Showing posts with label director john de los santos. Show all posts
Showing posts with label director john de los santos. Show all posts

Saturday, August 18, 2018

Luis Alejandro Orozco reprising El Payador at Arizona Opera

Luis Alejandro Orozco as El Payador (Photo right: C. Stanley)
Barihunk Luis Alejandro Orozco will be reprising the role of El Payador (the gaucho minstrel) in Astor Piazzolla's tango infused opera Maria de Buenos Aires at the Arizona Opera. Orozco will be joining forces with director John de los Santos, both of whom have become closely associated with this opera. Orozco has performed the lead role in Lexington, Miami, New Orleans, Fort Worth, Mill City Summer Opera and Nashville.

Performance in Phoenix will be on September 28, 29 and 30, with additional performances in Tucson on October 6 and 7. Tickets are available online.

The opera opens with Duende (the Narrator) who relates the story of Maria, a prostitute born in the slums “one day when God was drunk … with a curse in her voice.” Maria is seduced by the rhythms of the tango and soon becomes “the most sorcerous singer and lover” in Buenos Aires. However, her “fatal passion” arouses the wrath of robbers and brothel madams who shoot her to death, and bury her in an unmarked grave. In death, Maria is pulled into a dreamlike Hell where she encounters the choral circus of psychoanalysts who dissect her to the core. She makes a resurrection of sorts when the Duende summons her to return as a Shadow, give birth to a new Maria, and haunt the sordid streets of Buenos Aires which she once walked.

The opera has become popular in Germany, where is has been performed in apparently every city that starts with the letter "B": Berlin, Bonn, Braunschweig, Biel, Bremen and coming to Bremerhaven in April 2019.

A clip of Luis Alejandro Orozco as El Payador:

Unlike most who contributed to the origins and development of the tango, Piazzolla came from a different background. He was a classically trained, refined musician and composer. Piazzolla undoubtedly made tango available to a wider audience and helped extend its boundaries, both stylistically and geographically. For that, he was equally admired and criticized, but it is almost universally recognized that Piazzolla’s style lent tango worldwide cultural legitimacy, even in what is known as the realm of “classical” music.

Luis Alejandro Orozco and Catalina Cuervo (Photo: Jeff Roffman)
Besides being an extraordinarily talented composer, he was also an exceptional bandoneon player. Piazzolla drew from classical and contemporary sources as well as from the deep roots of tango, creating a powerful synthesis that propelled it from being in some regards a thing of the past to a contemporary language, reinvigorating the style. 

Luis Alejandro Orozco was born in El Paso Texas, but raised in Juarez, Mexico for most of his life. He has performed with such companies as Opera Theatre of St. Louis, Cincinnati Opera, Des Moines Metro Opera, El Paso Opera and the Seoul International Opera Festival in South Korea.

Wednesday, March 14, 2018

Asheville Opera lands world premiere of highly anticipated Borzoni premiere; Second performance in Chicago

Joshua Jeremiah and Trevor Martin
We've always maintained that the smaller houses and festivals are where the best new operas are being performed. So kudos to the Asheville Lyric Opera for landing the highly anticipated world premiere of composer Clint Borzoni and librettist John de los Santos' "When Adonis Calls" on May 11th. Asheville is also the home of Gavin Geoffrey Dillard, whose poetry was refashioned into the libretto.

The opera, which was work-shopped at the Fort Worth Opera Festival's Frontiers series of new works in 2015, chronicles the tumultuous correspondence between an established writer and an eager young admirer.

"Two Nooses" from the Fort Worth Opera Festival


The piece is scored for two baritones, string quartet, percussionist and two dancers (and comes with an adult content warning). When Adonis Calls features a low and high baritone, and Asheville Lyric Opera will feature two amazing performers in Trevor Martin and Joshua Jeremiah, as well as two local dancers. The opera will have additional performances on March 12 and 13 and is expected to sell out in the 110 seat Masonic Temple. Tickets are available online.

Composers and opera administrators will tell you that a second performance of a work is often more difficult than the premiere. Remarkably,  Adonis already has a second performance scheduled in Chicago with the Thompson Street Opera Company this Fall. Details are forthcoming. Our site has also learned that discussions are underway for a West Coast premiere.

Marco Vassalli sings Clint Borzoni's beautiful "Stufen" with Musica Marin:

Borzoni, along with Jake Heggie, has become particularly associated for writing major roles and works for low male voices. He has written a song cycle for bass-baritone Tim Hill, several songs for bass-baritone Randal Turner, penned two pieces for String Quartet and baritone for Marco Vassalli, and is currently working on a commission for bass Malte Roesner to be premiered at Musica Marin this year. Turner’s songs appear on his CD, “Living American Composers” and were performed at the 9/11 tribute at the U.S. embassy in Switzerland. He also wrote a two act opera titled “Antinous and Hadrian,” which features a baritone lead. His opera The Copper Queen, also to a libretto by John de los Santos, won Arizona Opera's Sparks Competition for new works in a runaway. The opera is based on a true story about the alleged ghost of a prostitute haunting a historic hotel in Bisbee, Arizona.

