Showing posts with label emily edmonds. Show all posts
Showing posts with label emily edmonds. Show all posts

Tuesday, December 31, 2019

Johnny Herford in U.K. premiere of Denis & Katya

Johnny Herford
Johnny Herford, who shared the lead role in composer Philip Venables and librettist Ted Huffman's new opera Denis & Katya with fellow barihunk Theo Hoffman in its world premiere at Opera Philadelphia in September, will now perform the U.K. premiere on February 27. 

The production with the Music Theatre Wales will open in Newport and then head to Mold and Aberystwyth, Wales, and finally too London and Cardiff. Herford will be joined by mezzo-soprano Emily Edmonds as Katya. They'll be accompanied by four cellos from the London Sinfonietta. Tickets and additional information is available online.

The true story follows 15-year-olds Denis Muravyov and Katya Vlasova, who livestreamed their final hours on multiple social media platforms after creating a real-time voyeuristic spectacle and leaving behind a trail of devastating footage of their drinking, smoking, cuddling, and crying as they prepared to die.

The couple had been in an armed standoff with Russian Special Forces when they decided to broadcast themselves live on social media, creating a spectacle of real-time voyeurism. The couple became known as the Romeo and Juliet of internet clickbait. 

After the tour, Herford will perform Starveling in Britten's A Midsummer Night's Dream at The Grange Festival in a cast that includes Jonathan Lemalu as Bottom, Ben Johnson as Flute and fellow barihunk Dominick Sedgwick as Demetrius.  

Tuesday, October 14, 2014

Hadleigh Adams to star in Southern Hemisphere premiere of Bajazet

Hadleigh Adams in Castor & Pollux (left)
Australia's Pinchgut Opera just announced that they will be presenting the Southern Hemisphere premiere of Vivaldi's Bajazet. Starring in the title role will be barihunk Hadleigh Adams, who is wrapping up his second season as a San Francisco Opera Adler Fellow. Adams is returning to Pinchgut after a successful run as Pollux in their production of Rameau's Castor & Pollux in 2012.

Bajazet, a rarely performed operatic tragedy, premiered in Verona in 1735 and is a pastiche of Vivaldi's own arias, as well as those by Johann Adolph Hasse, Geminiano Giacomelli, Nicola Porpora and Riccardo Broschi. The opera is also known as Il Tamerlano and the story was also successfully set to music by Handel.

Vivaldi’s Bajazet, a rarely performed operatic tragedy, premiered in Verona in 1735. An opera of romantic entanglement and love triangles, Bajazet tells the tale of a struggle for power between Bajazet, ruler of the Turks, and Tamerlano, ruler of the Tartars. When Bajazet’s daughter Asteria is threatened with marriage to the invading ruler, she conspires to murder him. The plot thickens after Tamerlano’s former betrothed, Irene, turns up to reveal the scheme, having taken issue with being pushed aside onto Tamerlano’s Greek ally (Andronico) who, unfairly, is also in love with Asteria />
Vivaldi’s Bajazet, a rarely performed operatic tragedy, premiered in Verona in 1735. An opera of romantic entanglement and love triangles, Bajazet tells the tale of a struggle for power between Bajazet, ruler of the Turks, and Tamerlano, ruler of the Tartars. When Bajazet’s daughter Asteria is threatened with marriage to the invading ruler, she conspires to murder him. The plot thickens after Tamerlano’s former betrothed, Irene, turns up to reveal the scheme, having taken issue with being pushed aside onto Tamerlano’s Greek ally (Andronico) who, unfairly, is also in love with Asteria />
Vivaldi’s Bajazet, a rarely performed operatic tragedy, premiered in Verona in 1735. An opera of romantic entanglement and love triangles, Bajazet tells the tale of a struggle for power between Bajazet, ruler of the Turks, and Tamerlano, ruler of the Tartars. When Bajazet’s daughter Asteria is threatened with marriage to the invading ruler, she conspires to murder him. The plot thickens after Tamerlano’s former betrothed, Irene, turns up to reveal the scheme, having taken issue with being pushed aside onto Tamerlano’s Greek ally (Andronico) who, unfairly, is also in love with Asteria - See more at: http://www.limelightmagazine.com.au/news/pinchgut-opera-launches-2015-season#sthash.jSqY461i.dpuf
Vivaldi’s Bajazet, a rarely performed operatic tragedy, premiered in Verona in 1735. An opera of romantic entanglement and love triangles, Bajazet tells the tale of a struggle for power between Bajazet, ruler of the Turks, and Tamerlano, ruler of the Tartars. When Bajazet’s daughter Asteria is threatened with marriage to the invading ruler, she conspires to murder him. The plot thickens after Tamerlano’s former betrothed, Irene, turns up to reveal the scheme, having taken issue with being pushed aside onto Tamerlano’s Greek ally (Andronico) who, unfairly, is also in love with Asteria - See more at: http://www.limelightmagazine.com.au/news/pinchgut-opera-launches-2015-season#sthash.jSqY461i.dpuf
The libretto revolves around romantic entanglements and love triangles and the struggle for power between Bajazet, ruler of the Turks, and Tamerlano, ruler of the Tartars. When Bajazet’s daughter Asteria is threatened with marriage to the invading ruler, she conspires to murder him. The plot thickens after Tamerlano’s former betrothed, Irene, turns up to reveal the scheme, having taken issue with being pushed aside onto Andronico, Tamerlano’s Greek ally, who is also in love with Asteria.

