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| Barihunks calendar model Iosu Yeregui |
Yeregui was born in San Sebastian, where he studied contemporary dance, flute and humanities for business. He began his vocal studies at the Koninklijk Konservatorium in The Hague, completing them at the Schola Cantorum Basiliensis, Switzerland, with Evelyn Tubb and Andreas Scholl and specializing in Historical Interpretation.
As a soloist in concerts and chamber works, he has sung in the Victoria Eugenia Theatre, Kursaal, the Auditorium of Zaragoza, Auditorum of Cuenca, Auditorium of León, Gran Teatre del Liceu, Teatro Real, Basel Theatre, Freunde für Alte Musik, Ópera Vichy, Reims, Ambronay, Circolo Lirico di Bologna, Wallonie Festival, Bozar Bruxelles, Berliner Philarmoniker and others. He was also invited to take part in the 67th “Quincena Musical” in San Sebastian, with a recital built around Mozart.
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| Duncan Rock (left) and Iosu Yeregui in the 2016 Barihunks Calendar |
On stage, he's performed Sarastro in Mozart's Die Zauberflöte, Masetto in Mozart's Don Giovanni, Colas in Mozart's Bastien und Bastienne, Caronte and Plutone in Monteverdi's Orfeo, Somnus in Handel's Semele, Il Re in Handel's Ariodante, Zoroastro in Handel's Orlando, Ferrando in Verdi's Il Trovatore, Dottore Grenvil and Marchese d'Obigny in Verdi's La Traviata, Simpson in Sorozábal's La Taberna del Puerto and, most recently, Lodovico in Verdi's Otello with Opera de la ABAO in Bilbao, Spain.
The 2016 Barihunks Charity Calendar is now on sale and available online. For the past four years, the calendar has raised money for young artist programs and young artist projects. Proceeds from this year's calendar will fund the creation of the Foundation for the Advancement of Baritones (FAB), which will fund baritone and bass cash prizes at song competitions, commission music for baritones and basses, and be used to fund other projects featuring low male voices.
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Born
in San Sebastian, where he studied Contemporary Dance, Flute and
Humanities for Business, he began his vocal studies at the Koninklijk
Konservatorium in The Hague, completing them at the Schola Cantorum
Basiliensis, Switzerland, with Evelyn Tubb and Andreas Scholl and specializing in Historical Interpretation. He continued his vocal formation under the direction of Ana Luisa Chova.
During this time, he has also attended singing classes with Paride Venturi, Carlos Chausson, Carlos Mena, Jessica Cash, Marta Almajano, Richard Levitt, Sonia Prina, Víctor Torres and Buonaldo Giaiotti.
As a soloist in concerts and chamber works, he has sung in the Victoria Eugenia Theatre, Kursaal, the Auditorium of Zaragoza, Auditorum of Cuenca, Auditorium of León, Gran Teatre del Liceu, Teatro Real, Basel Theatre, Freunde für Alte Musik, Ópera Vichy, Reims, Ambronay, Circolo Lirico di Bologna, Wallonie Festival, Bozar Bruxelles, Berliner Philarmoniker and others. He was also invited to take part in the 67th “Quincena Musical” in San Sebastian, with a recital built around Mozart.
He has worked with conductors such as Joshua Rifkin, Ton Koopman, Anthony Rooley, Leonardo García Alarcón, Juan Luis Martínez, José Antonio Montaño, Bruce Dickie and Charles Toet, and with many ensembles such as Capilla Mediterranea, Los Musicos de su Alteza, Capilla Peñaflorida, Ensemble der Schola Cantorum Basiliensis and A Sei Voci.
His repertoire includes Mozart's Requiem, Missa Brevis and Coronation Mass, Fauré's Requiem, Bach's Magnificat, St.Matthew Passion and various cantatas, Buxtehude's Membra Jesu Nostri, Haydn’s Die Schöpfung and Handel's Jephta and Messiah.