Monday, January 22, 2018

Paul La Rosa in tango opera Maria de Buenos Aires

Paul La Rosa rehearsing Maria de Buenos Aires in San Diego (Photo: Angel Mannion)
Barihunk Paul La Rosa will taking on the role of El Payador (the gaucho minstrel) in Astor Piazzolla's tango infused opera Maria de Buenos Aires. The San Diego Opera is presenting four performances of the increasingly popular piece between January 26-28, with a 7 PM and 10 PM curtain on the 27th. Tickets are available online.

The opera will be directed by John de los Santos, who has directed the piece throughout the country, and will direct it again with barihunk Luis Alejandro Orozco at the Fort Worth Opera Festival from April 27 and May 5. Paul La Rosa's tango partner will be soprano Aubrey Babcock.

The opera opens with Duende (the Narrator) who relates the story of Maria, a prostitute born in the slums “one day when God was drunk … with a curse in her voice.” Maria is seduced by the rhythms of the tango and soon becomes “the most sorcerous singer and lover” in Buenos Aires. However, her “fatal passion” arouses the wrath of robbers and brothel madams who shoot her to death, and bury her in an unmarked grave. In death, Maria is pulled into a dreamlike Hell where she encounters the choral circus of psychoanalysts who dissect her to the core. She makes a resurrection of sorts when the Duende summons her to return as a Shadow, give birth to a new Maria, and haunt the sordid streets of Buenos Aires which she once walked.

Director John de los Santos talks about Maria de Buenos Aires:


Unlike most who contributed to the origins and development of the tango, Piazzolla came from a different background. He was a classically trained, refined musician and composer. Piazzolla undoubtedly made tango available to a wider audience and helped extend its boundaries, both stylistically and geographically. For that, he was equally admired and criticized, but it is almost universally recognized that Piazzolla’s style lent tango worldwide cultural legitimacy, even in what is known as the realm of “classical” music.

Besides being an extraordinarily talented composer, he was also an exceptional bandoneon player. Piazzolla drew from classical and contemporary sources as well as from the deep roots of tango, creating a powerful synthesis that propelled it from being in some regards a thing of the past to a contemporary language, reinvigorating the style.

Saturday, August 5, 2017

Luis Alejandro Orozco in Maria de Buenos Aires in New Orleans, Fort Worth

Luis Alejandro Orozco
Barihunk Luis Alejandro Orozco, who just performed his signature role of  Payador Piazzolla's Maria de Buenos Aires with Mill City Summer Opera, will reprise the role with the New Orleans Opera's chamber series on September 9 and 10. The special performances will also include dinner and a post-performance tango dance party. 

The production will also feature soprano Catalina Cuervo, Milton Laayza in the role of Duende-Elf and Robert Lyall conducting musicians from the Louisiana Philharmonic Orchestra. The piece, which is set in a theater-in-the-round, will be directed by Tomer Zvulun, the artistic Director of the Atlanta Opera.

Orozco will perform the piece again next Spring with the Fort Worth Opera with John de los Santos directing his unforgettable conception. Barihunk Paul La Rosa will be performing Payador with the director at San Diego Opera in January.

Saturday, January 14, 2017

Reader submission: Bass-barihunk Christopher Besch

Christopher Besch
A reader alerted us to bass-barihunk Christopher Besch, who will be appearing as Nourabad in Bizet's Les Pêcheurs de Perles (The Pearl Fishers) with Opera in the Heights from February 3-12 in Houston, Texas.

Besch perviously performed with the company in Rossini’s La Cenerentola with Opera and he created the role of Peter Gray in John L. Cornelius II and Janine Joseph's Wings They Were: The Case of Emeline with Houston Grand Opera’s HGOco, which commissions new chamber operas and song projects about contemporary life. He also portrayed Theseus in Britten's A Midsummer Night’s Dream at Rice University.

Besch is in his second year of studies for the Doctorate of Musical Arts program at Rice University, where he is the Malcolm W. Perkins Teaching Fellow. He was a semi-finalist for the 2012 Eleanor McCollum Competition at the Houston Grand Opera, one of the Rocky Mountain and Gulf Coast Regional Finalists for the Metropolitan National Council Auditions, and placed in the Denver Lyric Opera Guild Competition, and was awarded the Harold Norblum Award through Opera Colorado.

Besch has lots of Bach on his agenda this season, including motets with the Bach Society Houston in February, the St. John Passion with the Bach Society Houston in April, Herr Gott, dich loben wir (BWV 16) and Der Geist hilft (BWV 226) in June with the same ensemble and an appearance at the 2017 Leipzig Bach Festival in Germany in June.

Christopher Besch sings Hahn's A Chloris:

The Pearl Fishers will be directed by John De Los Santos, who staged the Fort Worth Opera's stunning production in 2014. The cast also features the real-life husband and wife team of Eric Bowden and Lindsay Russell as the romantic leads Nadir and Leïla, as well as Octavio Moreno as Zurga.

Tickets are on sale online. Opera in the Heights presents affordable, staged performances for emerging artists in the Greater Houston Area.

