Showing posts with label chicago opera theater. Show all posts
Showing posts with label chicago opera theater. Show all posts

Monday, October 30, 2017

Barihunks Calendar Model Zacharias Niedzwiecki in COT's The Consul

Zacharias Niedzwiecki on the cover of our 2018 Barihunks Photo Book
Zacharias Niedzwiecki, who is prominently featured in both our 2018 Barihunks calendar and photo book, will be appearing next week in the Chicago Opera Theater's production of Gian Carlo Menotti's The Consul. Niedzwiecki appears on the cover of the photo book.

The Consul will feature the great American soprano Patricia Racette making her role debut as Magda Sorel, a strong-willed and passionate woman who will do anything to ensure her family’s safety.

Niedzwiecki will perform the roles of Assan, a friend of Magda's husband, and the Plainclothesman. Cedric Berry, who has also appeared on this site, sings the role of the secret police officer. Performances are on November 4, 10 and 12 and tickets and additional cast information are available online.

The Consul was Menotti's first full-length opera. It premiered on March 1, 1950 with Patricia Neway as Magda, Cornell MacNeil as John Sorel and Marie Powers as the mother. It went on to have a successful eight month run on Broadway, winning the 1950 Pulitzer Prize for Music, as well as the 1950 New York Drama Critics' Circle award for Best Musical.

2018 Photo Book featuring Zacharias Niedzwiecki (right)
If you want to enjoy Zacharias Niedzwiecki and 19 other barihunks year around, you can purchase our 2018 Barihunks Calendar HERE or our Barihunks Photo Book HERE.


Saturday, September 16, 2017

Q&A with Barihunk and Fitness Instructor Zacharias Niedzwiecki

Zacharias Niedzwiecki
Chicago-based barihunk Zacharias Niedzwiecki is new to our site and came to our attention earlier this year when he performed in Purcell's The Fairy Queen at Long Beach Opera. He received his undergraduate degree from Michigan State University, where he performed in numerous productions, including the role of Connie Rivers in the collegiate premiere of Ricky Ian Gordon's The Grapes of Wrath, Gilbert and Sullivan's The Pirates of Penzance as The Pirate King, Offenbach's Les Contes d'Hoffmann as Schlémiel, Kurt Weill's Mahagonny Songspiel as Jimmy/Cypress Stark, and Puccini's La Bohème as Colline.

Niedzwiecki is in his second year as a member of the Professional Diploma in Opera Program at Roosevelt University’s Chicago College of Performing Arts in conjunction with Chicago Opera Theater. Last season he made his debut this with Chicago Opera Theater in Frank Martin’s The Love Potion as Duke Hoël, covered the role of Oberon in Purcell’s The Fairy Queen with Chicago Opera Theater and Long Beach Opera, and appeared in the US premiere of Phillip Glass’ The Perfect American.

This season you can see Zacharias with Chicago Opera Theater in Menotti’s The Consul as Assan, the world premiere of Kevin Puts’ Elizabeth Cree as both Mr. Etcher and Karl Marx. He will also be covering multiple roles with the Lyric Opera of Chicago in Gregory Spears’s opera Fellow Travelers.

Niedzwiecki is also a cycle instructor and yoga teacher keeps his body as fit as his voice. He answered some questions for us about his career, his fitness routine and a little about his personal interests.
Zacharias Niedzwiecki in Long Beach Opera's The Fairy Queen (photo: Liz Lauren)
1. What drew you to a career in opera? I was first drawn to the beauty of opera. When I was young, I thought that it was the most beautiful art form I ever experienced. I wanted to somehow be that beautiful too, so I aspired to be an opera singer. Somehow those aspirations became reality. 

2. You are a cycle instructor and yoga teacher. Tell us about that and what got you started in fitness? I first got started in fitness simply to get in shape. I didn't feel entirely comfortable in my own skin so I made the choice to change that. Years later is just part of my lifestyle, besides teaching fitness working out everyday is just part of my routine. Some people read the paper with their coffee in the morning, I workout. 

Zacharias Niedzwiecki teaching yoga
3. Do you feel that being in shape helps you on stage?I absolutely feel that being in shape helps many aspects of stage. I first started with vinyasa yoga. I read so many articles about singers who have worked out and became too tight to be successful in an operatic career. I didn't want that so I chose yoga as a way to tone and refine my movements. Being in shape allows in my opinion for you to have more bodily awareness on stage and at the same time look good doing it. 

