Mikhail Timoshenko wins Wigmore Hall Song Competition

Elitsa Desseva and Mikhail Timoshenko at Wigmore Hall

25-year-old Russian bass-barihunk Mikhail Timoshenko won the Wigmore Hall International Song Competition, taking home the £10,000 prize money.

Timoshenko performed Holst's Ushas, Vaughan Williams' Let Beauty Awake, Copland's The Boatmen's Dance, Tchaikovsky's Podvig and Mahler's Ich hab' ein glühend Messer.

The £5,000 second prize place was awarded to 29-year-old British soprano Harriet Burns, while third place, with a prize of £2,500, went to British mezzo-soprano Beth Taylor. British tenor Kieran Carrel took home fourth place. Michael Pandya, the 25-year old British pianist who partnered Harriet Burns, won the £5,000 Pianist’s Prize.

The Wigmore finals. Timoshenko appears at 2:03:00

 Baritones have historically fared well at the Wigmore Hall International Song Competition. In 2017, three baritones swept the top honors, including Julien Van Mellaerts, John Brancy and Josh Quinn. In 2015, barihunks Samuel Hasselhorn and James Newby took Second and Third Prize respecively. In 2013, Gavan Ring walked home with the Second Place Prize. In 2011, Dominik Köninger launched his career by winning the top prize.

Timoshenko studied at the Mednogorsk Conservatoire and the Hochschule für Musik Franz Liszt, Weimar. He has won numerous competitions including first prize at the Franz Schubert und die Musik der Moderne Competition in Graz, first prize at the Médoc International Singing Competition in Bordeaux, the Opera Prize by the Cercle Carpeaux, first prize at the Maria Callas International Competition and first prize at the Hugo Wolf Competition.

He joined the Paris Opera Academy in September 2015 and during the 2015-16 season he participated in several of the Academy’s concerts and recitals at the Bastille Amphitheatre. He sang in the French premiere of Joanna Lee’s Vol Retour and performed the role of Plutone in Monteverdi’s L’Orfeo. 

Cleveland gushes over Edwin Crossley-Mercer

Edwin Crossley-Mercer

We've been gushing about Edwin Crossley-Mercer ever since a reader alerted us to his brilliant artistry a few years ago. We recently blogged about his long-overdue American recital debut yesterday at Baldwin Wallace University. Cleveland Plain Dealer Music Critic Donald Rosenberg, was just as impressed by the French singer and wrote this glowing review. Let's hope that other U.S. presenters add him to their calendars.
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by Dan Rosenberg, The Cleveland Plain Dealer

March must be the appointed month for vocal recitals by major artists in Northeast Ohio. From last Friday through this Sunday, the region will have welcomed tenor Alek Shrader (Oberlin College), baritone Thomas Hampson (E.J. Thomas Hall) and sopranos Christine Brewer (Cleveland Institute of Music) and Deborah Voigt (Oberlin).

And there's another. In what can only be deemed a coup, the Art Song Festival at Baldwin Wallace University presented the first American recital by French baritone Edwin Crossley-Mercer on Sunday in Gamble Auditorium. We are likely to hear a great deal more of this superb artist in coming years.
Crossley-Mercer -- of Irish-French extraction -- shared the stage with Russian pianist Semjon Skigin, whose collaborations were at all times sonorous and connected to the expressive demands in the program's German, English and French songs.

The pianist interacted closely with Crossley-Mercer, whose baritone is an instrument of lustrous individuality and suppleness. He is capable of scaling the voice down to a focused whisper or projecting with stentorian force. Words are paramount to Crossley-Mercer, as are inflections that heighten the drama in each song.

Edwin Crossley-Mercer

The 30-year-old baritone, singing everything from memory, opened with works by Beethoven and Brahms. There were moments when his approach in this repertoire brought to mind the probing intellectuality and subtlety of the late German baritone Dietrich Fischer-Dieskau, with whom Crossey-Mercer studied in master classes.

But these performances were no acts of imitation. Crossley-Mercer brought distinctive touches to the six odes to love and nature in Beethoven's "An die ferne geliebte,"altering vocal colors and employing physical gestures to enhance the moods.

In six songs by Brahms, Crossley-Mercer applied warmth to placid lines, dreamy nuances where the texts portray a blissful world and ecstatic potency to passages of amorous flight. Skigin's shapely partnership was key to the success of these performances, as they were when the musicians turned to afternoon's other fare.

Edwin Crossley-Mercer and Semjon Skigin perform "Autumn Leaves" ("Les feuilles mortes") :

Crossley-Mercer sang four selections from Vaughan Williams' "Songs of Travel" in crisply enunciated English that made reading the printed texts unnecessary. Turning to chansons by Faure, Debussy and Poulenc, he attained even higher levels of immediacy and idiomatic authority, especially in Debussy's "Chevaux de bois," whose carousel narrative emerged with a palpable sense of wonder and charm.

Those qualities also marked Crossley-Mercer's encores -- a debonair version of "C'est si bon" that would give Yves Montand and Dean Martin a run for their respective currencies, and "Les feuilles mortes" ("Autumn Leaves") sung in the silkiest French.

Crossley-Mercer. Remember the name. And to thank the Art Song Festival for the introduction.

Jesse Blumberg Performs Tonight in NYC

www.longy.edu

If you're in the New York City area tonight don't miss Jesse Blumberg's recital tonight accompanied by pianist Erika Switzer. Blumberg is one of our favorite performers and he's put together a program of music by Vaughan Williams, Finzi, Britten and others.

Blumberg recently joined internationally renowned accompanist Martin Katz for performances of Schubert’s “Die Schoene Müllerin” and “Die Winterreise” in Ann Arbor. For those of you on the East Coast who missed Blumberg and Katz together, you can see them at the Longy School of Music in Cambridge, Massachusetts on February 12th.

Tonight's concert will be at the Bechstein Piano Centre, 207 West 58th Street in New York City from 7:30 PM - 9:00 PM. Admission is $20.

Don't miss it!

You can check out sound clips of Jesse Blumberg on his website.

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