Sunday, September 25, 2016

Joseph Lattanzi in live stream of The Copper Queen

Joseph Lattanzi
The Arizona Opera will be live streaming today's sold out performance of composer Clint Borzoni's The Copper Queen, which won the company's Arizona Sparks competition for new works in a runaway. The piece was also featured on the front page of the Arizona Republic's arts section last weekend.

The opera's libretto, written by director John de los Santos and based on a true story, revolves around the ghost of a prostitute haunting a historic hotel in Bisbee, Arizona.

The performance will feature barihunk Joseph Lattanzi as Peter Ackerman, who is fresh of a heralded performance as Hawkins Fuller in Gregory Spears’ gay themed opera Fellow Travelers at Cincinnati Opera. This season at Arizona Opera, Lattanzi will also perform the Gamekeeper in Dvořák's Rusalka, Yamadori in Puccini's Madama Butterfly and Dandini in Rossini's La Cenerentola.

Clint Borzoni's "Stufen" with barihunk Marco Vassalli:

The opera also features Lacy Sauter as the prostitute Julia Lowell, Alyssa Martin as Addison Moore, barihunk turned hunkentenor Chris Carr as Teddy Billings, Loren Battieste as Sugar Dog and Zachary Owen as Mr Floyd and Daddy Lowell.  You can hear Alyssa Martin sing "Waiting for a Whisper" from the opera on Soundcloud, as well as Sarah Tucker sing "Still Pretty."

The live stream will begin at 3 PM PST/6 PM EST at the company's Facebook page

Tuesday, July 5, 2016

Barihunk Trio in Ash Lawn's Summer Season

Andrew Garland sporting his Barihunk shirt and showing off his "bari-guns"
Mozart's Così fan tutte just opened a run at the Ash Lawn Opera featuring barihunk Andrew Garland. After an opening night show at the Moss Arts Center at Virginia Tech, it now heads to the Paramount Theater for performances on July 10, 13, and 15.

The cast also includes Kristopher Irmiter as Don Alfonso, Mireille Asselin as Despina, Cassandra Velasco as Dorabella, Melinda Whittington as Fiordiligi and Joshua Dennis as Ferrando.  The production is being directed by Andrea Dorf McGray and conducted by Steven Jarvi.

On July 16 and 17, Garland will be back in his native Massachusetts for recitals of music by Schumann, Obradors, Cole Porter and others at the Federated Church in Charlemont. He'll be joined by accompanist Estela Olevsky.

Timothy McDevitt
Barihunks Timothy McDevitt and Corey Crider will be featured in their other production, Rodgers & Hammerstein's South Pacific, which will run at the Paramount from July 23-30. McDevitt will perform the role of the courageous Lt. Cable and Crider takes on the dashing leading man Emile de Becque.

Matthew Morrison sings "Younger Than Springtime" from South Pacific:

They'll be joined by Sharin Apostolou as Nelli Forbush, Daryl Freedman as Bloody Mary and Clayton Brown as Luther Billis. The production will be directed by John de los Santos and conducted by Andy Anderson.

Tickets for both shows are available at the Paramount Theater website.

Monday, February 15, 2016

Watch Matt Worth in world premiere of Danielpour's "Five Songs of Remembrance"

Matt Worth (Photo by Hoebermann Studio)
The NY Festival of Song's program with the Manhattan School of Music which included the world premiere of Richard Danielpour's Five Songs of Remembrance for piano and baritone with barihunk Matthew Worth is now available on YouTube. The songs are written to texts by Whitman and Melville. (The songs begin around 1:19:00)

The remainder of the program includes excerpts from Susan Botti's Mangetsu for soprano and violin, David Ludwig's Our Long War for soprano, violin and piano, Anthony Constantino's When You Are Old, Wang Jie's The Animal Carnival and Therese-Marie Chaix's world premiere of excerpts from Talking Objects.


Matthew Worth can next be seen in Ricky Ian Gordon's Green Sneakers at Opera Birmingham directed by John de los Santos, who directed the riveting West Coast premiere with Jesse Blumberg in San Francisco. The program also features the composer's Orpheus & Euridice with Worth and Talise Trevigne. Performances are on March 11 and 13 at Brock Hall at Samford University in Birmingham. Tickets are available online

Worth then heads to the Fort Worth Opera Festival to sing the title role in the world premiere of David T. Little's JFK. The cast includes fellow barihunk Daniel Okulitch as LBJ.
Performances are on April 23, May 1 & 7 and additional information is available online.

Thursday, February 11, 2016

Interview with barihunk David Castillo; Starring in Townsend Opera's Sweeney Todd

David Castillo (as Anthony in Sweeney Todd on right)
If you're in Northern California, you won't want to miss the Townsend Opera production of Sondheim's Sweeney Todd. The production features barihunk David Castillo as Anthony Hope and is directed by John De Los Santos. The cast also features Zeffin Quinn Hollis in the title role, Margaret Gawrysiak as Mrs. Lovett, Camille Jasensky as Johanna, Molly Mahoney as the Beggar WOman and Phillip Skinner as Judge Turpin. There are performances on February 12 and 14 and tickets are available online

We asked David Castillo a few questions about the role of Anthony and his budding career:

1. Do you prefer musicals or opera?
I wouldn't say I prefer one over the other. I grew up singing in musicals with my aunt as the musical director and started doing operas in college at Loyola University New Orleans, when my late voice teacher Philip Frohnmayer persuaded me to get away from dentistry. I have a great love for both.  I just want to do good work in good productions with good colleagues, regardless of the "medium."

