Joseph Lattanzi featured in hometown paper

Joseph Lattanzi

It looks like San Francisco might be the place to be if you want to check out some of the most talented barihunks in the industry. Yesterday we featured Hadleigh Adams, who will be joined by Joseph Lattanzi as an Adler Fellow, an affiliate artists program under the guidance of San Francisco Opera General Director David Gockley and Opera Center Director Sheri Greenawald. Lattanzi was recently featured in his hometown paper, the Marietta Daily Journal. Here is the entire article with some additional photos.

Joseph Lattanzi’s baritone voice has taken him far and wide since his days at Pebblebrook High’s performing arts program.

The 25-year-old opera star is wrapping up his master’s degree in music at the University of Cincinnati and rehearsing for his role as Papageno in “The Magic Flute,” at the Cincinnati Conservatory of Music.

Joseph Lattanzi as Papageno

“The Magic Flute,” a comedic opera by Wolfgang Amadeus Mozart, plays Thursday through Sunday in Cincinnati, Ohio.

“The character I play (in ‘Magic Flute’) is the comic relief of the show. He’s always lost or thinking he’s going to die. … I love singing Mozart operas,” said Lattanzi, who graduated Pebblebrook in 2006. “It’s very ensemble-driven.”

Among his accomplishments are a bachelor’s degree in voice from Oberlin College Conservatory of Music in Ohio, internships with the Atlanta Opera and Metropolitan Opera, completion of the Georgia Governors’ Honors Program and completion of a summer study program with Oberlin in Italy. His most recent credits include the baritone lead in Merola Opera Program’s “Postcard From Morocco,” and Dottore Malatesta in Seattle Opera’s “Don Pasquale.”

Publications such as The San Francisco Chronicle have especially taken notice of Lattanzi’s talents as they did in last year’s “Postcard From Morocco” performance.

Joseph Lattanzi with Donovan Singletary a the Seattle Young Artist Program

“Baritone Joseph Lattanzi, as a shoe salesman, combined robust vocalism, deft soft-shoe skills and plenty of charisma (in ‘Postcard’),” said Joshua Kosman, writer for the Chronicle.

Lattanzi is the son of Joe and Micki Lattanzi and grandson of Donald and Jean Murphy and Joe and Peggy Lattanzi.

When the Mableton native graduates in May, he will continue traveling the U.S. and singing in performances such as The Merola Opera Program’s “Le Nozze di Figaro” on Aug. 1 and 3 and Seattle Opera’s “The Consul” from Feb. 22 to March 7, 2014.


Lattanzi often lends his voice to area performances when he has time off from school. Retired minister Neal Ponder enlisted him to sing as guest soloist in December at Peachtree Christian Church in Atlanta.

“He has an easy-to-listen-to baritone voice. The fact that he combines singing, acting and good looks are an advantage,” Ponder said.

Joseph Lattanzi in performance

The retired minister has known Lattanzi since the up-and-coming singer’s Pebblebrook days and says his talents are numerous.

“I think he has a very good understanding of who he is,” said Ponder, who knew Joseph’s grandfather, Joe Lattanzi. “He has been very particularly successful in playing comedy roles. … He’s not just a singer.”

Frank Timmerman, director of Cobb County Center for Excellence in Performing Arts at Pebblebrook High, says Lattanzi is among his favorite artists who have graced the school halls.

“I’ve seen several of his post-Pebblebrook performances and am filled with pride as I follow his career,” Timmerman said. “Joseph is good to be willing to come back to Pebblebrook to offer guidance and teach master classes for our students when he’s home. By popular demand, he joins us each December for performances of ‘Home for the Holidays’ at the Cobb Civic Center’s Anderson Theatre. Each year, he brings the house down with his performance of ‘O Holy Night.’”

Timmerman said he knew immediately that Lattanzi had great talent.

“When Joseph was a fifth-grader at Mableton Elementary School, we invited his choir to be a part of our Annual Holiday Concert at Pebblebrook,” Timmerman said. “That’s when I first met Joseph and heard him sing. (He was a soprano then.) Joseph sang a solo, ‘O Holy Night,’ on the concert. I knew immediately that he had to come to Pebblebrook and that he was destined for a career in the arts.”

Getting accepted into Pebblebrook’s arts program is no easy task. Prospective students’ academic record, attendance record, discipline record, and talent potential are evaluated during the selection. About 300 students from all 24 Cobb County School District middle schools and from home schools and private schools audition for the performing arts magnet program every year, Timmerman said. About 100 students are accepted each year, or one-third of those who audition.

Joseph Lattanzi

In the arts program, Lattanzi studied under Bradley Howard. The teacher helped Lattanzi hone his voice and grow his appreciation for classical music. As Lattanzi sees it, his time in Pebblebrook’s arts program was the key to his current success.

“(Timmerman) immediately took me under his wing as well,” Lattanzi said. “So I had a really great support system. They encouraged me. … The teachers were willing to spend extra time to work with me and help. Pebblebrook is really an amazing place.”

The young artist says his goal is to travel the world and perform in as many opera houses as possible. He hopes to one day become based with an opera company in the U.S.

