Showing posts with label tanglewood. Show all posts
Showing posts with label tanglewood. Show all posts

Friday, July 14, 2017

Andrè Schuen making US debut with Schubert concerts

Andrè Schuen
Tyrolian barihunk Andrè Schuen is making what we believe is his American debut with two concerts of Schubert lieder. He joins composer/pianist Thomas Adès for Tanglewood's “Schubert’s Summer Journey,” a six-concert exploration of the music of the composer. The program includes his famous setting of Goethe’s Wanderers Nachtlied II.

Tickets and additional information is available online.

On July 29th, he'll sings Schubert's Schwanengesang at the Aspen Music Festival with pianist Andreas Haefliger. Schuen and Haefliger will perform the songs not in one grouping but as distinct sets, separated by two solo piano works, Beethoven's Piano Sonata op. 101 and Berg's Piano Sonata.  Tickets are available online.

Andrè Schuen sings Hugo Wolf's Goethe Lieder:

In October, he returns to the opera stage at the Opéra national de Lorraine to portray the title role in Mozart's Don Giovanni. The cast includes Nahuel di Pierro as Leporello, Levente Páll as Masetto, David Leigh as the Commendatore, Kiandra Howarth as Donna Anna, Yolanda Auyanet as Donna Elvira and Julien Behr as Don Ottavio. Additional information is available online.


Wednesday, June 14, 2017

Bryn Terfel replaces Dmitri Hvorostovsky at Tanglewood

 
Dmitri Hvorostovsky
The Tanglewood Festival press office sent out the following notice today:

"Bass-baritone Sir Bryn Terfel will replace baritone Dmitri Hvorostovsky in the Boston Symphony Orchestra's Saturday, August 26, opera gala program at Tanglewood. Led by BSO Music Director Andris Nelsons, the program will feature Sir Bryn, soprano Kristine Opolais, and the Tanglewood Festival Chorus in an evening of opera and song. Further program details will be announced at a later date. Mr. Hvorostovsky withdrew from the concert in May for reasons of health."
Hvorostovsky was diagnosed with a brain tumor in the summer of 2015 and subsequently cancelled concerts in Kaliningrad, Minsk and Vienna, as well as performances in the Met's  production of Tchaikovsky's Eugene Onegin, where he was replaced by fellow barihunks Peter Mattei and Mariusz Kwiecien. In April, he did make an appearance in Toronto with Anna Netrebko and Yusif Eyvazov.

His website lists two concerts at the Grafenegg Festival on June 22 and 23 titled "Hvorostovsky and Friends." 

Saturday, April 19, 2014

Cairan Ryan and Nathan Wyatt headed to Tanglewood


Cairan Ryan and Nathan Wyatt
Nathan Wyatt and Cairan Ryan, two talented young artists who were recently featured on this site have been accepted into the 2014 Tanglewood Music Center Vocal Arts Program.

They will work with three legendary singers, Phyllis Curtin, Dawn Upshaw and Stephanie Blythe, as well as other coaches. During their residency they will hone their skills in art song, contemporary music, chamber music, and orchestral projects under the instruction of resident and visiting faculty artists.


This season, they will participate in a performance of Bernstein's Candide with the Boston Symphony Orchestra in the Koussevitsky Music Shed, as well as performances with the Tanglewood Music Center Orchestra, which will perform Berlioz's Les nuits d'été and other works.

Cairan Ryan was born in Lier, Belgium and emigrated to Calgary, Alberta. He is currently in his second year as a young artist at the Atelier Lyrique de L'Opéra de Montréal. Ryan makes his French debut on May 10 at Choregies d'Orange in a free concert of arias and duets with soprano Marlene Assayag, mezzo-soprano Beste Kalender and tenor Enguerrand De Hys.


In March, Wyatt performed the world premiere of Nico Muhly's work for baritone and orchestra, Pleasure Ground, with the Cincinnati Symphony as part of the MusicNOW Festival. In May, he sings the role of the Count in Le Nozze di Figaro with the American Dream Theater.

Thursday, September 5, 2013

Celebrating the anniversary of La clemenza di Tito

Alex Esposito as Publius
Today is the anniversary of the premiere of Mozart's La clemenza di Tito and we thought it deserved a mention, since we give a disproportionate amount of attention to the Big 3 - Don Giovanni, Marriage of Figaro and Cosi fan tutte. The opera doesn't really have much music for a baritone to show off. In fact, there is only one aria, "Tardi s'avede," which belongs to Publius and was written for a lyric bass.

Nonetheless, we found this beautiful version of the aria sung by bass-barihunk Luca Pisaroni, which is worth sharing. In the aria, Publius feels sorry for his Emperor and tries to get Tito to wake up to the fact that his best friend, Sesto, had tried to assassinate him.


The opera premiered on September 6, 1791 and was written as a commission to celebrate the coronation of Leopold II, Holy Roman Emperor as King of Bohemia. The opera remained popular after Mozart's death and in 1806 became his first opera to be performed in London. It wasn't performed in the United States until 1952, when it was presented at Tanglewood in English.

There are a couple of all-star productions of the opera this year, led by barihunk Alex Esposito taking on Publius at the Théâtre de la Monnaie in Brussels in October. The cast also includes Kurt Streit as Tito, Véronique Gens as Vitellia and Anna Bonitatibus as Sesto.

In November and December, the opera will be performed at the Paris Opera with Bálint Szabó as Publius and Saimir Pirgu as Tito.