4. How do you respond to people who say that working out can restrict proper breathing for singers? As far as restricting proper breathing for singers I completely understand this thought, it's valid. For that reason I believe a work out regimen should be balanced. That's why I combine workouts in yoga, cycling, and interval training. Yoga itself is about breath and movement, lengthening the body and flexibility. Therefore I feel it is essential to incorporate yoga into all workouts routines. If and when I lift, I only lift so much that I can still have proper form and not so much weight that I ever strain. Regardless the voice should come first, if you notice something has begun to restrict your breath stop doing it. 
Zacharias Niedzwiecki
5. Do you think the advent of HD broadcasts has changed the expectation of how a singer should look? Absolutely, I believe it has cause viewers to once again rethink this art form. Opera is an aural art form and a visual art form. With this in mind, it now being broadcasted, and our more health conscious society I feel the expectation have shifted for you to not only sound incredible, but for you to also look the role and look good doing it. 

6. Are there any roles in particular that you really hope to get to perform someday? There are a couple, I would absolutely love to perform the role Hawkins Fuller from Fellow Travelers by Gregory Spears. The story is heart wrenching, the music is gorgeous and I would love to perform as a gay character. I would also like to perform the role of Escamillo from Carmen by Bizet. 

7. What other passions do you have aside from music? I am an avid botanist, my apartment in Chicago is filled with plants. I really enjoy learning about plants and spending time researching about them. I feel growing up gardening vegetables and flower at home in Northern Michigan instilled this passion.

Zacharias Niedzwiecki
8. What do you listen to other than opera? I listen to all kinds of music. Teaching both yoga and cycling and having to make these very different playlists I have to listen to and search through a large variety of music. I really enjoy lately electronic house with female vocals and more chill ambient music like Olafur Arnalds. 

9. Tell us something about yourself that people would be surprised to know. I took a year off from singing when I was 23 and became a research field technician of a Jaguar population density study in Panama. I lived there for about a year in the mountains, hiking everyday setting up camera traps along the mountain ridges.

Wednesday, January 21, 2015

Ed Parks to sing Thérèse Raquin in Long Beach and Chicago

Ed Parks
Barihunk Ed Parks is singing the role of Laurent with the Long Beach Opera on January 24th and February 1. He then performs the role with the Chicago Opera Theater from February 20-28.  

Based on  French writer Émile Zola's novel, Tobias Picker's sensual score for Thérèse Raquin mirrors the lovers' turbulent affair. The Long Beach and Chicago casts both star Mary Ann Stewart as Thérèse, Matthew DiBattista as her husband Camille and Suzan Hanson as Madame Raquin.

The Long Beach Opera will offer students tickets for $15 per ticket in an effort to introduce a young audiences to opera.  There is a limit of two tickets per student.

 Mary Ann Stewart and Ed Parks in duet from Thérèse Raquin (rehearsal):

Thérèse and Camille Raquin are a married couple who are reunited with an old friend, Laurent. It soon becomes clear that Thérèse and Laurent are more than old friends as heated confessions of undying love abound between the two. The two conspire to murder the sickly Camille and succeed in dumping him into the Seine to make possible the consecration of their love. The guilty couple soon becomes the object of torment by both their own guilty consciences and the ghost of Camille.

Beginning March 30th, the former Lindemann Young Artist, returns to the Metropolitan Opera to sing the Flemish Deputy alongside fellow barihunk Simon Keenlyside in Verdi's Don Carlo

Tuesday, March 18, 2014

Reader Submission: Seán Kroll

Sean Kroll
Our latest reader submission is bass-barihunk Seán Kroll, who recently toured China with the South Shore Orchestra and wrapped up a run as Achilla in Handel’s Cesare in Egitto with Dramma Per Musica in New York City.

Kroll is an alumnus of the Chicago Opera Theater, Opera Santa Barbara and Saint Petersburg Opera artist development programs. He received his Bachelor of Music in Vocal Performance from Northwestern University and trained at the International Institute of Vocal Arts in Chiari, Italy. He performed Poulenc’s rarity Le Bestiaire with the Chicago Opera Theater.

Last Spring he made his New York City debut as Placido Quesara/Escamillo in the off-Broadway performances of Roboff & Newman’s Carmen’s Place: A Fantasy.

Kroll has performed throughout the United States, Europe and Asia. His roles have included Don Giovanni, Escamillo and Zuniga in Carmen,  Colline and Marcello in La bohème, Papageno ,  Don Alfonso in Cosi fan tutte, Dulcamara, Ewald in Lehár’s Springtime, Melchior  in Menotti's Amahl and the Night Visitors and Sam in Bernstein's Trouble in Tahiti.

