Showing posts with label ravel. Show all posts
Showing posts with label ravel. Show all posts

Monday, December 7, 2015

Happy Birthday, Gerard Souzay!

Gérard Souzay
Every so often, we like to present historical bari-hunks to our readers. French bass-baritone Gérard Souzay is a singer who generates some controversy among lieder afficionados. He was criticized for having a smallish voice and for creating emotion through exaggerated phonetic dramatization, which critics maintained stifled the true meaning of the words and music. However, history has served him well, and he in now remembered fondly for his excellent musicianship, perfect diction, sense of style (particularly in French) and detailed interpretations. We're huge fans and have featured him regularly on the site.

Gérard Souzay was born on December 8, 1918 as Gérard Marcel Tisserand to a musical family in Angers, France. In college, he concentrated on Philosophy, which he continued to read widely after making his career as a singer. After graduating, he went to Paris to pursue philosophy, and to study voice with Pierre Bernac, Claire Croiza, Vanni Marcoux and Lotte Lehmann. Later, he entered the Paris Conservatoire (1940-1945), where he was a prize-winning student. 

Gérard Souzay sings Fauré mélodies:


Gérard Souzay made his professional debut in 1944, his New York debut in 1950, and his opera stage debut at the Festival of Aix-en-Provence in 1958, where he sang roles in Cimarosa's Il Matrimonio Segreto and Purcell's Dido and Aeneas. Since then, his operatic career developed parallel to his career as a recitalist and concert singer and specialist in little-known repertoire. In 1960, Leopold Stokowski invited Souzay to interpret the role of Orfeo in Monteverdi's Favola d'Orfeo at the New York City Center Opera. In 1962, Ernest Ansermet invited him to play Golaud in Debussy's Pellèas et Mèlisande at the Rome Opera. Souzay also sang Golaud at the Paris Opéra Comique in the same year, in a performance celebrating the centenary of Debussy's birth. In 1963, at the Paris Opéra, he sang Don Giovanni for the first time. In 1965, he made his Metropolitan Opera debut as Count Almaviva in Le Nozze di Figaro; he also made his debuts that year at the Vienna State Opera and the Munich Opera. Known for his phenomenal gift for languages and dialects, Souzay was also greatly respected for his master classes. 

 Gérard Souzay sings Ravel:

In a distinguished 43-year recording career that began with the recording of two duets by Blangini and Leguerney in 1944, Gérard Souzay, a remarkably versatile artist, recorded more than 750 titles in at least 15 languages. These recordings, appearing on nearly 50 labels (more than 535 different catalog numbers) on 78s, 45s, LP’s, prerecorded open reel tapes, 8-track cartridges, cassettes, and CD’s, earned Souzay numerous awards. Souzay won the prestigious French Grand Prix du Disque on three separate occasions for performances of a George Frideric Handel aria, Ravel songs, and classical arias with orchestra. Except for operas and cantatas, Souzay rarely recorded joint programs: his only recorded duets were with his sister, soprano Genevieve Touraine, Germaine Lubin, and Elly Ameling.

He died August 17, 2004.

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Friday, October 31, 2014

Ildar Abdrazakov to Make American Solo Recital Debut

Ildar Abdrazakov
Ildar Abdrazakov, who you can see in the Live in HD broadcast of Bizet's Carmen tomorrow, will be making his American solo recital debut at Carnegie Hall on Jan 29th. Joined by pianist Mzia Bakhtouridze, the Russian bass-barihunk will sing a program that includes Fauré, Liszt, Ravel, Glinka, Tchaikovsky, and Mussorgsky. Tickets are available online.

On February 5th, he'll give his second U.S. recital at Florida’s Palm Beach Opera in a gala event titled “Seduction of the Senses: A Gala Evening with Ildar Abdrazakov.” The event is co-hosted by Donald Trump and tickets are limited. Email Lisa at lhuertas@pbopera.org for more information.

Fans in Europe can catch him in Rossini's Moïse et Pharaon at the Marseille Opera from November 8-16.