Looking back, Lattanzi credits his family, peers and Pebblebrook’s arts program with giving him both the professional tools and the freedom to perform.

“I couldn’t ask for a more supportive family,” Lattanzi said. “My mom and dad make it to everything. I’m just incredibly lucky to have such supportive family. I feel invigorated just talking about it. It’s just a really great feeling.”

Preview of Gregory Spears' new opera with Joseph Lattanzi

Jospeh Lattanzi in his Barihunk t-shirt at the Seattle Opera (left) and at a Merola Opera performance (right)

Gregory Spears' new opera, Fellow Travelers, will receive a piano-vocal showcase at National Sawdust in Brooklyn on March 20th at 4 PM. This is the composer's first full-length opera, which follows Paul's Case and O Columbia. Paul's Case was a huge success at the 2014 Prototype Festival and subsequently at the Pittsburgh Opera. The opera was originally developed by American Opera Projects. O Columbia was presented last year by the Houston Grand Opera and featured barihunk Ben Edquist.

Fellow Travelers, which was written in collaboration with librettist Greg Pierce and director Kevin Newbury, was developed in a 2013 Opera Fusion workshop. It will feature former Barihunks calendar model Joseph Lattanzi, who will sing both the showcase and the world premiere.

Performances of Fellow Travelers will run at the Cincinnati Opera from June 17-July 10 at the Jarson-Kaplan Theater. In addition to Lattanzi, it will feature hunkentenor Aaron Blake, Mary Johnson, Alexandra Schoeny and Talya Lieberman. Tickets and additional information is available online. 

 Joseph Lattanzi performs "Our Very Own Home" from Fellow Travelers: 

Fellow Travelers, set in Washington against the backdrop of the McCarthy-era "lavender scare," tells the story of Timothy “Skippy” Laughlin, an aspiring young journalist, and Hawkins “Hawk” Fuller, a handsome, profligate State Department official. A chance encounter with Hawk leads to Tim's first job in DC, and his first love affair. As his involvement deepens, Tim struggles to reconcile his political convictions, his religious beliefs, and his love for Fuller – an entanglement that will end in a stunning act of betrayal. The libretto is based on the novel by American novelist, essayist and critic Thomas Mallon.

On February 27th, Lattanzi will sing the title role in Mozart's Don Giovanni at the Arizona Opera with fellow barihunk Ryan Kuster as Masetto and the talented Matthew Burns as his sidekick Leporello. Barihunk Morgan Smith will sing the other performances of Don Giovanni. Additional cast and ticket information is available online.

Joseph Lattanzi to reprise lead role in Fellow Travelers

Joseph Lattanzi and Aaron Blake in Fellow Travelers

The Lyric Opera of Chicago has announced that barihunk Joseph Lattanzi will reprise the role of Hawkins Fuller in Gregory Spears' opera Fellow Travelers.

Fellow Travelers, which was written in collaboration with librettist Greg Pierce and director Kevin Newbury, was developed in a 2013 Opera Fusion workshop. Lattanzi sang both the workshops for the opera, as well as the world premiere at the Cincinnati Opera last year. Newbury will also direct the Chicago performances.

Joseph Lattanzi sings "Our very own home" from Fellow Travelers:

The cast will include tenor Jonas Hacker as Timothy Laughlin, who falls in love with Hawkins Fuller during the height of the McCarthy era in 1950s Washington D.C. Devon Guthrie will sing the role of Mary Johnson, Hawkins’s assistant and Timothy’s confidante.

This chamber work will be presented in four performances at the Athenaeum Theatre between March 17-25, 2018

You can catch Lattanzi as Sonora in Puccini's La Fanciulla del West at Virginia Opera from November 10-December 3. Performances will be in Norfolk, Richmond and Fairfax. 

Baritones Continue Vocal Competition Dominance: Lattanzi, Cedel & O'Hanlon

Joseph Lattanzi sporting some Brooks Brothers clothing

We ran a post last month called "The Golden Age of Baritones is Now," in which we pointed out that baritones are dominating vocal competitions, stages and marketing campaigns like at no other time in history. The trend seems to be continuing in competitions much smaller than the Met Auditions, as well. Half of the finalists in the Palm Beach Opera’s vocal competition junior division (ages 18 to 23) were baritones. 

Brandon Cedel & Emmett O'Hanlon

The three baritones include Joseph Lattanzi, who we've previously featured on this site, Emmett O’Hanlon, and Brandon Cedel, who happens to be the other half of a barihunk couple. His partner is Jonathan Beyer, who we've been praising for his seemingly effortless ability to win vocal competitions. Apparently, it's rubbing off on Cedel. 

Other winners included soprano Danielle Adams, tenor Marco Stafani and soprano Betsy Diaz. The six finalists will be ranked and awarded $47,000 in prizes during an orchestral concert at 3 p.m. Sunday at the Kravis Center. For information, call 833-7888 or visit pbopera.org.

Lattanzi has put together a new website and was recently accepted into the Seattle Opera Young Artists Program, one of our favorite in the country. Lattanzi will be joining two of our favorite young barihunks in Seattle, Erik Anstine and David Krohn, who are respectively playing Leporello and Don Giovanni in the current YAP production of the Mozart opera. 