He can next be seen in Rameau's Pygmalion at Madame Tussaud's in New York from June 17-21 with On Site Opera.

Thursday, May 23, 2013

Nmon Ford takes on Ernest Bloch's Macbeth

Nmon Ford
When one thinks of the operatic version of Macbeth, one immediately thinks of Giuseppe Verdi. However, the  Swiss-American composer Ernest Bloch wrote a highly dramatic version in 1906, which has only been performed once in the U.S., at the Juilliard School of Music in New York in 1973.

The opera is about to double the number of U.S. performances it has received, with performances at the Long Beach Opera from June 15-23, 2013 and again at the Chicago Opera Theater from September 13-21, 2014. The Long Beach performances will feature Panamanian-American barihunk Nmon Ford in the title role and Suzan Hanson as his scheming wife Lady Macbeth. Adding to the dramatic effect will be the location of the performance, which will be in a vast industrial space at the Port of Los Angeles. The Chicago Opera Theater has not confirmed casting.

The great Inge Borkh sings Bloch's Macbeth:

Bloch’s opera reveals the influence  of Wagner's music dramas and Claude Debussy's symbolist opera "Pelleas et Melisande."  Bloch's probing and dramatic score powerfully illuminates the central couple, and deeply examines the temptation of promised power and its influence over our actions. but it did not receive its first performance until November 30, 1910 by the Opéra-Comique Paris. After the premiere production, the opera was staged in 1938 in Naples, but was then banned on orders of the Fascist government. Subsequently, the opera was produced in Rome in 1953, and in Trieste. 


Thursday, May 17, 2012

Adrian Kramer Bids Farewell to COC Ensemble Studio

Adrian Kramer
We've followed Adrian Kramer's career as he's honed his skills at the Canadian Opera Company Ensemble Studio over the last three years. It was exciting to see this talented young artist score huge successes at both the Castleton Festival and with the Chicago Opera Theater. [Don't miss the sexy pictures that we posted from COT].

Today, Kramer bids farewell to the COC Ensemble Studio with a concert featuring Schubert’s great song cycle, Die schöne Müllerin. The concert is at noon today at the Four Seasons Centre for the Performing Arts in Toronto, so we figure that most readers won't make it.

However, you can click HERE and read his farewell interview. We wish him the best of luck in his career.

CONTACT US AT Barihunks@gmail.com

Thursday, April 12, 2012

Adrian Kramer, Paul LaRosa & Matt Boehler in Chicago Opera Theater's "Moscow, Cheryomushki"

Adrian Kramer (Sasha) and Emily Fons (Masha)
We have a particular soft spot for many of the smaller opera companies and the Chicago Opera Theater has long been one of our favorite companies..Not only do they take greater risks, but they often feature barihunks in the early stages of their careers. We loved Matt Worth there in their productions of Owen Wingrave Three Decembes and now they have Adrian Kramer in an orginal take on Shostakovich called "Moscow, Cheryomushki." The cast also includes two other barihunks who have appeared on this site, Paul LaRosa as Boris and Matt Boehler as Drebednev.


The Chicago Opera Theater is producing its own unique twist to Shostakovich's musical satire that takes a political poke at the Soviet Union's chronic housing shortages. Renowned Shostakovich scholar Gerard McBurney produced a musical score that captures this operetta's lighter mood. The  new production marks the 21st Chicago premiere since the innovative Brian Dickie arrived in 1999 to run the company. The opera will be sung in English with English supertitles.

Adrian Kramer (Sasha) and Emily Fons (Masha)

If you're in Chicago, you can preview the music at an event at LOKaL tonight from 6-8pm. The cost is $25 ($35 at the door) and includes hors d'oeveres, the Moscow martini and music from the show. Performances of the opera run from April 14-25. Visit the COT website for additional details.

Paul LaRosa


CONTACT US AT Barihunks@gmail.com

Thursday, April 29, 2010

A Touching Moment

[Frederica von Stade and Matthew Worth]


Few young opera singers have taken the opera world by storm like Matthew Worth. One can't have a serious conversation about the rapidly rising stars in opera without his name being mentioned. His recent performances of Owen Wingrave in Chicago, Don Giovanni at Virginia Opera and Mercutio in New Orleans' Romeo et Juliette were all critical successes. Add to that his abundance of charisma and good looks and you have a true opera star in the making.