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Tuesday, July 31, 2012

Elliot Madore makes U.K. debut at Glyndebourne

Elliot Madore (Photo: Kristin Hoebermann)
Out in the Sussex countryside away from the commotion of the Summer Olympics, the Glyndebourne festival is about to present it's sixth and final production of the season. On August 4th, the company will open the Ravel double-bill of L’heure espagnole and L’enfant et les sortilèges. Ravel’s two one-act operas will reunite director Laurent Pelly and conductor Kazushi Ono, who made their Glyndebourne debuts in 2008 with Humperdinck’s Hänsel und Gretel.

Canadian barihunk Elliot Madore will make his U.K. and Glyndebourne debut as Ramiro in L’heure espagnole and as The Cat/Grandfather Clock in L’enfant et les sortilèges'. There are nine performances running through August 25th and the opera will be screened in theatres throughout the U.K. on Sunday, August 19th for those who didn't get their tuxedos pressed in time.

 The 1987 production from Glyndebourne with barihunk Francois LeRoux:


The former Lindemann Young Artist participant has also joined the ensemble of Opernhaus Zürich for the 2012-13 season. The company has cast him in a new production of Peter Eötvös’s 'Three Sisters', and revivals of 'Pagliacci' (Silvio), 'Un ballo in maschera' (Silvano), and 'La scala di seta' (Germano).

Readers of this site will recall that Madore created a sensation when he stepped in for Daniel Okulitch as Don Giovanni with the Opera Theatre of St. Louis. He also appeared as Lysander at The Met in their Baroque pastiche The Enchanged Island.

Other operas that are still running at Glyndebourne include La bohème, Le nozze di Figaro and Purcell's The Fairy Queen. Visit their website for tickets and additional performance information.

Sunday, October 23, 2011

Celebrating Ned Rorem's 88th Birthday!!!

Beverly Wolff, Donald Gramm, Phylis Curtin and Ned Rorem, 1960's
Regular readers of this site know that we love to honor and celebrate the art of song. There have been few greater composers of American art song than Ned Rorem, who celebrates his 88th birthday today. 

Rorem's catalog of art songs includes more than 500 works. "Evidence of Things Not Seen," his evening-length song cycle for four singers and piano, represents his magnum opus in the genre. The New York Festival of Song premiered the cycle at Weill Recital Hall of Carnegie Hall in January 1998. New York magazine called "Evidence of Things Not Seen" "one of the musically richest, most exquisitely fashioned, most voice-friendly collections of songs I have ever heard by any American composer;" Chamber Music magazine deemed it "a masterpiece."

Baritone Christopher DeVage sings "Dear, Though the Night" from Rorem's "Evidence of Things Not Seen":


Rorem's most recent opera, Our Town, which he completed with librettist Sandy McClatchy, is a setting of the acclaimed Thorton Wilder play of the same name. It premiered at the Indiana University Jacob's School of Music in February 2007 and has enjoyed subsequent performances with the Lake George Opera and Aspen Music Theater Center, North Carolina School of the Arts, Opera Boston, and Festival Opera in Walnut Creek, California. 

His 80th birthday in 2003 resulted in a number of celebrations, including the Curtis Institute of Music's "Roremania," a two-week celebration encompassing works in every genre. The birthday season brought a trio of new concertos from Rorem: Cello Concerto, commissioned by the Residentie Orchestra and the Kansas City Orchestra for David Geringas; Flute Concerto, commissioned by the Philadelphia Orchestra for its principal flutist Jeffrey Khaner; and Mallet Concerto, commissioned for Evelyn Glennie by the Madison Symphony Orchestra and the Eos Orchestra. 

His most recent publication, "Facing the Night: A Diary (1999-2005) and Musical Writings," chronicles Rorem's dark journey after the death of 32 year companion, Jim Holmes. In his diary, "Lies,"  Rorem said: "My music is a diary no less compromising than my prose. A diary nevertheless differs from a musical composition in that it depicts the moment, the writer's present mood which, were it inscribed an hour later, could emerge quite otherwise. I don't believe that composers notate their moods, they don't tell the music where to go - it leads them....Why do I write music? Because I want to hear it - it's simple as that. Others may have more talent, more sense of duty. But I compose just from necessity, and no one else is making what I need." 