Amanda Opuszysnki and Erik Anstine (©Rozarii Lynch photo)

When we posted about Joseph Lattanzi a year ago, we predicted that he might have a future on this site and apparently we were right. We would like to wish all of the finalists in the PBO junior division vocal competition the best of luck with their careers. 

Contact us at Barihunks@gmail.com

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Joseph Lattanzi in free concert and world premiere

Joseph Lattanzi (Photos from artist website)

Barihunk Joseph Lattanzi will be one of the featured stars of Cincinnati Opera's free Opera in the Park concert on June 9th. He'll be joined at Washington Park by his fellow cast members from Mozart's The Marriage of Figaro, which is being performed on June 13 and 15. They include sopranos Janai Brugger and Susanna Phillips, mezzo-soprano Rihab Chaieb and tenor Martin Bakari. Also performing will be Piotr Buszewski, Liv Redpath, Thomas Dreeze and hunkentenor Aaron Blake.

No tickets are required for the event, but guests are encouraged to bring blankets and lawn chairs, Concessions and food trucks will be on site.

In addition to The Marriage of Figaro, Lattanzi will join the company from July 22-27 for the world premiere of Scott Davenport Richards and David Cote's opera Blind Injustice, which explores the true stories of these six people who were tried, convicted, imprisoned, then ultimately freed by the Ohio Innocence Project. Joining him in the cast are fellow barihunks Miles Wilson-Toliver and Morgan Smith.

Casts and additional information on the Cincinnati Opera season can be found online. 

Later this season, Lattanzi will reprise the role of Hawkins Fuller in Gregory Spears' Fellow Travelers at the Arizona Opera and then perform Dandini in Rossini's L Cenerentola at the Virginia Opera.

Seattle Opera's "Four Barihunks" Model Tee Shirts

Sarah Larsen with  Michael Todd Simpson, Steven LaBrie, Joseph Lattanzi, and Colin Ramsey (Photo by Elise Bakketun)

 

We recently posted about the barihunk foursome performing in Menotti's The Consul at the Seattle Opera. The opera stars Michael Todd Simpson as John Sorel, Steven LaBrie as the Police Agent, Joseph Lattanzi as Assan and Colin Ramsey as Mr. Kofner. The four singers agreed to don their Barihunk tee shirts and take some shots on the set with soprano Sarah Larsen, who plays the secretary.

Sarah Larsen with  Michael Todd Simpson, Steven LaBrie, Joseph Lattanzi, and Colin Ramsey (Photo by Elise Bakketun)

The Consul was a huge hit during its initial Broadway run, earning both the New York Drama Critics’ Circle Award for Best Musical and the 1950 Pulitzer Prize for Music. The original production featured the legendary performances of Patricia Neway as Magda Sorel and Marie Powers as the mother. The great Verdi baritone Cornell MacNeil sang the role of John Sorel.

The story is about a devoted wife and mother who clashes with the bureaucracy of a nameless police state while trying to obtain an exit visa for her family.

Sarah Larsen with  Michael Todd Simpson, Steven LaBrie, Joseph Lattanzi, and Colin Ramsey (Photo by Elise Bakketun)

The opera runs from February 22nd to March 7 and tickets are available online.

Joseph Lattanzi in live stream of The Copper Queen

Joseph Lattanzi

The Arizona Opera will be live streaming today's sold out performance of composer Clint Borzoni's The Copper Queen, which won the company's Arizona Sparks competition for new works in a runaway. The piece was also featured on the front page of the Arizona Republic's arts section last weekend.

The opera's libretto, written by director John de los Santos and based on a true story, revolves around the ghost of a prostitute haunting a historic hotel in Bisbee, Arizona.

The performance will feature barihunk Joseph Lattanzi as Peter Ackerman, who is fresh of a heralded performance as Hawkins Fuller in Gregory Spears’ gay themed opera Fellow Travelers at Cincinnati Opera. This season at Arizona Opera, Lattanzi will also perform the Gamekeeper in Dvořák's Rusalka, Yamadori in Puccini's Madama Butterfly and Dandini in Rossini's La Cenerentola.

Clint Borzoni's "Stufen" with barihunk Marco Vassalli:

The opera also features Lacy Sauter as the prostitute Julia Lowell, Alyssa Martin as Addison Moore, barihunk turned hunkentenor Chris Carr as Teddy Billings, Loren Battieste as Sugar Dog and Zachary Owen as Mr Floyd and Daddy Lowell.  You can hear Alyssa Martin sing "Waiting for a Whisper" from the opera on Soundcloud, as well as Sarah Tucker sing "Still Pretty."

The live stream will begin at 3 PM PST/6 PM EST at the company's Facebook page. 

Quartet of Barihunks arrives at Merola

Hadleigh Adams

It's not often that we post about events in the same city two days in a row, but there has been quite a bit of chatter about some of the barihunks in the Merola Opera Program in San Francisco. It started with and email that read, "Have you seen Hadleigh Adams? Whoa!" It's been a steady stream of "tips" about this model turned opera singers since he arrived in San Francisco. 

