Showing posts with label joshua kosman. Show all posts
Showing posts with label joshua kosman. Show all posts

Sunday, March 27, 2011

"Castleton West" A Critical Success

Michael Weyandt & Matthew Worth
Loren Maazel took his Castleton Festival west to California from Virginia, where it was met with the same critical acclaim that it received back East. Many of the same singers returned to reprise their roles, but we found a new addition to the barihunk family in Michael Weyandt, who was a sexy Junius. Cal Performance in Berkeley mounted both the "Rape of Lucretia" and "Albert Herring."

Joshua Kosman, the respected and brutally honest reviewer for the San Francisco Chronicle, gave "The Rape of Lucretia" a great review, saying this about the trio of barihunks:

Tarquinius was embodied with sonorous menace by baritone Matthew Worth, and bass-baritone Michael Rice brought a gorgeous warmth of tone to the role of Collatinus, Lucretia's ostentatiously virtuous husband. Michael Weyandt did a muscular turn as the ambitious Junius...

We learned during the performance run that Michael Rice plans on making this his final performance on the opera stage. Luckily, we'll still be able to enjoy him on his wonderful OperaNow! podcast, one of the most enjoyable shows about classical music around. We wish him well in his future endeavors. He's one of our favorite people in opera!

Michael Rice Sailing Off Into the Operatic Sunset
"Albert Herring" featured barihunk Adrian Kramer, who stole the show in the critical role of Sid. You can listen to this talented young Canadian at InstantEncore performing songs by Rorem, Barber and Danielpour.
The opera world should be grateful to Loren Maazel, whose Castleton Festival has reintroduced important operas to the repertory as well as talented young singers.
Adrian Kramer

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Saturday, May 29, 2010

Speak Of The Devil: John Relyea

[John Relyea, Devilishly Hot in Faust]


Joshua Kosman, the always insightful critic for the San Francisco Chronicle, recently spoke with John Relyea about his career and penchant for devilish roles. Relyea will be performing in Gounod's Faust from June 5 to July 1 at the San Francisco Opera.


Local opera lovers with longish memories may recall bass-baritone John Relyea - from his days in the Merola Opera Program and as an Adler Fellow - as a young beanpole with a boyish demeanor and a powerful, dark-hued voice.

The voice is still there, and still deepening. But these days, at 38, Relyea has left boyishness behind in favor of an imposing physical presence that - even in amiable conversation - conveys just a hint of menace.

He's ready, in other words, to be the devil.
The article continues HERE.

Joining Relyea in the cast will be two other singers worthy of barihunk status, Brian Mulligan, who plays the army officer Valentin, and Austin Kness, who plays the student Wagner.

[Austin Kness, SF Opera's Wagner]


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