Showing posts with label Christopher Magiera. Show all posts
Showing posts with label Christopher Magiera. Show all posts

Tuesday, June 17, 2014

Met cancels Live in HD transmission of Death of Klinghoffer

Paulo Szot and Ryan Speedo Green
After an outpouring of concern that its plans to transmit John Adams’s opera The Death of Klinghoffer might be used to fan global anti-Semitism, the Metropolitan Opera announced the decision today to cancel its Live in HD transmission, scheduled for November 15, 2014. The opera, which premiered in 1991, is about the 1985 hijacking of the Achille Lauro cruise ship and the murder of one of its Jewish passengers, Leon Klinghoffer, at the hands of Palestinian terrorists.

The opera stars three singers who have been featured on the site before, Paulo Szot as The Captain, Aubrey Allicock as Mamoud and Ryan Speedo Green as Rambo.

Aubrey Allicock (left) and Christopher Magiera in Klinghoffer at OTSL
The Met will go forward with its stage presentation of The Death of Klinghoffer in its scheduled run of eight performances from October 20 to November 15. In deference to the daughters of Leon and Marilyn Klinghoffer, the Met has agreed to include a message from them both in the Met’s Playbill and on its website.

In recent years, The Death of Klinghoffer has been presented without incident at The Juilliard School (2009), the Opera Theatre of St. Louis (2011), and as recently as this March in Long Beach, California. The Met’s new production was first seen in London at the English National Opera in 2012, and received widespread critical acclaim.

Sunday, March 31, 2013

Matt Treviño sporting James Dean look as Leporello

Matt Treviño with Melody Moore, Elie Dehn and Christopher Magiera (clockwise)
After reading our post yesterday about "Barihunks on the air," an alert reader from Boulder, Colorado informed us that the current rum of Don Giovanni from Opera Colorado was being broadcast on Colorado Public Radio. Bummed out that we missed it, we were hoping that a link to the broadcast was still up, but we were sadly disappointed. (Are you folks at CPR reading this? Hint. Hint).

The production features our favorite cigar chomping barihunk Matt Treviño as Leporello and Christopher Magiera as Don Giovanni. The production is being updated to mid-century America with Matt Treviño looking very James Dean-esque. This is Treviño's third role in Don Giovanni, pulling off a rare trifecta. He previously sang the title role with Opera Naples and the Commendatore at the Fort Worth Opera.

If you're in the Rocky Mountain area, you can still catch it live on April 2, 5 and 7. Tickets are available online.

Matt Treviño
Upcoming performances for Treviño include the Ethel Smyth Mass in D with the Cecelia Chorus of New York at Carnegie Hall on April 14, 2013, Beethoven's 9th Symphony at his alma mater Baylor University on April 20th and Sparafucile/Monterone in Verdi's Rigoletto at the Lyric Opera Baltimore on May 17th and 19th.

Wednesday, February 15, 2012

Happy Birthday, John Adams!

Composer John Adams
 John Adams is one of the best known and most often performed of America's composers. Adams was born in Worcester, Massachusetts on February 15, 1947. During his youth, growing up in Vermont and New Hampshire, he was strongly influenced by the intellectual and cultural institutions of New England. He received both his BA and MA degrees from Harvard University, where he was active as a conductor, clarinetist, and composer. His principal teachers included Leon Kirchner, David Del Tredici and Roger Sessions.

Gerald Finley sings the aria "Batter, my heart"from Doctor Atomic:

In 1971, Adams began an active career in the San Francisco area, teaching at the San Francisco Conservatory of Music (1972-83) and serving as new music adviser and composer-in-residence for the San Francisco Symphony (1978-85). 

A number of his pieces have leading roles for baritones, including J. Robert Oppenheimer in Dr. Atomic, Nixon in Nixon in China and the critical roles of the captain, terrorist (Rambo) and Klinghoffer in The Death of Klinghoffer. He also wrote the Walt Whitman-inspiredpiece The Wound-Dresser, which is scored for baritone voice, 2 flutes (or 2 piccolos), 2 oboes, clarinet, bass clarinet, 2 bassoons, 2 horns, trumpet (or piccolo tpt), timpani, synthesizer, and strings.

Thomas Hampson sings John Adams's The Wound-Dresser:

His creative output spans a wide range of media: works for orchestra, opera, video, film, and dance, as well as electronic and instrumental music. Such pieces as Harmonium, Harmonielehre, Shaker Loops, and The Chairman Dances are among the best known and most frequently performed of contemporary American music. In these works he has taken minimalism into a new and fresh terrain characterized by luminous sonorities and a powerful and dramatic approach to form. He was the winner of the 2003 Pulitzer prize.

Joseph Maddalena sings "News, news, news..." from Nixon in China:


Ad for "Nixon in China" at the Eugene Opera
Upcoming performance of operas by John Adams include Nixon in China at the Eugene Opera on March 16 and 18. The role of Nixon will be played by barihunk Lee Gregory.

From March 10-18, the opera will be performed at Lyric Opera of Kansas City with James Maddalena reprising his definitive performance as Nixon, and barihunk Daniel Belcher playing Chou En-Lai. 

Nixon travels to France in April as the Théâtre du Châtelet  produces the opera with barihunks Franco Pomponi in the title role and Kyung Chun Kim as Chou En-Lai.

Sidney Outlaw and Franco Pomponi singing John Adams

The Death of Klinghoffer opens at the English National Opera on February 25th with Alan Opie as Klinghoffer, Christopher Magiera as the Captain and rising young talent Sidney Outlaw as Rambo. If you haven't heard Outlaw perform yet, he is not to be missed.

CONTACT US AT Barihunks@gmail.com


Thursday, June 23, 2011

Death of Klinghoffer in St. Louis

Avirath Dodabele as young Omar and Paul LaRosa as Rambo
Our inbox has been filled with an unusually large amount of correspondence about the Opera Theatre of St. Louis' production of John Adams' "The Death of Klinghoffer." With our commitment to promoting contemporary opera we're kicking ourselves for not covering this production until late in the run. There is one performance left on Saturday, June 25. 

Many of the emails were about Christopher Mageira, who plays the Captain, and who has not appeared on this site before. However, the heavy panting came through in the emails about Paul LaRosa's performance as Rambo. Fortunately, the opera company posted this photo on their website. We've posted a number of pictures of LaRosa and his muscled physique since his days at the Merola Opera Program.

Christopher Magiera as the Captain
Christopher Magiera is currently a member of the Dresden Semperoper., where he is singing Figaro in Il barbiere di Siviglia, Count Almaviva in Le nozze di Figaro, Taddeo in L’italiana in Algeri and Robert in Iolanta. This summer, Magiera will make his Santa Fe Opera debut as Valentin in Faust where he will alternate the role with fellow American barihunk Matt Worth. 

Magiera has won many awards and competitions. Most recently he won the 2009 Sullivan Foundation Grand Prize, was a 2008 Grand National Finalist in the Metropolitan Opera National Council Auditions, an International Finalist in Placido Domingo’s World Opera Competition Operalia, and won First Place in the 2008 Opera Birmingham Vocal Competition. He has also received awards from the Jensen Foundation, Gerda Lissner International Vocal Competition, Florida Grand Competition, Maguerite McCammon Competition (Fort Worth Opera), Liederkranz Foundation, Bel Canto Foundation, Licia Albanese Puccini Foundation, San Antonio Opera Vocal Competition and the Annie Wentz Prize (Vocal Performance, Peabody Conservatory).

Here is the Chorus of Exiled Palestinians from the opera:

Contact us at Barihunks@gmail.com