Michael Mayes to make role debut as Sharpless; Broadcast live!

Michael Mayes

Michael Mayes has become so associated for his brilliant portrayals in contemporary opera, that we sometimes forget that he's a compelling presence in the standard repertory, as well. Mayes, who has been dubbed the definitive Joseph de Rocher in Jake Heggie's Dead Man Walking, a role he'll reprise in Opera Parallèle's upcoming season, will be making his role debut as Sharpless in Puccini's operatic classic Madame Butterfly next month.

Mayes will sing the role with the Michigan Opera Theatre from November 15-23 alongside hunkentenor Noah Stewart. Joining them in the cast will be Moldavian soprano Inna Los and Italian soprano Donata D'Annunzio Lombardi who will alternate in the role of Cio-Cio San.

If you can't make it to Detroit, opening night of the opera on November 15th will be broadcast live on WRCJ 90.9 FM. Tickets may be purchased online.

Dead Man Walking will be performed in San Francisco and Santa Monica and tickets are now on sale. This show will sell out fast, so visit the Opera Parallèle website today if you plan on attending.

Make sure to order our new 2015 Barihunks Charity Calendar featuring 19 of the hottest men in opera. Michael Mayes was one of the stars of our 2014 calendar. Click on the LULU button below to order now.

Sergey Khalikulov to star in new children's opera

Sergey Khalikulov

Sergey Khalikulov, who we recently introduced to readers, will be starring as the Father in the new children's opera My Head is Full of Colors. San Francisco's innovative young company Opera Parallèle will present the work free to the public on Saturday, November 1st at the Koret Auditorium at San Francisco's Main Public Library.

The opera, with music by Chris Pratorius and words by Nicole Paiement, is based on author Catherine Friend’s children’s book. Opera Parallèle has been committed to presenting operas with young performers, with an audience of children and families in mind. Khalikulov will be joined by soprano Carolyn Bacon in the story of a young girl who discovers her own meaning by engaging in the world around her is the kind of self-affirming discovery through artistic engagement.

Seating will be on a first come, first serve basis. 

Hadleigh Adams to star in Southern Hemisphere premiere of Bajazet

Hadleigh Adams in Castor & Pollux (left)

Australia's Pinchgut Opera just announced that they will be presenting the Southern Hemisphere premiere of Vivaldi's Bajazet. Starring in the title role will be barihunk Hadleigh Adams, who is wrapping up his second season as a San Francisco Opera Adler Fellow. Adams is returning to Pinchgut after a successful run as Pollux in their production of Rameau's Castor & Pollux in 2012.

Bajazet, a rarely performed operatic tragedy, premiered in Verona in 1735 and is a pastiche of Vivaldi's own arias, as well as those by Johann Adolph Hasse, Geminiano Giacomelli, Nicola Porpora and Riccardo Broschi. The opera is also known as Il Tamerlano and the story was also successfully set to music by Handel.

Vivaldi’s Bajazet, a rarely performed operatic tragedy, premiered in Verona in 1735. An opera of romantic entanglement and love triangles, Bajazet tells the tale of a struggle for power between Bajazet, ruler of the Turks, and Tamerlano, ruler of the Tartars. When Bajazet’s daughter Asteria is threatened with marriage to the invading ruler, she conspires to murder him. The plot thickens after Tamerlano’s former betrothed, Irene, turns up to reveal the scheme, having taken issue with being pushed aside onto Tamerlano’s Greek ally (Andronico) who, unfairly, is also in love with Asteria />

Vivaldi’s Bajazet, a rarely performed operatic tragedy, premiered in Verona in 1735. An opera of romantic entanglement and love triangles, Bajazet tells the tale of a struggle for power between Bajazet, ruler of the Turks, and Tamerlano, ruler of the Tartars. When Bajazet’s daughter Asteria is threatened with marriage to the invading ruler, she conspires to murder him. The plot thickens after Tamerlano’s former betrothed, Irene, turns up to reveal the scheme, having taken issue with being pushed aside onto Tamerlano’s Greek ally (Andronico) who, unfairly, is also in love with Asteria />

Vivaldi’s Bajazet, a rarely performed operatic tragedy, premiered in Verona in 1735. An opera of romantic entanglement and love triangles, Bajazet tells the tale of a struggle for power between Bajazet, ruler of the Turks, and Tamerlano, ruler of the Tartars. When Bajazet’s daughter Asteria is threatened with marriage to the invading ruler, she conspires to murder him. The plot thickens after Tamerlano’s former betrothed, Irene, turns up to reveal the scheme, having taken issue with being pushed aside onto Tamerlano’s Greek ally (Andronico) who, unfairly, is also in love with Asteria - See more at: http://www.limelightmagazine.com.au/news/pinchgut-opera-launches-2015-season#sthash.jSqY461i.dpuf