2. Is this your first Sweeney Todd?
This is the first time I have the opportunity to perform Anthony Hope. Sweeney is one of my favorite go-to-for-fun recordings and I always wanted to perform the role of Anthony. I did learn the work (trying to avoid using the word opera or musical when describing Sweeney), when I was in the chorus for it years ago in a deranged, gritty Ed Berkeley production at the Aspen Music Festival.  That was an awesome, first experience.

3. What's it like singing Sondheim ?
It's funny you ask this, I've been wondering this a lot the past few days between Sweeney rehearsals and practicing my arias. I realize that I've been singing this just slightly different than with my "opera" voice. I first learned "Johanna," when studying under Rod Gilfry at USC for my masters. He was doing a slew of Sweeneys at the time and said that Anthony would be perfect for me. We worked lots on keeping very lyric youthfulness to the sound and while milking the vowels and consonants like an art song.  Regardless, you sing need to SANG.  Sondheim's writing demands technique the entire time with such a multi-dimensional libretto to use.  We still have to cut over the orchestra and carry into the house.  It's an interesting balance.

4. Tell us about your character
When first approaching Anthony, the biggest obstacle I found was that he could be the most boring character in the story.  He could be a really flimsy, boring, vanilla, lover boy who sing a pretty song called "Johanna."  John de los Santos and I crafted him to have more grit and dimension than that. Anthony is a sailor, he's strong mentally and physically. He's been through life-threatening situations. He's been through fights. He saved a shipwrecked, almost dead Sweeney.  He's sailed through the most treacherous waters and experienced the most beautiful treasures of the world. He managed to do all that and still have a good head on his shoulders.  He is the ying to the yang that is Johanna, who probably never was allowed to leave her chambers. Anthony is more of a well-played Don José.  Anthony is still a bit young, when arriving back in London, his favorite place in the world. Seeing the city through Sweeney's eyes jades London, the world, and life for him. He falls in love in act I, he begins to go mad at the beginning of Act II when he can't find where the Judge hid her, and breaks down when finding out that Johanna is in a madhouse and is threatened by Beadle. He is in a carnal position volunterring to kill a dozen people without hesistation to find Johanna.  All concluding with the situation of not being sure if he and Johanna will make it out of London alive. That's way more interesting than a vanilla lover boy.

Director John De Los Santos and David Castillo
5. Give us a little insight into this production.
Matthew Buckman and Ryan Murray assembled an awesome team for this show. John de los Santos is the mastermind behind this production with a solid cast that brings so much dimiension to their characters. The whole concept of this is how children become infected by morbid stories and the impact. All manifested in this production with the way we treat Toby and how he is affected by this.

6. What's next for you?
Next Monday, between weekends of Sweeney Todd performances, I fly to Paris and make my European debut performing Winterreise with pianist Francois Chouchan. I am honored to be part of this important performance because it is dedicated to Francois' mentor, Dr. Elsa Cayat, who was the only female killed in the Charlie Hebdo shootings in Paris January 2015. It will be held at the Mairie du Troisieme Arrondissment. After that, I make my Off-Broadway and New York debut reprising the stoner role of Atzuko in the absolutely hilarious production ¡Figaro! (90210) at The Duke at 42nd. Excited to revisit this role, after performing it at the World Premiere last year with LA Opera. In April I perform as a soloist in the Los Angeles Master Chorale's staged production of Alexander's Feast at Walt Disney Concert Hall, then perform as the soloist in Bach Cantata 73 with the Horizon Chamber Singers at the Long Beach Bach Festival. May brings my LA Philharmonic debut creating the role of Goethe in their World Premiere commission of Andriessen's Theatre of the World at Walt Disney Concert Hall. In June, I perform Jesus in Bach's St. John Passion with the Pasadena Master Chorale. It's a pretty busy spring! Next season brings exciting projects, including a collaboration premiering works Filipino Composer Nilo Alcala.

You can follow David Castillo on Twitter @davidthesinger and Townsend Opera@TownsendOpera

Friday, October 9, 2015

Tobias Greenhalgh performing staged of Schubert's Winterreise



American barihunk Tobias Greenhalgh, who joined the ensemble the Young Ensemble of the Theater an der Wien last year, will be performing in the premiere of a newly staged version of Schubert's Winterreise.

Czech choreographer Martin Dvorak has conceived the 2-part song cycle for baritone, a dancer/actor and pianist, who will be Marcin Kabaghe. The initial performance will be on Saturday, October 17th, with three additional shows in the Czech Republic in December. On December 17 and 18, it will be performed at the Museum of Applied Arts in Brno, with an additional performance scheduled in Prague on October 19.

The songs represent the voice of the poet as the lover, and form a distinct narrative and dramatic sequence. In the course of the cycle the poet, whose beloved now fancies someone else, leaves his beloved's house secretly at night, quits the town and follows the river and the steep ways to a village. Having longed for death, he is at last reconciled to his loneliness. The cold, darkness, and barren winter landscape mirror the feelings in his heart, and he encounters various people and things along the way which form the subject of the successive songs during his lonely journey. It is in fact an allegorical journey of the heart.