Of course, we were tipped off about the New Zealand native years ago by our eagle eye down under in Australia. Adams will be performing in Merola's Schwabacher Summer Concerts on July 5th and 7th, where he'll be performing Ralph's aria "Quand la flamme de l'amour" from Bizet's rarely heard La jolie fille de Perth. The concert on July 5th is at the Herbst Theater and the July 7th concert is free to the public at Yerba Buena Gardens. 

Seth Mease Carico as he appears in the Barihunks calendar

Also at Merola is Seth Mease Carico, who is one of our 2012 Charity Calendar models and a regular on this site. Carico, recently scored another critical success in his young career as Leonidas in the Fort Worth Opera's production of Mark Adamo's Lysistrata. Don't miss the pictures we posted of Carico and fellow barihunk Michael Mayes in drag at a mock "Battle of the Sexes" event promoting Lysistrata. Admittedly, he won't be a contestant on RuPaul's Drag Race, but it ranks as one of our favorite posts of all time. 

Carico will also be performing in Merola's Schwabacher Summer Concerts and singing Nick Shadow's music from Stravinsky's The Rake's Progress. We've had the good fortune of having seen this American singer a few times and he's an artist well ahead of years and not to be missed. 

Joseph Lattanzi: Opera singer or Brooks Brothers model?

We've been following the budding career of Joseph Lattanzi with great interest. Like Adams and Carico, he is perfectly suited to where opera is heading with HD broadcasts. All three singers are perfectly suited for the stage, but also have the looks to start hearts fluttering on the big screen. He's also one of our 2012 Barihunks Charity Calendar models.

We've posted about Lattanzi's recent work with the Seattle Young Artists Program and added him to our growing list of singing competition winners (Palm Beach Opera Junior Division Winner). 

Lattanzi will be performing in Merola's Postcard from Morocco by Dominick Argento on July 19th and 21st at San Francisco's Cowell Theater. 

Gordon Bintner

A new singer to us is bass Gordon Bintner, who joins the growing list of Canadian barihunks on the site. The Saskatchewan native attended McGill University and studied with the great baritone Sanford Sylvan. (As an aside, recent Merola sensation and Metropolitan Opera National Council winner Philippe Sly also studied at McGill.) Bintner also has been wowing judges at competitions, having won the Orchestre symphonique de Montréal Standard Life competition in 2011. 

Bintner wil be performing Mozart’s La finta giardiniera with Merola on August 2nd and 4th at San Francisco's Cowell Theater. 

You can see all of the wonderful Merola singers at their Grand Finale on August 18th. Tickets and memberships can be purchased online. 

CONTACT US AT Barihunks@gmail.com

What if Papageno used Tinder?; Joseph Lattanzi reprises Fellow Travelers

Nathan Gunn (left) and Aaron Blake/Joseph Lattanzi (right)

One of the board members of the PROTOTYPE Festival in New York put together this video of Nathan Gunn, who was singing Papageno at the Met. It shows what might of happened had he used the dating app Tinder to find his Papagena. 

Nathan Gunn has a number of recitals on his 2018 calendar, including his cabaret show with his wife Julie Gunn. You can catch performances on January 18th in Thomasville, Georgia; at the McCallum Theatre in Palm Desert, CA on January 22nd; and, at the Wallis Annenberg Center in Beverly Hills on March 15th. The concert includes works by Irving Berlin, Cole Porter, Lerner and Loewe, Billy Joel and Leonard Bernstein.

On January 12, 13 and 14, PROTOTYPE will present Gregory Spear's opera Fellow Travelers at the Lynch Theater at John Jay College, with barihunk Joseph Lattanzi and hunkentenor Aaron Blake in the lead roles. Tickets are available online. 

Fellow Travelers, which was written in collaboration with librettist Greg Pierce and director Kevin Newbury, was developed in a 2013 Opera Fusion workshop. Lattanzi sang both the workshops for the opera, as well as the world premiere at the Cincinnati Opera and at the Lyric Opera of Chicago.

Joseph Lattanzi Interview

Joseph Lattanzi

Last week we featured an interview with David Krohn, who is playing Dr. Malatesta in the Seattle Opera Young Artist Program's production of Donizetti's "Don Pasquale." Krohn is alternating the role with fellow barihunk Joseph Lattanzi, who sings Dr. Malatesta in the April 1 and April 7 performances at the University of Washington's Meany Hall. Here is an interview with the rising young talent, who is headed off to San Francisco's prestigious Merola Opera Program this summer. 

The interview was featured on the Seattle Opera blog. You can subscribe to the blog and get regular updates about all of the amazing opera in Seattle.
  
At Seattle Opera’s recent gala, you sang the Pearl Fishers duet with William Burden. What was that like? It was great! It was the first that I had ever done that Pearl Fishers duet, and it’s such a great piece of music. So I was really happy to get to sing it, and really happy to sing it with Bill, who has done that role all over the world. It was really daunting for me because I knew I had to try and get to his level really fast, but it was great experience and he’s such a nice guy and a really great mentor for a young singer. He’s really got everything it takes. He’s a great actor, a great singer, and a great person.

