. Gounod invited a concerned clergyman to attend a rehearsal of the scene. The clergyman declared that he found the scene not at all offensive and, in fact, was quite complimentary of it. The censors were mollified and the scene was allowed. Gounod never told them that the clergyman was blind and could not tell that the scene took place inside a church. The "Church scene" from Gounod's opera, in which Méphistophélès torments the already distraught and guilty Marguerite by telling her that she is eternally damned for giving herself to Faust, is the dramatic crux of Gounod's opera.

The final trio from Faust with Anna Netrebko, Jonas Kaufmann and Erwin Schrott:

Although this site is dedicated to baritones, we'd be remiss to not show you this clip of tenor Alfredo Kraus singing Faust, which is one of the great moments in recorded operatic history.

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Jochen Kupfer Sings Tannhäuser

We don't get much Wagner on this site, so here is Jochen Kupfer singing "Wie Todesahnung Dammerung deckt die Lande - O du, mein holder Abendstern" from Wagner's "Tannhäuser." If you have nominees for barihunks who sing Wagner, please send them to barihunks@gmail.com.



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Another Emerging Italian Barihunk: Vittorio Prato

I have to admit to being smitten with our last post, Massimiliano Gagliardo. Him singing with Kwiecien in Krakow has to rival any of the hot Giovanni-Leporello combinations involving Schrott, Maltman, Keenlyside, Gilfry and d'Arcangelo that we've seen in recent years. Gagliardo made me realize that there are an abundance of hot, young barihunks singing in and around Italy who this site has missed.

So, imagine my joy when my in-box had a photo of Vittorio Prato this morning? Prato was singing the role of Wagner in Faust to the Mephistopheles of fellow barihunk Erwin Schrott in Valencia. This tall, handsome stud actually studied piano and harpsichord, but his vocal studies in Verona with the great bass-baritone Ivo Vinco, husband of the blazing mezzo Fiorenza Cossotto, led him to a career in opera.

Prato won the “Mattia Battistini” International Competition and took second prize at the International Competition of Sacred Music in Rome. This led to a number of engagements including the title role of Monteverdi's Orfeo, Masetto in Don Giovanni and Gugliemo in Cosi.

It's also interesting how the opera Faust is becoming a vehicle for casting barihunks, as witnessed by the recent performance at Minnesota Opera with Kyle Ketelsen and Lucas Meachem, and the eagerly awaited triumvirate of Austin Kness, John Relyea and Brian Mulligan at the San Francisco Opera in the summer of 2010.

This site can be contacted at barihunks@gmail.com

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Gunther Groissbock to heat up U.S. stages

American fans of matinee idol Gunther Groissbock will be pleased to learn that his appearances in the U.S. are becoming more common. He'll be performing Sarastro at L.A. Opera in January 2009, Daland at Atlanta Opera in April 2009, Heinrich in Lohengrin at Houston Grand Opera in November 2009 and Colline at the Metropolitan Opera a year later.