Tickets, which are only 10,00 EUR, are available online.

Greenhalgh is currently appearing as Littore in Monteverdi's L'incoronazione di Poppea at Theater an der Wien with Jennifer Larmore as Ottavia, Christophe Dumaux as Ottone and the Valer Sabadus as Nerone.

He'll be back in the U.S. in January to sing Moralès in Bizet's Carmen with the Palm Beach Opera. Also in the cast are Rinat Shaham as Carmen, Zachary Nelson as Escamillo and Riccardo Massi as Don Josè. The production will be directed by the sensational young director John De Los Santos. Tickets are available online.

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Saturday, August 22, 2015

Joel Herold back at LoftOpera in Mahler/Berlioz double-bill



The ever-innovative LoftOpera, whose goal it is to "[remove] barriers between the audience and the stage," will be presenting a staged double-bill of Mahler's Lieder eines fahrenden Gesellen and Berlioz's Les nuits d'été directed by John De Los Santos. The pieces will feature mezzo-soprano Rebecca Ringle and barihunk Joel Herold.

Herold was a national semi-finalist in the Metropolitan Opera National Council Auditions and participated in The Audition documentary that highlighted the competition.  Previous performances with LoftOpera include Gubetta in Donizetti's Lucretia Borgia, Fiorello in Rossini's Il Barbiere di Siviglia and Schaunard in Puccini's La Bohème. He participated in Opera Memphis' one-of-a-kind opera tour called #30daysofopera, which received buzz for it’s innovative approach to reaching new audiences. He has held a number of Young Artist positions at Fort Worth Opera, Saratoga Opera, and Connecticut Opera. Herold has sung additionally with the Santa Fe Concert Association, Opera Cleveland, Knoxville Opera, and Opera Theater of Pittsburgh.

Performances of the Mahler/Berlioz double-bill are on August 28 and 29. Tickets are available online and they're only $20. 

Saturday, July 11, 2015

Barihunks form "boy band" Vox and advance on America's Got Talent

Vox members Kevin Blickfeldt and David Castillo (left)
Two barihunks who have been featured on our site are now part of Vox, the newest "boy band" to hit the airwaves. The twist is that they're all classically-trained opera singers. Baritones David Castillo,  Kevin Blickfeldt and DeMar Neal, along with tenor Arnold Geis. Castillo and Blickeldt are the Barihunks almuni. They are competing on NBC's “America’s Got Talent” and advanced past the audition round with a rousing rendition of Puccini's Nessun Dorma. The winner of the competition gets a $1 million prize.


In the five years since graduation, Castillo has performed Los Angeles Opera, New Orleans Opera, Los Angeles Master Chorale, Louisiana Philharmonic Orchestra, Green Mountain Opera Festival, Aspen Opera Theatre, Le Salon de Musiques, The Industry, USC Thornton Opera, and other major opera companies and orchestras. This season he's performing in two world premieres: one with The Industry in HOPSCOTCH and another in a work by Jeffrey Parola. He makes his European debut performing Winterreise with Francois Chouchan at the Mairie du Troisieme Arrondissement in Paris an next year performs Anthony Hope in Sweeney Todd with Fresno Grand Opera and Townsend Opera directed by John De Los Santos.

America's Got Talent judge Howie Mandel comments on Vox
Kevin Blickfeldt is on the faculty of the 88 Keys Music Academy and performs in opera, musical theatre, oratorio, recital,  and concert works. Recent performance credits include El General in La Curandera, Maximilian in Candide with Opera Pasadena, and The Prodigal Son with LA Opera’s Britten 100/LA festival.  In 2011, Kevin won the Citadelle Aard at the 6th annual Alltech Voice Competition in Kentucky. For three seasons, Blickfeldt was an artist in residence at the Ohio Light Opera. Many of the productions he performed in were made into cast recordings on the Albany label, where he can be heard as a soloist. Kevin earned his doctorate degree from the University of Southern California.

DeMar Austin Neal IV is a graduate of Florida State University, the Boston Conservatory, and the University of North Carolina at Chapel Hill. Neal has appeared as a soloist with symphonies and in festivals throughout North Carolina and abroad, including both the Raleigh and North Carolina symphonies and in the Tiber Sinfonia Festival in Monterchi, Italy. He was also seen as a featured soloist at the 2010 Robert Schumann Bicentennial Festival at Meredith College in Raleigh, NC, as well as at their 2012 Debussy Sesquicentennial Festival.

Saturday, December 6, 2014

When Adonis Calls chosen for Frontiers; Features two baritone leads

Promo for When Adonis Calls
It's not often that we can feature an opera that has an all-barihunk cast, but that seems to the case with When Adonis Calls. Written by composer Clint Borzoni and librettist John de los Santos, the opera chronicles the tumultuous correspondence between an established writer and an eager young admirer. The piece is scored for two baritones, string quartet, percussionist, and two dancers.

