Showing posts with label steven blier. Show all posts
Showing posts with label steven blier. Show all posts

Saturday, January 10, 2015

Theo Hoffman in concert of "Great American Songwriting Teams"

Theo Hoffman
Barihunk Theo Hoffman will part of seven singers from Julliard joining accompanist Steven Blier for as evening of music from "Great American Songwriting Teams." The concert will feature music by George & Ira Gershwin, Comden & Green, Kander & Ebb, Bock & Harnick, Rodgers & Hart (& Hammerstein), Leiber & Stoller, and others.

Coleman & Leigh, who will be represented by a delightful number from Little Me. The program features some famous songs (“You and the Night and the Music,” “Love Potion #9”), some best known to Broadway aficionados (“Little Tin Box,” “The Wrong Note Rag”), and some that will be a delightful discovery for listeners (an unpublished Gershwin gem called “Luckiest Man in the World”).

The show is presented by the New York Festival of Song and Juilliard’s Ellen and James S. Marcus Institute for Vocal Arts on Wednesday, January 14, 2014 at 8:00 PM at the Peter Jay Sharp Theater.

Theo Hoffman sings Marc Blitzstein's "Stay in my arms":

Other singers on the program include soprano Tiffany Townsend, mezzo-sopranos Kelsey Lauritano and Hannah McDermott, and tenors James Knight, Aaron Mor and Alexander McKissick (that's A LOT of tenors!).

Tickets are $20 for the public, $10 for students, and free for Juilliard students, faculty, and staff. Tickets are available online or by calling (212) 769-7406.

On March 8th, Hoffman debuts with the Portland Symphony Orchestra as The Jailer in Poulenc's The Dialogues of the Carmelites in a cast that includes fellow barihunk Troy Cook.

Thursday, November 6, 2014

John Brancy recitals look at Freud, WWI

John Brancy flexing his vocal chops and his barihunk guns
American barihunk John Brancy has two fascinating recitals coming up before the end of the year.

On November 11, he'll join the gifted young soprano Janai Brugger at the New York Festival of Song for "Art Song on the Couch: Lieder in Freud's Vienna"  at the Merkin Concert Hall. NYFOS, Tuesday November 11th,  2014, 8pm  Merkin Concert Hall. The concert features music by Hugo Wolf, Gustav Mahler, Arnold Schoenberg, Richard Strauss, Alexander von Zemlinsky, Franz Schreker, and others.

The program will explore German lieder in the early years of the 20th century as it took on a new psychological and musical complexity. The duo will be joined at the piano by Michael Barrett and the always entertaining Steven Blier.

Visit the NYFOS website for ticket information.

On December 10th, Brancy will return to Vocal Arts DC for a recital honoring the centenary of World War I. The concert is titled "Silent Night: A World War I Centenary Tribute in Song" and features songs from England, Germany, Austria, France & America. He'll be joined by Peter Dugan at the piano. The program includes music by Butterworth, Gurney, Orff, Alma Mahler, Ravel, Poulenc, Debussy, Ives and renditions of "My Buddy" and "Danny Boy"

The gifted young singer, was the winner of both the Sullivan Foundation and Marilyn Horne Song Competitions before graduating from Juilliard. Brancy has also already made solo recital debuts at both Carnegie Hall and Alice Tully Hall, and has appeared in opera in Paris, Dresden, and Frankfurt.

Tickets are available online.


Don't forget to order your 2015 Barihunks Charity Calendar today. You'll enjoy 19 of opera's hottest singers. Click below to order now.

Support independent publishing: Buy this calendar on Lulu.



Saturday, August 16, 2014

Theo Hoffman joins Steven Blier for Craigslistlieder

Theo Hoffman
Barihunk Theo Hoffman will be one of four singers joining the talented accompanist Steven Blier in the New York Festival of Song's Emerging Artists series. The program is entitles "Craigslistlieder & Other Love Songs" and includes music by Granados, Grieg, Frank Bridge, Sondheim, Stenhammar, and Gabriel Kahane.  

Kahane's "Craigslistlieder," which is a song cycle based on actual Craigslist personal ads headlines the program. The cycle includes 1. You Looked Sexy 2. II. I'm Sorry 3. III. Half A Box of Condoms 4. IV. Neurotic and Lonely 5. Today I Met 6. For Trade 7. If Anyone Knows 8. Opera Scene. 

