Jose Carbo and Sean Pendry with real Barber of Seville owner Michael Romeo (Photo: Manuela Cifra)
We're all about cross promoting opera, as long it exposes new people to the art form and it maintains a reasonable degree of integrity. One of our favorite cross promotions that we've seen lately is Opera Australia joining forces with the owner of a local hair salon aptly named the "Barber of Seville." We'll let you figure out which opera the company is performing.
Michael Romeo is the owner of the salon in Richmond, Australia and the photo op with the singing barber, Jose Carbo, was great publicity for his new salon in Moonee Ponds, Australia. We also love his slogan, "Come get chopped at the Barber of Seville." If he ever opens a salon called "Sweeney Todd," he can keep his tagline.
Michael Romeo's fun banner for his operatically inspired hair salon
The Opera Australia production of Rossini's opera is moving the action forward to the Roaring 20's with some amazing costumes and fun "Keystone Kops" action scenes. We last saw Carbo as the Barber at the Seattle Opera where he was sharing the role with fellow barihunk David Adam Moore and making his belated U.S. debut. Carbo, who is of Italian and Spanish heritage, was raised in Australia since childhood, so this performance is a return to his "hometown stage."
Jose Carbo and Maria Bayo sing "Dunque io son" from the Barber of Seville in Madrid:
The opera also features barihunk Sam Dundas, who we recently showcased in some sexy, shirtless shots when he was performing Mozart's Cosi fan tutte. He'll be singing three small roles in the Barber: Fiorello, Ambrogio and the notary. [You don't want to miss those photos!].
There are six performances from May 4-17. Visit the Opera Australia website for additional information and production photos.
When we recently featured Michael Mayes and his self-described transformation from Bari-Chunk to Bari-Hunk, it almost doubled our internet traffic for a week. Michael Mayes is one of our favorite people in opera. His Texapolitan Opera podcast is one of the most entertaining sites in all of classical music. He's also known as a great colleague, who works hard and is supportive of others. He's also become a fan favorite at the Ft. Worth Opera Festival, where he will return this season to sing Kinesias in Mark Adamo's comedy Lysistrata.
We've been unabashed in our support of the Ft. Worth Opera Festival, which we believe is a mandatory stop on any opera lover's list of festivals. This year they're also performing Jake Heggie's Three Decembers, Mozart's Marriage of Figaro and Puccini's Tosca. We encourage you to check out their website and learn more about this company.
Mayes is one of the feature stories in the May 2012 issue of 360 West magazine, where he talks about the special place that the Festival holds in his heart. It's an absolute must read and can be accessed HERE beginning on page 104.
Ted Federle sings Kinesias' aria from Adamo's "Lysistrata"in the 2007
non-professional premiere of the opera at the Seagle Music Colony:
Christian Van Horn headed off to another role debut
The last time we featured American barihunk Christian Van
Horn, he was all the buzz in Opera News. The running joke about Van Horn, is that despite his barihunk looks, he gets cast in roles that don't show off his assets. That's not changing any this summer, as he makes his role debut as Banquo at the Grand Theatre du Geneve opposite the unhappy and ambitious duo of Jennifer Larmore as Lady Macbeth and Davide Damiani as Macbeth.
Performances of the new Christof Loy production will run from June 13-26. Additional cast and ticket information is available on the company's website.
James Morris sings Banquo's aria "Come dal ciel precipita" from Macbeth:
After Geneva, Van Horn will be singing with two of our favorite companies, the San Francisco Opera and the Dallas Opera. In San Francisco, he continues to show off his sinister side as he takes on the four villains in Offenbach's "The Tales of Hoffmann" - Coppélius, Dapertutto, Dr. Miracle and Lindorf. The dream cast also includes Natalie Dessay as the four heroines Olympia, Antonia, Giulietta, Stella; Alice Coote as Nicklausse; and, Matthew Polenazni as Hoffmann. We have a feeling that this is a performance that should be added to any opera lover's travel calendar. Also, don't miss the San Francisco Opera's amazing summer season that includes Adam's Nixon in China, Verdi's Attila and Mozarts Magic Flute with Nathan Gunn.
In Dallas, he continues the trend of playing unattractive old men, as he takes on Timur in Puccini's Turandot. The production opens April 5, 2013 with the amazing Lise Lindstrom as Princess Turandot. The ubiquitous Nathan Gunn will also feature in the Dallas Opera season, as he is cast in Dominick Argento's "The Aspern Papers" in another all-star cast that features Susan Graham, Carol Vaness and the stunning young tenor Joseph Kaiser.
If you want to see and hear Van Horn out of make-up, you'll have to head to Los Angeles, where he's joining the L.A. Philharmonic as the bass soloist in Beethoven’s 9th Symphony. The performance is on July 10, 2012 at the famed Hollywood Bowl and will be conducted by Leonard Slatkin.