The opera was recently selected for Fort Worth Opera's third annual Frontiers workshop, which features eight works in development by emerging composers and librettists. Borzoni is no stranger to writing for low voices. In 2010, he was commissioned to write a song cycle for bass-baritone Tim Hill and several songs for bass-barihunk Randal Turner. Turner’s songs appear on his CD, “Living American Composers” and were performed at the 9/11 tribute at the U.S. embassy in Sweden. He also recently completed a two act opera titled “Antinous and Hadrian,” which features a baritone lead.

John de los Santos, the librettist, is actually one of opera's hottest and most talented young directors and choreographers. In 2011, we named him the "Best Director" in our "Best of the Year" feature for his brilliant work on Gilbert & Sullivan's The Mikado. He subsequently has been featured on the site for his work directing Piazzolla's tango opera Maria de Buenos Aires in Lexington with barihunk Luis Alejandro Orozco and Ricky Ian Gordon's Green Sneakers in both San Francisco and San Antonio with barihunk Jesse Blumberg, and Bizet's Pearl Fishers in Fort Worth with barihunk Lee Poulis.
John de los Santos (left) and Jesse Blumberg in Green Sneakers (right)
De los Santos constructed his innovative libretto from the poems of Gavin Geoffrey Dillard, who has written texts for Peter Allen, Chanticleer, Sam Harris, Jake Heggie, Glen Roven, Ralph Edwards and Disney Studios. His classical art songs ("Of Gods and Cats") were featured at Lincoln Center by mezzo-soprano Jennifer Larmore. His infamous Hollywood tell-all book, IN THE FLESH: Undressing for Success, chronicles his life as a gay porn star, high-paid male escort, his exciting long-term-relationship, and eventually his search for self through poetry and Asian religion.

When Adonis Calls will be featured at Frontiers during the Fort Worth Opera Festival on May 7 & 8, 2015. Post-performance discussions and open rehearsals will be part of the showcase. Frontiers began during the 2012- 2013 season as an opportunity for composers and librettists to showcase up to twenty minutes of their new works in front of artistic directors of opera companies, artist managers, classical music publishers, funding organizations, and conductors.

The singers have not been selected for the work, but we'll be sure that our readers are the first to know. We'll also be in attendance for the workshop in Fort Worth. as well as their performances of Verdi's La traviata, David T. Little's Dog Days and Thomas' Hamlet, featuring barihunk Wes Mason in his first performance of the title role. Visit their website for tickets and additional information.


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Friday, May 2, 2014

Green Sneakers "Dream Team" reuniting in San Antonio


Cellist Kathryn Bates and Jesse Blumberg in Green Sneakers
One of our favorite collaborations in all of opera is coming to Opera Piccola of San Antonio. Barihunk Jesse Blumberg will be rejoining the acclaimed young director John de los Santos and the riveting Del Sol Quartet for a repeat of their powerful performance of Ricky Ian Gordon's Green Sneakers, which played for one night in San Francisco last year. We were at that performance and there wasn't a dry eye in the theater when the opera ended.

Opera Piccola will present two performances on May 10 and 12 in a double-bill with Gordon's Orpheus and Euridice. Tickets are available online.

Green Sneakers, which is broken into nineteen songs and runs about 80 minutes was written with Jesse Blumberg in mind. The piece is scored for baritone, string quartet, and empty chair, with a libretto by the composer. It premiered on July 15, 2008 in Vail, Colorado and has had a number of subsequent performances since, mostly with Blumberg.

Ricky Ian Gordon today wrote the mini-opera as a way of dealing with the loss of his lover Jeffrey Grossi to AIDS in 1996. In an interview with the Advocate Gordon said, "The world is so different now than it was when Jeffery died in 1996. Young people today missed seeing what it was really like at the height of the AIDS crisis so for them they think it’s OK because you just get to take a few pills all the time. Today, HIV is romanticized in a way because you get to be like that character in Rent, but young people need to know that there’s nothing romantic about it."

You can read the entire interview HERE

Director John de los Santos and composer Ricky Ian Gordon
Jesse Blumberg just wrapped up a successful run as Papageno in the famous Barrie Kosky/1927 production of Mozart's Magic Flute at the Minnesota Opera. Blumberg can next be heard performing Schubert's Winterreise at the Kerrytown Concert House on May 17th and Aeneas in Purcell's Dido & Aeneas at the Connecticut Early Music Festival on June 7 and 8.

De los Santos has just brought Bizet's Pearl Fishers to life at the Fort Worth Opera Festival, which has a final performance tonight. From July 16-19, the wunderkind director will work his magic with Rossini's L’Italiana in Algeri at the Seagle Music Colony.

Ricky Ian Gordon has been one of the busiest composers in the world, with premieres of his new operas A Coffin in Egypt and "27." A Coffin in Egypt can next be seen at Opera Philadelphia from June 6-15 and "27" will premiere on June 14 at the Opera Theatre of St. Louis.


Monday, April 21, 2014

Barihunk Feast in Fort Worth: Pearl Fishers and Silent Night

Photos by Rachel Parker
The Fort Worth Opera Festival, one of our favorite stops on the opera circuit, kicked off the season with a stunning production of Bizet's Pearl Fishers featuring barihunks Lee Poulis as Zurga and Justin Hopkins as Nourabad. We should also mention that hunkentenor Sean Panikkar, of Forte fame, adds to the beefcake fest AND sings Nadir's beautiful aria "Je crois entendre encore."

