Sexy Agrippina with Damian Pass to be live streamed from Vienna

Damian Pass as Pallante in Agrippina

If you love sexy men (and women), then add the live stream of Handel’s Agrippina from the Theater an der Wien to your list of "must see" performances.  The new production from director Robert Carsen casts a satirical eye on Ancient Rome, with political and sexual machination as Agrippina schemes to place her son, Nerone (Nero), on the throne and the seductive Poppea juggles with three lovers.

The cast includes barihunk Damian Pass as Pallante, hunken-countertenor Jake Arditti as Nerone, the stunning Danielle de Niese as Poppea, Patricia Bardon in the title role, Fillippo Mineccia as Ottone, Mika Kares as Claudio, Tom Verney as Narciso and Christoph Seidl as Lesbo. Thomas Hengelbrock conducts his Balthasar Neumann Ensemble.

Jake Arditti in Agrippina

The performance will live streamed on Sonostream.tv on March 29th at 7 PM CEST (2 PM EST, 11 AM PST). There is an additional performance remaining on March 31 and tickets are available online.

In 1707-1708, Agrippina gave the young Handel his big chance to establish his reputation as an opera composer in Italy. The commission came from the famous Teatro San Giovanni Crisostomo in Venice, which was funded by the influential Grimani family. The Venetians were extremely demanding when it came to music, but Handel succeeded in creating a wise, gripping and entertaining opera on the basis of the humorous libretto about lust for power and sexual desires in Ancient Rome. The success was overwhelming.

A scene from Robert Carsen's Agrippina in Vienna

The story takes place in Rome, 54 A.D. where Agrippina is married to the Roman Emperor Claudio, who is currently away on a crusade. When the rumor surfaces that he has been killed in battle, she tries to make her son Nerone, the result of an earlier liaison with another man, emperor. It turns out, however, that Claudio is not dead, but was saved by Ottone, one of his generals. Out of gratitude, Claudio has made him his heir. Consequently, there are now two heirs. The situation is made even more complicated by the fact that Claudio, Nerone and Ottone are all in love with the same woman: Poppea. Who will win the woman and the throne? Agrippina schemes, sometimes successfully, sometimes less so. In the end, Ottone wins Poppea – for the time being – and Nerone is heir to the throne. But as we know from history and Monteverdi’s L’incoronazione di Poppea things are not going to remain this way for long.

Sexy, sexy pictures of Damian Pass and the Men of Agrippina

Damian Pass and the Men of Agrippina

Last week, we posted about the sexy production of Handel’s Agrippina from the Theater an der Wien featuring barihunk Damian Pass as Pallante and hunken-countertenor Jake Arditti as Nerone.

The production was live streamed on Sonostream, but is now available on YouTube or right here on Barihunks.

The new production from director Robert Carsen casts a satirical eye on Ancient Rome, with political and sexual machination as Agrippina schemes to place her son, Nerone (Nero), on the throne and the seductive Poppea juggles with three lovers.  Handel, who many musicologists presume was gay, would undoubtedly have LOVED this production.

Damian Pass strips down in Agrippina

In addition to enough supernumerary beefcake to fill an issue of Men's Fitness, the cast also includes the stunning Danielle de Niese as Poppea, Patricia Bardon in the title role, Fillippo Mineccia as Ottone, Mika Kares as Claudio, Tom Verney as Narciso and Christoph Seidl as Lesbo.

We figured that it was worthwhile to share some of the pictures from the production. 

Damian Pass, Patricia Bardon and the Men of Agrippina

In 1707-1708, Agrippina gave the young Handel his big chance to establish his reputation as an opera composer in Italy. The commission came from the famous Teatro San Giovanni Crisostomo in Venice, which was funded by the influential Grimani family. The Venetians were extremely demanding when it came to music, but Handel succeeded in creating a wise, gripping and entertaining opera on the basis of the humorous libretto about lust for power and sexual desires in Ancient Rome. The success was overwhelming.

Hottest cast in opera assembled in Omaha for Handel's Agrippina

Doug Williams (photo:Kevin McDermott)

Perhaps the best looking cast currently assembled for any opera performance worldwide is in Omaha. The Nebraska company is located about seven hours from the nearest major opera company in Chicago, but that hasn't stopped them from creating some major buzz in the opera world. The cast of their upcoming performances of Handel's Agrippina includes not only some of the best young baroque singers in the world today, but some of the best looking singers across the entire range of voices.

