Edwin Crossley-Mercer and Marc Mauillon in fun-filled Platée in Paris; New York City up next

Edwin Crossley-Mercer (left) and Marc Mauillon

Director Robert Carsen and conductor William Christie have moved their co-production of Rameau's Platée from the Theater an der Wien to the Opéra Comique. The innovate and lively production is set in the world of fashion-driven high society. Jupiter, played by barihunk Edwin Crossley-Mercer is fashion designer Karl Lagerfeld, who parades around with his  fluffy, white cat. La Folie, sung by the amazing Simone Kermes,  morphs from Lady Gaga into a series of entertainingly unique incarnations. Marc Mauillon, who somehow had been overlooked by our European barihunk "scouts" until now, plays Cithéron.

Performances run through March 30 and tickets are available online. The production then will move to New York City for a single performance at the Alice Tully Hall on April 2. TIckets are still available, but are extremely limited. It is suggested that you call 212.721.6500 for tickets. 

Edwin Crossley-Mercer to star in life of Rousseau

Young Rousseau, countertenor Jonathan De Ceuster and adult Rousseau, Edwin Crossley-Mercer

One of the most anticipated premieres on our calendar is "JJR (Citizen of Genèva)," a new opera about the life of Jean-Jacques Rousseau by composer Philippe Fenelon and librettist Ian Burton. The opera will open on September 11 with barihunk Edwin Crossley-Mercer playing one of the three Rousseau characters. 

The opera is in celebration of the tercentenary celebrations of the birth of the great Expressionist philosopher, writer and composer who hailed from Genèva. Rousseau wrote seven operas as well as music in other forms, and he made contributions to music as a theorist. Of course, he is best known as one of the great philosophers whose writings were so popular that he became a French hero. 

The opera was commissioned by the city of Geneva and the Grand Théâtre de Genève to celebrate the life of one of their greatest native sons. The modernist piece will be directed by the internationally renowned director Robert Carsen. 

Tenor Nicolai Gedda sings Rousseau's "Je vais revoir ma charmante maitresse":

The opera will follow the life of the composer from the age of 12, where he's played by the gorgeous countertenor Jonathan De Ceuster. It then takes him to age 21, when Crossley-Mercer portrays the great thinker. It ends with Rousseau at age 66, when he's played by the great character tenor Rodolphe Briand. During a single act, it crosses seven scenes of his life, in which nature, God, literary text, education, botany, sex and sensitivity are explored. Along the way it touches on his relationships with his contemporaries (Sade, Voltaire, Diderot), cultural icons of his time (Robinson Crusoe, an Italian opera castrato), his own philosophical and artistic creations and, of course, the women in his life.

Visit the Grand Théâtre de Genève website for additional information. 

Kyle Ketelsen Heats Up Carmen

[Photo courtesy of De Nederlandse Opera]
Those of us in San Francisco were already familiar with Kyle Ketelsen's sexy, hot Escamillo in Carmen. He portrayed the role here in 2006 and completely stole the show. He is reprising the role at De Nederlandse Opera and apparently he has gotten even hotter with time. Or perhaps it's that sexy torreador outfit that costuming made for him. He certainly fills out those pants nicely.

This production was directed by the brilliant Robert Carsen, who also directed the sexy version of A Midsummer Night's Dream at La Scala featured in a recent post (and more pix coming!).

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