Theo Hoffman sings the Count's Aria from the Marriage of Figaro:

The Festival is taking their program out to Long Island for two performances on Long Island this month! There will be a preview concert on August 23 at Christ Episcopal Church in Bellport followed the next day by a performance at in Orient. Hoffman will be joined by soprano Chelsea Morris, mezzo-soprano Lauren Eberwein and tenor William Goforth. The singers will perform solos as well as vocal quartets.

In November, Hoffman will play Bob in Menotti's The Old Maid and the Thief at Juilliard in a triple-bill directed by Edward Berkeley, which also includes Samuel Barber's A Hand of Bridge and Kurt Weill's Down in the Valley.. On March 8, 2015, he debuts with the Portland Symphony Orchestra as The Jailer in Poulenc's The Dialogues of the Carmelites. Tickets are available online. 

Make sure to read our interview with Theo Hoffman that appeared on our site in February.

Friday, July 4, 2014

Celebrating Independence Day with American Opera


American composers Marc Blitzstein and Jake Heggie
American opera didn't happen until more than 140 years after the first opera, Jacobo Peri's Daphne. William Henry Fry is considered the first American opera composer. He wrote the unperformed Aurelia the Vestal in 1841 followed by Leonora in 1845. Most early American composers are forgotten today. Perhaps the first who are remembered today are Walter Damrosch, Scott Joplin, Louis Gruenberg, Roger Sessions and Victor Herbert.

One composer who is largely forgotten today is Harry Lawrence Freeman, an early African-American composer who supported himself and his own opera company during his lifetime and performed to largely black audiences. In 1893, his opera Epthelia was the first opera performed in the U.S., which was written by an African-American composer.

Before the advent of World War II, a number of prominent American composers emerged whose music endures today, including Marc Blitzstein, Virgil Thomson, George Gershwin, Douglas Moore, Aaron Copland and Gian Carlo Menotti. Perhaps the most enduring works from this period are Thomson's Four Saints in Three Acts and Gershwin's Porgy & Bess.

William Sharp sings Marc Blitzstein's song "Monday Morning Blues":

Marc Blitzstein is best remembered for his opera Regina, his musical The Cradle Will Rock and his adaptations of Kurt Weill/Bertolt Brecht musicals, even though he was notoriously critical of Weill for trying to appeal to mass audiences.  Regina is an adaptation of the Lillian Hellman play The Little Foxes. It was completed in 1948 and premiered the next year. The musical style has been described as new American verismo, abounding in the use of spirituals, Victorian parlour music, dance forms, ragtime, aria and large, symphonic score

William Warfield and Leontyne Price sing "

Porgy & Bess features a number of baritone and bass-baritone roles, including Porgy, Jake and Crown. Porgy gets to sing the classic "I got plenty o' nuttin'" and "Bess, o where's my Bess?, "as well as an amazing duet. Jake gets to sing A woman is a sometime thing, while Crown sings "A red-headed woman."

Virgil Thomson composed four operas and the two most popular were collaborations with author Gertrude Stein. He was influential in the creation of what is known as “American Sound” and was awarded Yale University’s Sanford Medal and the National Medal of Arts.

Douglas Moore is unusual,  in that he was most famous for his operas, not his popular music. Although he composed ten operas, his most well-known is The Ballad of Baby Doe. He was a significant figure in both the advancement of American music and music education.  Horace Tabor, who has the best music for a male character, was written for a baritone. His main pieces include "Warm as the autumn light" and "Turn tail and run then."

Michael Hewitt sings "Warm as the autumn night":


The second half of the 20th Century saw the emergence of some of America's greatest composers ever, including Hugo Weisgall, Dominick Argento, Carlisle Floyd, Samuel Barber, Thomas Pasatieri, Philip Glass, John Adams and Stewart Wallace. In 1955, Carlisle Floyd wrote what many consider America's greatest opera, Susannah, which remains in the standard repertory today.

Long before the composing couple of Mark Adamo and John Corigliano emerged, America was blessed with lifelong companions Samuel Barber and Gian Carlo Menotti, who wrote some of the greatest operatic works in history. Barber penned Antony & Cleopatra and Vanessa, the latter with a libretto by Menotti. Antony and Cleopatra was commissioned to open the new Metropolitan Opera House at Lincoln Center in 1966 with Leontyne Price and Justino Diaz. 

