Showing posts with label Sondra Radvanovsky. Show all posts
Showing posts with label Sondra Radvanovsky. Show all posts

Tuesday, April 21, 2015

Hvorostovsky back in Met Ballo under James Levine


Dmitri Hvorostovsky in Met's Ballo (Photo: Ken Howard/Metropolitan Opera)
Dmitri Hvorostovsky returns to the Metropolitan opera as King Gustavo III's confidant Anckarström in Verdi’s Un Ballo in Maschera with the Metropolitan Opera's Music Director James Levine on the podium. The all-star cast will also feature Piotr Beczala in his Met role debut as the ill-fated Gustavo, Sondra Radvanovsky as Amelia, Dolora Zajick as the fortune-teller Ulrica, and Heidi Stober as the page Oscar.

Alexey Markov
The opera opens on April 23 and runs through May 9. The David Alden revival will mark the first time that James Levine has conducted the opera at the Met in nearly 20 years.  Russian baritone Alexey Markov, who sang Germont in Verdi’s La Traviata and Robert in Tchaikovsky’s Iolanta earlier this season, will sing Anckarström in the May 6 and 9 performances.

Tickets and additional performance information is available online.

After wrapping up Ballo, Hvorostovsky leaves to perform concerts in St. Petersburg, Munich, Calistoga and Yountville, California.

Wednesday, September 17, 2014

Huffington Post: "Christian Van Horn -- A Busy Season at San Francisco Opera"

Christian Van Horn (as Oroveso - left)
Christian Van Horn  is part of a cast that is delivering old-fashioned vocal fireworks at the San Francisco Opera.  Joined by Sondra Radvonovsky as Norma, Jamie Barton and Russell Thomas as Pollione, the vocal quartet has already been dubbed The Fantastic Four by the opera staff. It's rare that an Oroveso receives this much attention, but Van Horn delivered a performance that defined the role for this generation. Sean Martinfield ran the following feature in the Huffington Post:

Christian Van Horn is Oroveso in San Francisco Opera's new production of Bellini's Norma. The bel canto gem opened the 2014/15 Season on September 5, making Christian's resounding bass-baritone the first voice to be heard in the company's 92nd season. As Chief of the Druids and father of Norma, the community's High Priestess, Oroveso enters and instructs the soldiers and priests to watch for the light of the silvery new moon. At that moment, the sacred gong will be struck, whereupon Norma will enter and deliver a mandate from their god. In no uncertain volume, Oroveso rouses the mens spirits predicting that the message will be a clear declaration of war against the occupying Roman forces. The clamor of defeat will reverberate even to the streets of Rome. Oroveso is persuasive in his vision of victory and Christian Van Horn is precisely the brand of baritone Bellini had in mind. For die-hard fans of Norma, a season opening is a dream come true. It has been nine years since San Francisco Opera last presented the work - and another seven before that.
"This is not La Bohème, you know," observed Christian. "I think it says a lot about the audience - that the company feels comfortable putting this on. This is a big opening and I think San Francisco is ready for it. Even Wagner has opinions about Norma, being one of his favorites - you have to cast heavy, top-to-bottom. You get vocal theatrics and there's no opportunity for passive performing. You have to be aggressively on top of it to make the opera what it needs to be. It is a privilege to sing this music. My role is a good size role. Bellini left us a document to go by and we have to follow what's in there. But within that - with Maestro Nicola Luisotti at the helm - there are these slight moments to be artistic."

[Read the entire interview HERE]

There are four performances of Norma remaining at the San Francisco Opera between September 19-30 and tickets are available online

Sunday, March 28, 2010

Dmitri, Sondra & Barihunks

(Photo: Pavel Antonov)


The fabulous New York Magazine ran an interview with Dmitri Hvorostovsky and soprano Sondra Radvanovsky complete with a mention and link to Barihunks. Unfortunately, we'll never know how he feels about our moniker for him - the Siberian Hunky - because having a planet named after oneself seems to trump a catchy nickname. Here is the article:

Conversation: Daffy Divas

Sassy soprano Sondra Radvanovsky and smoldering Siberian baritone Dmitri Hvorostovsky—opera’s best friends forever talk to Rebecca Milzoff.

It helps that they’re not romantically involved. Still, in the ego-inflated opera world, Radvanovsky and Hvorostovsky are remarkably simpatico, and, what’s more, refreshingly down-to-earth. Devotees of both will no doubt storm Carnegie Hall April 1, their final stop of a North American tour.

Continued HERE.

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