David Adam Moore as he appeared in the Barihunks Calendar
We've always found Carl Orff's "Carmina Burana" a somewhat sexy piece of music with its songs about the pleasures and perils of drinking, gluttony, gambling and lust. With that in mind, having sexy barihunk David Adam Moore sing the baritone part seems like dream casting. Moore will be performing a fully-staged version of Carmina Burana, as well as Silvio in Leoncavallo's Pagliacci with the New Orleans Opera opening tonight.
This is the first time that the New Orleans Opera is producing Carmina Burana and they are going all out. They will be joined by the New Orleans Ballet Theatre along with the
combined choral forces of the New Orleans Opera Chorus, Loyola
University Chorus and the New Orleans Vocal Arts Chorale in what promises to be a spectacular show. There will be a second performance on Sunday, April 29, so if you're anywhere in the area, click HERE for a ticket.
Bernd Weikl sings Estuans Interius from Carmina Burana:
Moore will play the "other man" in Pagliacci opposite the Russian-born, American-raised soprano Inna Dukach. Here is an interview with Moore conducted by New Orleans Opera Executive Director Timothy Todd Simmons. You can hear about his "other career" in the visual arts, his country music roots and his upcoming recording of "Soldier Songs," which we've featured on the site:
Add Stéphane Degout to the growing list of barihunks who have appeared nude on stage. The amazing French singer bares all in the Theater an der
Wien's production of Ambroise Thomas' "Hamlet." His dispair and self-mutilation manifests itself in stunning scene in Act 3 when he is bathed by Gertrude.
The production is by Olivier Py who transformed the stage into a cavern of human debauchery and
misery.
Degout last appeared on this site when he appeared in a dreamy cast of Debussy's Pelléas et Mélisande with fellow barihunk Jérôme Varnier. The two are reunited in this production, as Varnier appears the ghost. Stéphane Degout has become the leading lyric baritone in the French style since Francois Le Roux and Gerard Souzay, both of whom have appeared on this site.
The always intense and musically incisive Christine Schäfer portrays Ophelia, Phillip Ens is Claudius
and Frédéric Antoun is Laërtein in this co-production with the Théâtre de la Monnaie in Brussels. Now let's hope that someone brings it to the United States.
Barihunk Justin Hopkins, who first impressed us in Philip Glass' Hydrogen Jukebox with the Fort Worth Opera Festival, has won second prize in the prestigious Lotte Lenya Competition. He shared 2nd place with tenor Jacob Keith Watson. Eastman School of Music master’s degree student Matthew Grills, who was a
winner in the Metropolitan Opera National Council Auditions last
month, was awarded 1st place.
The Lotte Lenya Competition is an international theater singing contest
that recognizes talented young singer-actors, ages 19 to 30, who are
dramatically and musically convincing in a wide range of repertoire, and
emphasizes the acting of songs within a dramatic context. It was
founded in 1998 by foundation President Kim H. Kowalke, who is the
Richard L. Turner Professor in Humanities at the University of Rochester
and professor of musicology at the Eastman School.
Justin Hopkins sings "The Impossible Dream":
Justin Hopkins burst onto the international opera scene in 2010, performing the combined roles of Il Servo, Il Medico and Heraldo in Macbeth with Le Théâtre Royal de la Monnaie in Brussels in a production that was awarded "Production of the Year" by Opernwelt. In the same season he performed the roles of Colline in La Boheme with the Verbier Festival Academy and Cappadocian in Richard Strauss' Salome under the direction of Valery Gergiev with the Verbier Festival Orchestra in Switzerland.
Hopkins was a semi-finalist in the Competizione dell' Opera at The Bolshoi Theater in Moscow as well as a finalist in the Mildred Miller International Voice Competition.
A native of Philadelphia, Pennsylvania, Mr. Hopkins began singing at the age of eight with the Philadelphia Boys Choir and Men's Chorale.
On Sunday, April 29, the father-in-law/son-in-law barihunk duo of Luca Pisaroni and Thomas Hampson will appear in a Gala Concert at the
Heidelberger Frühling Festival. The West German Radio Symphony Orchestra will be
conducted by Massimo Zanetti for an evening of arias and
duets by Giuseppe Verdi, Gioacchino Rossini and Wolfgang
Mozart.
Since not everyone can be there, we're pleased to announce that there will be a live webcast beginning at 6 PM CEST (Noon EST, 9 AM PST), which you can access HERE.
Today we celebrate the birthday of one of the greatest American baritones ever, Leonard Warren (born Warenoff). The family Americanized the name when his Russian father settled in the United States.
Warren's first job was working in his
father's fur business in New York In 1935. He studied voice with Sidney Dietch and the great Giuseppe
De Luca and joined the chorus of Radio
City Music Hall. In 1938 he won the Metropolitan Opera Auditions of the Air and
was granted a stipend to study in Italy.