Young Artists Christopher Lade and Joseph Lattanzi with tenor William Burden at Seattle Opera's 2012 Gala, "A Perfect Pairing." Photo by Alan Alabastro 

This opera is basically a cautionary tale warning against marriage (“Marriage is nothing but a heap of trouble,” everyone sings at the end). What do you think? Well, I think this opera is really about the wrong kind of marriage, in particular, and cautioning against marrying for the wrong reasons. Pasquale says at the beginning that he really just wants to marry someone to spite Ernesto, because Ernesto wants to marry Norina and he doesn’t approve. My character, Malatesta, shows Don Pasquale what a rash decision that was, and that he’s misguided. So I don’t know if it’s a cautionary tale against all marriage.

Have you sung any of the music in Don Pasquale prior to this production? Yes, I’ve sung the aria “Bella siccome,” which is one of the arias that people often give to young baritones because it’s really conducive to learning line and style and you can work on your Italian language through it. It’s one of those things that people hear a lot, so it’s hard to turn it into something really special and professional and get away from the amateur side of things. When you’re young and you work on an aria, things get ingrained. So after singing this for several years, I had a lot of habits I had to change and I had to modify the way that I was thinking about the role to fit in to how we’re doing it here in this production. I’ve also performed the duet with Norina and trio with Norina and Pasquale, both at the Chautauqua Institute a couple years ago.

Trailer for Seattle Opera YAP's Don Pasquale with barihunk David Krohn:

Like Albert in Werther, who you sang for us last fall, Malatesta is a bit of a two-faced character. Do you prefer these more dramatically complicated roles to a character who is simply good or bad? Yes, I think I do prefer them more. These types of roles have a lot of emotions to play and different ways to act around different people and things like that. But I have not met an opera role that has not been challenging yet. [Laughs] Even if they’re not two-faced or dramatically as interesting, nothing is really easy to play on stage, and there are always so many factors.

Have you played much comedy? How do the skills differ from those it takes to perform something like Carmen, which you sang on the mainstage last fall? I went to a performing arts high school outside of Atlanta where I grew up and we did a lot of musical theater and musical comedy there. And then in undergrad, I performed in Così fan tutte, and I also did Papageno, so those were comedic. Those roles do differ from the more dramatic roles—but my character in Carmen wasn’t so dramatic. Moralès gets to have fun, and that was a fun role for me. But, yes, the skill set for comedy is a little different. You have to have your wits about you and know what you’re going for but at the same time everything has to look very easy and spontaneous. When the performance looks planned, it’s not so funny for the audience anymore. You have to keep everything fresh while still hitting all your marks.

Lindsay Russell as "Sofronia" and Joseph Lattanzi as Dr. Malatesta in Don Pasquale Photo by Elise Bakketun

Are there any roles in particular that you really hope to get to perform someday? Oh, gosh, there are a lot of roles I really want to do. I’ve done a lot of Mozart (in school) and I was really lucky to have sung Don Giovanni. I’d really love to go back and do that again, because that a role that keeps evolving as you bring more experience to the table. I would also love to do Figaro in The Barber of Seville. That would be really fun down the line, maybe in a couple years.

What has been your favorite role you’ve sung so far in your career? I think I would say probably Don Giovanni. But this one, Dr. Malatesta, is shaping up to be one of my favorites because it’s really fun to sing. There are a lot of opportunities for showing off and it has legato singing, ensemble singing, and solo singing, so it’s really got everything. Don Giovanni was really fun, and so was Guglielmo in Così fan tutte, which I did at Oberlin when I was a student there. Don Giovanni was also through Oberlin, but as part of the Oberlin in Italy program.

How fun! Was that your first time in Italy? Yes, and I loved it. I have family lineage in Italy, so it was great to be there and also it was a really cool place to spend the summer. I went two summers ago and was there for maybe six or seven weeks for the Oberlin in Italy program, which was in Arezzo. Afterward I went to Paris for 10 days, as a vacation, because I’d always wanted to visit.
 What’s next for you, once you leave Seattle? I’m going to be at the Merola Opera Program this summer with San Francisco Opera and I’m doing a role in Postcard from Morocco called The Man with the Shoe Sample Kit. It’s the baritone role in that opera, and it’s an ensemble piece for sure. Everyone has a lot to do and it has challenging music, by Dominick Argento. So I’m trying to learn that right now. It’s going to take a lot of time. Some of the more modern pieces take a little longer to get in your brain, but it’s in English, so that’s nice, and it’s just a cool piece. I think it’ll be exciting!

CONTACT US AT Barihunks@gmail.com

Barihunks "Best of 2014"

It's time for our annual year-end wrap up with our "Best of 2014" feature where we highlight our favorite posts. Many of these were actually chosen by our readers, as we closely followed how much traffic each of our posts were receiving.

(L-R top row) Björn Bürger, Malte Roesner, Michael Mofidian (L-R, bottom row) Ivan Oreščanin, Mattia Olivieri and Davide Luciano

BEST NEWCOMERS: There were six singers who we introduced to readers this year that generated amazing traffic to our site. In fact, they were so popular that we decided to lead off our annual tribute with them. German Björn Bürger, German-American Malte Roesner, Scotsman Michael Mofidian, Serbian Ivan Oreščanin, and Italians Mattia Olivieri and Davide Luciano. You can click on their names to read the original posts. This is what the future of opera looks like and sounds like, which seems encouraging.