Agrippina, written in 1710,  is considered Handel's first operatic masterpiece and a surprising comic gem.  The Opera Omaha production premieres an original edition of the opera prepared by conductor and early music specialist Stephen Stubbs.

Agrippina cast: Hadleigh Adams, Peabody Southwell, Nathan Medley, Jamie-Rose Guarrine, Jennifer Rivera, Zachary Wilder and Douglas Williams (left to right)

There are two bass-baritone roles in the opera, the larger role of Claudio the emperor and Pallante, one of two men that Agrippina pledges to marry. Both roles are being sung by two of the sexiest men in opera.

Claudio is sung by former model and rising superstar Hadleigh Adams. He established himself as a Handel singer to be reckoned with at the 2012 Merola Grand Finale when he performed “Somnus awake! ... Leave me loathsome light … More sweet is that name”  from Handel's Semele with Suzanne Rigden and Erin Johnson. Later that year, Adams wowed critics and audiences in another early music piece when he portrayed Pollux in Rameu's Castor & Pollux with Pinchgut Opera in Australia. He also showed off some seriously gym-toned arms [see below].

The role of Claudio includes the great bass aria "Vieni, oh cara."  

Hadleigh Adams in Castor & Pollux

Since his debut with the Boston Early Music Festival in 2003, Doug Williams has gone on to  establish himself as one of the most compelling low voices in early music. The Omaha production reunites him with conductor Stephen Stubbs, who led him in performances of Monteverdi’s Il Ritorno d’Ulisse in Patria in Seattle with the Handspring Puppet Company of South Africa.

His list of successful early music performances includes Purcell’s King Arthur with Christophe Rousset and Les Talens Lyriques, Handel’s L’Allegro, il Penseroso, ed il Moderato with Tafelmusik, Aeneas in Purcell's Dido and Aeneas, Polyphemus in Handel's Acis and Galatea and Jesus in the recoring of Bach’s Johannes-Passion with the Yale Schola Cantorum.  He can also be heard on the recording of Lully’s Psyché with the Boston Early Music Festival, which was nominated for a Grammy Award for Best Opera Recording of 2008.   

 

The remainder of the cast includes the brilliant and gorgeous young mezzo Jennifer Rivera as Nerone, who is married to the prematurely retired barihunk Michael Rice. She'll be joined by Nathan Medley as Ottone,  Zachary Wilder as Narciso, Jamie-Rose Guarrine as Poppea and Peabody Southwell in the title role of Agrippina.

Performances are February 14 and 16 and tickets are available online.

Pictures from Agrippina featuring "the hottest cast in opera"

Hadleigh Adams

Our recent post about entitles "Hottest Cast in Opera Assembled in Omaha for Handel's Agrippina" drew a disproportionate amount of traffic to our site. It proves once again that with great programming and singers who interest the public, opera can flourish anywhere.  After all, Omaha is better known for Warren Buffet than Leonard Warren.

They also hired the 29-year-old director James Darrah, who didn't shy away from the more sexual aspects of the story, keeping it current and fresh. Fidelity to the music was preserved under the direction of early opera specialist Stephen Stubbs. [By the way Darrah is some pretty serious eye candy, as well].

Hadleigh Adams

The performance received a rave review from the Omaha Tribune Herald.  They said of Hadleigh Adams, who played Claudio, "...Hadleigh Adams had a delivery that was impressively full-bodied and bold. He has a gorgeous voice and performed with a confidence befitting an emperor. Moreover, he had a physical presence that was commanding and powerful and conveyed that, like Agrippina, Claudius is used to getting what he wants."

Doug Williams

Of Doug Williams they wrote, "Bass-baritone Doug Williams and tenor Zachary Wilder perfectly complemented each other as Pallante and Narciso, and their standout scene featured each being pseudo-seduced by Agrippina in her bedchamber. While the action produced many laughs, it was the delivery that demonstrated their abilities to smoothly control their voices, even amid semi-steamy action."

Of course, even the music critic Kim Carpenter couldn't help but notice the attractiveness of this talented cast, giving us our favorite lines of the review: "As a side note, I feel compelled to mention that the entire ensemble is impossibly pretty. While it's the voices and acting that matter, of course, having a gorgeous line-up of performers makes the over three hour production all the more enjoyable."