Vivaldi’s Bajazet, a rarely performed operatic tragedy, premiered in Verona in 1735. An opera of romantic entanglement and love triangles, Bajazet tells the tale of a struggle for power between Bajazet, ruler of the Turks, and Tamerlano, ruler of the Tartars. When Bajazet’s daughter Asteria is threatened with marriage to the invading ruler, she conspires to murder him. The plot thickens after Tamerlano’s former betrothed, Irene, turns up to reveal the scheme, having taken issue with being pushed aside onto Tamerlano’s Greek ally (Andronico) who, unfairly, is also in love with Asteria - See more at: http://www.limelightmagazine.com.au/news/pinchgut-opera-launches-2015-season#sthash.jSqY461i.dpuf

The libretto revolves around romantic entanglements and love triangles and the struggle for power between Bajazet, ruler of the Turks, and Tamerlano, ruler of the Tartars. When Bajazet’s daughter Asteria is threatened with marriage to the invading ruler, she conspires to murder him. The plot thickens after Tamerlano’s former betrothed, Irene, turns up to reveal the scheme, having taken issue with being pushed aside onto Andronico, Tamerlano’s Greek ally, who is also in love with Asteria.

Hadleigh Adams as the Marquis in San Francisco Opera's La traviata (left)

Vivaldi wove into the opera an underlying tale of power struggles and invasion, reflective of the ones going on at the time, when Neopolitan operas were trouncing their local Venetian counterparts in popularity. Music associated with Neapolitan composers is thus cleverly designated to the invaders Tamerlano, Irene and Andronico.

Vivaldi’s Bajazet, a rarely performed operatic tragedy, premiered in Verona in 1735. An opera of romantic entanglement and love triangles, Bajazet tells the tale of a struggle for power between Bajazet, ruler of the Turks, and Tamerlano, ruler of the Tartars. When Bajazet’s daughter Asteria is threatened with marriage to the invading ruler, she conspires to murder him. The plot thickens after Tamerlano’s former betrothed, Irene, turns up to reveal the scheme, having taken issue with being pushed aside onto Tamerlano’s Greek ally (Andronico) who, unfairly, is also in love with Asteria - See more at: http://www.limelightmagazine.com.au/news/pinchgut-opera-launches-2015-season#sthash.jSqY461i.dpuf

Vivaldi’s Bajazet, a rarely performed operatic tragedy, premiered in Verona in 1735. An opera of romantic entanglement and love triangles, Bajazet tells the tale of a struggle for power between Bajazet, ruler of the Turks, and Tamerlano, ruler of the Tartars. When Bajazet’s daughter Asteria is threatened with marriage to the invading ruler, she conspires to murder him. The plot thickens after Tamerlano’s former betrothed, Irene, turns up to reveal the scheme, having taken issue with being pushed aside onto Tamerlano’s Greek ally (Andronico) who, unfairly, is also in love with Asteria - See more at: http://www.limelightmagazine.com.au/news/pinchgut-opera-launches-2015-season#sthash.jSqY461i.dpuf

Performances of Vivaldi’s Bajazet will be on July 4, 5, 7 and 8 at City Recital Hall Angel Place in Sydney.  Also in the cast is Christopher Lowrey as Tamerlano, Helen Sherman as Irene, Emily Edmonds as Asteria and Russell Harcourt as Andronicus.

Adams has maintained a busy schedule this season while a San Francisco Opera Adler Fellow, having sung the Marquis in La Traviata, Grand commissioner in Madame Butterfly and Jailer in Tosca. He also performed Gendarme in Poulenc’s Les mamelles de Tirésias with San Francisco's innovative young company Opera Parallèle.

Gabriel Preisser's new CD and upcoming performances

Gabriel Preisser

We first started following Gabriel Preisser three years ago when an opera insider wrote us and told us to keep an eye on the then 26-year-old singer. At the time, he was headed off to be a studio artist in his native state of Florida. The buzz about this gifted young singer really picked up steam as he scored a series of critical successes in regional houses. His big break came when the Minnesota Opera and Opera Company of Philadelphia cast him as Lieutenant Gordon in the world premiere of Kevin Putz’s Pulitzer Prize winning opera Silent Night, which he'll be reprising at the Cincinnati Opera on July 10th and 12th, 2014. 