Roles in staged works include: Sarastro (Die Zauberflöte), Masetto (Don Giovanni), Colas (Bastien und Bastienne) Caronte and Plutone (Orfeo), Somnus (Semele), Il Re (Ariodante), Zoroastro (Orlando), Ferrando (Il Trovatore), Dottore Grenvil and Marchese d'Obigny (La Traviata) and Simpson (La Taberna del Puerto). - See more at: http://www.adlibitumartis.com/en/artistas/iosu-yeregui#sthash.JAzlyEuf.dpuf
During this time, he has also attended singing classes with Paride Venturi, Carlos Chausson, Carlos Mena, Jessica Cash, Marta Almajano, Richard Levitt, Sonia Prina, Víctor Torres and Buonaldo Giaiotti.
As a soloist in concerts and chamber works, he has sung in the Victoria Eugenia Theatre, Kursaal, the Auditorium of Zaragoza, Auditorum of Cuenca, Auditorium of León, Gran Teatre del Liceu, Teatro Real, Basel Theatre, Freunde für Alte Musik, Ópera Vichy, Reims, Ambronay, Circolo Lirico di Bologna, Wallonie Festival, Bozar Bruxelles, Berliner Philarmoniker and others. He was also invited to take part in the 67th “Quincena Musical” in San Sebastian, with a recital built around Mozart.
He has worked with conductors such as Joshua Rifkin, Ton Koopman, Anthony Rooley, Leonardo García Alarcón, Juan Luis Martínez, José Antonio Montaño, Bruce Dickie and Charles Toet, and with many ensembles such as Capilla Mediterranea, Los Musicos de su Alteza, Capilla Peñaflorida, Ensemble der Schola Cantorum Basiliensis and A Sei Voci.
His repertoire includes Mozart's Requiem, Missa Brevis and Coronation Mass, Fauré's Requiem, Bach's Magnificat, St.Matthew Passion and various cantatas, Buxtehude's Membra Jesu Nostri, Haydn’s Die Schöpfung and Handel's Jephta and Messiah.
Roles in staged works include: Sarastro (Die Zauberflöte), Masetto (Don Giovanni), Colas (Bastien und Bastienne) Caronte and Plutone (Orfeo), Somnus (Semele), Il Re (Ariodante), Zoroastro (Orlando), Ferrando (Il Trovatore), Dottore Grenvil and Marchese d'Obigny (La Traviata) and Simpson (La Taberna del Puerto). - See more at: http://www.adlibitumartis.com/en/artistas/iosu-yeregui#sthash.JAzlyEuf.dpuf
Born
in San Sebastian, where he studied Contemporary Dance, Flute and
Humanities for Business, he began his vocal studies at the Koninklijk
Konservatorium in The Hague, completing them at the Schola Cantorum
Basiliensis, Switzerland, with Evelyn Tubb and Andreas Scholl and specializing in Historical Interpretation. He continued his vocal formation under the direction of Ana Luisa Chova.
During this time, he has also attended singing classes with Paride Venturi, Carlos Chausson, Carlos Mena, Jessica Cash, Marta Almajano, Richard Levitt, Sonia Prina, Víctor Torres and Buonaldo Giaiotti.
As a soloist in concerts and chamber works, he has sung in the Victoria Eugenia Theatre, Kursaal, the Auditorium of Zaragoza, Auditorum of Cuenca, Auditorium of León, Gran Teatre del Liceu, Teatro Real, Basel Theatre, Freunde für Alte Musik, Ópera Vichy, Reims, Ambronay, Circolo Lirico di Bologna, Wallonie Festival, Bozar Bruxelles, Berliner Philarmoniker and others. He was also invited to take part in the 67th “Quincena Musical” in San Sebastian, with a recital built around Mozart.
He has worked with conductors such as Joshua Rifkin, Ton Koopman, Anthony Rooley, Leonardo García Alarcón, Juan Luis Martínez, José Antonio Montaño, Bruce Dickie and Charles Toet, and with many ensembles such as Capilla Mediterranea, Los Musicos de su Alteza, Capilla Peñaflorida, Ensemble der Schola Cantorum Basiliensis and A Sei Voci.