Doug Williams

Opera Omaha, which began in 1958 as the Omaha Civic Opera Society, is the only professional opera company in Nebraska, It became a fully professional opera company by 1970 and is known for highlighting gifted young singers from the area as well as nationwide. The company is known for both its innovation and educational outreach programs. They had produced eight world premieres and four American premieres.

Although Agrippina ends today, they have performances of Rossini's La Cenerentola coming up in April with two singers familiar to readers of this site, Daniel Belcher and Levi Hernandez. Belcher will be singing Dandini and Hernandez is taking on Don Magnifico. The talented young tenor Andrew Bidlack will be Ramiro, joining soprano Lauren McNeese who is singing Angelina. Performances are April 25 and 27. Tickets are available online.

Barihunk Duo Touring Agrippina with Joyce DiDonato

Luca Pisaroni, Joyce DiDonato and Andrea Mastroni

Barihunk Luca Pisaroni and bass-barihunk Andrea Mastroni are hitting the road with "honorary barihunk" Joyce DiDonato in Handel's Agrippina.

Pisaroni is singing Claudio, Mastroni is taking on Pallante and DiDonato is singing the title role. Also in the cast are Elsa Benoit as Poppea, Franco Fagioli as Nerone, Xavier Sabata as Ottone, Carlo Vistoli as Narciso and Biago Pizzuti as Lesbo.

The opera opened yesterday at the Philharmonie Luxembourg and now heads to the Teatro Real in Madrid on May 16, The Liceu in Barcelona on May 18, the Theatre des Champs-Elysees in Paris on May 29, London's Barbican Centre on May 31 and the Turku Concert Hall on June 2.

Rising mezzo star Samantha Hankey will sing the title role on the final stop of the tour in Turku and countertneor Jakub Józef Orliński will take over as Narciso.

Barihunk Damien Pass sings and (strips for) the aria "La mia sorte":

In 1707-1708, Agrippina gave the young Handel his big chance to establish his reputation as an opera composer in Italy. The commission came from the famous Teatro San Giovanni Crisostomo in Venice, which was funded by the influential Grimani family. The Venetians were extremely demanding when it came to music, but Handel succeeded in creating a wise, gripping and entertaining opera on the basis of the humorous libretto about lust for power and sexual desires in Ancient Rome. The success was overwhelming.

 Joyce DiDonato and a sexy dancer perform "Pensieri, voi mi tormentate":

The story takes place in Rome, 54 A.D. where Agrippina is married to the Roman Emperor Claudio, who is currently away on a crusade. When the rumor surfaces that he has been killed in battle, she tries to make her son Nerone, the result of an earlier liaison with another man, emperor. It turns out, however, that Claudio is not dead, but was saved by Ottone, one of his generals. Out of gratitude, Claudio has made him his heir. Consequently, there are now two heirs. The situation is made even more complicated by the fact that Claudio, Nerone and Ottone are all in love with the same woman: Poppea. Who will win the woman and the throne? Agrippina schemes, sometimes successfully, sometimes less so. In the end, Ottone wins Poppea – for the time being – and Nerone is heir to the throne. But as we know from history and Monteverdi’s L’incoronazione di Poppea things are not going to remain this way for long. 

Barihunks "Best of 2014"

It's time for our annual year-end wrap up with our "Best of 2014" feature where we highlight our favorite posts. Many of these were actually chosen by our readers, as we closely followed how much traffic each of our posts were receiving.

(L-R top row) Björn Bürger, Malte Roesner, Michael Mofidian (L-R, bottom row) Ivan Oreščanin, Mattia Olivieri and Davide Luciano

BEST NEWCOMERS: There were six singers who we introduced to readers this year that generated amazing traffic to our site. In fact, they were so popular that we decided to lead off our annual tribute with them. German Björn Bürger, German-American Malte Roesner, Scotsman Michael Mofidian, Serbian Ivan Oreščanin, and Italians Mattia Olivieri and Davide Luciano. You can click on their names to read the original posts. This is what the future of opera looks like and sounds like, which seems encouraging.

Previously unpublished photos of Italian barihunk Ernesto Petti

Jens Søndergaard and Saïd Pressley

BEST READER SUBMISSION: Our best posts continue to come from our readers and this year was no exception. Few singers generated more interest than Ernesto Petti on both our blog and in our calendar, where he appears as part of our August feature. Since we couldn't run all of his photos in our calendar, we've added some new photos above.