Any opera directed by John de los Santos promises to be entertaining and an oft-static work like Pearl Fishers needs the touch of someone who can direct AND choreograph. De los Santos' non-stop action in the Mikado at the Festival in 2011 had audiences rolling in the aisles. We've heard that his dance scenes are magnificent. Throw in a shirtless Lee Poulis with his pants hanging low on his torso and you have an operatic feast for the eyes and the ears.

Justin Hopkins and the dancers from Fort Worth Opera's Pearl Fishers
The opera is the story of two men who fight over the same woman, make up and then fight over her again when she reappears. In between there is one of the most famous duets in all of opera and a beautiful aria for the girl Leïla. One of the men gives up his life to save Leïla and his friend. This was reality TV before reality TV.

There are additional performances on April 27 and May 2 and tickets are available online.

Dan Kempson, Lt. Gordon in Fort Worth's Silent Night
If two barihunks isn't enough for you, then you'll enjoy the next opera at the Fort Worth Opera Festival, which has four bariunks.  Kevin Puts' Silent Night will be performed on May 4 and 10 with barihunks Dan Kempson as Lt. Gordon, Aaron Sørensen as the French General, Craig Irvin as Lt. Horstmayer and Morgan Smith as Lt. Audebert.

Aaron Sørensen, the French General in Silent Night: "Il est mignon!"
The opera is based on the screenplay Joyeux Noël by Christian Carion and recounts a miraculous moment of peace during one of the bloodiest wars in human history. On WWI’s western front, Scottish, French and German officers defy their superiors and negotiate a Christmas Eve truce. Enemies become brothers as they share Christmas and bury their dead.
 
You can listen to the entire opera online at composer Kevin Puts' website. 

Friday, February 7, 2014

Justin Hopkins makes role debut as Leporello

Justin Hopkins in Leporello and Opera in the Height's Don Giovanni artwork
Barihunks calendar model and rising star in the bass-baritone repertory Justin Hopkins just made his role debut as Leporello with Houston's Opera in the Heights. Although the role was originally double-cast, Hopkins is slated to sing all seven performances. The production has been moved to the mid-20th century with artwork from surreal artist René Magritte covering the sets. 

This is certainly not Hopkins first foray into Mozart, as he's performed Bartolo and Antonio in Le Nozze di Figaro at the Verbier Festival, Sarastro in Die Zauberflöte with the Santa Fe Concert Association and Don Alfonso in Così fan tutte with Pensacola Opera.

Music critic D.L. Groover in the Houston Post called his Leporello the "standout performance."

Remaining performances are on February 7, 8 and 9 and tickets are available online.

Lee Poulis, John de los Santos and Sean Pannikar
Hopkins is returning to the Fort Worth Opera Festival to perform Nourabad in Bizet's The Pearl Fishers in a production directed by the amazing young director John de los Santos. Barihunk Lee Poulis will sing Zurga and hunkentenor Sean Panikkar takes on Nadir, so this production promises lots of eye candy. Performances are on April 19, 27 and May 2 and tickets are available online

If you haven't experienced the amazing opera that happening in Fort Worth, you should make travel plans now. They are also featuring Kevin Puts' Silent Night, Mozart's Così fan tutte and Daniel Crozier and Peter M. Krask's With Blood, With Ink.

Wednesday, July 31, 2013

"Dream Team" reunites for Ricky Ian Gordon's Green Sneakers

Cellist Kathryn Bates Williams and baritone Jesse Blumberg
If you missed the amazing performance of Ricky Ian Gordon's one-man opera Green Sneakers in San Francisco, you'll have another chance to see it on May 10 & 11, 2012 at Opera Piccola of San Antonio.

The opera was written by Gordon for barihunk Jesse Blumberg, who will be reprising the role for these performances. The San Francisco performances were transformative for the piece when the sensational young director John de los Santos was brought in for the West Coast premiere of the opera. He creatively integrated the string quartet into the action, creating some of the most magical and emotionally compelling moments seen on an opera stage in years.    

Jesse Blumberg and the brilliant Del Sol Quartet
Opera Piccola of San Antonio was founded in 2012 by Mark A. Richter, with the intent of building a professional chamber opera for San Antonio. The company has produced Mozart's Cosi fan tutte, Mollicone's Face on the Barroom Floor, Menotti's The Telephone and Donizetti's Don Pasquale.  Operas are performed in English and ticket prices are quite affordable.

The company will also be performing Menotti's The Medium, as well as a double-bill of Mozart's Bastien and Bastienne and Robert X. Rodriguez's La Curandera. Visit their website for additional information or tickets.  

Green Sneakers, which is broken into nineteen songs and runs about 80 minutes is scored for Baritone, String Quartet, and Empty Chair. It premiered on July 15, 2008 in Vail, Colorado and has had a number of subsequent performances since, mostly with Blumberg. 