Eric Halfarson sings the Death of Enobarbus from "Antony & Cleopatra":

Gian Carlo Menotti wrote the most performed American opera ever written, Amahl and the Night Visitors. His impressive list of operas include The Consul, The Saint of Bleeker Street, Amelia Goes to the Ball, The Old Maid and the Thief, The Telephone and The Last Savage. In 1958, Menotti founded the Festival of Two Worlds in Spoleto, Italy and then founded its companion festival in Charleston, South Carolina in 1977.

The 21st century has seen an explosion of interest in living American composers, including Tobias Picker, John Adams, Philip Glass, Jake Heggie, Mark Adamo, Ricky Ian Gordon, Anthony Davis, Steve Mackey, John Corligliano, Daron Hagen and John Harbison. Philip Glass has been successfully writing operas for 35 years, with such major successes as Hydrogen Jukebox, Einstein on the Beach, Kepler, Satyagraha and Appomattox. He has composed over twenty operas.

Martin Achrainer in Philip Glass' "Kepler":

Although he is far less prolific than Glass, many people consider John Adams an equal to Glass as the greatest living American composer. His masterpiece is considered Nixon in China, which is currently being performed in theaters around the world.  His other somewhat less successful opera is The Death of Klinghoffer.  However, it has received worldwide press attention over the Met canceling the Live in HD broadcast of the opera over concerns from Jewish groups.

Perhaps the modern day wunderkind of American opera is Jake Heggie, who has strung together a remarkable number of operas which are entering the standard repertory. His 2000 opera Dead Man Walking is becoming an audience favorite far beyond the U.S. shores. Of course, we love it, because it has become a major vehicles for barihunks who are portraying the convicted killer Joseph De Rocher. His other successes include The End of the Affair, Three Decembers and the recent hit Moby-Dick.  

Randal Turner sings Tom Joad's aria from The Grapes of Wrath:

But the busiest composer in 2014 has to be Ricky Ian Gordon with his singable melodies. His most recent opera "27" with a libretto by Royce Vavrek is about about the singular world of Gertrude Stein and Alice B. Toklas. It opened on June 14th at the Opera Theatre of St. Louis. Three months earlier, he opened A Coffin in Egypt at the Houston Grand Opera, which was written for superstar diva Federica von Stade. It's already had subsequent performances in Los Angeles and Philadelphia.  

Have a happy and safe 4th of July and celebrate some American music! 

Wednesday, February 19, 2014

Question & Answer with Theo Hoffman

 
Theo Hoffman

1. Most singers dream of moving to New York to study and have careers, but you grew up in Manhattan. Tell us a little about your upbringing. What music did you listen to growing up.
As with every New Yorker it seems, I have a love-hate relationship with the City. It has completely spoiled me, so living elsewhere for more than a few months is difficult. On the other hand, it has given me a cultural education one cannot receive elsewhere. My parents are restauranteurs (Back Forty and previously Savoy), so my culinary experiences have shaped a lot of what I love about the city.

In terms of music, It all started with the Beatles. Then add Bob Dylan, Jimi Hendrix, Janis Joplin, Rolling Stones, and David Bowie and you essentially have my musical upbringing. Now that I think about it, Bob Dylan isn't such a vast departure from Schubert. There was zero classical music entering my ears until I got to LaGuardia High School, where I was turned on to art song, oratorio, and opera. The rest is history. 

2. Tell us about your time at Julliard. What was your favorite performance there? Any coaches or teachers who were a particular influence?
My time at Juilliard has been an incredibly rich one, and it's not over yet! A couple favorites come to mind. I made my role debut as the Count this year in a beautifully unique production of Nozze by rising-star director John Giampietro. I always thought this was a role that I wouldn't play until I was much older, but in the Beaumarchais play, Almaviva is probably around the same age I am. Playing the role, I realized a lot about myself. It was extremely cathartic. Also this year, I performed Songs and Proverbs of William Blake with Brain Zeger, the artistic director of Juilliard Vocal Arts and one of my mentors, which was a foray into some of the coolest poetry I've ever had the pleasure of communicating.

