Gregory Gerbrandt to reprise his sexy Stanley Kowalski

Gregory Gerbrandt as Stanley with Opera Santa Barbara

Barihunk Gregory Gerbrandt will reprise his portrayal of Stanley Kowalski in André Previn's operatic version of Tennessee Williams' A Streetcar Named Desire. The American baritone sang the role two years ago and Opera Santa Barbara and now takes it north to Opera Idaho.

The company is presenting a cast that would be the envy of most major opera houses, with 2014 Metropolitan Opera Audition winner Julie Adams as Blanche, Met Audition finalist Casey Candebat as Mitch, Micaëla Oeste as Stella and Alasdair Neale conducting. Tickets are available online for both the April 6th and 8th performances.

A Streetcar Named Desire was premiered at the San Francisco Opera in 1998 with Rod Gilfry as Stanley and its become one of the most popular contemporary American operas in the repertory. It has gone on to see performances in New Orleans, Kentucky, San Diego, Washington D.C., San Francisco (Merola Opera), Cleveland, Chicago, Santa Barbara, Honolulu and Virginia Opera. It had it European premiere in Strasbourg in 2001 and its U.K. premiere in 2003, with subsequent performances throughout Europe and in Tokyo.

Sexy Stanley's: Rod Gilfry, Ryan McKinny, Dan Kempson and David Adam Moore

Gerbrandt is part of a veritable Who's Who of barihunks who have taken on the role of Stanley Kowalski made famous by Marlon Brando in the movie. They include Teddy Tahu Rhodes, Dan Kempson, Wes Mason, Ryan McKinny, David Adam Moore and Philip Cutlip.

Gerbrandt is waiting long to sing the role again, as he'll perform the opera with the Opera Company of Middlebury in Vermont from June 1-9.  He'll be joined by soprano Cree Carrico as Stella, who is rapidly being recognized as one of the most compelling actresses in opera. Tickets and additional cast information is available online.

Jeremy Kleeman takes "Albert the Pudding" on the road

Jeremy Kleeman in The Magic Pudding (Photos: Charlie Kinross)

Celebrating the centenary of Norman Lindsay’s children story The Magic Pudding, the Victorian Opera is taking its much-loved adaptation to regional Victoria, with performances on April 5th at The Cube in Wodonga and April 27th at the Ulumbarra Theatre in Bendigo.

Barihunk Jeremy Kleeman, who created the role of Albert the Pudding at the premier in 2016 and recently performed it in Victoria, returns for the two city tour. Kleeman's character is joined by the walking, talking, never-ending Pudding, the penguin Sam Sawnoff, sailor Bill Barnacle and koala Bunyip Bluegum.

Following the scent of pudding, Bunyip Bluegum, the koala, comes across Bill Barnacle, the sailor, and Sam Sawnoff, the penguin. They are the owners of a rather ill-tempered Puddin’ called Albert, who magically replenishes no matter how many slices are cut. Bill and Sam are being followed by Possum and Watkin Wombat who want to steal the Puddin’ for themselves. The young audience finds out if the three friends are able to thwart the thieves and hold onto their magic Puddin’.

Jeremy Kleeman sings Papageno's Suicide Aria from The Magic Flute:

Jeremy Kleeman, is a graduate of Victorian Opera's Developing Artist Program and holds a Master of Music in Opera Performance and a Bachelor of Music from the Melbourne Conservatorium of Music. He has been a regular on the Victorian Opera stage since his debut with the company in 2008. He has performed Rapunzel’s Prince in Into the Woods, Marquis D’Obiginy in La traviata, Badger and Parson in The Cunning Little Vixen, Lord Valton in I puritani, Magus in the world premiere of Voyage to the Moon, as well as Albert the Pudding.

Last year Kleeman made his company debuts with Sydney Chamber Opera as Collatinus in The Rape of Lucretia and with Pinchgut Opera in The Coronation of Poppea. On June 23, he'll be the baritone soloist in Nielsen's Symphony No.3, "Sinfonia Espansiva," with the Melbourne Symphony Orchestra conducted by Sir Andrew Davis. Tickets are available online.