His repertoire includes Mozart's Requiem, Missa Brevis and Coronation Mass, Fauré's Requiem, Bach's Magnificat, St.Matthew Passion and various cantatas, Buxtehude's Membra Jesu Nostri, Haydn’s Die Schöpfung and Handel's Jephta and Messiah.
Roles in staged works include: Sarastro (Die Zauberflöte), Masetto (Don Giovanni), Colas (Bastien und Bastienne) Caronte and Plutone (Orfeo), Somnus (Semele), Il Re (Ariodante), Zoroastro (Orlando), Ferrando (Il Trovatore), Dottore Grenvil and Marchese d'Obigny (La Traviata) and Simpson (La Taberna del Puerto). - See more at: http://www.adlibitumartis.com/en/artistas/iosu-yeregui#sthash.JAzlyEuf.dpuf
During this time, he has also attended singing classes with Paride Venturi, Carlos Chausson, Carlos Mena, Jessica Cash, Marta Almajano, Richard Levitt, Sonia Prina, Víctor Torres and Buonaldo Giaiotti.
As a soloist in concerts and chamber works, he has sung in the Victoria Eugenia Theatre, Kursaal, the Auditorium of Zaragoza, Auditorum of Cuenca, Auditorium of León, Gran Teatre del Liceu, Teatro Real, Basel Theatre, Freunde für Alte Musik, Ópera Vichy, Reims, Ambronay, Circolo Lirico di Bologna, Wallonie Festival, Bozar Bruxelles, Berliner Philarmoniker and others. He was also invited to take part in the 67th “Quincena Musical” in San Sebastian, with a recital built around Mozart.
He has worked with conductors such as Joshua Rifkin, Ton Koopman, Anthony Rooley, Leonardo García Alarcón, Juan Luis Martínez, José Antonio Montaño, Bruce Dickie and Charles Toet, and with many ensembles such as Capilla Mediterranea, Los Musicos de su Alteza, Capilla Peñaflorida, Ensemble der Schola Cantorum Basiliensis and A Sei Voci.
His repertoire includes Mozart's Requiem, Missa Brevis and Coronation Mass, Fauré's Requiem, Bach's Magnificat, St.Matthew Passion and various cantatas, Buxtehude's Membra Jesu Nostri, Haydn’s Die Schöpfung and Handel's Jephta and Messiah.
Roles in staged works include: Sarastro (Die Zauberflöte), Masetto (Don Giovanni), Colas (Bastien und Bastienne) Caronte and Plutone (Orfeo), Somnus (Semele), Il Re (Ariodante), Zoroastro (Orlando), Ferrando (Il Trovatore), Dottore Grenvil and Marchese d'Obigny (La Traviata) and Simpson (La Taberna del Puerto). - See more at: http://www.adlibitumartis.com/en/artistas/iosu-yeregui#sthash.JAzlyEuf.dpuf
Born
in San Sebastian, where he studied Contemporary Dance, Flute and
Humanities for Business, he began his vocal studies at the Koninklijk
Konservatorium in The Hague, completing them at the Schola Cantorum
Basiliensis, Switzerland, with Evelyn Tubb and Andreas Scholl and specializing in Historical Interpretation. He continued his vocal formation under the direction of Ana Luisa Chova.
During this time, he has also attended singing classes with Paride Venturi, Carlos Chausson, Carlos Mena, Jessica Cash, Marta Almajano, Richard Levitt, Sonia Prina, Víctor Torres and Buonaldo Giaiotti.
As a soloist in concerts and chamber works, he has sung in the Victoria Eugenia Theatre, Kursaal, the Auditorium of Zaragoza, Auditorum of Cuenca, Auditorium of León, Gran Teatre del Liceu, Teatro Real, Basel Theatre, Freunde für Alte Musik, Ópera Vichy, Reims, Ambronay, Circolo Lirico di Bologna, Wallonie Festival, Bozar Bruxelles, Berliner Philarmoniker and others. He was also invited to take part in the 67th “Quincena Musical” in San Sebastian, with a recital built around Mozart.