3. You're currently doing some work at the Opera Theatre of St. Louis. What is that experience like and how is it furthering your artistic growth?
I auditioned for OTSL when I was 19, expecting nothing. I sang an art song in my audition, for pity's sake. A week after my audition I received that email which sort of changed my life. Through the years, they have fostered some incredible talent through their Gerdine Young Artist program and have a beautiful community of people who make opera happen every summer. I turned 20 when I was there last summer, and I'll tell you, having 30 superb young artists singing "Happy Birthday" to me was one of the highlights of my life. I met some of my best friends in that program. I'm headed back this summer to cover Papageno and sing Thierry in Dialogues of the Carmelites. I hope to work with them for many years to come.

Theo Hoffman
4. You've already caught the attention of some major people in the business, including the amazing Steven Blier. Tell us what you're doing with him. Who else are you excited about working with?
Steve and I are kindred spirits in so many ways. We started working together basically the week I got to Juilliard and have barely missed a week since. We work on everything from Monteverdi to Britten to Noël Coward and Marc Blitzstein. I made my New York Festival of Song debut this past December and will be performing with them at Caramoor and New York in March.

One always hears advice to seek out a team of mentors who you trust, who you can share your craziest ideas with, and who truly have your best interests at heart. With so many different agendas flying everywhere, many singers get really confused about what they're supposed to be doing. I am lucky to have Steve as one of these important mentors, along with my teacher Sanford Sylvan.


5. Do you have any dream roles? Favorite composers?
It's always been my dream to play Sid in Albert Herring (partially because I have a thing for mezzos). The musical language of Benjamin Britten has always resonated with me incredibly acutely. If I could sing a role outside my fach, I'd choose Octavian in Der Rosenkavalier. Strauss is another favorite. I'm always excited by new works, and I'm waiting for someone to turn The Hobbit into an opera so that I can play Bilbo Baggins.

6. How did you first find out that you were on Barihunks and what was your reaction?
When I saw the post, I was extremely grateful to be a part of such a talented bunch of singers. Some of my favorite singers and colleagues are featured on the site. John Brancy, Matt Worth, Christopher Maltman, and Stephane Degout (to name just a few) are all artists I have vast respect for, and I love hearing about what they're up to.

7. Do you think singers should be as concerned about their bodies as their voices? Do you have a workout routine?
Singers have to stay in shape. We are athletes. Being a body-builder, however, is arguably not fantastic for the voice, more specifically, for muscular tension. I am an incredibly skinny man, so my task is actually keeping the weight up rather than loosing any. When New York thaws, I'm looking forward to getting back to my long bike rides up and down the west side of Manhattan. I feel my breath and my soul in the right place after one of my rides.

8. Some singers like Furruccio Furlanetto are refusing to work with directors who have gotten particularly outrageous in their conceptualizations. Are there productions  or director requests that would turn you off?
There is not too much I wouldn't play on stage, as long as it serves the text and the original intention of the composer. I have my limits, though. When a guy gets completely naked onstage, the conversation immediately deviates from the action of the opera to how hung they are (for better or for worse). I think it's a waste of the audience's attention, as are many "concepts."
"I remember the first time someone told me I was a baritone. It was like finding the warmest, softest blanket to cuddle up in. - Theo Hoffman
We also have a couple of reader questions for you:

9.  How do we make opera more relevant to today's audiences while still respecting the art?
We need to educate our children early! Parents, take your kids to the opera and treat it like you're reading them a bedtime story. These are fairy tales brought to life, so why not embrace them as such? I wish the proliferation of new works was more readily supported by big houses like the Met, not just one or two per season, but more like four or five, so that the repertoire is always growing and changing.

10. Did you initially sing as another voice type before becoming a baritone? How did you discover that you're really a baritone?1
I was always a baritone. I remember the first time someone told me I was a baritone. It was like finding the warmest, softest blanket to cuddle up in. I quickly fell in love with the repertoire, and I wouldn't have it any other way.

Thursday, July 25, 2013

Andrew Garland to appear in Ned Rorem tribute

Andrew Garland
We recently featured Andrew Garland in the Cincinnati Opera's announcement of their new season. We've now learned that he's appearing in the new season of the New York Festival of Song under the auspices of the beloved Steven Blier.

He will be joined by the amazing mezzo-soprano Kate Lindsey in a musical birthday tribute to the great American composer Ned Rorem. Although Rorem wrote opera, the concert will present highlights from his successful career as a songwriter. Rorem has been dubbed "America's Schubert" because of the 500 songs that he has written in his 90 years, many of which regularly appear on recital programs. Lindsey and Garland will also perform works by Rorem's friends and inspirations, Samuel Barber, Leonard Bernstein, Paul Bowles, Benjamin Britten, Theodore Chanler, Aaron Copland, Noël Coward, Francis Poulenc, and Virgil Thomson. 