Honorable mention has to go to Jens Søndergaard and Saïd Pressley, both of whom proved immensely popular with our readers.

Bottom Row - Austin Siebert, George Arvidson, Clay Thompson, Nate Mattingly, Mason Jarboe, Michael Miller

Top Row - Keith Browning, Trevor Martin, Michael Hewitt, Damian Faul

 

(L-R) Sarah Larsen, Michael Todd Simpson, Steven LaBrie, Joseph Lattanzi & Colin Ramsey

BEST GROUP PHOTOS: We love it when we see our tee shirts being modeled by the hottest barihunks in opera, so imagine our glee when we were sent a photo featuring TEN stunning men all gathered together at the Seagle Music Colony in upstate New York. Michael Hewitt ended up being featured in our Viva, Italia! Barihunks Calendar, as well. It turns out that the family names on his mother's side are DiPane and Mazzola.

On the other side of the continent at the Seattle Opera, our tee shirts ended up on four of the cast members in their production of Menotti's The Consul. The opera starred four barihunks, including Michael Todd Simpson as John Sorel, Steven LaBrie as the Police Agent, Joseph Lattanzi as Assan and Colin Ramsey as Mr. Kofner. The four singers showed off their Barihunk tee shirts on the set with soprano Sarah Larsen, who played the secretary. Joseph Lattanzi also appeared in our 2012 calendar.

Bevan Bühler

BEST TWITTER DISCOVERY: Canadian barihunk Bevan Bühler posted the following on Twitter: "My life goal is to be listed on barihunks." Of course, we obliged and he instantly became one of our most viewed posts of the year. The former model and emerging singer clearly caught the eye of many of our readers.

HOTTEST PHOTO: As one might imagine, we get sent a lot of photos and press materials from opera companies and publicists. Most of them are pretty useless and clearly were not sent with our mission in mind. So when an email arrived from the Los Angeles Opera touting their upcoming production of Andrè Previn's Streetcar Named Desire, we were pretty sure that it would be filled with glossy pictures of soprano Renee Fleming. Much to our delight, it included these AMAZING photos of Ryan McKinny, whose voice and body just get more amazing with each passing year. He has become the quintessential barihunk in our view.

Agrippina cast (L-R) Hadleigh Adams, Peabody Southwell, Nathan Medley, Jamie-Rose Guarrine, Jennifer Rivera, Zachary Wilder and Douglas Williams

HOTTEST OPERA CAST: Who would've thought that the sexiest cast in opera this year would be found at Opera Omaha for their production of Handel's Agrippina. The opera featured former model and rising superstar Hadleigh Adams as the emperor Claudio. In the role of Pallante, one of two men that Agrippina pledges to marry, was Doug Williams a rising superstar in the baroque music world, who could easily grace the cover of GQ.

Stéphane Degout and Franco Pomponi

HOTTEST NUDE SCENE: For a dramatically sensible use of nudity, nothing could surpass Stéphane Degout and Franco Pomponi alternating the role of Hamlet in director Olivier Py's production of the Ambroise Thomas opera at La Monnaie in Brussels. Degout also performed the role at Theater an der Wien.

Paul Robeson as photographed by Nickolas Murray

HOTTEST HISTORICAL NUDE: We received a lot of appreciative email from readers who didn't know about the legendary Paul Robeson's nude modeling past. Robeson did some nude modeling for photographer Nickolas Murray, who later went to photograph President Eisenhower, painter Freda Kahlo, actresses Colleen Moore and Greta Garbo, and the Lucky Strike girls. Robeson also posed nude for Italian-American sculptor Antonio Salemme. Born in Princeton, New Jersey in 1898, Robeson made his singing recital and his film debut in 1925. His resonant bass was a major highlight in the London production of "Show Boat" particularly with his powerful rendition of "Ol' Man River." Paul Robeson may have been the original barihunk!

(L-R) Doug Carpenter, Michael Scarcelle & (Jacques) L'Oiseleur Longchamps

BEST CALENDAR MODELS: Perhaps the smartest thing that we did this year was to give our Barihunks Charity Calendar money directly to singers who participated, rather than to organizations. The level of appreciation was enormous and we heard about how the funds paid for lessons, coachings, music, rent and travel to competitions.  