Gordon Bintner leads (almost) all-male cast of "From the House of the Dead"

Gordon Bintner (left and right), Gal Fefferman and Brandon Cedel (Photo: Barbara Aumüller)

Oper Frankfurt is presenting Leoš Janáček's From the House of the Dead from April 1-29 with a cast led by Canadian barihunk Gordon Bintner and an array of barihunks familiar to readers of this site, including Barnaby Rea, Mikołaj Trąbka and Brandon Cedel. Bintner portrays the main character, Alexandr Petrovič Gorjančikov, a well-born political prisoner who is dismayed by his new surroundings in a Siberian prison camp.

Leoš Janáček completed his revolutionary opera From the House of the Dead in May 1928, which became his final and, arguably, most powerful work. 
  
The work was first performed posthumously in 1930 and is based on Dostoyevsky’s semi-autobiographical novel describing life in a Siberian gulag. Janáček does not soften that harsh reality at the heart of his tale, but imbues the work with compassion in its honest depiction of humanity’s difficult truths. 

Barnaby  Rea, Mikołaj Trąbka and Brandon Cedel

He used a radically new music language to convey the epic demands of the work. The astonishing score includes eruptive elements, piercing dissonances, laconic, short motifs, rhythmical ostinati and language as "instant photography of the soul," as the composer called it. He also uses folk music, which often embued his works, to show how the prisoners create a sense of community even in bleak surroundings.

The brief appearance of a prostitute is the only female figure in a world of men whose movement is governed by constant monotonous repetition and whose symbolic expression is found in a wounded eagle. 

The piece was initially deemed by some to be too pessimistic, but the opera eerily foresaw the totalitarian era that was on the horizon and has new-found resonance in today's geo-politcal world.

Tickets and additional cast information is available online. 

Tributes to Dmitri Hvorostovsky in New York and Cleveland

Dmitri Hvorostovsky

On April 22, Talents of the World will honor the late Dmitri Hvorostovsky with two upcoming recitals. The first will be on April 22nd at Zankel Hall in New York City, followed by one at Cleveland's Europa Concert Hall on April 25th.

The concert will consist of Hvorostovsky's favorite repertoire, including opera arias, operetta, Russian romances and crossover pop songs. Featured performers include soprano Veronika Dzhioeva, mezzo-soprano Nino Surguladze, tenor Raúl Melo, baritone David Gvinianidze, soprano Olga Lisovskaya, tenor Giovanni Formisano, baritone Junhan Choi and baritone Oleksandr Kyreiev. 

Talents of the World produces unique projects, showcasing the vocal talents of world-renowned artists, as well as extraordinary young vocalists. It's president and founder is David Gvinianidze, a world-renowned baritone, a recipient of the United Nations’ medal for promoting arts and culture and a visionary for world peace through music and art.

The concert’s proceeds will go to organizations, seeking to find cure for children with cancer.

Dmitri Hvorostovsky passed away on Nov.. 22, 2017.

Luca Pisaroni named Brand Ambassador for Via Luca

Luca Pisaroni (photo:Catherine Pisaroni)

Italian bass-barihunk Luca Pisaroni has been named the Brand Ambassador for Via Luca, a leading distributor of high-end authentic Italian men's fashion.

The company's website states, "The partnership between Via Luca and Luca Pisaroni could not be a better fit, considering not only the same name “LUCA” but more importantly the origin of both being proud of having an Italian heritage."

Under the terms of the deal, Luca Pisaroni will wear garments exclusively from the brands sold on Via Luca wear custom Italian textile suits during his performances. He will also help promote the Made in Italy initiative and the family traditions of many of the company's brands, which include the knitwear brand Alessandro Simoni, Bruli sportswear, Equipage trousers, Marfin grooming products, Laboratorio Del Carmine shirts, and Zamparini shoes.