One of our readers saw this picture on the blog of Brian Dickie, the general manager of the Chicago Opera Theater, and sent it our way. Dickie wrote:

Frederica von Stade (Flicka) is here and rehearsing with her new stage children - Matt Worth and Sara Jakubiak. Here you see her with Matt this afternoon. The mother son relationship is there already!


"Three Decembers" is an amazingly touching chamber opera by San Francisco based composer Jake Heggie. We've featured photos of Keith Phares and Frederica von Stade from the west coast premiere with the San Francisco Opera.

[Frederica von Stade and Keith Phares]


The story is about Madeline Mitchell, a glamorous and self-absorbed star of the musical theater world. She struggles to deal with her unhappily married alcoholic daughter and a gay son struggling with the death of his partner.

The opera will run at the Chicago Opera Theater from May 8-16. Click HERE for more information or to buy tickets.

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Thursday, August 20, 2009

Emerging Barihunk: John Chest




Emerging barihunk John Chest was born and raised in Greenville, South Carolina. He's the latest in a long line of barihunks to land at the esteemed Merola Opera program in San Francisco.

Chest is only two years removed from finishing his Bachelors in Voice Performance at Bob Jones University. He ended up in Chicago where he studied with the former baritone David Holloway at the Chicago College of Performing Arts at Roosevelt University. Holloway may have played a role in the talented baritone ending up as part of the Santa Fe Opera Apprentice Program. While in Santa Fe he began working on what will undoubtedly become his signature role, Benjamin Britten's "Billy Budd." Of course, he may end fighting for that title with Mike Nyby, a current Santa Fe Apprentice who has been featured on this site.

Chest first came to our attention when we received an email from a fellow performer at the Chicago Opera Theater, where he covered Owen Wingrave for the equally hot Matthew Worth.

Chest's first role with Merola was Guglielmo in Mozart's Così fan Tutte, where he stole the show and appeared shirtless. When he wraps up in San Francisco, he'll head to Munich and join the Opernstudio at the Bayerische Staatsoper.

We're trying not to end this post with cheap jokes, like "We want more Chest" or "This baritone always sings with Chest voice." Obviously, we failed.

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Tuesday, May 26, 2009

Last Chance for Matthew Worth's "Owen Wingrave"







[Photo Credits: ALL PHOTOS BY LIZ LAUREN; Top photo inlcudes Robin Leggate, second photo includes Mason Baker (boy) and Blake Montgomery, third photo includes Kevin Anderson, bottom photo is a screen cap from WGN TV]

Today is your last chance to see Matthew Worth perform in Benjamin Britten's timely opera "Owen Wingrave." As an enticement to those of you within traveling distance of the Windy City, here are some more pictures, courtesy of the Chicago Opera Theater. If you haven't been to one of their performances, you are missing great singers and wonderful productions on a limited budget. They may not be the Chicago Lyric Opera, but they can pack the same punch as their bigger counterpart. And when was the last time you saw Owen Wingrave in a big house?

For more information visit: http://www.chicagooperatheater.org/tix/season/wingrave.html

You can watch Matthew Worth perform "If I Loved You" from Rogers and Hammerstein's "Carousel" at: http://www.chicagooperatheater.org/news/2009previews-WGNmidday.html

This site can be contacted at barihunks@gmail.com

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Saturday, May 23, 2009

Matthew Worth in COT's Owen Wingrave



There are still two remaining performances of Matthew Worth in the Chicago Opera Theater's production of Britten's Owen Wingrave. If you can't make it to Chicago, then you can enjoy the trailer posted above.

For more information visit: www.chicagooperatheater.org

This site can be contacted at barihunks@gmail.com

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Sunday, April 26, 2009

Michael Todd Simpson: Sexiest Escamillo; No Contest


We were about to launch a "Sexiest Escamillo" competition when this photo arrived in the inbox. I'm not sure that there'd be much competition with the smoking hot Michael Todd Simpson in this still from Chicago Opera Theater's Tragedie de Carmen. He's pictured with the Carmen of Sandra Piques Eddy.

This performance will run on May 2, 5, 10, 13, 15, 2009 and you can get more information at: http://www.chicagooperatheater.org.

Simpson has been a regular feature on this site for some time, but he just seems to get hotter and hotter each season: http://barihunks.blogspot.com/search?q=michael+todd+simpson.

This site can be contacted at barihunks@gmail.com

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