Previously unpublished photos of Italian barihunk Ernesto Petti

Jens Søndergaard and Saïd Pressley

BEST READER SUBMISSION: Our best posts continue to come from our readers and this year was no exception. Few singers generated more interest than Ernesto Petti on both our blog and in our calendar, where he appears as part of our August feature. Since we couldn't run all of his photos in our calendar, we've added some new photos above.

Honorable mention has to go to Jens Søndergaard and Saïd Pressley, both of whom proved immensely popular with our readers.

Bottom Row - Austin Siebert, George Arvidson, Clay Thompson, Nate Mattingly, Mason Jarboe, Michael Miller

Top Row - Keith Browning, Trevor Martin, Michael Hewitt, Damian Faul

 

(L-R) Sarah Larsen, Michael Todd Simpson, Steven LaBrie, Joseph Lattanzi & Colin Ramsey

BEST GROUP PHOTOS: We love it when we see our tee shirts being modeled by the hottest barihunks in opera, so imagine our glee when we were sent a photo featuring TEN stunning men all gathered together at the Seagle Music Colony in upstate New York. Michael Hewitt ended up being featured in our Viva, Italia! Barihunks Calendar, as well. It turns out that the family names on his mother's side are DiPane and Mazzola.

On the other side of the continent at the Seattle Opera, our tee shirts ended up on four of the cast members in their production of Menotti's The Consul. The opera starred four barihunks, including Michael Todd Simpson as John Sorel, Steven LaBrie as the Police Agent, Joseph Lattanzi as Assan and Colin Ramsey as Mr. Kofner. The four singers showed off their Barihunk tee shirts on the set with soprano Sarah Larsen, who played the secretary. Joseph Lattanzi also appeared in our 2012 calendar.

Bevan Bühler

BEST TWITTER DISCOVERY: Canadian barihunk Bevan Bühler posted the following on Twitter: "My life goal is to be listed on barihunks." Of course, we obliged and he instantly became one of our most viewed posts of the year. The former model and emerging singer clearly caught the eye of many of our readers.

HOTTEST PHOTO: As one might imagine, we get sent a lot of photos and press materials from opera companies and publicists. Most of them are pretty useless and clearly were not sent with our mission in mind. So when an email arrived from the Los Angeles Opera touting their upcoming production of Andrè Previn's Streetcar Named Desire, we were pretty sure that it would be filled with glossy pictures of soprano Renee Fleming. Much to our delight, it included these AMAZING photos of Ryan McKinny, whose voice and body just get more amazing with each passing year. He has become the quintessential barihunk in our view.

Agrippina cast (L-R) Hadleigh Adams, Peabody Southwell, Nathan Medley, Jamie-Rose Guarrine, Jennifer Rivera, Zachary Wilder and Douglas Williams

HOTTEST OPERA CAST: Who would've thought that the sexiest cast in opera this year would be found at Opera Omaha for their production of Handel's Agrippina. The opera featured former model and rising superstar Hadleigh Adams as the emperor Claudio. In the role of Pallante, one of two men that Agrippina pledges to marry, was Doug Williams a rising superstar in the baroque music world, who could easily grace the cover of GQ.

Stéphane Degout and Franco Pomponi

HOTTEST NUDE SCENE: For a dramatically sensible use of nudity, nothing could surpass Stéphane Degout and Franco Pomponi alternating the role of Hamlet in director Olivier Py's production of the Ambroise Thomas opera at La Monnaie in Brussels. Degout also performed the role at Theater an der Wien.

Paul Robeson as photographed by Nickolas Murray

HOTTEST HISTORICAL NUDE: We received a lot of appreciative email from readers who didn't know about the legendary Paul Robeson's nude modeling past. Robeson did some nude modeling for photographer Nickolas Murray, who later went to photograph President Eisenhower, painter Freda Kahlo, actresses Colleen Moore and Greta Garbo, and the Lucky Strike girls. Robeson also posed nude for Italian-American sculptor Antonio Salemme. Born in Princeton, New Jersey in 1898, Robeson made his singing recital and his film debut in 1925. His resonant bass was a major highlight in the London production of "Show Boat" particularly with his powerful rendition of "Ol' Man River." Paul Robeson may have been the original barihunk!

(L-R) Doug Carpenter, Michael Scarcelle & (Jacques) L'Oiseleur Longchamps

BEST CALENDAR MODELS: Perhaps the smartest thing that we did this year was to give our Barihunks Charity Calendar money directly to singers who participated, rather than to organizations. The level of appreciation was enormous and we heard about how the funds paid for lessons, coachings, music, rent and travel to competitions.  

Doug Carpenter walked away with our top prize of $500 for submitting the picture that best exemplified this year's theme "Sexy and Italian." One of our judges was so conflicted about having to choose a winner that she offered up an additional $500 to be split between the runner-ups,  Michael Scarcelle & (Jacques) L'Oiseleur Longchamps. Everyone was a winner.

