Barihunks galore at exciting new San Francisco Opera season

Nicolas Testé, Zachary Nelson and Greer Grimsley

There is a lot of buzz coming out of San Francisco, where the opera just announced their new season and they are embarking on a worldwide search for a new General Director to replace the legendary David Gockley. The frontrunner is rumored to be director Francesca Zambello, who regular readers know coined the phrase "Barihunk" and is revered by the operators of this site.

As for the newly announced 2015–16 season, it is loaded with barihunks! The big news is Greer Grimsley in the San Francisco premiere of David McVicar’s production of Richard Wagner’s Die Meistersinger von Nürnberg, co-starring hunkentenor Brandon Jovanovich and rising Wagnerian sensation Rachel Willis-Sørensen. Performances will run from November 18–December 6, 2015.

Tongues are atwitter about the US debut of opera bad boy Calixto Bieito, whose provocative version of Bizet's Carmen is being presented to the occasionally stodgy War Memorial audience with Zachary Nelson as Escamillo. The opera is infamous for a scene involving oral sex behind a car. Nelson will rotate the role with Michael Sumuel.

Mariusz Kwiecien and René Pape

If our email box is any indication, our readers seem to be most excited about the prospect of seeing two of the greatest barihunks in the world sharing the stage for Verdi's Don Carlo. Polish über-barihunk Mariusz Kwiecień will sing Rodrigo and bass-barihunk René Pape as Philip II. They will be joined by the amazing tenor Michael Fabiano making his role debut as Don Carlo, soprano Krassimira Stoyanova as Elisabetta and Nadia Krasteva is Princess Eboli. Performances are June 12-29, 2016.

Also on the docket will be Thomas Hampson in Verdi's Luisa Miller; the barihunk trio of Elliot Madore, Gerald Finley and Wayne Tigges in Sondheim's Sweeney Todd; rising superstar Philippe Sly as Papageno in Mozart's The Magic Flute; Lucas Meachem in Rossini's The Barber of Seville; and, Nicolas Testé as Raimondo in Donizetti's Lucia di Lammermoor.

Other operas being performed are Leoš Janáček's Jenůfa and the American premiere of The Fall of the House of Usher—a double bill presentation of Gordon Getty’s Usher House and Robert Orledge’s reconstruction of Claude Debussy’s La Chute de la Maison Usher.

Subscriptions are on sale beginning January 12, 2015 and single tickets will go on sale beginning June 29, 2015.

Wes Mason to sing Pelleas at AVA

Wes Mason as seen in the 2012 Barihunks Charity Calendar. From the Ft. Worth Opera's "Before Night Falls"

Barihunk Wes Mason will perform Pelléas opposite soprano Chloé Moore's Mélisande in a performance of the Academy of Vocal Arts’ upcoming production of Debussy's Pelléas et Mélisande running from February 25th through March 1st.  

Wes Mason and Chloé Moore discuss and perform an excerpt from Pelléas et Mélisande:


For the past seven seasons, The Academy of Vocal Arts has offered as part of its season, a fully staged opera with piano accompaniment in order to showcase AVA’s talented artists in roles they might not otherwise have an opportunity to perform. Often, these are operas that require large orchestras that would not fit into AVA’s small theater. Music director Luke Housner will be the pianist.

Bass Patrick Guetti sings the role of Arkel:


 Zachary Nelson (Golaud) and soprano Sydney Mancasola (Mélisande) sing Act l scene:


There are multiple casts, but Wes Mason will perform Pelléas for the performance on Tuesday, February 28 at 7:30 PM. Patrick Guetti will be performing Arkel in all of the performances. Zachary Nelson will perform Golaud on February 25th and 28th, as well as March 1st. Tickets range from $10-$60 and are available at www.avaopera.org or 215 735-1685.

CONTACT US AT Barihunks@gmail.com