Leonard Warren & Astrid Varnay sing "Favella il Doge" from Simon Boccanegra:
Warren made his debut at the Metropolitan Opera in excerpts from Verdi's La Traviata and Leoncavallo's Pagliacci in November 1938. His formal operatic
debut took place in New York in January 1939, when he sang Paolo in Simon Boccanegra.
He quickly became one of the most popular baritones of his time. He also sang in San
Francisco, Chicago, Canada, and South America. He appeared at La Scala
in Milan in 1953. In 1958, he made a highly successful tour of the Soviet
Union. His last complete performance at the Metropolitan Opera was as Simon Boccanegra on March 1, 1960. Three days later he collapsed while singing the aria "Urna fatale dal mio destino;" as Don Carlo during a performance of Verdi's La forza del destino. He had suffered a cerebral
hemorrhage and died backstage.
Leonard Warren sings "Urna fatale...È salvo, o gioia":
Leonard Warren was particularly acclaimed as one of the foremost
interpreters of the great Verdi baritone roles; he also sang the parts
of Tonio in Pagliacci, Escamillo in Carmen, and Scarpia in Tosca. He was reputed to be a person of an intractable
character, who always tried to impose his will on stage designers,
managers, and even conductors, in matters of production, direction, and
tempi. He caused pain, a colleague said, but he had a great voice.
If you haven't heard Sidney Outlaw perform yet, do we have a deal for you. We attended his recital in San Francisco and it was one of the most amazing performances by a young artist that we'd seen in some time. If you're in New York this weekend, you can hear him as part of the Lotte Lehmann Foundation Recital series. Tickets are $15, but if you mention Barihunks, you'll get the student/senior rate of $10. Trust us, this is a talent that you won't want to miss.
Outlaw will be joined by soprano Adrienne Danrich and accompanist Thomas Bagwell on Sunday, May 20, 2012 at 3:00pm at Christ & St. Stephen's Church, 120 West 69th Street in New York City. The program will feature music by Brahms, Duparc, Rachmaninov and a rare performance of Francis Poulenc's La Dame de Monte Carlo.
The North Carolina native was the 2010 Grand Prize winner of the Concurso Internacional de Canto Montserrat Caballé and recently made his debut with the English National Opera as Rambo in John Adams’s Death of Klinghoffer. He was a member of the Merola Opera Program in San Francisco where he stole the show as Dr.Dulcamara in L’elisir d’amore.
Outlaw’s other awards include Second Prize in the 2011 Gerda Lissner Foundation Awards, national semi-finalist in the Metropolitan Opera National Council Auditions, semi-finalist in the Francisco Viñas International Singing Competition, finalist for both the Concours International Musical de Montréal and the George London Competition, and grand prize at the Florida Grand Opera/YPO Vocal Competition. Mr. Outlaw holds a master’s degree in vocal performance from The Juilliard School and is a graduate of the University of North Carolina at Greensboro. Upcoming engagements include Telemann’s Orpheus with New York City Opera and the role of Don Giovanni at Aix-en-Provence.
We hate to deliver sad news, but we just learned that University of Cincinnati College-Conservatory of Music (CCM) student Mark Wesley
Brax, age 23, was killed in a
two-vehicle crash in southeastern Indiana over the weekend.
Brax had spent the summer at the
Tanglewood Festival before coming to CCM to receive his master's degree. Since
arriving at the College-Conservatory of Music, Brax had performed as
soloist in J.S. Bach’s “St. Matthew Passion,” participated in the
undergraduate production of Handel’s “Serse” and sang with the CCM
Chamber Choir and the Vocal Arts Ensemble of Cincinnati.
Robin
Guarino, chair of the opera department at CCM, said the aspiring opera
singer was “an exceptional artist and an inspiration to all. We are heartbroken at this loss, and send our love to his family and all those who knew him.”
The school held an informal memorial on Monday for students, faculty and staff.
The Dallas Cowboys were a pretty mediocre 8-8 last year, causing many fans to grumble that a better team needed to be assembled at Cowboys Stadium. That has happened, as the Dallas Opera has put together a winning team for the April 28 live simulcast of Mozart's The Magic Flute starring the always entertaining Patrick Carfizzi as Papageno. Devotees of low voices will also be treated to the resonant low notes of Raymond Aceto as Sarastro.
The opera will be simulcast on the massive high-definition video-screens at Cowboys Stadium beginning at 7:30 PM with doors opening at 6 PM. Over 30,000 tickets have been requested, leaving about 1,500 for the performance. You can reserve your tickets by clicking HERE.
The show will be seen on four viewing screens (the
largest is 72 feet tall and 160 feet wide) above the stadium's playing
field. The opera also stars soprano Ava Pine as Pamina, L'ubica Vargicova as the Queen of the Night, Angela Mannino as Papageno and tenor Shawn Mathey
as Tamino. Listen to Raymond Aceto below (don't miss this voice!).