Dan Kempson

BEST GRAMMY AWARD NOMINEE: Barihunk Dan Kempson received a well-deserved GRAMMY Award nomination for his portrayal of the critical role of Orestes on Darius Milhaud's trilogy L'Orestie d'Eschyle on the Naxos label. The performance, which is up for Best Opera Recording, also features Sidney Outlaw as Apollo, as well as the University of Michigan Choirs and Symphony Orchestra, which amounted to some 350 musicians.

Philippe Sly

BEST NEW CD:  The ridiculously talented Philippe Sly released "In Love’s Minstrels" with accompanist Michael McMahon. They perform English music from the late 19th and early 20th century by Healey Willan, John Ireland, Roger Quilter, Ralph Vaughan Williams and Gustav Holst. The CD is available at Amazon, as well as on Spotify.

Pietro di Biano and Matija Meić

BEST COMPETITION WINNERS: 2014 was yet another year where barihunks dominated international singing competitions (so, to all of you naysayers, YES, THEY CAN SING, TOO!). Few performances were more exciting than Barihunks Calendar model Pietro di Bianco winning the prestigious Paris Opera Competition or Matija Meić taking two prizes at the Mirjam Helin Competition, with both becoming overnight sensations.

Cyril Rovery

BEST MEN'S FITNESS MODEL: The European edition of the August 2014 edition of Men's Health magazine featured French barihunk Cyril Rovery in a feature called "Baryton Man." Rovery studied at the Marseilles Conservatoire graduating in 2000. In 1999, he won 1st Prize at the Symphonies d’Automne International Competition in Mâcon and in 2002 he won the Siena International Competition for Singers. He's been a regular at Marseille singing Scarpia in Puccini's Tosca, the Duke of Verona in Roméo et Juliette and Monterone in Verdi's Rigoletto.

Edwin Crossley-Mercer poses for Karl Lagerfeld

BEST PROFESSIONAL MODEL SHOOT: When fashion legend Karl Lagerfeld attended a performance of Robert Carsen's production of Rameau’s Platée at the Opéra Comique, he must have been as impressed as us with barihunk Edwin Crossley-Mercer. Crossley-Mercer's Jupiter was styled as a Karl Lagerfeld lookalike with white ponytail and dark glasses and the designer greeted the singer backstage and offered to do a photo shoot of the barihunk, shooting him in a variety of couture.

BEST PHOTO IN DRAG: Barihunk Daniel Okulitch, who has appeared in various states of dress and undress in his career, finally appeared in a dress when he donned this stunning getup as Jove in Francesco Cavalli's La Calisto at the Cincinnati Opera. Okulitch's drag wasn't some German regie concept that was imported to Cincinnati, but an actual part of the plot. Jove, the ruler of the gods, hatches a plan to wend his way into the heart and bedroom of Calisto by donning a Diana-like disguise. But when Jove’s wife Juno, sung by Alexandra Deshorties, catches wind of the scheme, her fury knows no bounds. As many singers know, Cincinnati has one of the best make-up artists on their staff, so Okulitch was in good hands.

BEST MAGAZINE FEATURE: Baritones became the new cover boys this year, as Aubrey Allicock appeared in OUT Magazine, Simon Keenlyside on the cover of Opera News, Ildar Abdrazakov in VANITY FAIR, Morgan Smith in Opera News, and Christiaan Smith-Kotlarek in Bleep magazine. But our favorite feature was the Opera News' Sound Bites article on John Brancy.  The New Jersey native had an exciting year, with major debuts at Oper Frankfurt in Puccini's La Fanciulla del West and the Kennedy Center for a recital dedicated to the 100th anniversary of WWI. This enormously talented and innovative artist is clearly destined for stardom and it was nice to see Opera News take notice.

Emmanuel Franco

BEST SINGER/DANCER: Mexican-American barihunk Emmanuel Franco caught our attention as one of the three baritones competing in the finals of the 50th International Vocal Competition in 's-Hertogenbosch, Holland. The 30-year-old singer has performed throughout Mexico, the United States and Europe, but he also has a true passion for dancing. While a student at the San Francisco Conservatory of Music, he founded a zumba class in a nearby gym. After  graduation, he was certified as zumba instructor before moving to The Netherlands, where he has become a popular instructor (who even sings occasionally during class).

Giorgio Caoduro

BEST ROLE DEBUT: Giorgio Caoduro's role debut as Rigoletto couldn't have come at a better time for Opera Australia. They had just weathered a rough couple of weeks dealing with the Tamar Iveri scandal, a soprano who had referred to gay people as "fecal matter" on her Facebook site. Caoduro's performance at the Joan Sutherland Theatre was a major revelation that allowed people to put the scandal on the back burner. Caoduro had previously performed in the opera as Marullo opposite Placido Domingo's Rigoletto in the movie version. The Opera Australia cast also included two other barihunks, Sam Dundas as Ceprano and Luke Gabbedy as Marullo.