Hadleigh Adams as the Marquis in San Francisco Opera's La traviata (left)
Vivaldi wove into the opera an underlying tale of power struggles and invasion, reflective of the ones going on at the time, when Neopolitan operas were trouncing their local Venetian counterparts in popularity. Music associated with Neapolitan composers is thus cleverly designated to the invaders Tamerlano, Irene and Andronico.
Vivaldi’s Bajazet, a rarely performed operatic tragedy, premiered in Verona in 1735. An opera of romantic entanglement and love triangles, Bajazet tells the tale of a struggle for power between Bajazet, ruler of the Turks, and Tamerlano, ruler of the Tartars. When Bajazet’s daughter Asteria is threatened with marriage to the invading ruler, she conspires to murder him. The plot thickens after Tamerlano’s former betrothed, Irene, turns up to reveal the scheme, having taken issue with being pushed aside onto Tamerlano’s Greek ally (Andronico) who, unfairly, is also in love with Asteria - See more at: http://www.limelightmagazine.com.au/news/pinchgut-opera-launches-2015-season#sthash.jSqY461i.dpuf
Vivaldi’s Bajazet, a rarely performed operatic tragedy, premiered in Verona in 1735. An opera of romantic entanglement and love triangles, Bajazet tells the tale of a struggle for power between Bajazet, ruler of the Turks, and Tamerlano, ruler of the Tartars. When Bajazet’s daughter Asteria is threatened with marriage to the invading ruler, she conspires to murder him. The plot thickens after Tamerlano’s former betrothed, Irene, turns up to reveal the scheme, having taken issue with being pushed aside onto Tamerlano’s Greek ally (Andronico) who, unfairly, is also in love with Asteria - See more at: http://www.limelightmagazine.com.au/news/pinchgut-opera-launches-2015-season#sthash.jSqY461i.dpuf

Performances of Vivaldi’s Bajazet will be on July 4, 5, 7 and 8 at City Recital Hall Angel Place in Sydney.  Also in the cast is Christopher Lowrey as Tamerlano, Helen Sherman as Irene, Emily Edmonds as Asteria and Russell Harcourt as Andronicus.

Adams has maintained a busy schedule this season while a San Francisco Opera Adler Fellow, having sung the Marquis in La Traviata, Grand commissioner in Madame Butterfly and Jailer in Tosca. He also performed Gendarme in Poulenc’s Les mamelles de Tirésias with San Francisco's innovative young company Opera Parallèle.