Ned Rorem
Ned Rorem, who was born on October 23, 1923 in Richmond, Indiana, is expected to be in attendance. Steven Blier and Michael Barrett will perform on the piano. The concert is November 5th at 8 PM. You can purchase tickets online or by calling 212-501-3330.

The remainder of the NY Festival of Song season includes "Cubans in Paris, Cubans at Home" on December 5 featuring soprano Corinne Winters, tenor Jeffrey Picón and baritone Ricardo Herrera, as well as "Warsaw Serenade" on February 18 with the talented tenor Joseph Kaiser, who will be joined by soprano  Dina Kuznetsova.


Sunday, June 3, 2012

Things of Interest This Week: Boys in NY, Carbo's new CD, Barihunks Competing in Montreal

Jesse Blumberg (L) and Tim McDevitt (R)
Three things that we love are all back and under the same roof on June 4th: the great Steven Blier returns with his latest "Sing for your Supper" show with barihunks Jesse Blumberg and Tim McDevitt. Blier always creates interesting themes for his shows and his latest offering will center on summertime.

Blumberg and McDevitt will be joined by Alex Mansoori, Adrian Rosas and Gennard Lombardozzi in selections by Cole Porter, Frank Loesser, Jason Robert Brown, Eubie Blake, Stephen Sondheim and Jerome Kern.

The show is at Henry's at Broadway and 105th in New York City and reservations are required.

Jose Carbo's "My Latin Heart"

Jose Carbo has released his first solo recital, My Latin Heart, which includes selections by Granada, Piazzolla and other Latin favorites.

The CD is available at ABC Records. You can also preview the CD and purchase it on iTunes.

Sidney Outlaw (L), Philippe Sly (C) and John Brancy (R)
Regular readers will know that we love to follow all the vocal competitions, especially as barihunks keep sweeping away all the tenors, sopranos and mezzos. We'll be closely monitoring the Montreal International Musical Competition this Tuesday and Wednesday as three of the eight finalist are not only barihunks, but some of our favorite singers around.

Sly was named our "Best Newcomer" along with Dominik Köninger in our "Best of 2011" feature. We still play his rendition of Schubert's Der Erlkönig to anyone who will listen. Sly was the winner of the Metropolitan Opera National Council Auditions and left the Merola Opera program a year early to join the Canadian Opera Company. 


Brancy has won or come in second in a number of competitions and has already worked with the aforementioned Steven Blier. A recent graduate of Julliard, Brancy recently studied at the International Meistersinger Akademie with sopranos Edith Wiens and Ann Murray, as well as pianist Malcolm Martineau.


Like Sly, Sidney Outlaw is another product of the Merola Opera Program in San Francisco. While in San Francisco he gave a recital that included Schubert's rarely heard Il traditor deluso, which still has lieder aficionados buzzing. On stage he stole the show with his performance of Dr. Dulcamara  in L’elisir d’amore.


Brancy and Outlaw will be representing the United States, while Sly is representing Canada in the competition. Both performances will be broadcast at 7:30 PM on Radio Canada. Click here to listen to the broadcasts. You can listen to the preliminaries here. 

Saturday, November 26, 2011

A Goyishe Christmas with Stephanie Blythe, Steven Blier & Two Barihunks

Joshua Jeremiah & John Brancy

We mentioned the New York Festival of Song's A Goyishe Christmas to You! Yuletide Classics by Jewish Songwriters back in July, but figured it was time for a reminder. There will be two performances at Merkin Concert Hall at Kaufman Center on Tuesday, November 29 and Thursday, December 1. The program includes not one, but two barihunks who have been featured on this site,  John Brancy and Joshua Jeremiah. They will joined by international opera star Stephanie Blythe, Lauren Worsham, Mary Testa, Josh Breitzer and the inimitable Steven Blier.

The evening will be filled by Yuletide songs from Jewish songwriters including Frank Loesser, Jule Styne, Sammy Cahn, Johnny Marks, Irving Berlin, Jay Livingston and many others. Rumor has it that the holiday classic "Rudolf the Red-Nosed Reindeer" will be sung in Yiddish, Klezmer-style. And you wonder why we love New York? 