He has worked with conductors such as Joshua Rifkin, Ton Koopman, Anthony Rooley, Leonardo García Alarcón, Juan Luis Martínez, José Antonio Montaño, Bruce Dickie and Charles Toet, and with many ensembles such as Capilla Mediterranea, Los Musicos de su Alteza, Capilla Peñaflorida, Ensemble der Schola Cantorum Basiliensis and A Sei Voci.
His repertoire includes Mozart's Requiem, Missa Brevis and Coronation Mass, Fauré's Requiem, Bach's Magnificat, St.Matthew Passion and various cantatas, Buxtehude's Membra Jesu Nostri, Haydn’s Die Schöpfung and Handel's Jephta and Messiah.
Roles in staged works include: Sarastro (Die Zauberflöte), Masetto (Don Giovanni), Colas (Bastien und Bastienne) Caronte and Plutone (Orfeo), Somnus (Semele), Il Re (Ariodante), Zoroastro (Orlando), Ferrando (Il Trovatore), Dottore Grenvil and Marchese d'Obigny (La Traviata) and Simpson (La Taberna del Puerto). - See more at: http://www.adlibitumartis.com/en/artistas/iosu-yeregui#sthash.JAzlyEuf.dpuf
During this time, he has also attended singing classes with Paride Venturi, Carlos Chausson, Carlos Mena, Jessica Cash, Marta Almajano, Richard Levitt, Sonia Prina, Víctor Torres and Buonaldo Giaiotti.
As a soloist in concerts and chamber works, he has sung in the Victoria Eugenia Theatre, Kursaal, the Auditorium of Zaragoza, Auditorum of Cuenca, Auditorium of León, Gran Teatre del Liceu, Teatro Real, Basel Theatre, Freunde für Alte Musik, Ópera Vichy, Reims, Ambronay, Circolo Lirico di Bologna, Wallonie Festival, Bozar Bruxelles, Berliner Philarmoniker and others. He was also invited to take part in the 67th “Quincena Musical” in San Sebastian, with a recital built around Mozart.
He has worked with conductors such as Joshua Rifkin, Ton Koopman, Anthony Rooley, Leonardo García Alarcón, Juan Luis Martínez, José Antonio Montaño, Bruce Dickie and Charles Toet, and with many ensembles such as Capilla Mediterranea, Los Musicos de su Alteza, Capilla Peñaflorida, Ensemble der Schola Cantorum Basiliensis and A Sei Voci.
His repertoire includes Mozart's Requiem, Missa Brevis and Coronation Mass, Fauré's Requiem, Bach's Magnificat, St.Matthew Passion and various cantatas, Buxtehude's Membra Jesu Nostri, Haydn’s Die Schöpfung and Handel's Jephta and Messiah.
Roles in staged works include: Sarastro (Die Zauberflöte), Masetto (Don Giovanni), Colas (Bastien und Bastienne) Caronte and Plutone (Orfeo), Somnus (Semele), Il Re (Ariodante), Zoroastro (Orlando), Ferrando (Il Trovatore), Dottore Grenvil and Marchese d'Obigny (La Traviata) and Simpson (La Taberna del Puerto). - See more at: http://www.adlibitumartis.com/en/artistas/iosu-yeregui#sthash.JAzlyEuf.dpuf
Born
in San Sebastian, where he studied Contemporary Dance, Flute and
Humanities for Business, he began his vocal studies at the Koninklijk
Konservatorium in The Hague, completing them at the Schola Cantorum
Basiliensis, Switzerland, with Evelyn Tubb and Andreas Scholl and specializing in Historical Interpretation. He continued his vocal formation under the direction of Ana Luisa Chova.