Remarkably, the opera, which deals with AIDS,  didn't have its New York or San Francisco premiere until this year. Jesse Blumberg performed the piece at Lincoln Center on April 6th with the Voxare Quartet and on February 19th with the Del Sol Quartet in San Francisco.

Ricky Ian Gordon recently completed an opera of Giorgio Bassani's Garden of the Finzi Continis with librettist Michael Korie. He is wrapping up commissions for the Metropolitan Opera with playwright Lynn Nottage, as well as new operas for the Opera Theatre of St. Louis and Houston Grand Opera. Last year,  he completed a new operatic monologue for Renee Fleming, Harper's other monologue from Tony Kushner's "Angels In America." 

Thursday, July 4, 2013

Celebrating American Composers on America's Birthday

Jesse Blumberg in Ricky Ian Gordon's "Green Sneakers" in San Francisco
Today we celebrate American Independence Day with a look at our great American composers and some baritones singing our official national anthem (Star Spangled Banner) and unofficial national anthem (America the Beautiful).

William Henry Fry, born in 1815, has been considered by many, to be the father of American opera. His most famous opera, Leonora, debuted in 1845. In Europe at this time, the Romantic period was developing lead by figures such as Wagner, Schumann and Chopin. Fry’s opera Leonora the first opera by an American composer to be performed in the US. Over the years there have been many American composers following in his footsteps and as diverse as Americans are, they each have possessed their own unique style.

Norman Treigle sings "America the Beautiful" and the "National Anthem:

David Adam Moore sings the National Anthem:

By the way, David Adam Moore just joined Twitter and can be found at @davidadammoore.

Virgil Thomson was probably the most important opera composer of the 20th century. He composed four operas and the two most popular were collaborations with author Gertrude Stein. He was influential in the creation of what is known as “American Sound” and was awarded Yale University’s Sanford Medal and the National Medal of Arts.

Robert Sims sings "I got plenty o 'nuttin" from Porgy & Bess:

Born near the beginning of the 20th century, George Gershwin, Aaron Copland and Leonard Bernstein were probably better known for their popular music but all three of these men also composed operas. Porgy and Bess, composed by Gershwin, is one of the most successful operas of the 20th century. Copland wrote two operas, The Second Hurricane and The Tender Land which are perfect for young voices. Bernstein was a master at blending Broadway and opera, most notably in his Broadway operetta, Candide.

In contrast, Douglas Moore, 1893-1969, was a rare American composer, in that he was most famous for his operas, not his popular music. Although he composed ten operas, his most well-known is The Ballad of Baby Doe. He was a significant figure in both the advancement of American music and music education.

Michael Hewitt sings "Warm as the Autumn night" from "The Ballad of Baby Doe":

Gion Carlo Menotti was born in Italy in 1911, but came to the U.S. in 1928 and became one of the most popular names in American opera, composing over twenty of them in his lifetime. In 1934 he was the recipient of a Kennedy Center Honor and in 1991 was named “Musician of the Year” by Musical America.

Philip Glass, who is considered to be the pioneer of minimalistic opera, and Jake Heggie, who is an extremely talented pianist and piano composer are both celebrated contemporary opera composers. Both have written great music for baritone and have been featured regularly on this site. Heggie is unique in that most of his male lead roles are written for baritone. Glass has composed over twenty operas beginning in the 1970′s with his latest in 2007, while Heggie, who got started in the year 2000, has arguably been the most successful American composer of this century.

Heggie's most recent opera was the critically-acclaimed Moby-Dick. Prior to that, he composed Dead Man Walking, Three Decembers, The End of the Affair, To Hell and Back, For a Look or a Touch and At the Statue of Venus. The Dallas Opera has announced the commission of Heggie's next opera, Great Scott, with a libretto by his frequent collaborator Terrence McNally, set for a premiere on October 30, 2015. A number of baritones have become closely associated with his songs and operas including baritones Philip Cutlip, Nathan Gunn, Michael Mayes, Jonathan Lemalu, Daniel Okulitch, Keith Phares, Morgan Smith and Bryn Terfel.

Randal Turner sings Tom Joad's aria from "The Grapes of Wrath":

Another busy composer is Ricky Ian Gordon, whose operas include Autumn Valentine, The Grapes of Wrath, Green Sneakers, Morning Star, Only Heaven, Orpheus & EuridiceRappahannock County and The Tibetan Book of the Dead. The New York native grew up on Long Island and studied composition at Carnegie Mellon University. His songs have proved to be particularly popular and have been performed in concert and recorded by some of the biggest names in operas. He currently has commissions from the Metropolitan Opera, Opera Theatre of St. Louis and the Houston Grand Opera. Green Sneakers recently had its New York and San Francisco premiere, the latter brilliantly realized by the gifted young American director John De Los Santos.

Some of the other American composers who we've featured on this site include Mark Adamo, Glen Roven, Carlisle Floyd, Clint Borzoni, Thomas Pasatieri, Daron Hagen, Tobias Picker, Marc Blitzstein, William Bolcom, Andre Previn, John Harbison, Ned Rorem, Julia Schwartz, Lee Hoiby, Stewart Wallace, Peter Lieberson and Dominick Argento. We suggest checking them out on YouTube on America's birthday.