A protester at The Death of Klinghoffer (left) and Aubrey Allicock

BIGGEST SCANDAL: The most talked about action in opera this year happened off the main stage, as John Adams' The Death of Klinghoffer at the Met turned out protesters who claimed the opera was anti-Semitic and glorified terrorism. Making his Met debut in that production was upcoming barihunk Aubrey Allicock as the terrorist Mahmoud. He shares critical moments in the opera with fellow barihunk Paulo Szot, who sang the role of the Captain. Regardless of how you felt about the piece, it was great to see a worldwide discussion about an opera. 

Had it not been for The Death of Klinghoffer, we would have listed the BARITONE BLACKOUT at the OPERALIA competition in Los Angeles as our biggest scandal. Despite 11 of the 40 competitors being baritones in the competition, not a single baritone made it to the final round. Many felt that a top prize winner should have come from the talented field of low voices that included Igor Bakan, Aleksey Bogdanov, Alexandre Duhamel, Dan Kempson, Alexey Lavrov, Alex Lawrence, Shea Owens, Damien Pass, Pavel Shmulevich, Anatoli Sivko and Ivan Thirion.

(L-R) Philippe Sly, Elliot Madore & Gordon Bintner

BEST TENOR BLACKOUT: We couldn't feel too bad about the Barihunk Blackout at Operalia because 1,360 miles north of Los Angeles in Edmonton, Alberta, their Symphony was presenting a "No Tenors Allowed" concert. The program featured Canadian barihunks Gordon Bintner, Elliot Madore, and Philippe Sly, who joined forces with conductor Bill Eddins for a program of from music from Bizet's Carmen, Verdi's Macbeth, Rossini's Barber of Seville, and Wagner's Tannhäuser.

Charles Castronovo (left) and Erwin Schrott (right)

BEST BARIHUNK/HUNKENTENOR BATTLE: We all know that there is tremendous competition between baritones and tenors, but it reached new heights when barihunk Erwin Schrott went after hunkentenor Charles Castronovo's soul. The social media regular wrote on Twitter, "Dear Faust @CharlieTenor, meet me @ Laeiszhalle, Hamburg tonite 7:00 PM. Don't forget: bring soul! Tschüs! Méphy x"

Castronovo was singing Faust opposite Schrott's Méphistophélès in Gounod's opera in Baden-Baden, and the duo were joined by fellow barihunk Jacque Imbrailo, who was Valentin.

BEST PERSONAL STORY: Speaking of souls, it's rare for an artist to bare his or her soul in an interview, but that's just what Hadleigh Adams did in an interview with San Francisco's leading LGBT paper, the Bay Area Reporter. He minced no words in talking about what it was like to be effeminate, not to fit in with the other boys, having a friend commit suicide and facing challenges with family. We also had the privilege of hearing him turn this very personal story into an evening of song, which we think would be a hit on the recital circuit. Adams just wrapped up his second year at the prestigious San Francisco Opera Center Adler Fellows‎ and is surely destined for a great career in opera. It's one thing to grow as an artist, but Hadleigh Adams has shown us how amazing it is to watch someone grow as a human being.

Duncan Rock

BEST ANNOUNCEMENT: In our opera travels, we frequently get asked why certain European singers haven't appeared in the U.S. Topping that list is Duncan Rock (now that Edwin Crossley-Mercer has sung in America). So imagine the excitement surrounding the highly-anticipated U.S. stage debut of British Barihunk sensation Duncan Rock, which will occur not far from another rock, Plymouth Rock. The Boston Lyric Opera has snagged the charismatic fan favorite to portray the title role in Mozart's Don Giovanni next season. Performances will run from May 1-10, 2015. His gender bending performance in Don Giovanni: The Opera at London's famous nightclub Heaven was a huge sensation.

Kelly Markgraf and Sasha Cooke

Dan Kempson

BEST NEW OPERA: The world premiere of Laura Kaminsky's opera "As One," which explores the revelatory and redemptive journey of a transgender individual, opened on September 4th at the Brooklyn Academy of Music with the real-life married couple of mezzo-soprano Sasha Cooke and barihunk Kelly Markgraf. The opera was a critical success and will be reprised at Caine College of the Arts at Utah State University in April 2015 with Markgraf and again at West Edge Opera in July/August 2015 with Dan Kempson. who will be joined by the Friction String Quartet at the Oakland Metro Opera House.

Kaminsky was inspired to write the opera after reading an article in the New York Times in 2008 about a New Jersey marriage in which one of the parties transitioned from male to female, transforming the couple from heterosexual to homosexual.

Finally, we have to close with our favorite email of the year, which came from a reader in Michigan back in May. "Dear Barihunks, I was pleasantly surprised when I came upon your website. It is surprisingly intelligent and well-written. I have learned about singers that were heretofore unknown to me and you have exposed me to much new music. I've also learned about opera competitions and smaller companies that I would not have read about elsewhere. For this I am eternally grateful, but frankly, I'd much prefer more pictures and less text."

Lastly, if you enjoyed Barihunks this year and if you like supporting young artists, please order your Charity Calendar today, so that we can keep up our tradition if assisting the hottest young talent in opera. Our calendar features 19 of the most amazing singers, who also happen to be easy on the eyes. Order NOW by clicking below. Thank you for your support.