During this time, he has also attended singing classes with Paride Venturi, Carlos Chausson, Carlos Mena, Jessica Cash, Marta Almajano, Richard Levitt, Sonia Prina, Víctor Torres and Buonaldo Giaiotti.
As a soloist in concerts and chamber works, he has sung in the Victoria Eugenia Theatre, Kursaal, the Auditorium of Zaragoza, Auditorum of Cuenca, Auditorium of León, Gran Teatre del Liceu, Teatro Real, Basel Theatre, Freunde für Alte Musik, Ópera Vichy, Reims, Ambronay, Circolo Lirico di Bologna, Wallonie Festival, Bozar Bruxelles, Berliner Philarmoniker and others. He was also invited to take part in the 67th “Quincena Musical” in San Sebastian, with a recital built around Mozart.
He has worked with conductors such as Joshua Rifkin, Ton Koopman, Anthony Rooley, Leonardo García Alarcón, Juan Luis Martínez, José Antonio Montaño, Bruce Dickie and Charles Toet, and with many ensembles such as Capilla Mediterranea, Los Musicos de su Alteza, Capilla Peñaflorida, Ensemble der Schola Cantorum Basiliensis and A Sei Voci.
His repertoire includes Mozart's Requiem, Missa Brevis and Coronation Mass, Fauré's Requiem, Bach's Magnificat, St.Matthew Passion and various cantatas, Buxtehude's Membra Jesu Nostri, Haydn’s Die Schöpfung and Handel's Jephta and Messiah.
Roles in staged works include: Sarastro (Die Zauberflöte), Masetto (Don Giovanni), Colas (Bastien und Bastienne) Caronte and Plutone (Orfeo), Somnus (Semele), Il Re (Ariodante), Zoroastro (Orlando), Ferrando (Il Trovatore), Dottore Grenvil and Marchese d'Obigny (La Traviata) and Simpson (La Taberna del Puerto). - See more at: http://www.adlibitumartis.com/en/artistas/iosu-yeregui#sthash.JAzlyEuf.dpuf
During this time, he has also attended singing classes with Paride Venturi, Carlos Chausson, Carlos Mena, Jessica Cash, Marta Almajano, Richard Levitt, Sonia Prina, Víctor Torres and Buonaldo Giaiotti.
As a soloist in concerts and chamber works, he has sung in the Victoria Eugenia Theatre, Kursaal, the Auditorium of Zaragoza, Auditorum of Cuenca, Auditorium of León, Gran Teatre del Liceu, Teatro Real, Basel Theatre, Freunde für Alte Musik, Ópera Vichy, Reims, Ambronay, Circolo Lirico di Bologna, Wallonie Festival, Bozar Bruxelles, Berliner Philarmoniker and others. He was also invited to take part in the 67th “Quincena Musical” in San Sebastian, with a recital built around Mozart.
He has worked with conductors such as Joshua Rifkin, Ton Koopman, Anthony Rooley, Leonardo García Alarcón, Juan Luis Martínez, José Antonio Montaño, Bruce Dickie and Charles Toet, and with many ensembles such as Capilla Mediterranea, Los Musicos de su Alteza, Capilla Peñaflorida, Ensemble der Schola Cantorum Basiliensis and A Sei Voci.
His repertoire includes Mozart's Requiem, Missa Brevis and Coronation Mass, Fauré's Requiem, Bach's Magnificat, St.Matthew Passion and various cantatas, Buxtehude's Membra Jesu Nostri, Haydn’s Die Schöpfung and Handel's Jephta and Messiah.
Roles in staged works include: Sarastro (Die Zauberflöte), Masetto (Don Giovanni), Colas (Bastien und Bastienne) Caronte and Plutone (Orfeo), Somnus (Semele), Il Re (Ariodante), Zoroastro (Orlando), Ferrando (Il Trovatore), Dottore Grenvil and Marchese d'Obigny (La Traviata) and Simpson (La Taberna del Puerto). - See more at: http://www.adlibitumartis.com/en/artistas/iosu-yeregui#sthash.JAzlyEuf.dpuf