Doug Carpenter walked away with our top prize of $500 for submitting the picture that best exemplified this year's theme "Sexy and Italian." One of our judges was so conflicted about having to choose a winner that she offered up an additional $500 to be split between the runner-ups,  Michael Scarcelle & (Jacques) L'Oiseleur Longchamps. Everyone was a winner.

Dan Kempson

BEST GRAMMY AWARD NOMINEE: Barihunk Dan Kempson received a well-deserved GRAMMY Award nomination for his portrayal of the critical role of Orestes on Darius Milhaud's trilogy L'Orestie d'Eschyle on the Naxos label. The performance, which is up for Best Opera Recording, also features Sidney Outlaw as Apollo, as well as the University of Michigan Choirs and Symphony Orchestra, which amounted to some 350 musicians.

Philippe Sly

BEST NEW CD:  The ridiculously talented Philippe Sly released "In Love’s Minstrels" with accompanist Michael McMahon. They perform English music from the late 19th and early 20th century by Healey Willan, John Ireland, Roger Quilter, Ralph Vaughan Williams and Gustav Holst. The CD is available at Amazon, as well as on Spotify.

Pietro di Biano and Matija Meić

BEST COMPETITION WINNERS: 2014 was yet another year where barihunks dominated international singing competitions (so, to all of you naysayers, YES, THEY CAN SING, TOO!). Few performances were more exciting than Barihunks Calendar model Pietro di Bianco winning the prestigious Paris Opera Competition or Matija Meić taking two prizes at the Mirjam Helin Competition, with both becoming overnight sensations.

Cyril Rovery

BEST MEN'S FITNESS MODEL: The European edition of the August 2014 edition of Men's Health magazine featured French barihunk Cyril Rovery in a feature called "Baryton Man." Rovery studied at the Marseilles Conservatoire graduating in 2000. In 1999, he won 1st Prize at the Symphonies d’Automne International Competition in Mâcon and in 2002 he won the Siena International Competition for Singers. He's been a regular at Marseille singing Scarpia in Puccini's Tosca, the Duke of Verona in Roméo et Juliette and Monterone in Verdi's Rigoletto.

Edwin Crossley-Mercer poses for Karl Lagerfeld

BEST PROFESSIONAL MODEL SHOOT: When fashion legend Karl Lagerfeld attended a performance of Robert Carsen's production of Rameau’s Platée at the Opéra Comique, he must have been as impressed as us with barihunk Edwin Crossley-Mercer. Crossley-Mercer's Jupiter was styled as a Karl Lagerfeld lookalike with white ponytail and dark glasses and the designer greeted the singer backstage and offered to do a photo shoot of the barihunk, shooting him in a variety of couture.

BEST PHOTO IN DRAG: Barihunk Daniel Okulitch, who has appeared in various states of dress and undress in his career, finally appeared in a dress when he donned this stunning getup as Jove in Francesco Cavalli's La Calisto at the Cincinnati Opera. Okulitch's drag wasn't some German regie concept that was imported to Cincinnati, but an actual part of the plot. Jove, the ruler of the gods, hatches a plan to wend his way into the heart and bedroom of Calisto by donning a Diana-like disguise. But when Jove’s wife Juno, sung by Alexandra Deshorties, catches wind of the scheme, her fury knows no bounds. As many singers know, Cincinnati has one of the best make-up artists on their staff, so Okulitch was in good hands.

BEST MAGAZINE FEATURE: Baritones became the new cover boys this year, as Aubrey Allicock appeared in OUT Magazine, Simon Keenlyside on the cover of Opera News, Ildar Abdrazakov in VANITY FAIR, Morgan Smith in Opera News, and Christiaan Smith-Kotlarek in Bleep magazine. But our favorite feature was the Opera News' Sound Bites article on John Brancy.  The New Jersey native had an exciting year, with major debuts at Oper Frankfurt in Puccini's La Fanciulla del West and the Kennedy Center for a recital dedicated to the 100th anniversary of WWI. This enormously talented and innovative artist is clearly destined for stardom and it was nice to see Opera News take notice.

Emmanuel Franco

BEST SINGER/DANCER: Mexican-American barihunk Emmanuel Franco caught our attention as one of the three baritones competing in the finals of the 50th International Vocal Competition in 's-Hertogenbosch, Holland. The 30-year-old singer has performed throughout Mexico, the United States and Europe, but he also has a true passion for dancing. While a student at the San Francisco Conservatory of Music, he founded a zumba class in a nearby gym. After  graduation, he was certified as zumba instructor before moving to The Netherlands, where he has become a popular instructor (who even sings occasionally during class).