There will also be a complimentary wine reception after the show and we'd love for our readers to send us your iPhone pictures with the singers. Send them to Barihunks@gmail.com. Call 212.501.3330 for tickets or visit the NY Festival of Song website.

Blythe and Blier together already guarantee an evening of fun of non-stop entertainment, so the two barihunks are icing on the Yule log.  Here's a little teaser for the show. 



If you want to enjoy barihunks everyday for an entire year, order our charity calendar today. Click HERE and help support the young artists who make our musical experiences so enjoyable.

Wednesday, November 9, 2011

NY Festival of Song's "Manning the Canon" in New York City and Maryland

Tim McDevitt
If you missed Steven Blier's insightful and entertaining "Manning the Canon: Songs of Gay Life" last year, you're in luck because they are reprising the show in Maryland and New York City. The first performance will be at the Joseph & Alma Gildenhorn Recital Hall at the University of Maryland in College Park on November 15th. On November 17, the show returns to Merkin Concert Hall in New York City. The show includes two barihunks who have appeared regularly on this site, Tim McDevitt and fan favorite Jesse Blumberg (whose posts often shows up in our top ten site visits). Not only are these guys eye candy, but they are amazing singers and worth hearing. They will be joined by Scott Murphree and Matt Boehler.

Jesse Blumberg

The program includes a number of songs that might be familiar to you, as well as some that you'll want to experience. They include Marc Blitzstein’s “Purest Kind of a Guy," Christopher Berg’s "Is It Dirty?," Lutvak and Campbell's "Exit Right," Schubert's quartet for four male voices “Auflösung," Tchaikovsky’s “At the Ball," Poulenc’s “Montparnasse," Griffes’s “Evening Song,” John Wallowich’s  “Bruce.” Bolcom’s “Piano Walk” and “I’ll Be By,” Camille Saint Saëns’s “Si vous n’avez rien à me dire,”  Benjamin Britten’s “Night covers up the rigid land,” Manuel de Falla’s “Polo," Cy Coleman's "Tennis Duet,"  Chris DeBlasio’s “Walt Whitman in 1989,”Bernstein's “To What You Said,” and Cole Porter's "You're the Top."



Don't be fooled by the title, as this show isn't just for gay audiences. Like all of Steven Blier's shows they are an entertaining and thoughtful exploration of a canon of work. Anthony Tommasini wrote in The New York Times: "Such programs can easily fall into the trap of social politics and turn maudin, agenda driven and campy. This one was insightful and imaginative, touching and funny."

For tickets to either show, please visit the New York Festival of Song website.

Jesse Blumberg and Martin Katz working on Schubert last year:



We also want to remind fans of Jesse Blumberg on the West Coast that he will be performing Handel's "Messiah" with the American Bach Soloists on December 15, 16 and 18.

Contact us at Barihunks@gmail.com

Don't forget to order your 2012 Barihunks calendar. Click HERE to order. All proceeds go to support young artists and young artist programs. It's a great gift and an easy way to support our next generation of baritones. You can read more about our calendar at this previous post.




Subscribe to Barihunks by Email

Monday, August 22, 2011

John Brancy Back from Germany; Appearing at Poquatuck Hall in N.Y.

John Brancy
American barihunk John Brancy just wrapped up a six week intensive training program at the Internationale Meistersinger Akademie in Neumarkt run by soprano Edith Wiens. The program offers emerging artists an opportunity to work with leading coaches and singers in developing their skills in opera, oratorio and Lied/Mélodie. European agents, promoters, opera directors and festival managers are invited to give seminars and to take part in roundtable discussions with the young artists, providing the networking and professional contacts important to the profession.

Brancy has appeared twice on this site, once upon his graduation from Julliard and more recently for a feature on the upcoming New York Festival of Song. We're big fans of this emerging talent and are eager to follow his career, which undoubtedly will be successful.

Brancy can next be seen on August 27th at Poquatuck Hall in Orient, New York with Steven Blier accompanying him in a program of classical art songs, duets, arias and American popular song. They will be joined by soprano Corinne Winters, mezzo-soprano Kara Sainz and Perlman Music Program Fellow Peter Dugan. Contact Jane Smith for reservations: 631-323-1378 or jansmith@optonline.net.