If you'd rather see the opera at the Winspear Opera House, it opens on Friday, April 20 and runs through May 6. Visit the Dallas Opera website for tickets and additional information.
Watch John Adams' masterpiece "Nixon in China" live from the Théâtre du Châtelet beginning at 1 PM EST/11 AM PST. It stars barihunk Franco Pomponi as Richard Nixon, Kyung Chun Kim as Chairman Mao, Sumi Jo as Madame Mao and June Anderson as Pat Nixon. The video is supposed to remain available for three months.
Cedar Rapids, Iowa is probably best known for corn, Quaker Oats and for being the home of actor Ashton Kutcher and NFL quarterback Kurt Warner. It's also a surprisingly cultural city, with a thriving arts scene deeply rooted in Eastern European immigration. So we weren't surprised when we learned that two Iowa natives were coming to Mount Mercy University for a free concert.
On Sunday, April 29, at 3:30 p.m. soprano Katharine Goeldner will join emerging barihunk Chris Carr for the program "A Path to the Future: Music of Discovery" in the University Center Commons. The performance is free and open to the public. The duo will perform Gustav Mahler's Songs of a Wayfarer and Rückert Lieder, and
arias by Verdi, Tchaikovsky, Korngold, Barber, and more. The concert is the first musical performance held in
Mount Mercy's new University Center.
Carr will be appearing next season with Lyric Opera of Kansas City as Yamadori in Butterfly and Pish-Tush in Mikado!
In October, he will take on the daunting baritone role in the Carmina Burana with the Kansas City Ballet.
Matthew Morris
We adore the multi-talented Matthew Morris, who seems destined for an amazing career. If you're near the bucolic Hudson River valley, don't miss the chance to see Morris in his graduate vocal recital on Saturday, April 21, 2012, 3:00 pm at the Bard College Conservatory of Music. Tickets are free and can be obtained by calling (845) 758-7196.
Morris will be accompanied on the piano by Milena Gligic in a program that includes Charles Ives' Down East, Charlie Rutlage and General William Booth Enters into Heaven; Franz Schubert's Fischerweise and Des Fischers Liebesglück; Peter Warlock's My Own Country; Claude Debussy's Troi Ballades de François Villon; Tom Cipullo's "A Death in the Family" (from The Land of Nod); Irving Gifford Fine's "Lenny the Leopard" (from Childhood Fables for Grownups); and, GabrielFauré's En Sourdine.
Last November, we posted about Kevin Puts' new opera "Silent Night," which was being premiered at the Minnesota Opera. We were all atwitter, because not only did it seem like an amazing new American opera, but it featured a cast with more sexy men than a college water polo team. The cast included Gabriel Preisser, Liam Bonner, Mike Nyby, Andrew Wilkowske and Ben Wager and was named as our "Best Barihunk Feast of 2011" in our year-end wrap up.
Apparently, some other pretty impressive musical minds agreed that the opera was worthy of recognition, as the Pulitzer Prize for "Distinguished Musical Composition by an
American" was awarded to composer Kevin Puts for "Silent Night." The opera was commissioned and premiered by the Minnesota Opera in Minneapolis
on November 12, 2011, a company that we have long praised for its heartfelt commitment to premiering new works, especially those by American composers. We would like to add ourselves to the chorus of congratulatory messages from the music world.
The opera. with a libretto by Mark Campbell, recounts the true story of a
spontaneous cease-fire among Scottish, French and Germans during World
War I, displaying versatility of style and cutting straight to the
heart. The story was based on the 2005 film "Joyeux Noël."
Composer Kevin Puts
Also nominated as finalists in this category were Tod Machover
for "Death and the Powers," premiered by the Boston Modern Opera
Project in Massachusetts on March 18, 2011
and Andrew Norman for “The Companion Guide to Rome,” premiered
on November 13, 2011 in Salt Lake City.
Our favorite vlogger Jonathan Estabrooks keeps a busy schedule. This Thursday, April 19 at 7:30 p.m. he'll be part of a concert that includes Gian Carlo Menotti's The Telephone and a collection of opera arias
and duets with soprano Emily
Duncan-Brown. The concert is at the SWCC King Community Center in Richlands, Virginia and includes selections from
Verdi, Puccini and Rossini.
Christopher Dylan Herbert in Central City
Just a reminder that you can hear Christopher Dylan Herbert live on WWFM singing Johann Sebastian Bach's Cantata
56 "Ich will den Kreuzstab gerne tragen." The concert is free, so if you're in New York go check out this talented member of New York Polyphony. The concert will performed on Monday, April 16 at 1pm EST at St. Paul's Chapel near
Ground Zero. Broadcast time is 10 AM for those on the West Coast.