Giorgio Caoduro

BEST ROLE DEBUT: Giorgio Caoduro's role debut as Rigoletto couldn't have come at a better time for Opera Australia. They had just weathered a rough couple of weeks dealing with the Tamar Iveri scandal, a soprano who had referred to gay people as "fecal matter" on her Facebook site. Caoduro's performance at the Joan Sutherland Theatre was a major revelation that allowed people to put the scandal on the back burner. Caoduro had previously performed in the opera as Marullo opposite Placido Domingo's Rigoletto in the movie version. The Opera Australia cast also included two other barihunks, Sam Dundas as Ceprano and Luke Gabbedy as Marullo.

A protester at The Death of Klinghoffer (left) and Aubrey Allicock

BIGGEST SCANDAL: The most talked about action in opera this year happened off the main stage, as John Adams' The Death of Klinghoffer at the Met turned out protesters who claimed the opera was anti-Semitic and glorified terrorism. Making his Met debut in that production was upcoming barihunk Aubrey Allicock as the terrorist Mahmoud. He shares critical moments in the opera with fellow barihunk Paulo Szot, who sang the role of the Captain. Regardless of how you felt about the piece, it was great to see a worldwide discussion about an opera. 

Had it not been for The Death of Klinghoffer, we would have listed the BARITONE BLACKOUT at the OPERALIA competition in Los Angeles as our biggest scandal. Despite 11 of the 40 competitors being baritones in the competition, not a single baritone made it to the final round. Many felt that a top prize winner should have come from the talented field of low voices that included Igor Bakan, Aleksey Bogdanov, Alexandre Duhamel, Dan Kempson, Alexey Lavrov, Alex Lawrence, Shea Owens, Damien Pass, Pavel Shmulevich, Anatoli Sivko and Ivan Thirion.

(L-R) Philippe Sly, Elliot Madore & Gordon Bintner

BEST TENOR BLACKOUT: We couldn't feel too bad about the Barihunk Blackout at Operalia because 1,360 miles north of Los Angeles in Edmonton, Alberta, their Symphony was presenting a "No Tenors Allowed" concert. The program featured Canadian barihunks Gordon Bintner, Elliot Madore, and Philippe Sly, who joined forces with conductor Bill Eddins for a program of from music from Bizet's Carmen, Verdi's Macbeth, Rossini's Barber of Seville, and Wagner's Tannhäuser.

Charles Castronovo (left) and Erwin Schrott (right)

BEST BARIHUNK/HUNKENTENOR BATTLE: We all know that there is tremendous competition between baritones and tenors, but it reached new heights when barihunk Erwin Schrott went after hunkentenor Charles Castronovo's soul. The social media regular wrote on Twitter, "Dear Faust @CharlieTenor, meet me @ Laeiszhalle, Hamburg tonite 7:00 PM. Don't forget: bring soul! Tschüs! Méphy x"

Castronovo was singing Faust opposite Schrott's Méphistophélès in Gounod's opera in Baden-Baden, and the duo were joined by fellow barihunk Jacque Imbrailo, who was Valentin.

BEST PERSONAL STORY: Speaking of souls, it's rare for an artist to bare his or her soul in an interview, but that's just what Hadleigh Adams did in an interview with San Francisco's leading LGBT paper, the Bay Area Reporter. He minced no words in talking about what it was like to be effeminate, not to fit in with the other boys, having a friend commit suicide and facing challenges with family. We also had the privilege of hearing him turn this very personal story into an evening of song, which we think would be a hit on the recital circuit. Adams just wrapped up his second year at the prestigious San Francisco Opera Center Adler Fellows‎ and is surely destined for a great career in opera. It's one thing to grow as an artist, but Hadleigh Adams has shown us how amazing it is to watch someone grow as a human being.

Duncan Rock

BEST ANNOUNCEMENT: In our opera travels, we frequently get asked why certain European singers haven't appeared in the U.S. Topping that list is Duncan Rock (now that Edwin Crossley-Mercer has sung in America). So imagine the excitement surrounding the highly-anticipated U.S. stage debut of British Barihunk sensation Duncan Rock, which will occur not far from another rock, Plymouth Rock. The Boston Lyric Opera has snagged the charismatic fan favorite to portray the title role in Mozart's Don Giovanni next season. Performances will run from May 1-10, 2015. His gender bending performance in Don Giovanni: The Opera at London's famous nightclub Heaven was a huge sensation.