Contact us at Barihunks@gmail.com





Friday, July 29, 2011

New York Festival of Song's Barihunk-filled New Season

Steven Blier's always entertaining and interesting New York Festival of Song has announced its 2011-12 five-program series at Merkin Concert Hall. As always, the Festival of Song will be programmed with some of the best young talent in opera and once again there will be plenty of barihunks to enjoy.

Andrew Garland
The season opens on Oct. 25 and 27 with In the Memory Palace: Games of Love featuring barihunk Andrew Garland, who will be joined by Michelle Areyzaga, Rebecca Jo Loeb and Paul Appleby. The program centers around the premiere of Gabriel Kahane’s song cycle, The Memory Palace, which evokes scenes of East Coast solitude with his haunting music and mordant lyrics.

Jesse Blumberg & Timothy McDevitt

On Novemeber 17th, the festival will reprise Manning the Canon: Songs of Gay Life with barihunks Jesse Blumberg and Timothy McDevitt, joined by Scott Murphee and Matt Boehler.  The program is a "touching celebration of the lives and art of gay men in works that reflect the heritage of gay composers in art song, as well as contemporary songs about the gay experience."

Joahua Jeremiah & John Brancy
On November 29 and December 1 the Festival will feature barihunks John Brancy and Joshua Jeremiah joined by Lauren Worsham, Mary Testa, Josh Breitzer for  A Goyishe Christmas to You! Yuletide Classics by Jewish Songwriters.

Jesse Blumberg

On February 14 and 16th, Jesse Blumberg returns for A Modern Person's Guide to Hooking Up and Breaking Up along with Anne-Carolyn Bird, Liza Forrester, Alex Mansoori and Jesse Blumberg.  The show is described as a “quirky survey of the awkwardness, pain, lust and perversity of contemporary relationships."

The season concludes on March 11th with New York to Paris, Paris to Paradise featuring members of Caramoor’s 2012 Vocal Rising Stars program.

You can click HERE for tickets and additional program information.

Contact us at Barihunks@gmail.com





Thursday, June 2, 2011

Joshua Jeremiah for dessert

Joshua Jeremiah will sing for his supper
If you're in New York City on Monday, June 6th, you will definitely want to head to Henry's on the Manhattan's Upper West Side. The inimitable Steven Blier, who leads the New York Festival of Song, has put together the tenth installment of "Sing For Your Supper," with some amazing talent that includes barihunk Josh Jeremiah.

The program is called "The Girls of Summer" and the theme is the pleasure of summer and the perennial allure of women. Jeremiah will be joined by Matt Boehler, Mary Testa, Andrew Owens and the amazing Laquita Mitchell. The show starts at 10 PM, but you'll want to come earlier for dinner at this popular bistro.

Reservations are required, so click on the highlighted text and book now!

A native of Myerstown, Pennsylvania, Josh Jeremiah graduated with a magna cum laude with a Bachelors of Music from the Shenandoah Conservatory and a Masters of Music and Artists Diploma from the University of Cincinnati's College-Conservatory of Music. He has been a young artist program participant at the Seattle Opera, Glimmerglass Opera, Wolf Trap Opera Company and Cincinnati Opera.

In Seattle he performed the title role of Gianni Schicchi, Sam in Bernstein’s Trouble in Tahiti, the title role of Falstaff and Uberto in Pergolesi’s La serva padrona. In Cincinnati Opera he performed the role of Judge 3 in Margaret Garner and Count Ceprano in Rigoletto.

Contact us at Barihunks@gmail.com




Friday, May 20, 2011

Reader Submission and Graduating Today! John Brancy

John Brancy

John Brancy was suggested to us by two readers and this seems like an appropriate day to introduce him to readers, as he's graduating from Julliard today. Brancy has had the privelege of working with the great teacher and accompanist Steven Blier at Julliard. He's already appeared in concert with Blier and at the Caramoor Festival.

The word on Brancy is that he's destined for a successful career and he's a particularly gifted recitalist. He's appeared in a few operas already, including Theseus in Britten's A Midsummer Night's Dream and Marco in Gianni Schicchi. This past summer, he made his debut as Sid in Albert Herring at Newfoundland's Opera on the Avalon Festival.

Brancy won first place in the 2007 Classical Singer Competition, The Gold Award from the National Foundation for the Advancement of the Arts, Encouragement Awards from both Opera Index and the Kurt Weill Foundation's 2008 Lotte Lenya Competition, as well as second place in the 2010 Liederkranz competition. Mr. Brancy is in his fourth year of the bachelor of music degree program at Juilliard under the tutelage of Cynthia Hoffman.