Pisaroni can next be seen on March 25th at Carnegie Hall, where he will sing Argante in Handel's Rinaldo. The English Concert under Harry Bicket will lead an all-star cast that also includes Iestyn Davies as Rinaldo, Jane Archibald as Armida, Joélle Harvey as Almirena, Sasha Cooke as Goffredo and the amazing countertenor Jakub Józef Orliński as Eustazio. Tickets are available online.

Stunningly beautiful Gianluca Margheri in Alceste

Gianluca Margheri as the High Priest of Apollo

Italian barihunk Gianluca Margheri just opened in the dual roles of the High Priest of Apollo and Apollo at the Teatro del Maggio Musicale in Gluck's Alceste. He has three remaining performances, which run through March 30th. Tickets and additional information is available online.

Christoph Willibald Gluck, who was largely self-taught as a composer, became known as one of opera's most historically signifigant reformers. His three "reform operas" were Orfeo ed Euridice, Alceste and Paride ed Elena, which eliminated many of the standard practices of the day, which Gluck felt impeded the drama.

''When I undertook to write the music for Alceste,'' Gluck wrote, ''I resolved to divest it entirely of all those abuses, introduced into it either by the mistaken vanity of singers or by the too great complaisance of composers, which have so long disfigured Italian opera and made of the most splendid and most beautiful of spectacles the most ridiculous and wearisome. I have striven to restrict music to its true office of serving poetry by means of expression and by following the situations of the story, without interrupting the action or stifling it with useless superfluity of ornaments ...Simplicity, truth and naturalness are the great principles of beauty in all artistic manifestations.''

Gianluca Margheri as Apollo

Alceste exists in two principal versions: the Italian original written for Vienna in 1767 and the French revision prepared for the Paris performances of 1776. The Teatro del Maggio Musicale is using the Italian version.

In Greek legend Alcestis, daughter of Pelias, was the wife of Athnetus, King of Pherae in Thessaly. She was the only person willing to die in place of her husband, but was brought back from the Underworld by Hercules. Gluck's opera is based on the play by Euripides, with Alcestis saved by the god Apollo. 

Gianluca Margheri backstage as Apollo

The story appears in varied forms, from Chaucer to Rilke and T. S. Eliot. Among the operatic versions of the legend are the tragedie en musique by Lully and Quinault, Alceste, ou Le triomphe d'Alcide (Alcestis, or The Triumph of Hercules) and the treatment of the myth by Wieland with the composer Anton Schweitzer, staged in Weimar in 1773. Alcestis herself is generally taken as the type of female virtue and conjugal love.

Margheri can next be heard as Escamillo in Bizet's Carmen at the Teatro Lirico di Cagliari in June and July. 

Barihunk-fest at Minnesota Opera concert

Christian Zaremba, Rudy Nieto and Kelly Markgraf

The Minnesota Opera's upcoming Mixtape Concert will feature a veritable feast of barihunks (and hunkentenors) performing selections from opera, musical theater, jazz and pop. The concert is highlighting past and current members of the company's Resident Artist Program and will be held on April 8 at 2 p.m. at the Ordway Concert Hall.

The featured baritones and basses include Kelly Markgraf, Rudy Nieto, Christian Thurston, Matt Boehler, Benjamin Sieverding, Wm. Clay Thompson and Christian Zaremba. The tenor lineup is pretty impressive as well, featuring Andres Acosta, Chris Colmenero, Daniel Montenegro, James Valenti and David Walton!

The concert pays tribute to the 20th season of Minnesota Opera’s Resident Artist Program and is “pay what you want” with a suggested donation of $20 per ticket. Tickets can be reserved online.

The unique, eclectic program includes  and features selections from Les Miserables, Ricky Ian Gordon's The Grapes of Wrath, as well as music from Wagner, Puccini, Rossini and Richard Strauss. 

The Minnesota Opera’s Resident Artist Program offers a full season of employment for talented artists beginning their professional careers. From late August through April, Resident Artists gain valuable experience in assignments ranging from ensemble, understudy, comprimario to leading roles in main stage performances.