Herbert's ensemble New York Polyphony is currently performing on the East Coast as part of the Five Boroughs Music Festival'sGabrieli @ 400 and these concerts are not to be missed. On April 27 they perform at St. Ann's and the Holy Trinity in Brooklyn, on April 28 they are at St. Ignatius of Antioch in New York City and then on April 29 they perform at St. Barnabas Episcopal Church in Greenwich, Connecticut.
Quirijn de Lang sings Hugo Wolf
One of the most popular singers on this site is Dutch barihunk Quirijn de Lang, who appears to have quite an international fan club. He's just released a CD of songs by Hugo Wolf based on work by Ibsen & other poets. He is joined by soprano Mary Bevan and accompanist Sholto Kynoch. For lovers of Wolf lieder, the recording includes twelve previously unrecorded songs. You can purchase the CD at Stone Records.
We've posted some pretty hot pictures of barihunk Tom Corbeil over the years, especially the shirtless ones from Joseph Haydn’s "L’isola disabitata." He's currently put his opera career on hold to join the traveling cast of the Addams Family musical touring the country. Anyone who saw him shirtless in L'Isola disabitata would barely recognize him as the morticianly looking Lurch.
The Addams Family was created by Jersey Boys authors Marshall Brickman and Rick Elice, Drama
Desk Award winner Andrew Lippa (The Wild Party), choreographer Sergio
Trujillo (Jersey Boys), and Olivier Award-winning director/designers
Phelim McDermott and Julian Crouch (Shockheaded Peter) with
production supervision by four-time Tony Award® winner Jerry Zaks.
The Road Cast of the Addams Family
The show is currently in Cleveland through April 22nd. It then travels to Memphis, Madison, St. Paul, Grand Rapids, San Diego, Los Angeles, Denver, Kansas City and Washington D.C. Check HERE to see if the show is coming to your town.
There are a number of shows being put together that feature barihunks, including "Barihunks on Tour." This site has nothing (directly) to do with any of them, but we have been surprised that no one has copied the overused "Three Tenors," "Three Sopranos," "Three Countertenors" format to produce a "Three Barihunks" show. If you're in Wisconsin on Sunday, April 15th, you can get a brief preview of what that might look like.
Barihunks Anthony Reed, Michael Roemer and Tim Rebers will be part of a concert that features singers from the Wisconsin District Metropolitan Opera National Council Auditions. Joining the "Three Barihunks" will be guest tenor Scott Ramsay and sopranos Lindsay Sessing and Meagan Seubert. The performance will begin at 2 PM at the Dawes Studio Theatre at the Sharon Lynne Wilson Center for the Arts in Brookfield, Wisconsin. For tickets call the Wilson Center Box office at (262) 781-9520.
The singers worked with coach Jamie Johns over the last six months to refine their performance
techniques. The monthly coaching sessions focused on operatic repertoire
and culminated in this joint recital.
Michael Roemer and Adam Shelton in the duet from the Elixir of Love:
The Vocal Coaching Program was founded by Patricia Crump, a former
member of the CMA Board of Directors and president of Supporters of
Opera Singers, an organization established to administer funds donated
to assist young Milwaukee area singers. She is also Director Emerita of
the Wisconsin District Auditions of the Metropolitan Opera National
Council.
There are few things that we enjoy more than our "Reader Submission" feature. Over the years, we've been introduced to some of the most amazing talent and absolute eye candy from across the globe. We've had submissions come from as far away as Belarus and Indonesia, from boyfriends and girlfriends, husbands and wives, ex-lovers, men and women ranging from teenagers to people who reminisce about having seen Gina Cigna (look her up!) and even a number of proud moms. Gotta love those proud moms!
Our latest reader submissions are Nate Jones and Kyle Albertson.
Nate Jones is a 25-year-old lyric baritone who is a third-year student at Duke Divinity School. He's graduating in May with a Masters Degree. He received his Bachelor of Arts from Duke in 2009 and has been studying voice primarily with Elizabeth Linnartz.
Below are two videos from Nate Jones' Graduate Recital from 3/24/12 at Duke University
In 2009, he won the Schloss-Mirabell competition in Salzburg, where he
performed a concert of Schumann and Mozart in the Mozart Festival, while
also playing Figaro. He also has won the National Association for the
Teaching of Singing (NATS) competition at the state and regional levels.
He won a full scholarship to the American Singers Opera Project, where
he played Don Alfonso in "Cosi fan Tutte," and studied voice with
Sherrill Milnes' ex-wife, Nancy Stokes-Milnes.
Jones originally planned on going into doctoral work in theology/philosophy but has recently decided to go into opera full-time and plans on auditioning for some young artist programs.
Jones has been active with Long Leaf Opera in North Carolina, most recently singing Clay in Chandler Carter's "Strange Fruit" and Valentine in Joel Feigin's "The Twelfth Night." He also played the title role in "Sweeney Todd" at Duke.