Barihunks would like to congratulate this gifted young singer on the day of his graduation and looks forward to watching him on his path to success!

Contact us at Barihunks@gmail.com





Wednesday, December 1, 2010

Gay Composers Featured in NY and SF

Blier & Blumberg's "Manning the Canon"
The always brilliant and informative Steven Blier  has put together a program of song entitled "Manning the Canon: Songs of Gay Life" with his New York Festival of Song. The genesis of the concert is fascinating, as Blier first conceived of the idea twenty-two years ago and it didn't come to life until he mentioned it to barihunk Jesse Blumberg.

Blumberg, who is a favorite of this site, also runs the Five Boroughs Music Festival, as well as performing as a singer. Blumberg and Blier decided to put together the program last year, but a family emergency forced the singer to cancel. Another favorite of this site, fellow barihunk Matthew Worth, stepped in and took over the program.

Jesse Blumberg & Matt Worth

Last night Blumberg, Blier and Worth reprised the program along with tenor Scott Murphree and bass Matt Boehler. The program inlcuded Marc Blitzstein’s “Purest Kind of a Guy," Christopher Berg’s "Is It Dirty?," Lutvak and Campbell's "Exit Right," Schubert's quartet for four male voices “Auflösung," Tchaikovsky’s “At the Ball," Poulenc’s “Montparnasse," Griffes’s “Evening Song,” John Wallowich’s  “Bruce.” Bolcom’s “Piano Walk” and “I’ll Be By,” Camille Saint Saëns’s “Si vous n’avez rien à me dire,”  Benjamin Britten’s “Night covers up the rigid land,” Manuel de Falla’s “Polo," Cy Coleman's "Tennis Duet,"  Chris DeBlasio’s “Walt Whitman in 1989,”Bernstein's “To What You Said,” and Cole Porter's "You're the Top."

There is one more performance of "Manning the Canon" on December 2 and tickets are available HERE. 

Here is an article from Capital New York about the concert, which also raises the (somewhat ridiculous) question of whether a straight singer like Blumberg can sing "gay music." The answer appears to be what we all should know already: Music is a universal language.

Blumberg is not new to gay themed music, as he premiered Ricky Ian Gordon's "Green Sneakers," which we featured on this site.

Barihunk Randal Turner Sporting Our Favorite Tee Shirt

Fans of Gordon's in the San Francisco Bay Area can hear the amazingly talented barihunk Randal Turner perform his "Four Poems by Dorothy Parker." Turner's program, which features America's greatest living composers, also features music by four gay composers, Glen Roven, Clint Borzoni, Jake Heggie and Gordon.

Borzoni, who studied with David Del Tredici and Lee Hoiby, has written a piece for Randal Turner that is based on Walt Whitman and is dedicated to the gay teens who have recently committed suicide. The program also features another piece written for Turner, Julia Schwartz's "Don Juan at 40" based on a from Histories of Desire by Ron Butlin.

Tickets for the Randal Turner concert are available HERE.

Saturday, April 4, 2009

Emerging Barihunk David McFerrin





Emerging barihunk David McFerrin is currently studying in Augsburg, Germany at the Hochscule für Musik. He recently was part of Caramoor’s pilot program for “vocal rising stars.” Caramoor partnered with Steven Blier's wonderful "Festival of Song" where he sang Russell Platt's sexually charged songs "Cuba" and "Bran." McFerrin had studied with Blier at Julliard and it was nice that Blier used McFerrin for this song series.

In 2008, Mr. McFerrin was awarded a Richard F. Gold Career Grant from the Shoshana Foundation, given annually to promising young American opera singers. He has also been a regional finalist the past two years in the Metropolitan Opera National Council competition, recently placing 2nd in the New England Region. The Massachusetts native is a former member of the barihunk breeding ground known as the Santa Fe Apprentice Artist program.

West Coast fans of Steven Blier can catch him on Sunday, April 5 at San Francisco's Temple Emanu-El at 5:30 pm. He's bringing his NY Festival of Song to the Left Coast, performing Kurt Weill's Berlin. There are no barihunks scheduled, but a lovely hunkentenor named Andrew Bidlack. (Why are there no new posts on that site?).

This site can be contacted at barihunks@gmail.com

Subscribe to Barihunks by Email
___________________________________________________