He's gone on to make quite a name for himself in contemporary opera, singing the title role in Robert Aldridge’s Elmer Gantry, Tom Joad in Ricky Ian Gordon’s The Grapes of Wrath, and Riolobo in Daniel Catan’s Florencia en el Amazonas all at the Moores Opera Center; Antonio in Daron Hagen’s New York Stories at Kentucky Opera; John Brooke in Mark Adamo’s Little Women and the Shoe Salesman/Puppet role in Dominick Argento’s Postcard from Morocco both at Pensacola Opera.

Gabriel Preisser

We also just learned that he'll be singing in the double bill of Francis Poulenc's Les Mamelles de Tiresias and Kurt Weill's Mahagonny Songspiel with America's hottest new company, Opera Parallèle in San Francisco. The photo at the top of the page was taken at the recent photo shoot for the production.

Gabriel Preisser sings Soliloquy from Carousel:

If you can't make it to San Francisco or any of his upcoming performances [check out his schedule], you can listen to this hot new talent on his new CD "Being Alive," which features arias, lieder, Italian songs and the best baritone music from Broadway. You can listen to samples, but the CD or download the music at CD Baby.

Barihunk-laden Don Giovanni in bucolic setting

Gregory Gerbrandt and Nora Graham-Smith

Don Giovanni and his little black book are returning to Northern California, this time at the Hidden Valley Opera Ensemble. The burgeoning opera company is a little over 2 hours from San Francisco and just a half an hour from the beautiful resort of Monterey.

The title character will be sung by barihunk Gregory Gerbrandt, who has been a familiar singer on this site. Gerbrandt is returning to Hidden Valley Opera where he portrayed Jim in David Conte's The Gift of the Magi.  This is debut as Don Giovanni. Previous Mozart roles have included Count Almaviva in the Marriage of Figaro, Papageno in the Magic Flute and Guglielmo in Così fan tutte. 

Gerbrandt earned his Master of Music degree from the University of Cincinnati-College Conservatory of Music and his Bachelor of Music from the University of Northern Colorado, where he studied voice and opera with his late father, Dr. Carl Gerbrandt.

Ryan Bradford

New to this site is the Masetto, Ryan Bradford, who is a familiar face to Bay Area opera audiences. A first prize winner at the Chicago and San Francisco National Association of Teachers of Singing (NATS) competitions, he was a memorable Guglielmo in both the San Francisco Conservatory’s production of Mozart's Così fan tutte and the teacher in Osvaldo Golijov’s Ainadamar at Opera Parallèle. He is a recipient of the Joan and David Traitel Vocal Scholarship. You can check out Bradford on YouTube singing Schumann's Wehmut.

Don Giovanni opens on September 12  and runs through September 22 at the 300 seat Hidden Valley Theater in Carmel Valley, California. Call (831) 659-3115 for tickets.

Daniel Cilli to perform Traviata in Napa; French music in New Orleans; Sing premiere with Opera Parallèle

Daniel Cilli in "City of Sin" at West Edge Opera

After seeing Daniel Cilli shirtless in West Edge Opera's "City of Sin," we realized that we've probably not featured him as regularly as we should. The singer emerged on the scene as a member of the Opera San Jose ensemble from 2006-2010, scoring critical acclaim in Eugene Onegin, Romeo and Juliet, Barber of Seville and the Marriage of Figaro. He's now been in two productions with the innovative West Edge Opera, which used to be known as Berkeley Opera.

Cilli has a new SoundCloud page where you can listen to some clips. He also has some interesting upcoming engagements, starting with the Baron in La Traviata with the Livermore Valley Opera. Performances run from March 9-17 in Livermore, with a performance at the historic Napa Valley Opera House on March 13. It's believed to be the premiere of La traviata at the Napa Valley Opera House. Click HERE for additional performance information or tickets.

Daniel Cilli as Mercutio at Opera San Jose

On May 9 and 10, he'll appear with the Louisiana Philharmonic in the Fauré Requiem as part of their French Master series. There are performances in New Orleans and Covington and tickets are available online.

On June 7th he premieres the role of Carlo Gesualdo in Dante De Silva’s Gesualdo, Prince of Madness​ with San Francisco's Opera Parallèle.

You can check out his artistry on his new SoundCloud site.