Baritone Donald Gramm sings Ned Rorem songs:


Rorem was born in Richmond, Indiana on October 23, 1923. As a child he moved to Chicago with his family; by the age of ten his piano teacher had introduced him to Debussy and Ravel, an experience which "changed my life forever," according to the composer. At seventeen he entered the Music School of Northwestern University, two years later receiving a scholarship to the Curtis Institute in Philadelphia. He studied composition under Bernard Wagenaar at Juilliard, taking his B.A. in 1946 and his M.A. degree (along with the $1,000 George Gershwin Memorial Prize in composition) in 1948. In New York he worked as Virgil Thomson's copyist in return for $20 a week and orchestration lessons. He studied on fellowship at the Berkshire Music Center in Tanglewood in the summers of 1946 and 1947; in 1948 his song The Lordly Hudson was voted the best published song of that year by the Music Library Association. 

In 1949 Rorem moved to France, and lived there until 1958. His years as a young composer among the leading figures of the artistic and social milieu of post-war Europe are absorbingly portrayed in "The Paris Diary" and "The New York Diary, 1951-1961."

He currently lives in New York City.

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Thursday, July 14, 2011

Celebrating Bastille Day. Vive la France!!!

Celebrating Bastille Day
We couldn't find a good baritone version of Le Marsellaise, so we'll break all of the rules and celebrate Bastille Day with a tenor. Here is the always entertaining Roberto Alagna singing the spirited anthem of France. 



What better way to celebrate than with some French barihunks singing French music. Let's start with Gerard Souzay singing Ravel's "Don Quichotte" and Gabriel Fauré's Après un rêve:





François Le Roux
Here is François Le Roux singing Henri Duparc's "Chanson triste"  and Charles Gounod 's "Le Soir":





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Thursday, April 28, 2011

Kwiecien Ruling Again as King Roger

Mariusz Kwiecien: KING OF THE WORLD
In June 2009 we posted about Polish barihunk Mariusz Kwiecien's steamy hot potrayal of  Karol Szymanowski's "King Roger" at the Paris Opera (Pictures HERE). We subsequently named him as one of our "Top 10" posts of 2010 for being "just plain hot."

Kwiecien has returned to the role that he owns at the Teatro Real in Madrid. There are nine performances of the opera running through May 14th. He is joined in the production by the Ukrainian-born Polish soprano Olga Pasichnyk as Queen Roxana. 
Kwiecien as King Roger in Paris
Teatro Real is also hosting an exhibition in the foyer documenting the life and work of Karol Szymanowski, whose compositions served as a transition between Chopin and the Polish avant-garde movement. Many have described King Roger as the pinnacle of Szymansowski's "sensualist phase" and there are echoes of Ravel, Stravinksy, Richard Strauss and Prokofiev in his music.

You can watch the entire opera from Paris on YouTube with Kwiecien. Here is the first video in a series of ten:




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Wednesday, March 16, 2011

NIcholas Nelson for "Abercombie & Fitch"?

Nicholas Nelson

Seven months ago we introduced readers to Minnesota native Nicholas Nelson and his sexy abs. He was performing at the Central City Opera at the time and we've been waiting for an excuse for a follow up post.

When we first saw these pictures, we thought they were from an Abercombie & Fitch catalogue. If there is any question left in anyone's mind that singers are taking better care of their bodies these days, these pictures should dispel those thoughts.

Fans of the young singer Nelson can see him at the Portland Opera in the double bill of Ravel's L'heure Espagnole and L'enfant et les sortilèges. He will be performing as the Armchair and the Tree. Performances will run from April 1-9. He also just finished singing the Mandarin in Turandot with the company.

From August 12-20 he will be performing Alidoro in Opera North's Cenerentola.


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Wednesday, October 21, 2009

See David Krohn for FREE (but with his shirt on)



For those of you in the New York area, you can go see barihunk David Krohn for free at his Julliard recital concert. It will take place on November 17 in Julliard's Paul Hall at 8 PM.

He'll be performing Handel's "Dalla Guerra Amorosa", Schubert's "3 Gesänge des Harfners" and Ravel's "Histoires Naturelles."

Krohn has been featured on Barihunks three times before and he's building quite a following as he launches his career.

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