Kyle Anderson
When we recently posted about the winners at the Gerda Lissner International Singing Competition we sure heard about the prize winners who we omitted (including one of our longtime favorites Dan Kempson). One singer who is new to us and who took a second place cash award is Kyle Albertson.
Albertson is a former participant in the Santa Fe Opera Apprentice Program. He has gone on to sing Leporello in Don Giovanni, Lescaut in Manon Lescaut, Henry Kissinger in Nixon in China. Blitch in Susannah, Mephistopheles in Faust, Figaro in Le Nozze di Figaro, and the Four Villains in Les Contes d’Hoffman.
Current and upcoming engagements include covering the roles of Bretigny in Manon, Antonio in Le nozze di Figaro, Masetto in Don Giovanni, and the Jailer in Dialogues des carmélites at the Metropolitan Opera.
We have a particular soft spot for many of the smaller opera companies and the Chicago Opera Theater has long been one of our favorite companies..Not only do they take greater risks, but they often feature barihunks in the early stages of their careers. We loved Matt Worth there in their productions of Owen Wingrave Three Decembes and now they have Adrian Kramer in an orginal take on Shostakovich called "Moscow, Cheryomushki." The cast also includes two other barihunks who have appeared on this site, Paul LaRosa as Boris and Matt Boehler as Drebednev.
The Chicago Opera Theater is producing its own
unique twist to Shostakovich's musical satire that takes a political
poke at the Soviet Union's chronic housing shortages. Renowned
Shostakovich scholar Gerard McBurney produced a musical score that
captures this operetta's lighter mood. The new production marks the 21st
Chicago premiere since the innovative Brian Dickie arrived in 1999 to run the company. The opera will be sung in English with English supertitles.
Adrian Kramer (Sasha) and Emily Fons (Masha)
If you're in Chicago, you can preview the music at an event at LOKaL tonight from 6-8pm. The cost is $25
($35 at the door) and includes hors d'oeveres, the Moscow martini and music from the show. Performances of the opera run from April 14-25. Visit the COT website for additional details.
Dmitri Hvorostovsky continues to establish himself as one of the leading Verdi baritones of our age. It's a little odd to see someone who is aging as beautifully as Carey Grant or George Clooney begin playing fathers onstage, but that's exactly what he'll be doing in the Live in HD broadcast of Verdi's La traviata from the Met on Saturday, April 14th. His elegantly phrased Giorgio Germont will be transmitted to cinemas
worldwide with a U.S. encore transmission on May 2 and Canadian encores on May 26 and June 24. The event will also feature
exclusive backstage footage and interviews with cast members.
Live performances of La traviata run through May 2nd. He then begins his recital tour in Minsk on May 14.
Hvorostovsky sings "Di Provenza il mar, il suol" from La traviata:
In the Don Giovanni that has just opened in Paris,
the eponymous hero has become an irredeemable sex pest of a
businessman. Too much power and sex has corroded his soul. Perhaps you
work with him. Perhaps you are him. At the end, in his nocturnal office,
Giovanni is stabbed through the heart by the co-worker he sexually
assaulted in act one, thrown through a window by a crowd of downtrodden
cleaners, at least one of whom he tried to grope, and then accompanied
to hell by the rotting corpse of the CEO he murdered at the outset.
Twenty-first century moral? Don't stay late at the office.
Markus Werba as Don Giovanni
The desperate Don's comeuppance, though, strikes me as unfair. As Kierkegaard noted in Either/Or, Don Giovanni is the opera's
erotically animating presence. "His passion resonates everywhere; it
resonates in and supports the Commendatore's earnestness, Elvira's
wrath, Anna's hate, Ottavio's pomposity, Zerlina's anxiety, Mazetto's
indignation, Leporello's confusion. As the hero in the opera, Don
Giovanni is the denominator of the piece." Take him away and you're left
with the bourgeois moralising of the opera's epilogue – an epilogue
that any director worth their salt would cut were it not for Mozart's
music.
Duncan Rock & Richard Crichton talk to Gaydar's Neil Sexton and Debbie Ryan
In Carlos Saura's 2009 film Io, Don Giovanni
about the life of Mozart's librettist Da Ponte, the hero becomes a
projection of the librettist's desire. In Claus Guth's 2008 succès de
scandale in Salzburg, the mortally wounded heroin user – Giovanni – is
imagined as the creation of the desires of all three women (Zerlina,
Donna Anna and Donna Elvira) he usually spends the opera mistreating.
Women want him, men want to be like him. In Guth's treatment, the
usually pious Donna Anna kills herself because she can't have him. No
matter that he killed her dad. [Read entire article HERE]
We somehow forgot to mention that the great John Relyea opened on Tuesday night in "The Tales of Hoffmann" at the Canadian Opera Company in Toronto. We've seen video of the rehearsals and the production and singing are magical. See for yourself in the trailer below. Relyea plays all four villains in the opera, in a cast that also features fellow barihunks Philippe Sly and Gregory Dahl.