Kelly Markgraf and Sasha Cooke

Dan Kempson

BEST NEW OPERA: The world premiere of Laura Kaminsky's opera "As One," which explores the revelatory and redemptive journey of a transgender individual, opened on September 4th at the Brooklyn Academy of Music with the real-life married couple of mezzo-soprano Sasha Cooke and barihunk Kelly Markgraf. The opera was a critical success and will be reprised at Caine College of the Arts at Utah State University in April 2015 with Markgraf and again at West Edge Opera in July/August 2015 with Dan Kempson. who will be joined by the Friction String Quartet at the Oakland Metro Opera House.

Kaminsky was inspired to write the opera after reading an article in the New York Times in 2008 about a New Jersey marriage in which one of the parties transitioned from male to female, transforming the couple from heterosexual to homosexual.

Finally, we have to close with our favorite email of the year, which came from a reader in Michigan back in May. "Dear Barihunks, I was pleasantly surprised when I came upon your website. It is surprisingly intelligent and well-written. I have learned about singers that were heretofore unknown to me and you have exposed me to much new music. I've also learned about opera competitions and smaller companies that I would not have read about elsewhere. For this I am eternally grateful, but frankly, I'd much prefer more pictures and less text."

Lastly, if you enjoyed Barihunks this year and if you like supporting young artists, please order your Charity Calendar today, so that we can keep up our tradition if assisting the hottest young talent in opera. Our calendar features 19 of the most amazing singers, who also happen to be easy on the eyes. Order NOW by clicking below. Thank you for your support.

Opera Omaha delivers "endless pleasure" in new Semele with Aubrey Allicock

Dancers surround Somnus (Aubrey Allicock), god of sleep

Regular readers will remember that our "Barihunks Best of 2014" featured Opera Omaha for the "Hottest Cast in Opera" for their production of Handel's Agrippina. The cast was led by two of the sexiest barihunks in the business, Hadleigh Adams as the emperor Claudio and Doug Williams as Pallante.

Opera Omaha is bringing back the director of Agrippina, James Darrah and his creative team Chromatic, to take on another Handel opera, Semele. Barihunk Aubrey Allicock will sing the role of Somnus, the god of sleep. He'll be joined by countertenor Ray Chenez as Athamas, soprano Mary Feminear as Semele, mezzo Peabody Southwell as Juno, tenor William Ferguson as Jupiter and soprano Liz Lang as Iris. Early music specialist Stephen Stubbs will also return to conduct Semele.

Samuel Ramey sings "More Sweet is That Name" from Semele:

Performances at the Orpheum Theater will be on April 8 and 10 and tickets are available online. There will be a pre-performance talk 40 minutes before each performance in the Grand Lobby, where James Darrah will share insights into this new production.

Handel’s Semele is a darkly comic mythological story of a mortal woman’s tryst with a dangerous god. It's the tale of two worlds, the immortal and the mortal. Swept off to a celestial love nest by the besotted Jupiter, the still-discontented princess is easily manipulated by the jealous Juno into demanding more, and is destroyed. The opera includes some of Handel's most popular arias, including Semele's "Endless pleasure, endless love." Jupiter's "Where'er you walk" and the most egotistical aria in all of opera, Semele's "Myself I shall adore."

Countertenor Ray Chenez & Barihunk Aubrey Allicock

Opera Omaha, which began in 1958 as the Omaha Civic Opera Society, is the only professional opera company in Nebraska, It became a fully professional opera company by 1970 and is known for highlighting gifted young singers from the area as well as nationwide. The company is known for both its innovation and educational outreach programs. They had produced eight world premieres and four American premieres.

Barihunk duo in Monteverdi's L'Orfeo

Damien Pass and Alex Rosen

OPERA2DAY is teaming up with the Nederlandse Reisopera and Studio Drift to produce Claudio Monteverdi's L’Orfeo, often considered to be the first successful opera. Monteverdi referred to the piece as a "favola in musica," in which “all the actors are to sing their parts.”

Barihunks Damien Pass will sing Spirito and Alex Rosen will take on Caronte in a cast that also includes Samuel Boden as Orfeo, Kristen Witmer as Eurydice, Yannis François as Plutone and Laurence Kilsby as Apollo.

