Edwin Crossley-Mercer |
"Mute Love" ("Silentium Amoris") is the first of the seventeen‐movement Wilde Songs to be publicly presented. Earlier, the duo premiered Linton's Carmina Catulli at Carnegie Hall in New York, which are based on settings of poems by the Roman poet Catullus. . You can read our previous posts about Carmina Catulli HERE.
A resident of Paris and Berlin, Crossley‐Mercer's repertory ranges from the Baroque through contemporary music. He has performed opera, oratorio, and recitals in Vienna, Paris, Berlin, Glyndebourne, Munich, Amsterdam, Nashville, Los Angeles, Strasbourg, New York, Moscow, Dubai and, most recently, in Dallas as Lescaut in Manon by Jules Massenet.
The prize-‐winning composer Michael Linton has served on the music faculty of Middle Tennessee State University for over two decades where he teaches music theory and history.
The recital is part of Baldwin Wallace's internationally acclaimed bi‐annual "Art Song Festival," a week-‐long program of recitals and master classes begun in 1985. The festival is also presenting recitals and master classes by mezzo-‐soprano Susan Graham, tenor Eduardo Valdes and pianist Bradley Moore. Additional information is available online.
In January, Crossley-Mercer returns to the Opéra national de Paris to rotate the role of Guglielmo in Mozart's Così fan tutte with fellow barihunk Philippe Sly.
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