Performances will run through May 14 and additional information can be found on the Canadian Opera Company's website.
Barihunks continue to take top prizes at international vocal competition, as Scott Conner, Steven LaBrie and Ricardo Rivera won 1st, 2nd and 3rd place at the Gerda Lissner International Vocal Competition. We hope that this string of victories lays to rest the internet chatter that barihunks are all looks and no voice.
Steven LaBrie
Two of the singers have links to the Academy of Vocal Arts in Philadelphia. Conner is a third year resident artist and LaBrie is a fourth year resident artist. Rivera is a young artist with the Mannes Opera program
The Gerda Lissner Foundation was created by Mrs. Lissner, a Metropolitan Opera subscriber for 77 years, to provide young opera singers with the financial support they need to pursue their craft and excel in the world of Opera. The three winners were awarded $10,000, $5,000 and $3,000. Barihunks would like to wish them continued success with their careers.
The Grand Prize of $15,000 was won by tenor Paul Appleby.
Barihunk John Brandon will be part of a free afternoon of opera at the University of Tennessee in Chattanooga on Sunday, April 15, at 3 p.m. in the Roland Hayes Hall.
An Afternoon of Opera sponsored by the Connor Society will be held on , UTC Fine Arts
Center, located at the intersection of Vine and Palmetto Streets. He will be joined by soprano Cherry Brendel, tenor Ron
Brendel and mezzo Rosella Ewing in selections from Carmen, Rigoletto, La traviata, Lakme, The Pearl Fishers,
Samson & Delilah, The Elixir of Love, and The Magic Flute.
For more information, call 425-4627 or email verbie-prevost@utc.edu.
Apple of our eye: Christopher Dylan Herbert
Christopher Dylan Herbert is breaking away from his role as the baritone/bass member of New York Polyphony to perform a free concert on Monday, April 16 at 1pm at St. Paul's Chapel near Ground Zero. Herbert will be performing Johann Sebastian Bach's Cantata 56, "Ich will den Kreuzstab gerne tragen," one of only two solo cantatas for baritone written by the German baroque master.
Also on the program is mezzo Luthen Brackett performing Bach's Cantata 54, and organist Renée Louprette performing Bach's Fugue in Eb Major (BWV 551b). Click HERE for additional information. The concert will be broadcast live on WWFM.
Seattle's Best: Joseph Lattanzi & David Krohn
Puccini's "Madama Butterfly" is generally not a barihunk opera, but the Seattle Opera is featuring two of its hottest young artists in a free simulcast on Saturday, May 5th. David Krohn will sing Prince Yamadori and Joseph Lattanzi will sing the Registrar in the opening night performance that includes the Cio-Cio-San of Patricia Racette.
The live HD simulcast from McCaw Hall will be broadcast onto a 50' x 80' screen at KeyArena. Tickets are free, but are expected to go fast, so reserve your tickets by clicking HERE. Door will open at 6:00 PM and the broadcast will begin at 7:30 PM.
San Francisco Bay area residents are in for a treat as the Philharmonia Baroque Orchestra is once again teaming up barihunk Philip Cutlip with early music conductor extraordinaire Nicholas McGegan. The two have performed together in highly acclaimed performances of Haydn's The Creation, Handel's Messiah, Handel's Atalanta and Purcell's Dido and Aeneas. Anyone who has heard these two perform together knows it's always a special evening of music making. Cutlip and McGegan are now teaming up for Handel's Alexander Feast with a cast that includes soprano Dominique Labelle and tenor Dann Coakwell. Visit the Philharmonia Baroque Orchestra website for additional information.
William Berger sings "Revenge, Timotheus cries" from Alexander's Feast:
Cutlip has been a regular on this site in repertoire ranging from the Handel, Mozart and Donizetti to Britten, Heggie and Philip Glass. We're eagerly looking forward to his Eugene Onegin with the Edmonton Opera in May 2013. His recording of Joseph De Rocher in Heggie's Dead Man Walking will be released on Virgin Classics on April 24th.
Philip Cutlip as Joseph De Rocher
Frequently heard in performances with New York Festival of Song, Cutlip gave the world premiere of American Love Songs
- a set of 10 commissioned pieces for vocal quartet - at the Tisch
Center for the Arts and at the 92nd Street Y; appeared in a program of
commissioned works at Weill Recital Hall at Carnegie Hall; and also
toured with NYFOS to Louisville for Rorem's Evidence of Things Not Seen.
Somehow Southern California barihunk Christopher Job has fallen off our radar for four years. Since our last post in January 2008, he's performed at the Teatro Comunale di Bologna and joined the roster of the Metropolitan Opera, where he performed in Janacek's From the House of the Dead, Shostakovich's The Nose and The Enchanted Island with fellow barihunk Luca Pisaroni.
