Royal Opera takes barihunks on Japanese road show

Liudmyla Monastyrska and Simon Keenlyside (left, photo: Clive Barda); Alex Esposito (right)

 The Royal Opera House is taking three of the most popular barihunks in the works on a tour of Japan in September 2015. The company had a successful tour in 2010, the last time that they toured the island nation.

The company will perform Phyllida Lloyd's production of Verdi's Macbeth with Simon Keenlyside in the title role alongside soprano Liudmyla Monastyrska as Lady Macbeth, Greek tenor Dimitri Pittas as Macduff, and American bass Raymond Aceto as Banquo.  

Alex Esposito looking bari-hunky

Kasper Holten's production of Mozart's Don Giovanni will feature the Italian barihunk duo of Ildebrando D'Arcangelo in the title role and Alex Esposito as Leporello. They will be joined in the cast by mezzo-soprano (and honorary barihunk) Joyce DiDonato as Donna Elvira, tenor Rolando Villazón as Don Ottavio, soprano Albina Shagimuratova as Donna Anna, soprano Julia Lezhneva as Zerlina, and bass Matthew Rose as Masetto. 

Both productions will be conducted by ROH Music Director Antonio Pappano.  Macbeth runs for four performances in Japan beginning September 12th, with Don Giovanni running for three performances beginning September 13th. Information about tickets and venues will be announced shortly.

Simon Keenlyside: Opera Now coverboy

British barihunk Simon Keenlyside is like that bottle of fine wine that just keeps getting better with age. He has been seamlessly transitioning from a formidable Mozart singer into a world-class interpreter of the great Verdi roles. In fact his upcoming schedule, includes a run as Germont père in La traviata at Covent Garden in May and in Munich in July, as well as the title role in Macbeth, also in Munich.

He is the March cover boy for Opera Now magazine and he offers his usual intelligent and unfiltered thoughts on opera.  Perhaps the most eye-popping comments are about Richard Wagner:

Wagner, on the other hand, as much as Keenlyside admires him, paints with too broad a brushstroke. 'To my mind, the whole can never can be more than the sum of its parts.' the singer says. 'Wagner's stories are always about the bigger picture: right and wrong, punishment, reward. The Teutonic myths in Wagner tell the story of a great, deep, wonderful culture with which, ironically, I have a lifelong love affair. I just don't find his subjects very profound.'

He also provides a glimpse into his upcoming recording of American musicals from the 1940's and 1950's and Verdi's Macbeth. Of the latter, he says:

"Unfortunately, Macbeth is often played too loudly and sung too roughly. We know from Verdi's letters that in the first performance of Macbeth there was an interval of an hour-and-a-half, during which he rehearsed the singers because he was determined that they would sing piano and it the way he wanted. So he held the curtain until they got it right."

 The March issue of Opera Now is currently available on newsstands. 

Christian Van Horn takes on more Villains, Victims and Bearded, Unhappy Old Men

Christian Van Horn headed off to another role debut

The last time we featured American barihunk Christian Van Horn, he was all the buzz in Opera News. The running joke about Van Horn, is that despite his barihunk looks, he gets cast in roles that don't show off his assets. That's not changing any this summer, as he makes his role debut as Banquo at the Grand Theatre du Geneve opposite the unhappy and ambitious duo of Jennifer Larmore as Lady Macbeth and Davide Damiani as Macbeth. 

Performances of the new Christof Loy production will run from June 13-26. Additional cast and ticket information is available on the company's website. 

James Morris sings Banquo's aria "Come dal ciel precipita" from Macbeth: 

After Geneva, Van Horn will be singing with two of our favorite companies, the San Francisco Opera and the Dallas Opera. In San Francisco, he continues to show off his sinister side as he takes on the four villains in Offenbach's "The Tales of Hoffmann" - Coppélius, Dapertutto, Dr. Miracle and Lindorf. The dream cast also includes Natalie Dessay as the four heroines Olympia, Antonia, Giulietta, Stella; Alice Coote as Nicklausse; and, Matthew Polenazni as Hoffmann. We have a feeling that this is a performance that should be added to any opera lover's travel calendar. Also, don't miss the San Francisco Opera's amazing summer season that includes Adam's Nixon in China, Verdi's Attila and Mozarts Magic Flute with Nathan Gunn.

In Dallas, he continues the trend of playing unattractive old men, as he takes on Timur in Puccini's Turandot. The production opens April 5, 2013 with the amazing Lise Lindstrom as Princess Turandot. The ubiquitous Nathan Gunn will also feature in the Dallas Opera season, as he is cast in Dominick Argento's "The Aspern Papers" in another all-star cast that features Susan Graham, Carol Vaness and the stunning young tenor Joseph Kaiser.

If you want to see and hear Van Horn out of make-up, you'll have to head to Los Angeles, where he's joining the L.A. Philharmonic as the bass soloist in Beethoven’s 9th Symphony. The performance is on July 10, 2012 at the famed Hollywood Bowl and will be conducted by Leonard Slatkin.

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