Hernán Schvartzman will conduct the orchestra of La Sfera Armoniosa on period instruments.  There will be ten performance  production can be viewed 10 times in January and February in theatres throughout the Netherlands starting in Enschede on January 25, then traveling to Leeuwarden, Maastricht, Utrecht, Amsterdam, Rotterdam, Zwolle, Arnheim and ending in Den Haat on February 22.

OPERA2DAY in Den Haag is a company founded to bring opera to new audiences by presenting old standards in contemporary settings. They often condense the opera to shorter running times.

Damien Pass' legendary strip tease in Agrippina

At the time when Monteverdi was composing L’Orfeo,  he was dealing with the recent death of his first wife Claudia and 18-year-old star soprano Caterina Martinelli. These events inspired him to compose some of the most beautiful music of love and mournful tunes ever written in opera.

Australian baritone Damien Pass has performed many baroque roles including Handel's Lucifero (La resurrezione), Zoroastro (Orlando) and Pallante (Agrippina), as well as Rameau's Borée (Les Boréades). After L'Orfeo, he head to Opéra de Lille to sing Pistola in Verdi's Falstaff.

American bass Alex Rosen is also not stranger to early music, having performed Seneca in Monteverdi’s L’incoronazione di Poppea with Cincinnati Opera, Haydn’s Creation and Handel’s Acis and Galatea with Les Arts Florissants and Somnus and Cadmus in Handel’s Semele with Opera Philadelphia.

Colin Ramsey in Aztec "Magic Flute"; Introducing Zane Ransom Hill

Colin Ramsey as The Speaker (left) and modeling his Barihunk tee shirt (right)

We introduced barihunk Colin Ramsey to readers last year and then featured him during his Seattle Opera debut in Menotti's The Consul earlier this year.

He's currently back at the Opera NEO Summer Opera Festival and Workshop where he's performing The Speaker in Mozart's The Magic Flute. The production is being done in Aztec style with a costume that we just had to share with readers.

The opera is being performed in English on August 15 and 17 at Crill Performance Hall at the Point Loma Nazarene University in San Diego. Tickets are available online.

Zane Ransom Hill

Also appearing with Opera NEO is Zane Ransom Hill, who is new to this site. He'll be singing Lesbo in Handel's Agrippina (as well as covering Papageno in The Magic Flute).  Agrippina will be performed on August 14 and 16 under the baton of early music specialist Nicholas Kraemer.

Zane Ransom Hill is a junior at the Oberlin Conservatory of Music where he is pursuing his Bachelor of Music degree in Vocal Performance. In the Spring of 2011, he was chosen to be part of the exclusive Houston Grand Opera High School Voice Studio; a yearlong scholarship program of private weekly voice lessons, master classes, performance opportunities and vocal coaching from the Houston Grand Opera staff. 

Hill has performed in the choruses of Haydn's Il Mondo Della Luna and Johann Strauss' Die Fledermaus with the Oberlin Opera Theater, and was also accepted into the prestigious Oberlin in Italy program where he performed in the chorus of Puccini's La bohème. In 2013, he sang as part of the Lyrique en Mer Festival in Belle Île, France where he performed in the productions of both Bizet's Carmen and Rossini's Il Barbiere di Siviglia.

This summer, he has been selected as one of only twelve Schubert Fellows for SongFest 2014 at the Colburn School in Los Angeles, where he will perform in a concert series collaborating with leading composers and recital artists.

Barihunks in Boston

David McFerrin (Far Left) and Christian van Horn (R) (Photos by Jeffrey Dunn for Boston Lyric Opera © 2011)

The Boston Lyric Opera's performance of Handel's "Agrippina" is opening on Friday, March 11 with barihunks Christian Van Horn and David McFerrin (and lots of countertenors). For additional cast and performance information visit the BLO website. 

David McFerrin: Rising Star

McFerrin has been featured on this site before as one of the alternating leads in the Seattle Opera's premiere of Daron Hagen's "Amelia" (the other lead was Nathan Gunn). He was also a standout in Steven Blier's "New York Festival of Song" singing some of the more provocative songs on the program. McFerrin was also a Metropolitan Opera Regional Auditions finalist and we encourage anyone in the Boston area to check out this rising star.

Here is a clip of Christian Van Horn performing in Lucretia Borgia at the Bavarian State Opera.

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