He's about to make his role debut at Escamillo in Bizet's Carmen at the Lyric Opera Virginia. The opera opens on May 4th in Newport News and then moves on to Charlottesville, Richmond and Virginia Beach. Visit the Lyric Opera website for additional information.
Last summer, he was seen as Caronte in Monteverdi's L'Orfeo ed Euridice as well as the Poet in Philip Glass' Orphee at Glimmerglass Opera,. This summer he returns to Glimmerglass to sing Capellio in Bellini's I Capuleti e i Montecchi.
Ed Ballard, our latest reader submission, is currently studying at the Royal Academy of
Music in London. The London born singer is a former chorister who went on to study at the Guildhall School
of Music and later received his Bachelor of Arts and Master of Philosphy in
History from Clare College, Cambridge.
He has performed numerous choral works throughout the U.K. including Bach's St Matthew Passion, Handel's Messiah, Brahms' Ein Deutsches Requiem, Fauré's Reqiuem, Duruflé's Reqiuem and Howells Reqiuem, Haydn's LordNelson Mass and Theresiennemesse, Finzi's In Terra Pax and Stainer's Crucifixion.
His operatic roles include Demetrius in Britten’s A Midsummer Night’s Dream in Edinburgh and Guglielmo in Mozart’s Cosi fan tutte in Cambridge, Death in Holst’s Savitri and Louis in The Wandering Scholar at the Grimeborn Opera Festival,Aeneas in Purcell’s Dido and Aeneas at the Dartington International Summer School and Mother/Brother in Kurt Weill’s The Seven Deadly Sins in Cambridge with the Carmen Elektra Underground Opera.
The Metropolitan Opera’s new production of Massenet’s Manon will be transmitted live to movie theaters around the world on Saturday, April 7 as part of The Met: Live in HD series. Barihunk Paulo Szot sings Manon’s cousin Lescaut in the performance.
Anna Netrebko will make her Met role debut as the tragic heroine Manon in the production directed by Laurent Pelly. Met Principal Conductor Fabio Luisi will conduct the opera for the first time at the Met, and tenor Piotr Beczala makes his role debut as the ardent Chevalier des Grieux. TheMet: Live in HD presentation of Manon will be hosted by soprano Natalie Dessay.
Visit the Met's website for more information on The Met: Live in HD series, now seen in more than 1,700 movie theaters in 54 countries around the world..
Szot starred as Kovalyov in the 2010 Met premiere of Shostakovich’s The Nose and returned last season as a sexy Escamillo in Bizet’s Carmen. He won a 2008 Tony Award for his portrayal of Emile de Becque in Rodgers and Hammerstein’s South Pacific.
Peter Brathwaite as he appears as the April feature in the Barihunks calendar
British barihunk Peter Brathwaite is one of our featured singers for the month of April in our 2012 Barihunks charity calendar, so it seems appropriate to announce his latest success.
Amore
Brathwaite is part of a new opera quartet called Amore, which has signed up with Warner Brothers Records. Their debut album entitled "Stand Together" is scheduled for release in the United Kingdom on May 28 and is available for pre-order on Amazon. Tracks include Abide With Me, Nella Fantasia, Ave Maria, the Flower duet, Cantique De Jean Racine, Amazing Grace, Here's To The Heroes, the Bacarolle, Jerusalem, Nimrod (We Will Stand Together) and the Brindisi (which you can sample below).
The group goes on tour this summer, with a concert on June 29 at Russell Watson's Jubilee Proms in Buckinghamshire. In August, they will be in Scarborough and Saffron Walden. Check out their website for additional information. You can also follow the quartet on Twitter at @weareamore or on Facebook.
We don't get many emails from Russia, so we perked up when we saw an email suggesting we check out the guy singing the title role in Tchaikovsky's "Eugene Onegin" at the Stanislavski and Nemirovich-Danchenko Moscow Academic Music Theatre in Moscow.
Zuev was born in Russia and studied at the famous Moscow State Conservatory. His repertoire includes Count Almaviva in Le nozze di Figaro (Mozart), Gryaznoi in The Tsar's Bride (Rimsky-Korsakov), Figaro in Il barbiere di Siviglia (Rossini), Enrico in Lucia di Lammermoor (Donizetti), Marcello in La boheme (Puccini), the title role in Yevgeny Onegin (Tchaikovsky) and others. He has performed in Israel, Spain, Great Britain, Italy, Estonia and Azerbaijan.
The next performance of Eugene Onegin is on Thursday, April 5th.
We'll keep an eye on this singer as his career progresses. Unfortunately, we couldn't find any video, but here is another famous Russian, Dmitry Hvorostovsky, singing Eugene Onegin.
