Jonathan Woody and Kyle Guglielmo |
The libretti cover a wide range of stories, from Sigmund Freud and Mabel Dodge Luhan to events taking place in a spaceship, an asylum, and a uterus. The composers Matthew Barnson, Carlos R. Carrillo, Nell Shaw Cohen, Marc LeMay, Cecilia Livingston, and Sky Macklay and librettists Edward Einhorn, Duncan McFarlane, Emily Roller, and Mark Sonnenblick, were chosen by AOP to spend a year creating new works in its bi-annual fellowship program Composers & the Voice.
The performances will be held on Friday, September 30 at 8:00pm at South Oxford Space (138 S. Oxford St.) in Fort Greene, Brooklyn, the home of AOP, and on Sunday, October 2 at 2:30pm at the National Opera Center (330 7th Ave, 7th floor) in Manhattan. Tickets range from $10-$25 general admission and are available online.
Kyle Guglielmo sings "Joey, Joey, Joey" from Most Happy Fella:
Woody and Guglielmo will be joined by coloratura soprano Tookah Sapper, lyric soprano Jennifer Goode Cooper, mezzo-soprano Caitlin McKechney and tenor Blake Friedman.
Guglielmo has appeared with LoftOpera, Sarasota Opera, American Opera Projects, American Lyric Theater, The Princeton Festival, Piedmont Opera, and the Westfield Symphony (now New Jersey Festival Opera). He sang Dr. Pill in the premiere of Daron Hagen's Little Nemo in Slumberland at Sarasota Opera. Kyle made his Carnegie Hall Debut in April singing the Celebrant in Leonard Bernstein's Celebrations from MASS with the Yale Symphony, arranged and conducted by John Mauceri.
American bass-baritone, Jonathan Woody, obtained his Bachelor of Music degree in Vocal Performance from the University of Maryland, College Park and completed his Master of Music degree in Early Music at McGill University. He has recorded with the Trinity Wall Street Choir under the Musica Omnia label, most recently being featured on the premiere recording of Ralf Yusuf Gawlick's Missa Gentis Humanae for 8 voices. In May 2014, Quill Classics featured him as soloist for a concert of German and French music by Brooklyn Baroque.
No comments:
Post a Comment