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| Michael Honeyman and dancers in King Roger at Opera Australia |
The opera is about struggle between conservatism and sensuality, between Christian orthodoxy and pagan abandon, portrayed onstage by the church and the sexually tempting shepherd.
Honeyman worked in banking at the Commonwealth Bank before joining the Sydney Gay and Lesbian Choir and eventually deciding on taking formal training as a singer. He began his vocal training at the Australian National University, graduating with First Class Honours and was immediately accepted on scholarship to 2 years full-time practical performance training at the Australian Opera Studio, Perth. He has performed Amonasro in Verdi's Aida, for which he received a nomination for a Green Room Award for Best Male in a Supporting Role, Escamillo in Bizet's Carmen, Sharpless in Puccini's Madama Butterfly, Ford in Verdi's Falstaff, Di Luna in Verdi's Il Trovatore and a New Year’s Eve Gala for Opera Australia. He has also worked with West Australian Opera and State Opera of South Australia.
Szymanowski is best known for his wonderful piano music, which includes the famous Étude, Opus 4, No. 3, his four symphonies, two violin concertos, the ballets Harnasie and Mandragora, two string quartets, a sonata for violin and piano, his famous Stabat Mater and a number of orchestral songs.
The production opened tonight at the Joan Sutherland Theatre in the Sydney Opera House where it will run through February 15, when it moves to Melbourne, where it will run from May 19 – 27,.
